Journal articles: 'Names in art'

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Nick, I. M. "Art of Naming." Names 69, no. 1 (February 15, 2021): 40–43. http://dx.doi.org/10.5195/names.2021.2253.

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SMITH, Grant W. "Names as Art." Onoma 40 (December 31, 2005): 7–28. http://dx.doi.org/10.2143/ono.40.0.2033068.

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Hawthorn, Ainsley. "Wherefore Art Thou Juanita?" Names 70, no. 1 (March 9, 2022): 9–18. http://dx.doi.org/10.5195/names.2022.2377.

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The name Juanita should have been an unlikely candidate for popularity in a place like Newfoundland, where only 0.1% of the population of half a million speaks Spanish as a mother tongue and 0.4% identifies as having Spanish, Latin American, Central American, or South American ethnic origins. Nonetheless, the name is a well-established member of the Newfoundland onomasticon. Drawing on archival research, census data, and other primary source materials, this study seeks to uncover how Juanita was introduced to Newfoundland and what determinants precipitated its widespread acceptance. The author proposes that the early adopters of Juanita were inspired by a nineteenth-century ballad of the same name and that Juanita was ripe for incorporation into the Newfoundland onomasticon because of its phonetic resemblance to girls’ names in already common use in the region, including Anita, Rita, and Zita. As a result, Juanita had the benefit of novelty, an increasingly important factor in name choice in English-speaking countries in the latter half of the nineteenth century, balanced by a familiarity, leading to what Berger and colleagues (2012) call “optimal innovation.”

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Gonzalez, Emilio B. "Of names and abbreviations." Arthritis & Rheumatism 36, no. 2 (February 1993): 285–86. http://dx.doi.org/10.1002/art.1780360232.

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Xhignesse, Michel-Antoine. "Entitled Art: What Makes Titles Names?" Australasian Journal of Philosophy 97, no. 3 (June 26, 2018): 437–50. http://dx.doi.org/10.1080/00048402.2018.1488267.

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Hawkins, Peter S. "Naming Names: The Art of Memory and the NAMES Project AIDS Quilt." Critical Inquiry 19, no. 4 (July 1993): 752–79. http://dx.doi.org/10.1086/448696.

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Saidova, Anzhela Saidovna. "GOTSATLINSKY ART WORKS: ORIGINS OF FORMATION AND PROSPECTS." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 23 (September 14, 2020): 96–102. http://dx.doi.org/10.31029/vestiyali23/15.

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The article examines the origins of the formation and development of the traditional art of metal-plastic of Avars. The main ornamental compositional structures of the Gotsatlinsky school are listed. The main artistic styles of ornamental art are described. The article lists the names of well-known jewelers-artists listed in the «Book of Honor» of the Gotsatlinsky Art Factory named after G. Tsadasa.

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Malchiodi, Cathy A. "Art as Healing, Art in Healthcare, and Arts Medicine: New Names for Art Therapy?" Art Therapy 15, no. 3 (July 1998): 154–55. http://dx.doi.org/10.1080/07421656.1989.10759316.

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Cherlin, Vladimir Alexandrovich. "Forgotten names: herpetologist Boris Vladimirovich Pestinskiy." Principles of the Ecology 25, no. 4 (December 2017): 86–89. http://dx.doi.org/10.15393/j1.art.2017.7142.

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IAMONICO, DUILIO. "Nomenclature survey of the genus Amaranthus (Amaranthaceae). 5. Moquin-Tandon’s names." Phytotaxa 273, no. 2 (September 7, 2016): 81. http://dx.doi.org/10.11646/phytotaxa.273.2.1.

