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Relevant bibliographies by topics / Naples (Italy) – History – 15th century

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Academic literature on the topic 'Naples (Italy) – History – 15th century'

Author: Grafiati

Published: 10 March 2023

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Journal articles on the topic "Naples (Italy) – History – 15th century"

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Lehmann, L. Th. "Underwater archaeology in 15th and 16th-century Italy." International Journal of Nautical Archaeology 20, no. 1 (February 1991): 9–11. http://dx.doi.org/10.1111/j.1095-9270.1991.tb00290.x.

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Borghese, A. "THE LIPIZZANER IN ITALY." Animal Genetic Resources Information 10 (April 1992): 67–73. http://dx.doi.org/10.1017/s1014233900003308.

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SUMMARYThe Lipizzaner is one of Europe's most ancient breeds; its history goes back to the early 16th century The original stock came from the North of Italy and Spain; six male lines introduced in the second half of the 18th century and the early 19th century, from Naples, the Austro-Hungarian empire, Denmark and Arabia upgraded the breed to its actual standard. The Italian national stud of Montemaggiore is perpetrating the Lipizzaner tradition. The horses are kept under extensive grazing conditions and all six “families” (Napolitano,Conversaro, Favory, Pluto, Maestoso and Siglavy) are present.

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CARRIÓ-INVERNIZZI, DIANA. "GIFT AND DIPLOMACY IN SEVENTEENTH-CENTURY SPANISH ITALY." Historical Journal 51, no. 4 (November 18, 2008): 881–99. http://dx.doi.org/10.1017/s0018246x08007115.

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ABSTRACTThis article explains how the concept and the practice of gift-making evolved in Spanish Italy in connection with power. Contemporary chronicles, avvisi (newsletters), and letters enable us to reflect upon how gifts were seen, given, and received in the period at the Spanish embassy in Rome and in the viceroyalty of Naples. It aims to establish how the exchange of presents affected the wielding of power and how it contributed to shaping the political culture of the Spanish in Italy. The seventeenth century and Italy were the time and place that witnessed the greatest experimentation in gift-making practices. This experimentation and the polysemic nature of gifts can also be explained as a result of the low level of professionalization that still characterized diplomacy in seventeenth-century Europe.

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Esposito, Salvatore. "From England to Italy: The Intriguing Story of Poli’s Engine for the King of Naples." Physics in Perspective 23, no. 2-3 (October 2021): 104–38. http://dx.doi.org/10.1007/s00016-021-00277-1.

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AbstractAn interesting, yet unknown episode concerning the effective permeation of the scientific revolution in eighteenth-century Kingdom of Naples (and Italy more generally) is recounted. The intriguing story of James Watt’s steam engine, prepared to serve a Royal Estate of the King of Naples in Carditello, reveals a fascinating piece of the history of that kingdom, as well as an unknown step in the history of Watt’s steam engine, whose final entrepreneurial success for the celebrated Boulton & Watt company was a direct consequence. This story reveals that, contrary to what claimed in the literature, the first introduction in Italy of the most important technological innovation of the eighteenth century did not take place with the construction of the first steamship of the Mediterranean Sea, but rather thirty years before that, thanks to the incomparable work of Giuseppe Saverio Poli, a leading scholar and an influential figure in the Kingdom of Naples. The tragic epilogue of Poli’s engine accounts for its vanishing from historical memory.

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Dechert, Michael S. A. "The Military Architecture of Francesco di Giorgio in Southern Italy." Journal of the Society of Architectural Historians 49, no. 2 (June 1, 1990): 161–80. http://dx.doi.org/10.2307/990475.

