Academic literature on the topic 'Narratives'
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Journal articles on the topic "Narratives"
Snytko, Olena, and Stanislav Hrechka. ""Battle of narratives" in Ukraine's modern media space." Current issues of Ukrainian linguistics: theory and practice, no. 44 (2022): 86–117. http://dx.doi.org/10.17721/apultp.2022.44.86-117.
Full textJavorski, Elaine, and Quezia Alencar. "JORNALISMO ATIVISTA NA AMAZÔNIA." Brazilian journalism research 19, no. 3 (December 25, 2023): e1606. http://dx.doi.org/10.25200/bjr.v19n3.2023.1606.
Full textSEACHRIS, JOSHUA. "Death, futility, and the proleptic power of narrative ending." Religious Studies 47, no. 2 (June 14, 2010): 141–63. http://dx.doi.org/10.1017/s0034412510000223.
Full textAlgül, Mustafa. "Anlatı İçinde Anlatı: “Into The Woods (Sihirli Orman)” Filminin Peri Masalı Anlatıları İçindeki Gezintisi." Etkileşim 4, no. 7 (April 2021): 128–49. http://dx.doi.org/10.32739/etkilesim.2021.7.121.
Full textRingskou, Lea, Christoffer Vengsgaard, and Caroline Bach. "Klubpædagogen mellem demokrati, frihed og markedsgørelse?" Forskning i Pædagogers Profession og Uddannelse 4, no. 2 (October 19, 2020): 16. http://dx.doi.org/10.7146/fppu.v4i2.122504.
Full textNatenadze, Elena. "Georgian and Abkhaz Discourses about 1992- 1993 Armed Conflict: Narrative Analyzes of Interviews of Eyewitnesses." Caucasus Journal of Social Sciences 11, no. 1 (November 2, 2023): 64–86. http://dx.doi.org/10.62343/cjss.2018.174.
Full textAlfaro Vargas, Roy. "Las narrativas innaturales (Unnatural Narratives)." LETRAS 2, no. 60 (February 22, 2017): 185. http://dx.doi.org/10.15359/rl.2-60.9.
Full textLopes, Debora Cristina, and Regina Cely de Campos Hagemeyer. "Narrativas (auto)biográficas e a identidade profissional docente em Geografia." Revista Brasileira de Educação em Geografia 13, no. 23 (December 8, 2023): 05–27. http://dx.doi.org/10.46789/edugeo.v13i23.1331.
Full textSilva, Américo Junior Nunes da. "Constituindo-se Professora que Ensinará Matemática nos Anos Iniciais: o que Revelam as Narrativas Quanto a Alfabetização Matemática?" Jornal Internacional de Estudos em Educação Matemática 14, no. 1 (April 30, 2021): 61–72. http://dx.doi.org/10.17921/2176-5634.2021v14n1p61-72.
Full textBARWELL, ISMAY. "Understanding Narratives and Narrative Understanding." Journal of Aesthetics and Art Criticism 67, no. 1 (February 2009): 49–59. http://dx.doi.org/10.1111/j.1540-6245.2008.01334.x.
Full textDissertations / Theses on the topic "Narratives"
Tessaro, Annye Cristiny. "Narrativas e games: um olhar do design literário-artístico." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21522.