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A comprehensive nomenclatural study of the 109 names in Acnida, Amaranthus[1] and Euxolus, which were firstly published by Moquin-Tandon, is here presented. 49 names are invalid since 1) were proposed as synonyms under legitimate names (36 names, Art. 36.1c of the ICN), 2) are nomina nuda (11 names, Art. 38.2 Ex. 1 of the ICN), or 3) were uncorrectly named or published (2 names). 10 names are actually new proposed combinations. The remaining 50 names are valid (48 legitimate and 2 illegitimate). Six names (Ac. tuberculata, Am. hybridus var. erythrostachys, Am. sect. Pyxidium, Am. muricatus, E. caudatus var. gracilis, and E. caudatus var. maximus) are already lectotypified, while the remaining ones appears to be untypified. Types (lecto-, isolecto- and neo-) are designated on specimens preserved at BR, G, GH, HAL, HOH, K, MO, MPU, P, UPS, and iconographies by Vellozo (for Am. brasiliensis), Wight (Am. tristis var. wightii), Morandi (Euxolus viridis var. purpurascens), and Dodoëns (Euxolus viridis var. rubens). Syntypes are preserved at BR, MO, RO, and TUB. For the nomenclatural purposes the name Am. lanceolatus was also investigated and lectotypified on a specimen preserved at P. No typifications were proposed for 4 names: Am. paniculatus var. monstruosus (which is to be considered a teratogenous form) Am. flavus var. bernhardi, Am. hypochondriacus var. racemosus, and Am. tristis var. flexuosus. Concerning the latter three names, since the difficult in understanding the concepts of these taxa and finding useful specimens and in the interest of nomenclatural stability, a rejection of is hoped for (Art. 56 of the ICN). New synonymies are proposed for Amaranthus blitum var. nanus (= Am. blitoides), Am. brasiliensis (= Am. cruentus), Am. tristis var. leptostachys (= Am. cruentus), Euxolus viridis var. rubens and Euxolus viridis var. purpurascens (= Am. blitum var. blitum). The name Amaranthus ×wallichii was proposed to formalize a putative hybrid between Am. cruentus and Am. hybridus, which still does not appear to be published.

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Oosterlinck, Kim, and Anne-Sophie Radermecker. "“The Master of …”: creating names for art history and the art market." Journal of Cultural Economics 43, no. 1 (August 22, 2018): 57–95. http://dx.doi.org/10.1007/s10824-018-9329-1.

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Shirinova, Mekhrigiyo Shokirovna. "ORTHOLOGICAL PECULI OGICAL PECULIARITIES OF UZBEK MO TIES OF UZBEK MOVIES’ N VIES’ NAMES." Scientific Reports of Bukhara State University 4, no. 1 (February 26, 2020): 148–52. http://dx.doi.org/10.52297/2181-1466/2020/4/1/7.

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The article considers some aspects of cinema art that differ from other forms of art, the concept of "language of cinema" and its features, literary norms, and the names of films. It is argued that the creation of a film corresponding to our time is directly related to the analysis of the language of cinema in a linguistic aspect. And also, some deviations from literary norms in the names of Uzbek films in the period of independence have been clarified. The spelling, punctuation, morphological, and stylistic deviations in the names of films are analyzed.

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Van Rijckevorsel, Paul. "(281–295) Art. 19 and stability of names." TAXON 53, no. 4 (November 2004): 1096–99. http://dx.doi.org/10.2307/4135593.

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Isber, Rima Ibrahim. "Functions of Geortonyms." Litera, no. 11 (November 2022): 61–70. http://dx.doi.org/10.25136/2409-8698.2022.11.38540.

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The author considers geortonyms as one of the varieties of modern advertising names: the subject of the study were the names of art projects of the State Tretyakov Gallery of the last 5 years, the purpose of the study is the mechanisms and specifics of the implementation of the main functions of these commercial nominations. To analyze the structure, semantics and stylistic features of geortonyms from the point of view of their functioning, special linguistic methods of functional-structural and contextual-interpretative analysis, as well as the linguopragmatic method were used. Special attention is paid to the study of those components of the studied nominations, with the help of which an effective impact on the target audience is carried out. It is established that the names of art projects implement an informative function that allows identifying the named object, while simultaneously solving informative and educational tasks, as well as an advertising function that involves managing the attention of the target audience in combination with influencing its emotions. The ultimate goal of creating geortonyms of the studied group is the possibility of influencing the behavior of the addressee. The most significant elements of the structural organization of the analyzed nominations and the linguistic expressive means used in their creation, which contribute to the implementation of the specified set of functions, are identified. The obtained results contribute to the study of a specific group of modern advertising names – the names of art projects that play an important role in the modern cultural space. Among all types of names of festive events, this thematic group is the least studied, in this regard, the analysis of these names allows us to obtain new data on how to implement the main functions of geortonyms – this determines the scientific novelty of the study.