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The role of Francesco di Giorgio (1439-1501) in developing the forms of artillery fortification marking the transition from late medieval defenses to the mature bastioned forts of the 16th century is becoming clearer as additional research has enhanced our knowledge of the chronology of his interventions, the maturation of design elements, and the interlocking personal, institutional, and political factors in his work for the Aragonese Kingdom of Naples. These efforts by Francesco di Giorgio and his associates focused on Naples, Otranto, Gallipoli, Taranto, Manfredonia, Monte Sant'Angelo, Reggio Calabria, Ortona, Matera, and Brindisi. Archival sources, investigation of the sites, and surviving graphic materials contribute substantially to identifying this "school" of military architects and the evolution of design brought about by the technological challenge of gunpowder, firearms, and siege artillery.

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Britnell, R. H. "England and Northern Italy in the Early Fourteenth Century: the Economic Contrasts." Transactions of the Royal Historical Society 39 (December 1989): 167–83. http://dx.doi.org/10.2307/3678983.

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We know almost as much about the operations of big Italian companies in England as about those in Italy itself during the early fourteenth century. Tuscan trade here engaged some of Europe's most celebrated businesses, attracted by the kingdom's fine wool and the credit-worthiness of her crown and nobility. Historians have some-times drawn an analogy with international lending from richer to poorer countries in the modern world, both to create a point of contact with their readers and to meet the need for deep-lying explanations. The analogy usually carries the implication that Italy had a more advanced economy than England, and there are authors who say so explicitly. Some use terms designed to describe international economic growth during the last two hundred years, and represent medieval Italy as a pole of development, or a core economy. Others, borrowing the language of power, describe Italy as a dominant economy. Professor Cipolla uses a number of these ideas at once in his observation that ‘in the early years of the fourteenth century Florence represented a dominant and developed economy, while England and the kingdom of Naples were two decidedly underdeveloped countries: the periphery, to use Wallerstein's expression’.

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Proietti, Noemi, Graziella Roselli, Donatella Capitani, Claudio Pettinari, Stefania Pucciarelli, Sara Basileo, and Fabrizio Scognamiglio. "Characterization of Handmade Papers (13th–15th century) from Camerino and Fabriano (Marche, Italy)." Journal of Cultural Heritage 42 (March 2020): 8–18. http://dx.doi.org/10.1016/j.culher.2019.07.014.

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BORRELLI, ANTONIO. "CARTEGGIO DI DOMENICO COTUGNO." Nuncius 1, no. 2 (1986): 93–101. http://dx.doi.org/10.1163/182539186x00539.

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Abstract<title> SUMMARY </title>This short essay should be - event though not exaustive at all a view on the situation of the Cotugno papers. Domenico Cotugno (1736-1822) was one of the most eminent scientists among them who worked in Naples in the 18th and in the early 19th century. This essay is particularly centred upon the Cotugno papers founded in National Library of Naples (Carteggio Cotugno, mss. S. Martino, 394-401). Among these papers there are many letters written by scientists and learned people, from Italy and from abroad. This writing finally gives some indications about Cotugno's letters founded in other libraries, and a list of edited papers.

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Eamon, William. "Cannibalism and Contagion: Framing Syphilis in Counter-Reformation Italy*." Early Science and Medicine 3, no. 1 (1998): 1–31. http://dx.doi.org/10.1163/157338298x00013.

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AbstractThe outbreak of syphilis in Europe elicited a variety of responses concerning the disease's origins and cure. In this essay, I examine the theory of the origins of syphilis advanced by the 16th-century Italian surgeon Leonardo Fioravanti. According to Fioravanti, syphilis was not new but had always existed, although it was unknown to the ancients. The syphilis epidemic, he argued, was caused by cannibalism among the French and Italian armies during the siege of Naples in 1494. Fioravanti's strange and novel theory is connected with his view of disease as corruption of the body caused by eating improper foods. His theory of bodily pollution, a metaphor for the corruption of society, coincided with Counter-Reformation concepts about sin and the social order.

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Callewier, Hendrik. "Bruges, 15th-century centre of the notarial profession in the Low Countries." Tijdschrift voor Rechtsgeschiedenis / Revue d'Histoire du Droit / The Legal History Review 77, no. 1-2 (2009): 73–102. http://dx.doi.org/10.1163/004075809x403406.