Full textMade available in DSpace on 2018-11-05T12:59:09Z (GMT). No. of bitstreams: 1 Annye Cristiny Tessaro.pdf: 2558658 bytes, checksum: 6ae482af1522ccf49fba1f5b8ed87511 (MD5) Previous issue date: 2018-09-12
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
Humanity has always used narratives to communicate. Over the years, theorists have realized that there was a common basic structure and formulation in the narratives that allowed stories to perpetuate and adapt in order to form new stories. The contributions of Aristotle, Vladimir Propp and Jung, based on the observation of a varied corpus of tales and fables, enabled the scholar Joseph Campbell to elaborate a narrative structure called “Hero’s Journey”, an elliptical and evolutionary cycle in which the central axis is the hero (and also its variations, such as the anti-hero). This structure is widely used in the construction of contemporary narratives which paved the way for writers such as Vogler and Mckee allowing them to propose it’s adaptation centered on the protagonist-hero for literature and cinema. From the 1970s, with the evolution towards an interactive possibility, the entertainment industry began to incorporate, although modestly, the narrative as a possibility to improve the immersion in games using, most of the time, the Writer’s Journey (structure adapted by Vogler) as a parameter for the construction of narratives in games. However, it is essential to realize that games have specific peculiarities, besides a high content of interaction differing from other media and, therefore, its structure can not be conceived in the same way as it was proposed by Vogler, requiring an adaptation which addresses such particularities. In addition, usually professionals who engage in storytelling for games are screenwriters (which does not seem to be the most appropriate because the art of narrative goes beyond the script), or are writers (who mostly lack specific knowledge and qualification in the games area). Considering what was stated above, we argue for the adoption of a Narrative Designer (term created in 2006 by Game Designer Stephen Dinehart) to designate this professional whose knowledge involves multiple skills – such as programming, art and writing – combining the areas of Narratology, Ludology, and Game Design. Thus, the purpose of this thesis is to investigate conventional narrative structures and how they are presented in games, which are the elements and tools that can help the narrative designer in the creative process
A humanidade sempre se utilizou de narrativas para se comunicar. Ao longo dos anos, os teóricos perceberam haver nas narrativas uma estrutura e uma formulação básica comum que propiciava que as histórias se perpetuassem e se adaptassem formando novas histórias. As contribuições de Aristóteles, Vladimir Propp e Jung, fundamentadas com base na observação de um corpus variado de contos e de fábulas, possibilitaram ao estudioso Joseph Campbell elaborar uma estrutura narrativa denominada “Jornada do Herói”, um ciclo elíptico e evolutivo no qual o eixo central é o herói (e também suas variações, tal como o anti-herói). Essa estrutura é amplamente utilizada na construção de narrativas contemporâneas e abriu o caminho para que roteiristas como Vogler e Mckee propusessem sua adaptação centrada no protagonista-herói para a literatura e o cinema, Com a evolução das possibilidades interativas, a indústria de entretenimento passou a incorporar, a partir da década de 1970, ainda que modestamente, a narrativa como possibilidade de refinar a imersão nos games utilizando, na maioria das vezes, a Jornada do Escritor (estrutura adaptada por Vogler) como parâmetro para construção das narrativas em games. No entanto, é essencial que se perceba que os games possuem particularidades específicas, além de um alto teor de interação diferenciando-se das outras mídias e, portanto, sua estrutura não pode ser concebida da mesma forma como foi proposto por Vogler, requerendo uma adaptação que contemple tais particularidades. Além disso, geralmente os profissionais que se dedicam à arte narrativa para games ou são roteiristas (que não parece ser o mais adequado, pois a arte narrativa vai além do roteiro), ou são escritores (que em sua maioria não possuem conhecimento e qualificações específicas na área de games). Diante do exposto, defende-se a adoção de Designer de Narrativas (termo criado, em 2006, pelo Game Designer Stephen Dinehart) para designar esse profissional cujo conhecimento envolve múltiplas habilidades – como programação, arte e escrita – combinando as áreas da narratologia, da ludologia e do Game Design. Sendo assim, a proposta desta tese é investigar as estruturas narrativas convencionais e como elas se apresentam nos games, quais são os elementos e as ferramentas que podem auxiliar o designer de narrativas no processo criativo
Skoufias, Emmanouil. "Narratives in landscape photography : the narrative potential of transitional landscapes." Thesis, University of Westminster, 2006. https://westminsterresearch.westminster.ac.uk/item/92756/narratives-in-landscape-photography-the-narrative.
Full textCamargo, Thais Medina Coeli Rochel de. "Narrativas de políticas sobre aborto no Brasil: uma análise a partir do narrative policy framework." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8131/tde-31072018-162747/.
Full textframework (NPF) through an analysis of pro-abortion rights narratives in Brazil. It also sought to test possible applications of text mining techniques to policy narrative analyses. I analyzed pro-abortion rights documents from feminist activists from 1976 to 1988 and documents from feminist organizations, law proposals and policy documents regarding abortion from 1989 to 2016. I carried out a content analysis of these documents using the OpenLogos software. Results show that feminists strategically opted for a public health narrative so as to expand the pro-abortion rights advocacy coalition through the inclusion of actors from the health field. The alliance with health sectors led to victories for the coalition, with the creation of legal abortion services and the inclusion of anencephaly among the exceptions to the abortion ban. The public health narrative thus became institutionalized: it became both the main narrative used by the coalition and the main narrative contained in policy documents. Coalitions seek to have narratives institutionalized, but this also constrains future action: abandoning an institutionalized narrative may threaten the coalition, while any future demands must be formulated within the framework of exiting policies. This dissertation further reveals that feminists, in response to perceived losses, sought to contract the scope of the dispute surrounding abortion, restricting it to technical health areas and to the Supreme Court. This contradicts NPF hypotheses. Finally, the dissertation also presents possible applications of text mining techniques to policy narrative analyses.