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Goldfarb, Doron, Max Arends, Josef Froschauer, and Dieter Merkl. "Comparing Art Historical Networks." Leonardo 46, no. 3 (June 2013): 279. http://dx.doi.org/10.1162/leon_a_00575.

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This work provides a comparison of link structures present in a common subset of art history related biographic person records/articles from the Getty Union List of Artist Names and English Wikipedia.

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Kirschner, Jan, and Jan Štěpánek. "Nomenclatural analysis of validity of Taraxacum names published by J. L. van Soest after 1958." Phytotaxa 158, no. 2 (February 3, 2014): 169. http://dx.doi.org/10.11646/phytotaxa.158.2.4.

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A revision of names published by J. L. van Soest (1898–1983) after 1958 revealed a number of names of doubtful validity. A detailed nomeclatural analysis of the validity of these names revealed that, from the point of view of the typification methods of van Soest, there are ten categories of names, many of them requiring validation. All the relevant names were studied and the problematic names are listed. There are 27 names with more than one specimen of a single gathering cited (20 are lectotypified). Another 19 names are listed that were typified by van Soest only in the captions to figures accompanying the text. Many names were found invalid; of these, eight names were validated later by van Soest or other authors, another 15 names were not considered as taxonomically sound by the present authors (and remained invalid). The following 15 names are validated and therefore published as new here, with the authorship of J. L. van Soest retained, Art. 46, Ex. 20): Taraxacum luteocucullatum, T. elegans, T. fulvobrunneum, T. nagaricum, T. sordidepapposum, T. vulpinum, T. brakelii, T. flavum, T. pseudoeriopodum, T. pullocarpum, T. rufulum, T. tenuiceps, T. helianthum, T. phoenicolepis and T. stereodiforme (all mainly as a result of the conflict with Art. 40.1, 40.3, Ex. 3, or Art. 30.4, 30.5 of the Code).

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Denisov, Vladimir. "LIST OF NAMES BY GOGOL: АВOUT THE FORM AND SEMANTICS OF PERSONAL NAMES IN HIS SHORT STORY COLLECTION “MIRGOROD”." Проблемы исторической поэтики 15, no. 1 (March 2017): 38–54. http://dx.doi.org/10.15393/j9.art.2017.4161.

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Greuter, W., J. McNeill, and R. K. Brummitt. "(220)-(223) Proposals to Treat Names Covered by Art. 69 under Art. 14." Taxon 35, no. 4 (November 1986): 819. http://dx.doi.org/10.2307/1221663.

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Zavarkina, Marina. "Unidentified Names in the “First” Notebook of F. M. Dostoevsky (1864–1865)." Неизвестный Достоевский 8, no. 2 (July 2021): 107–21. http://dx.doi.org/10.15393/j10.art.2021.5461.