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AbstractOn the strength of previous research it has often been assumed that in Flanders the notarial profession had barely developed before 1531. That position can no longer be upheld, in particular with regard to fifteenth-century Bruges, since a prosopographical study into the notaries public who were active at the time in Bruges shows that nowhere else in the Low Countries was the notariate so successful. Moreover, because of their numbers, of their intensive activity in pursuing their trade and of the nature of the deeds they drafted, the Bruges notaries appear to have set the standards for their colleagues in the other parts of the Low Countries. Even so, it remains true that in Bruges as in the rest of North-Western Europe, the notarial profession remained far less important than in the cities of Northern Italy.

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Dissertations / Theses on the topic "Naples (Italy) – History – 15th century"

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Jauch, Linda. "Women, power and political discourse in fifteenth-century northern Italy." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/252268.

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Norris, R. Mae. "Beyond the battlefield : Venice's Condottieri families and artistic patronage : the Colleoni of Bergamo, Martinengo di Padernello of Brescia and the Savorgnan del Monte of Udine (1450-1600)." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708397.

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Ward, Courtney Ann. "Identifying multiple gender identities in the first century AD : a study of personal adornment and skeletal remains from the Bay of Naples." Thesis, University of Oxford, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669822.

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Beck, Émilie. "Da Vernet a Valenciennes: i pittori francesi di paesaggio a Napoli nella seconda metà del Settecento." Doctoral thesis, Scuola Normale Superiore, 2005. http://hdl.handle.net/11384/85760.

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Robb, Stuart James. "To begin, continue and complete : music in the wider context of artistic patronage by Pope Alexander VI (1492-1503) and the hymn cycle of CS 15." Thesis, University of Manchester, 2011. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:122374.

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This thesis takes as its area of exploration the papal chapel choir and its repertory, alongside the papacy and its patronage of the arts at the end of the fifteenth century. It draws on previous research concerning the singers, polyphonic manuscripts and artistic culture of the Vatican, but places Pope Alexander VI as the central figure of the thesis, showing schemes of patronage that shaped his reign. The research presents a transcription and analysis of the hymn cycle contained within the manuscript Cappella Sistina 15, alongside an assessment of the polyphonic music collection and places these against accounts of music making and evidence of music copying at the papal chapel during Alexander’s reign. The thesis also considers the environment of secular music making at Alexander’s court. In order to provide a context in which to understand this information, the life of Alexander VI is examined, tracing his artistic patronage and involvement with music both prior to his election and afterwards. Of particular note is the engagement of the artist Pintoricchio to decorate the papal apartments. Here, the artist’s representation of music as part of the seven liberal arts is analysed, providing a unique, contemporary and important insight into music practices in Alexander’s court. Three classifications of patronage are identified for Alexander’s reign, while also showing that these were strategies that he had used before he became pope. The music culture at the papal chapel is shown to be part of this strategy, through the consolidation of old music and the introduction of new music into the repertory, ending a task that had taken approximately 60 years. It shows that Alexander’s reign was an important period musically, that instituted new musical traditions and created an environment that prepared the way for the golden ages of patronage of Julius II and Leo X.

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Tycz, Katherine Marie. "Material prayers : the use of text in early modern Italian domestic devotions." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/276240.