Karlsson, Axel, and Alexander Kores. "Forging a narrative : Political narratives in Swedish parties." Thesis, Högskolan Väst, Avd för juridik, ekonomi, statistik och politik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hv:diva-9704.
Full textLee, Jung-Bog. "Preaching biblical narratives in a narrative sermon form." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.
Full textGaspar, Elisangela Teixeira Bálico. "Narrativas do cancro: Uma análise autobiográfica." Master's thesis, ISPA - Instituto Universitário, 2013. http://hdl.handle.net/10400.12/2556.
Full textO diagnóstico do cancro e todo o processo da doença são vividos, não só pelo doente como também pela sua família, como um momento de grande sofrimento, ansiedade, tristeza e angústia. Assim como, transformação de aspetos positivo e negativo, constatadas nas narrativas de revisão de literatura, e nas vivências subjetivas dos indivíduos com a experiência do cancro que aceitaram colaborar neste estudo. Neste sentido, o presente estudo objetivou a compreensão das narrativas pessoais, incluindo o modo transformativo e o impacto do cancro, desenvolvido no processo da doença. A Metodologia do presente trabalho foi desenvolvida numa abordagem qualitativa como um estudo narrativo, tendo-se recolhido cinco narrativas da biografia pessoal de um grupo de quatro indivíduos com experiência do cancro, a partir de entrevista aberta semiestruturada, em duas fases. Estas estórias pessoais foram depois analisadas, à luz da análise de Teoria Narrativa, tendo-se numa primeira fase criado temáticas a partir do conteúdo narrativo das entrevistas, e posteriormente adequando-os com os conteúdos mais abordados. As conclusões que se pode tirar deste estudo, de acordo com a literatura consultada revelam a relevância da abordagem narrativa, podendo propiciar na deteção, prevenção, adaptação emocional e social do indivíduo às várias etapas do tratamento oncológico, bem como na reabilitação e no manuseamento do indivíduo numa fase terminal.
ABSTRACT: The cancer diagnosis and throughout the disease process are experienced not only the patient but also for their family, as a time of great sorrow, anxiety, sadness and distress. As well as processing of positive and negative aspects, found in the narratives of literature review, and the subjective experiences of individuals with cancer experience who cooperated in this study. In this sense, the present study aimed to understand the personal narratives, including mode and transformative impact of cancer developed in the disease process. The methodology of this study was developed in a qualitative study as a narrative, having collected five narratives of personal biography of a group of four individuals with cancer experience, from open semistructured interview, in two phases. These personal stories were then analyzed in the light of the analysis of Narrative Theory, having initially created themes from the narrative content of the interviews, and then matching them with the most discussed content The conclusions that can be drawn from this study, according to the literature reveal the relevance of narrative approach, can provide the detection, prevention, emotional and social adjustment of the individual to the various stages of cancer treatment as well as rehabilitation and handling terminally ill patient.
Milnes, Kate. "Dominant cultural narratives, community narratives and past experience : their impact on 'young' mothers' personal narrative accounts of experience." Thesis, University of Huddersfield, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289416.
Full textOliveira, Alessandro Eleutério de [UNESP]. "Narrativas orais contemporâneas por alunos e alunas: rascunhos para a obtenção de pistas para a apreensão de novas formas de experiência no século XXI?" Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/90357.
Full textNosso trabalho objetiva a apreensão e o entendimento das características de narrativas orais de alunos e de alunas observadas nas salas de aula de uma escola pública do interior paulista de Ensino Fundamental regular e de Ensino Médio supletivo. Nesse sentido, utilizamos o referencial teórico obtido a partir de idéias do filósofo alemão Walter Benjamin correlacionado com uma metodologia de abordagem qualitativa. Por essa razão, usamos os conceitos de Erfarhung, que diz respeito à experiência humana construída pela tradição nas sociedades artesanais, e que era transmitida por meio das narrativas orais associadas ao modo de produção pré-capitalista e o de Erlebnis, que se refere à experiência humana moldada pela Indústria Cultural e pelo modo de produção capitalista. A partir dessa premissa teórica, observamos aulas das disciplinas de Língua Portuguesa e História, estratégia metodológica que permitiu a obtenção de exemplos de seis manifestações orais a partir das quais abstraímos elementos que podem contribuir para a compreensão sobre as formas que as experiências dos sujeitos são constituídas em nosso tempo.
