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Books on the topic 'Narrative techniques in art marketing'

Author: Grafiati

Published: 25 November 2024

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1

France) Colloque interdisciplinaire Icône-Image (6th 2009 Auxerre. Les musées et le marché de l'art: Actes du 6e colloque interdisciplinaire, 3-4 juillet 2009 Icône-image. Sens: Obsidiane-les trois P, 2010.

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2

Müller, Jørn, and Saul Albert. Wir sind woanders: Reader. Hamburg: Textem, 2007.

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3

Silvie, Turner, ed. Exhibiting original prints. London: Estamp, 1991.

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4

Mulherin, Jennifer. Presentation techniques for the graphic artist: How to sell your ideas effectively. Cincinnati, Ohio: North Light Books, 1987.

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5

Jeong, Yang, ed. Professional manga: Digital storytelling with Manga Studio EX. Boston: Focal Press, 2008.

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6

Vogler, Richard A. Reading Hogarth: An exhibition emphasizing the printing history, narrative changes, and narrative techniques in the prints of William Hogarth : Grunwald Center for the Graphic Arts, Wight Art Gallery, UCLA, January 10-March 13, 1988. [Los Angeles]: The Center, 1988.

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7

Gerd, Lindner, Panorama-Museum (Bad Frankenhausen Germany), and Nerdrum Institute, eds. Odd Nerdrum: Prophet der Malerei = Prophet of painting. Bad Frankenhausen: Panorama-Museum, 2011.

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8

Nerdrum, Odd. Odd Nerdrum: Malerier. Oslo: Aschehoug, 1994.

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9

Nerdrum, Odd. Odd Nerdrum: Themes : paintings, drawings, prints and sculptures. Oslo, Norway: Press Publishing, 2007.

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10

Nerdrum, Odd. Odd Nerdrum. Paris: Ramsay, 1994.

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11

Nerdrum, Odd. Odd Nerdrum: [exhibition] March 22 - May 1, 1988, University Art Museum, California State University, Long Beach; Museum of Contemporary Art, Chicago, July 9 - August 21, 1988; Madison Art Center, Wisconsin, September 3 - November 13, 1988; The Nelson-Atkins Museum of Art, Kansas City, December 2, 1988 - February 5, 1989. Long Beach, Calif: University Art Museum, California State University, 1988.

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12

Nerdrum, Odd. Odd Nerdrum: Temaer : malerier, tegninger, grafikk og skulpturer. Oslo: Press, 2007.

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13

Richard, Vine, ed. Odd Nerdrum: Paintings sketches and drawings. Oslo: Gyldendal Fakta, 2001.

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14

W, Korsnes Carl, ed. Odd Nerdrum: Making painting great again. Stockholm: Arvinius + Orfeus, 2017.

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15

Thomson, Ross. How to draw and sell cartoons: All the professional techniques of strip cartoon, caricature and artwork demonstrated. London: Apple, 1989.

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16

B, Fredericksen Burton, Priem Ruud, Armstrong Julia I, and Provenance Index of the Getty Information Institute., eds. Corpus of paintings sold in The Netherlands during the nineteenth century. Los Angeles: J. Paul Getty Information Institute, 1998.

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17

Steven, Rost, ed. Portfolio design. 3rd ed. New York: W.W. Norton, 2003.

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18

Tufte, Edward R. Visual Explanations: Images and Quantities, Evidence and Narrative. 2nd ed. Cheshire, Conn: Graphics Press, 2000.

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19

Ekelund Jr., Robert B., John D. Jackson, and Robert D. Tollison. The Economics of American Art. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190657895.001.0001.

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Abstract:

The Economics of American Art focuses solely on critical economic aspects of the full range of American art (as opposed to art produced and traded in the United States). After a brief introduction to the history of this market, simple economics in both narrative and statistical form is used to plumb a number of important topics and issues. Using a unique sample of 14,000 art auction observations between 1987 and 2013 of eighty American artists born before 1950, several important topics related to art and the marketplace are examined. These include such matters as the age at which artists achieve peak productivity. Further, the authors query whether the undeniably “innovative” art being produced in the United States today is partially related to marketing and modern selling techniques rather than the age-related link most often offered as explanation. Marketing techniques and the “fairness” of auction house estimates are evaluated in this regard. Other aspects of the auction marker, such as “bought-ins” and “burning,” are also addressed. The authors show statistically that there are two basic markets for American art: that produced prior to 1950 and that (post-1950) labeled “contemporary.” Investment in the latter, the authors conclude, may be far more remunerative. The disturbing issues of art crime, money laundering with art, fakes, and fraud are analyzed, with the costs and benefits of such activities in mind, as are the issues of the impact of an artist’s death and the appearance of bubbles in the art market.