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While scholarship often focuses on how early modern Italians used images in their devotions, particularly in the post-Tridentine era, little attention has been placed upon how laypeople engaged with devotional text during times of prayer and in their everyday lives. Studies of early modern devotional texts have explored their literary content, investigated their censorship by the Church, or concentrated upon an elite readership. This thesis, instead, investigates how ordinary devotees interacted with holy words in their material form, which I have termed ‘material prayers’. Since this thesis developed under the aegis of the interdisciplinary research project, Domestic Devotions: The Place of Piety in the Italian Renaissance Home, 1400-1600, it focuses primarily on engagement with these material prayers in domestic spaces. Using an interdisciplinary approach drawing from material culture studies, literary history, social and cultural history, and art history, it brings together objects, images and archival sources to illuminate how devotees from across the socio-economic and literacy spectrums accessed and employed devotional text in their prayers and daily life. From holy words, Biblical excerpts, and prayers to textual symbols like the Sacred Monogram of the Name of Jesus, this thesis explores how and why these material prayers were employed for spiritual, apotropaic and intercessory purposes. It analyses material prayers not only in traditional textual formats (printed books and manuscripts), but also those that were printed on single-sheets of paper, inscribed on jewellery, or etched into the structure of the home. To convey how devotees engaged with and relied upon these material prayers, it considers a variety of inscribed objects, including those sanctioned by the Church as well as those which might be questioned or deemed ‘superstitious’ by ecclesiastical authorities. Sermons, Inquisition trial records, and other archival documents have been consulted to further illuminate the material evidence. The first part of the thesis, ‘On the Body’, considers the how devotees came into personal contact with texts by wearing prayers on their bodies. It examines a range of objects including prayers with protective properties, known as brevi, that were meant to be sealed in a pouch and worn around the neck, and more luxurious items of physical adornment inscribed with devotional and apotropaic text, such as necklaces and rings. The second part of the thesis enters the home to explore how the spaces people inhabited and the objects that populated their homes were decorated with material prayers. ‘In the Home’ begins with texts inscribed over the entryways of early modern Italian homes, and then considers how devotees decorated their walls with holy words and how the objects of devotion and household life were imbued with religious significance through the addition of pious inscriptions. By analysing these personal objects and the textual domestic sphere, this thesis argues that these material prayers cut across socio-economic classes, genders, and ages to embody quotidian moments of domestic devotion as well as moments of fear, anxiety and change.

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ROICK, Matthias. "Mercury in Naples : the moral and political thought of Giovanni Pontano." Doctoral thesis, 2009. http://hdl.handle.net/1814/13281.

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Defence date: 26 October 2009
Examining Board: Prof. Martin van Gelderen (EUI) - supervisor; Prof. Anthony Molho (EUI); Prof. Riccardo Fubini (University of Florence); Prof. Thomas Kaufmann (University of Göttingen).
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
The present study returns to Giovanni Gioviano Pontano's role as a thinker and philosopher. It is based on the treatises and tracts Pontano wrote, to which scant attention has been paid until now, but also on his ad hoc political writings and his better known dialogues and poems. It moves between different fields of inquiry including history, philosophy, and literature, trying to represent Pontano's thought not only in its doctrinal aspects, but in a more comprehensive and contextualized perspective. Within this perspective, his thought will appear as mercurial as Pontano himself. It is not a set of explicit, philosophical doctrines that can be described within a coherent theoretical framework, but a cluster of different thoughts, attitudes, and practices.

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CAGLIOTI, Daniela Luigia. "Il guadagno difficile : commercianti e artigiani napoletani nella seconda meta dell'800." Doctoral thesis, 1992. http://hdl.handle.net/1814/5806.

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Defence date: 9 October 1992
Examining board: Prof. Heinz-Gerhard Haupt, IUE ; Prof. Daniel Roche, Paris I (supervisore esterno) ; Prof. Raffaele Romanelli, Università di Pisa ; Prof. Robert Rowland (supervisore) ; Prof. Pasquale Villani, Università di Napoli
First made available online: 16 October 2015

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TOFFOLO, Sandra. "Depicting the city, depicting the state : fifteenth-century representations of Venice and the Venetian terraferma." Doctoral thesis, 2013. http://hdl.handle.net/1814/29618.