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The notebooks of F. M. Dostoevsky contain personal names and titles of works, many of which were left without comment or were reproduced incorrectly from the manuscript. The article examines the names of real persons from the “first” notebook of Dostoevsky in 1864–1865 (presently at The Russian State Archive of Literature and Arts. F. 212.1.3), the attribution of which was problematic for preceding researchers. In addition to academic publications, such as the Complete Works in 30 volumes or the series of Literary Heritage (vol. 83), the same issues arise in some modern electronic publications. Sometimes there is a confusion of names in the comments, for example, Panteleev / Panteleeva / the Panteleev brothers; similar confusion is observed with the Filippov brothers. Some names suggest a different reading: Blagosvetlov instead of Blagoeva, Voronov instead of Voronin. Dostoevsky often indicated the names of works instead of the names and surnames of the authors. This applies primarily to the entries in the Epoch magazine. Many of these works have never been published anywhere, thus, establishing the identity of the authors is difficult for the researcher. Within the framework of this study, individual entries from the “first” notebook of Dostoevsky were read with regard to the typical features of the writer's handwriting, and new explicatory comments to them were proposed, the failed authors of the Epoch magazine were identified (B. A. Pavlovich, V. A. Sleptsov, V. M. Sikevich, N. A. Neklyudov). The interpretation and attribution of personal names from Dostoevsky's notebook of 1864–1865 presented in the article are of a debatable nature and require further elaboration.

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Vasilyeva, Olga. "DENOTATIVE-NOMINATIVE TYPOLOGY OF ENGLISH IDEONYMS." Odessa Linguistic Journal, no. 12 (2018): 3–8. http://dx.doi.org/10.32837/2312-3192/12/1.

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The article considers denotative nominative classification of English ideonyms. One thousand English ideonyms selected according to the frequency of use in print and electronic media have provided the material for this research. The topical problems of ideonymics incude establishment of denotative nominative systematization of the relevant proprietary units, which involves their grouping according to the type of the named objects. The denotative nominative classification of ideonyms embraces four divisions: artionyms, i.e. proper names of works of art, which are further divided into imagionyms, sсeneonyms, musiconyms and filmonyms; biblionyms that cover proper names of all written and verbal texts as well as their series and collections; gemeronyms, i.e. proper names of the media, which are divided into pressonyms and electronyms according to the method of transmitting the information and include both radio and television programs of exclusively informational nature rather than those of entertaining or educational character; computeronyms, which absorb all proper names designed to designate different types of computer programs. The poetonymic sphere is understood as a collection of onyms in artistic texts creating a complex and harmonious system existing in any artistic work as a result of their interrelations. This concerns not only literary works but also those in cinematography, computer art, etc., since proper names act in each of them as components of the virtual picture of the world, thus enabling to refer to the existence of not only the poetonymic sphere, but also the virtualonymosphere. Therefore, it can be concluded that ideonyms can be divided into four classes by their correlation with denotate, namely artionyms, biblionyms, gemeronyms and computeronyms, subject to further specification. Separate terms have been created for ideonyms of the first and second specification levels whereas descriptive terminology is applied for further subdivisions. Each of the analyzed divisions has its own specific functioning, both structural and semantic, which makes further intvestigation in this direction relevant.

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MULLONEN, Irma. "MATERIALS TO THE “DICTIONARY OF KARELIA’S PLACE-NAMES”." Nordic and Baltic Studies Review, no. 3 (December 2018): 304–29. http://dx.doi.org/10.15393/j103.art.2018.1049.

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IAMONICO, DUILIO. "Generic typifications in Amarathaceae s.str." Phytotaxa 350, no. 2 (May 21, 2018): 147. http://dx.doi.org/10.11646/phytotaxa.350.2.3.

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Centemopsis, Dasysphaera¸ Neocentema, Nototrichium, Ptilotus, and Sericostachys are the generic names in Amaranthaceae which still appear untypified. Lectotypes of these names (according to the Art. 10.1 Note 1 of ICN) are designated in the present paper. On the basis of the Art. 10.1, I also investigated here the generitypes of the names, which are not typified [Centema glomerata, Dasysphaera tomentosa, Nototrichium viride, Ptilotus corymbosus, and Sericostachys scandens]. Specimens preserved at BM, GH, and S, and an image by Lopriore were chosen for the purpose of typification. Isolectotypes for the names Nototrichium viride, and Sericostachys scandens are also indicated from among specimens deposited at BISH, K, L, P, US, and WAG. The indications as holotype/isotype by Townsend and Bean (specimens preserved at BM, K, M, and Z) for the names Centema alternifolia, Dasysphaera tomentosa, and Ptilotus corymbosus were corrected (lectotype/isolectotype) according to the Art. 9.9, ex. 10. “Ptilotus sandwicensis”, which is currently considered as the basionym of “Nototrichium sandwicense”, is a nomen nudum and therefore not validly published according to the Art. 38.1 of ICN. As a consequence, the proposed combinations “Nototrichium sandwicense” by Hillebrand, and “Psilotrichium sandwicense” by Seeman were not validly published either.