Our paper aims to apprehend and to understand male and female pupils' oral narratives observed in classrooms of a public school, which offers ordinary Elementary School and Adult High School, located in São Paulo state's countryside. Therefore, we used Walter Benjamin's theoretical reference correlated with a methodology of qualitative inspiration. For that reason, we employed the concepts of Erfahrung which refers to the human experience built by tradition in artisan societies that was communicated through oral narratives associated with the pre-capitalist production mode, and Erlebnis, which is the human experience shaped by the Cultural Industry and the capitalist production mode. From that theoretical premise, we observed classes of Portuguese and History, methodological strategy that allowed us to get examples of six oral expressions that composed the founts of elements that are able to help us to understand how people's experiences are formed in present days.
Pynchon, Susan Reynolds. "Resisting humiliation in schooling : narratives and counter-narratives /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/7766.
Full textBrems, Makella. "Islamic State Online Recruitment: Narratives and Counter-Narratives." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1708.
Full textBooks on the topic "Narratives"
Brewer, Mária Minich. Claude Simon: Narratives without narrative. Lincoln, Neb: University of Nebraska Press, 1995.
Find full textRath, Brigitte. Narratives Verstehen: Entwurf eines narrativen Schemas. Weilerswist: Velbrück Wissenschaft, 2011.
Find full textSaint-Etienne, Musée d'art moderne, ed. Osvaldo Romberg: Architectures narratives = narrative architectures. Paris: Panama, 2005.
Find full text(Gallery), Austin/Desmond Fine Art, ed. Narratives. London: Austin-Desmond Fine Art, 2004.
Find full textLyons, Richard. Narratives. Gardiner, Me: Tyzac Press, 1987.
Find full textScholz, Susanne. Body Narratives. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230287686.
Full textRippl, Gabriele. Haunted Narratives. Edited by Philipp Schweighauser, Tiina Kirss, Margit Sutrop, and Therese Steffen. Toronto: University of Toronto Press, 2013. http://dx.doi.org/10.3138/9781442664197.
Full textHadromi-Allouche, Zohar. Fall Narratives. New York : Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315581880.
Full textShapiro, Gary. Nietzschean narratives. Bloomington: Indiana University Press, 1989.
Find full textHorvat, Ana, Orly Lael Netzer, Sarah McRae, and Julie Rak. Trans Narratives. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003199465.
Full textBook chapters on the topic "Narratives"
Heavey, Emily. "Narrative Bodies, Embodied Narratives." In The Handbook of Narrative Analysis, 429–46. Hoboken, NJ: John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781118458204.ch22.
Full textCaracciolo, Marco. "Narrative and Posthumanism/Posthumanist Narratives." In Palgrave Handbook of Critical Posthumanism, 1097–118. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-04958-3_54.
Full textCaracciolo, Marco. "Narrative and Posthumanism/Posthumanist Narratives." In Palgrave Handbook of Critical Posthumanism, 1–23. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-42681-1_54-1.
Full textLovell, Heather. "Narratives." In Understanding Energy Innovation, 53–71. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-6253-9_4.
Full textCaples, Sara, and Everardo Jefferson. "Narratives and Counter-Narratives." In Many Voices, 51–78. London: RIBA Publishing, 2022. http://dx.doi.org/10.4324/9781003343554-5.
Full textZigon, Jarrett. "Narratives." In A Companion to Moral Anthropology, 204–20. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118290620.ch12.
Full textIzadi, Dariush. "Narratives." In The Spatial and Temporal Dimensions of Interactions, 203–34. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19584-7_7.
Full textBekkaoui, Khalid. "Narratives." In White Women Captives in North Africa, 46–255. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230294493_2.
Full textSaghaee, Neda. "Narratives." In Sufism in Eighteenth-Century India, 78–127. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003228899-3.
Full textTennberg, Monica. "Narratives." In Critical Studies of the Arctic, 185–204. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-11120-4_10.
Full textConference papers on the topic "Narratives"
Eismont, Polina M. "A CARTOON OR A SERIES OF PICTURES? THE PROBLEM OF CHOOSING AN EXPERIMENTAL TECHNIQUE." In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.19.
Full textHu, Xin, and Po Hsun Wang. "Virtual Reality in Museum: Exploring the User Experience of Exhibition Narrative." In Intelligent Human Systems Integration (IHSI 2024) Integrating People and Intelligent Systems. AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004530.
Full textMurakami, Mariane Harumi. "Narrative agency and user experience in transmedia narratives." In CLIHC '15: Latin American Conference on Human Computer Interaction. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2824893.2824911.