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Defence date: 5 December 2013
Examining Board: Professor Luca Molà, EUI (Supervisor); Professor Antonella Romano, EUI; Professor Filippo de Vivo, Birkbeck, University of London; Professor Deborah Howard, University of Cambridge
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
This thesis addresses the construction of ideas concerning the identities of geographical spaces, focusing on Venice in the period 1381-1509. It concentrates on the representations of two different roles held in this period by Venice: that of a city in a circumscribed urban setting, and that of the capital of an emerging state on the Italian mainland. Employing a corpus that consists mainly of geographical descriptions but that also includes cases of art and ceremonies, the dissertation closely analyses how fifteenth-century representations of Venice and the Venetian Terraferma were constructed, how they were transformed over time, and how these processes can be explained through the links with the various contexts in which the representations came into being. The thesis underlines, more than is currently the case in historiography, the multiplicity and transformability of simultaneously existing images of Venice. It analyses the large variety of factors to which contemporaries reacted when they created their geographical representations. Rather than merely following a centuries-old tradition of images of Venice (a tradition which in historiography has been called the ‘myth of Venice’), or rather than simply mirroring the institutionalised characteristics of the Venetian state, contemporaries took into account a multitude of contexts when constructing and transforming their representations. This is clearly shown by the very existence of different, sometimes even contradictory images of Venice and its mainland state in the fifteenth century. Taking into account the multiplicity of representations also explains that images of Venice in its role as city on the one hand, and as capital of a mainland state on the other hand, did not have to be in conflict, but that they could exist alongside each other, and that the processes by which they were created could impact upon one another.

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MITHEN, Nicholas. "The disciplining of historical scholarship : Matteo Egizio, Naples and the Italian 'Republic of Letters', 1700-1734." Doctoral thesis, 2018. http://hdl.handle.net/1814/57524.

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Defence date: 06 July 2018
Examining Board: Professor Ann Thomson, European University Institute; Professor Jorge Flores, European University Institute; Professor John Robertson, University of Cambridge; Professor Girolamo Imbruglia, Università degli studi di Napoli "L'Orientale"
This thesis is primarily an enquiry into the production of historical scholarship on the Italian peninsula in the first three decades of the 18th Century, with a specific emphasis on Naples and the Italian South. As a point of entry this study draws upon the passive correspondence of the Neapolitan lawyer and scholar Matteo Egizio. Its method is strategic rather than exhaustive: it argues that during the early 18th Century networks of Italian scholars sought to systematically reform how history was written, how the past was understood and related to the present, and how scholarship worked and related to other realms of life. Working collaboratively, groups of Neapolitan and Italian scholars aimed to enforce a specific method, epistemology and sensibility upon the writing of history and the production of scholarship. Building upon the humanist tradition, this entailed a critical approach to history, valuing empiricism and certainty in factual knowledge, challenging speculation and prejudice, and opposing the excesses of universalism, rationalism, dogmatism as well as Pyrrhonic scepticism in historical thought. This amounted to a coordinated attempt to discipline the production of historical scholarship. On the one hand it aimed to insulate historical scholarship from the encroachment of ideological bias, demarcating the writing of history, in a limited sense, as a distinct realm of learning. At the same time, the disciplining of scholarship made history a powerful source of authority, able to construct and deconstruct political-jurisdictional and theological-ecclesiastical arguments. Between these two tendencies, the generalization of historical criticism in the early 18th Century animated tensions between the intrinsic and the instrumental value of historical argument, as well as between the particular and the general meaning of historical truth. An exposition of these conflicts is the subject proper of this thesis.

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Books on the topic "Naples (Italy) – History – 15th century"

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editor, Gavran Lovro Fra, ed. Skënderbeu, letërkëmbimi me sulltanët: (8 letra nga Arkivi Bibliotekës Kombëtare të Napolit dhe nga Arkivi Sekret i Vatikanit). Tiranë: Fast Print, 2018.

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The new Solomon: Robert of Naples (1309-1343) and fourteenth-century kingship. Leiden: Brill, 2003.