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IAMONICO, DUILIO, and EMANUELE DEL GUACCHIO. "Typification of the names in Malva cretica s.l. (Malvaceae)." Phytotaxa 295, no. 3 (February 10, 2017): 280. http://dx.doi.org/10.11646/phytotaxa.295.3.9.

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Nomenclatural notes on Malva cretica s.l. (Malvaceae) are discussed. The names Malva althaeoides, M. althaeoides var. hirsuta, M. anodaeformis, M. cretica, and M. cretica var. montana are lectotypified on specimens preserved in the Herbaria BM, G, MA, and P. The names M. hirsuta by Sieber and by Tenore are respectively invalid (Art. 36.1c) and illegitimate (Art. 53.2) according to the Melbourne Code.

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GUACCHIO, EMANUELE DEL, PAOLA CENNAMO, MARIO VÁZQUEZ TORRES, and BRUNO MENALE. "When art meets taxonomy: identity of Erythrina laeta (Fabaceae)." Phytotaxa 255, no. 2 (April 7, 2016): 144. http://dx.doi.org/10.11646/phytotaxa.255.2.3.

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The unresolved name Erythrina laeta Dehnh. is neotypified by a water-colour kept in the Botanical Garden of Naples (Italy). The Dehnhardt’s name resulted to be a heterotypic synonym of E. americana. The nomenclatural types of the names and their synonyms are discussed, and the names E. enneandra DC. and E. fulgens Loisel. are lectotypified by two pictures.

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WELTER-SCHULTES, F. W., and R. KLUG. "Comments on new names and nomenclatural acts of amphibians and non-avian sauropsids established by Garsault 1764 and Laurenti 1768 (response to Dubois & Bour 2010)." Zootaxa 2814, no. 1 (April 11, 2011): 50. http://dx.doi.org/10.11646/zootaxa.2814.1.4.

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This is a response to a recent work published by Dubois & Bour (2010, Zootaxa 2447: 1-52) on the nomenclatural status of some taxa established by Garsault (1764) and Laurenti (1768). We have a substantially deviating interpretation of the ICZN Code concerning the involved names and nomenclatural acts. We see no major problem in regarding most of Laurenti's (1768) species-group names that were published as separate words ("technically trinominal names") as consistent with the Principle of Binominal Nomenclature. Presence or absence of a hyphen in a compound specific name is not a criterion for binominality, instead the grammatical relationships of the separate words have to be analysed for eventually forming a "single entity" as demanded by Art. 11.9.5. Dubois & Bour (2010) proposed a new procedure for the treatment of early genus-group names which were originally established without species included. We do not think this proposal is in accordance with the ICZN Code, and recommend to use the names Bufo, Salamandra, Scincus and Vipera in the widely accepted sense and simply shift authority and date of these four names from Laurenti (1768) to Garsault (1764). In two cases we regard nomenclautural acts published by Dubois & Bour (2010) as risky. The widely used names Hyla Laurenti, 1768 (Amphibia) and Natrix Laurenti, 1768 (Squamata) are threatened because Dubois & Bour (2010) validly and unnecessarily fixed type species for the senior synonyms Ranetta Garsault, 1764 and Serpens Garsault, 1764, and at the same occasion missed to protect Hyla and Natrix effectively under Art. 23.9.2. They intended to protect the names under Art. 23.9.1.2, but instead of meeting the requirement to "give evidence" that the conditions were met, they gave only indirect references to general bibliographical lists. We regard this as ineffective as would be a general reference to the Zoological Record or any other bibiographical work. These two important generic names should be protected effectively under Art. 23.9.2, by citing 25 publications and not only one, before someone uses the names Ranetta and Serpens at one occasion deliberately or undeliberately in a current classification, and suppressing them validly under Art. 23.9.2 would not be possible any more. The same applies to Triturus cristatus (Laurenti, 1768) (Amphibia: Salamandridae) and Podarcis muralis (Laurenti, 1768) (Squamata: Lacertidae).