Full textNagler, Solomon, Andrew Hicks, Michael Hackett, and Katja Zachkarko. "NARRATIVES." In the 16th international conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2628363.2645695.
Full textShaw, Cara, and Farnaz Nickpour. "Illuminating Narratives of Young Wheelchair Users: Lived Experience Insights for Framing Child-Centred Inclusive Mobility Design." In AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004285.
Full textPereira, Matheus Leite, and Rosilane Ribeiro da Mota. "O uso da espacialidade e mecânica na construção de narrativas: A narrativa ambiental do jogo Bloodborne em contraposição à narrativa fílmica." In Anais Estendidos do Simpósio Brasileiro de Games e Entretenimento Digital. Sociedade Brasileira de Computação, 2021. http://dx.doi.org/10.5753/sbgames_estendido.2021.19636.
Full textFerreira, Mariana, and Hugo Gonçalo Oliveira. "Seeking the Ideal Narrative Model for Computer-Generated Narratives." In Proceedings of the 3rd Workshop on Computational Creativity in Natural Language Generation (CC-NLG 2018). Stroudsburg, PA, USA: Association for Computational Linguistics, 2018. http://dx.doi.org/10.18653/v1/w18-6602.
Full textLi, Mingyu, Danhua Zhao, Zhizi Liu, and Xing Chen. "Research on Intelligent Cabin (scenario) Design from the Perspective of Tangible Interactive Narratives." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003377.
Full textHao, Chen. "Competing Narratives." In 7thInternational Conference on the Medieval History of the Eurasian Steppe. Szeged: University of Szeged, 2020. http://dx.doi.org/10.14232/sua.2019.53.59-65.
Full textVertesi, Janet, Jofish Kaye, Samantha N. Jarosewski, Vera D. Khovanskaya, and Jenna Song. "Data Narratives." In CSCW '16: Computer Supported Cooperative Work and Social Computing. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2818048.2820017.
Full textReports on the topic "Narratives"
Goetzmann, William, Dasol Kim, and Robert Shiller. Crash Narratives. Cambridge, MA: National Bureau of Economic Research, July 2022. http://dx.doi.org/10.3386/w30195.
Full textKendall, Chad, and Constantin Charles. Causal Narratives. Cambridge, MA: National Bureau of Economic Research, August 2022. http://dx.doi.org/10.3386/w30346.
Full textBwerinofa, Iyleen Judy, Jacob Mahenehene, Makiwa Manaka, Bulisiwe Mulotshwa, Felix Murimbarimba, Moses Mutoko, Vincent Sarayi, and Ian Scoones. Living Through a Pandemic: Competing Covid-19 Narratives in Rural Zimbabwe. Institute of Development Studies, August 2022. http://dx.doi.org/10.19088/ids.2022.058.
Full textWilson, Andrew T., Nicholas D. Pattengale, James C. Forsythe, and Bradley John Carvey. Nested Narratives Final Report. Office of Scientific and Technical Information (OSTI), February 2015. http://dx.doi.org/10.2172/1170510.
Full textOza, Sandra, Lauren Christie, Megan Sinclair, Manos Apostolidis, Keiko Ferradj Ota, Simon-Lewis Menzies, Eleanor Heggdal Lønes, et al. Wellbeing: Postgraduate Researcher Narratives. University of Dundee, June 2023. http://dx.doi.org/10.20933/100001279.
Full textOza, Sandra, Lauren Christie, Megan Sinclair, Manos Apostolidis, Keiko Ferradj Ota, Simon-Lewis Menzies, Eleanor Heggdal Lønes, et al. Wellbeing: Postgraduate Researcher Narratives. University of Dundee, February 2023. http://dx.doi.org/10.20933/100001278.
Full textBénabou, Roland, Armin Falk, and Jean Tirole. Narratives, Imperatives, and Moral Reasoning. Cambridge, MA: National Bureau of Economic Research, July 2018. http://dx.doi.org/10.3386/w24798.
Full textBa, Bocar, Abdoulaye Ndiaye, Roman Rivera, and Alexander Whitefield. Mispricing Narratives after Social Unrest. Cambridge, MA: National Bureau of Economic Research, July 2024. http://dx.doi.org/10.3386/w32730.
Full textGomes Bassi, I. Epistemological path of narratives for peace. Revista Latina de Comunicación Social, July 2019. http://dx.doi.org/10.4185/rlcs-2019-1381en.
Full textSims, Kearrin. Political narratives on poverty that mislead. East Asia Forum, June 2024. http://dx.doi.org/10.59425/eabc.1717236000.
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