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Music at the Aragonese court of Naples. Cambridge [Cambridgeshire]: Cambridge University Press, 1985.

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Thomas, Frank. Bruderschaften im spätmittelalterlichen Kirchenstaat: Viterbo, Orvieto, Assisi. Tübingen: M. Niemeyer, 2002.

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Greeks and Latins in renaissance Italy: Studies on humanism and philosophy in the 15th century. Aldershot, Hampshire, Great Britain: Ashgate, 2004.

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Hibbert, Christopher. The Borgias and their enemies: 1431-1519. Orlando, Fla: Harcourt, Inc., 2008.

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Avicenna in Renaissance Italy: The Canon and medical teaching in Italian universities after 1500. Princeton, N.J: Princeton University Press, 1987.

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1959-, Welch Evelyn S., ed. Making and marketing medicine in Renaissance Florence. Amsterdam: Rodopi, 2011.

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C, Mattusch Carol, ed. Johann Joachim Winckelmann: Letter ; and Report on the discoveries at Herculaneum : antiquities, archaeology, and politics in eighteenth-century Naples. Los Angeles: J. Paul Getty Museum, 2011.

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Humanism in Italian Renaissance musical thought. New Haven: Yale University Press, 1985.

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Book chapters on the topic "Naples (Italy) – History – 15th century"

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Tavoni, Mirko. "The 15th-Century Controversy on the Language Spoken by the Ancient Romans." In The History of Linguistics in Italy, 23. Amsterdam: John Benjamins Publishing Company, 1986. http://dx.doi.org/10.1075/sihols.33.03tav.

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"NAPLES IN THE EIGHTH AND NINTH CENTURIES." In Making History in Ninth-Century Northern and Southern Italy, 117–20. Pisa University Press, 2018. http://dx.doi.org/10.2307/j.ctvb1hs12.13.

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Giudice, Christian. "Risorgimento Italy." In Occult Imperium, 27–48. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197610244.003.0002.

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The following chapter provides the reader with a brief history of the Italian Risorgimento, the sociopolitical movement that led to the unification of the country in 1870. The importance of Risorgimento ideas and values in the life of Arturo Reghini, who was born only eight years after the birth of the Italian nation, is highlighted and explored, especially through the works of Mario Banti and Denis Mack Smith. An analysis of the main threads of the occult tradition that flourished in nineteenth-century Italy and their impact on Reghini is also attempted, with special relevance given to Freemasonry, Spiritualism, and the occult ideas of Italo/Roman primacy, which blossomed in Naples toward the end of the century and strongly informed Reghini’s worldview. A short excursus on the history of the Vatican State and the Roman question is also attempted, since this event influenced Reghini’s strong anti-clerical stance.

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Weigel, Sigrid. "Defamatory Images: Disfiguration in Physiognomy and Caricature’s Two Bodies." In Grammatology of Images, 118–69. Fordham University Press, 2022. http://dx.doi.org/10.5422/fordham/9781531500153.003.0006.

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The chapter departs from the controversy about the ‘Muhammed Caricatures,’ interpreted as a religious war between comparable fundamentalist positions (ban of pictures vs. freedom of press), and analyses the iconographic tradition the individual cartoons refer to. Their pictorial rhetoric, typical for the genre's tension between critique and defamation, initiates a) a theoretical investigation of the genre and its relation to the joke in reference to the psychoanalytic approach (Freud, Kris, Gombrich) and b) an archaeology of the caricature/ pictorial satire beyond the mainstream narrative of the genre, whose origin usually is seen in the invention of ‘caricatura’ as distorted portrait in 16th-century Italy. In contrast, the chapter traces the history of pictorial satire back to the religious war of the 15th century, iconoclasm, and the defamatory image policy of the 14th century (Schandbilder), and interprets the invention of the distorted likeness in relation to the emergence of physiognomics. The last part summarizes these paths in a new theoretical approach to the political theology of the genre, namely, the caricature's two bodies.

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