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د. موفق بن عبد الله كدسة, د. موفق بن عبد الله كدسة. "“Credible and Dogmatic Meanings of the Name of Allah ‘Al-Muhsin’ (Generous Who Loves Charity) and its Effects on the Individual and Society”." journal of King Abdulaziz University Arts And Humanities 28, no. 14 (May 11, 2020): 1–22. http://dx.doi.org/10.4197/art.28-14.1.

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It is related to one of the gorgeous names ‘Al-Muhsin’ (Generous Who Loves Charity) whereas the science of the gorgeous names is one of the most honorable and greatest sciences constantly. The research consists of an introduction, two disquisitions, and a conclusion. Firstly, introduction briefs a summary of the research. Secondly, first disquisition deals with the meaning of Allah’s name ‘Al-Muhsin’ and the evidence to prove it, as well as its comparative names, and the most significant rules of gorgeous names. Thirdly, second disquisition deals with credible and dogmatic meanings of the name, as well as mentioning the types of charitableness and welfare from Allah to His servants, and mentioning the manifestations of Allah's kindness to the servants, and credible accessories to this name. Finally, the researcher mentions the conclusion with elaboration the following things; the most important consequences from the proof of this name, and Allah’s kindness to the slaves does not cease for a second. Moreover, this name has a lot of the manifestations…

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Mariz, Vera, Rosário Salema de Carvalho, Fernando Cabral, Maria Neto, Clara Moura Soares, and Natália Jorge. "ORION—Art Collections and Collectors in Portugal." Heritage 2, no. 2 (April 2, 2019): 1045–59. http://dx.doi.org/10.3390/heritage2020068.

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ORION is a digital art history research-oriented project focused on the study of art collections and collectors in Portugal, supported on a relational database management system. Besides the obvious advantage of organizing and systematizing an enormous amount of information, promoting its analysis, this database was specifically designed to highlight the relationships between data. Its relational capacity is not only one of the most relevant features of ORION, but a differentiating quality, one step forward in comparison to other international databases and studies that use digital methodologies. This article discusses the methods and the advantages of using ORION in research related to the history of collecting, art markets and provenance of art objects in Portugal, where it is the very first time that an approach such as this is intended, looking for a systematization of data that paves the way to the emergence of new research questions. Furthermore, and because ORION aims to share the data and knowledge with other projects, institutions and researchers, the database uses different international standards, such as data structure (CIDOC-OIC and Getty-CDWA), controlled vocabulary (Iconclass, Art and Architecture Thesaurus (AAT), Thesaurus of Geographic Names (TGN), and Union List of Artist Names (ULAN)) and communication and exchange of information (CIDOC-CRM).

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Aghazade, Ilhama. "Onomastic units in Khanumana Alibeyli's plays." Scientific Bulletin 2 (2019): 60–65. http://dx.doi.org/10.54414/ngye7680.

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One of the means for making art in Khaniman Alibeyli's artistic feature is the onomastic units created by the writer. She used the names as meanings for opening the characteristic of the images. The main idea that an artist wanted to convey to younger readers has expressed her ideas with human, animal, plant, or symbolic, figurative names. Written on the base of folklore motives in a two-dimensional fairy tale "Aycan", which was written in the background of both algebraic and real events the theme of nature is taken as a basis. Names such as Gangal, Pitrag, Chayir, created by the dramatist art if services more to open aims, names such as Aycan, Gulyaz, Garanfil, Chobyas, Incigulu, Sevincgulu, Gullulgul the main idea is given in the background.