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20

Galligan, Klee, and Rafi Perez. Rogue Artist's Marketing and Money Journal. Rafi & Klee Studios, 2022.

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21

Perez, Rafi. The Rogue Artist's Marketing And Money Journal. Rafi & Klee Studios, 2022.

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22

Galligan, Klee, and Rafi Perez. Rogue Artist's Art Marketing Guide: Put Yourself Out There. Rafi & Klee Studios, 2022.

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23

Perez, Rafi. Rogue Artist's Art Marketing Guide: Put Yourself Out There. Rafi & Klee Studios, 2022.

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24

Oudsten, Frank den. Space. time. narrative: The Exhibition As Post-Spectacular Stage. Taylor & Francis Group, 2016.

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25

Oudsten, Frank den. Space. time. narrative: The Exhibition As Post-Spectacular Stage. Taylor & Francis Group, 2016.

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26

Oudsten, Frank den. Space. time. narrative: The Exhibition As Post-Spectacular Stage. Taylor & Francis Group, 2016.

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27

Oudsten, Frank den. Space. time. narrative: The Exhibition As Post-Spectacular Stage. Taylor & Francis Group, 2016.

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28

Oudsten, Frank den. Space. Time. Narrative: The Exhibition as Post-Spectacular Stage. Taylor & Francis Group, 2017.

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29

Narrative Spaces: On the Art of Exhibiting. NAi Uitgevers / Publishers Stichting, 2013.

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30

Cyr, Lisa L. Art of Promotion: Creating Distinction Through Innovative Production Techniques. Rockport Publishers, 2003.

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31

Getting Exposure Art Calendar Guides. Lyons Press, 2002.

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32

Rhoads, Eric. Make More Money Selling Your Art: Proven Techniques for Turning Your Passion into Profit. Streamline Publishing, 2018.

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33

Getting exposure: The artist's guide to exhibiting the work. New York, N.Y: Lyons Press, 1998.

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34

Reportage and documentary drawing: Tips and techniques for drawing on location. Quarry Books, 2016.

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35

Rhoads, Eric. Make More Money Selling Your Art: Proven Techniques For Turning Your Passion Into Profit [DVD]. UNITED STATES May 1, 2018, 2018.

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36

Time to exhibit: Directing spatial design and new narrative pathways. Milano, Italy: FrancoAngeli, 2019.

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37

Vitali, Julius. Fine Artist's Guide to Marketing and Self-Promotion: Innovative Techniques to Build Your Career As an Artist. Skyhorse Publishing Company, Incorporated, 2003.

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38

Mikkonen, Kai. Narratology of Comic Art. Taylor & Francis Group, 2017.

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39

Mikkonen, Kai. Narratology of Comic Art. Taylor & Francis Group, 2017.

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40

Narratology of Comic Art. Taylor & Francis Group, 2019.

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41

Narratology of Comic Art. Routledge, 2017.

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42

Vitali, Julius. The Fine Artist's Guide to Marketing and Self-Promotion: Innovative Techniques to Build Your Career As an Artist. Watson-Guptill Publications, 1997.

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43

Vitali, Julius. The Fine Artist's Guide to Marketing and Self-Promotion: Innovative Techniques to Build Your Career as an Artist. Allworth Press, 2003.

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44

Exhibiting prints. London: Estamp, 1991.

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45

Mikkonen, Kai. The Narratology of Comic Art. Taylor & Francis, 2017.

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46

Mumm, Christie. Art of Selling Portrait Photography: In-Person Sales Techniques to Maximize Customer Satisfaction and Profits. Amherst Media, Incorporated, 2017.

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47

Jane, Mark. Creating Improvised Theatre: Tools, Techniques, and Theories for Short Form and Narrative Improvisation. Taylor & Francis Group, 2021.

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48

Jane, Mark. Creating Improvised Theatre: Tools, Techniques, and Theories for Short Form and Narrative Improvisation. Taylor & Francis Group, 2021.

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49

Jane, Mark. Creating Improvised Theatre: Tools, Techniques, and Theories for Short Form and Narrative Improvisation. Taylor & Francis Group, 2021.

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50

Creating Improvised Theatre: Tools, Techniques, and Theories for Short Form and Narrative Improvisation. Routledge, 2021.

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