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Vasylyeva, O. A. "INFLUENCE OF SYMBOLS OF A FOLK ART OF UKRAINE ON FORMATION OF FIGURATIVE THINKING IN THE FINE ARTS." Educational Dimension 10 (May 27, 2022): 66–71. http://dx.doi.org/10.31812/educdim.5404.

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NAHORNYAK, Khrystyna. "Little-known names in Volodymyr Lukan’s research works on art." Humanities science current issues, no. 51 (2022): 168–72. http://dx.doi.org/10.24919/2308-4863/51-24.

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Saibil, Fred. "Generic drug names: no art, no science, just enhanced safety." Canadian Medical Association Journal 189, no. 49 (December 10, 2017): E1533. http://dx.doi.org/10.1503/cmaj.733467.

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Caro Reina, Javier, and Işık Akar. "The development of the apostrophe with proper names in Turkish." Zeitschrift für Sprachwissenschaft 40, no. 3 (November 1, 2021): 371–400. http://dx.doi.org/10.1515/zfs-2021-2036.

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Abstract In modern Turkish, the apostrophe is used to separate proper names from inflectional endings (İzmir’de ‘in İzmir’). This is not the case with inflected common nouns (şehirde ‘in the city’). In this respect, the apostrophe constitutes an instance of graphematic dissociation between proper names and common nouns. Interestingly, the apostrophe was originally employed to transliterate hamza and ayn in Arabic and Persian loanwords (san’at ‘art’). However, these loanwords gradually lost the apostrophe (sanat ‘art’). This implies that Turkish experienced a graphematic change whereby the apostrophe developed from a phonographic marker of glottal stop into a morphographic marker of morpheme boundaries in proper names. This refunctionalization process is illustrated by a diachronic corpus analysis based on selected issues of the newspaper Cumhuriyet from 1929–1975. The findings reveal that the use of the apostrophe with proper names was triggered by foreignness. More specifically, the apostrophe first occurred with foreign names to highlight morpheme boundaries (Eden’in ‘of Eden’) and then expanded to native names via animacy (Doğan’ın ‘of Doğan’).

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Zavarkina, Marina. "Additions to the Сommentary (Based on F. M. Dostoevsky." Неизвестный Достоевский 8, no. 4 (December 2021): 38–51. http://dx.doi.org/10.15393/j10.art.2021.5741.

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The article analyzes certain proper names and titles of the works from the 1860s notebooks of F. M. Dostoevsky (preserved in the Manuscripts Department of the Russian State Library, fund 93.I.2.8 and in the Russian State Archive of Literature and Arts, fund 212.1.4, 212.1.5). Some of the notes have not been deciphered or have a controversial reading in research literature. These include both the names of people with whom Dostoevsky personally communicated, the names of the authors of books that the writer read, and the anthroponyms of literary heroes. Proceeding from the commentaries that accompany the first publications of notebooks in vol. 83 of the “Literary Heritage” series, as well as in vols. 20 and 27 of “The Complete Works” of the writer in 30 volumes, the author of the article offers an updated and/or corrected commentary on certain names and titles. Thus, the correct title of the book by the historian I. D. Belyaev, which was a part of Dostoevsky’s library, and about which a memo was made, is established. Dostoevsky often left critical notes in his notebooks regarding the works of a particular contemporary. The article examines a number of entries about “nihilistic novels” instigated by the reading of the then-current works on female emancipation. The commentary by T. I. Ornatskaya, who ascribes the name “Lilinka” and the records associated with it to “Dream,” a short story by A. V. Korvin-Krukovskaya, is disputed, confirming the opinion of other researchers that the source of the records is N. D. Akhsharumov's novel “A Tricky Business.” The article also analyzes records concerning the writer's debts (for example, to V. P. Polyakov, P. A. Popov and V. P. Popov), as well as notes about the failed and unknown authors of the “Epoch” (a certain Andreev). In Dostoevsky's notebooks of the “Time” (“Vremya”) and “Epoch” (“Epokha”) period (1860–1865) there are proper names that still have no corresponding comments. The article aims to draw the attention of researchers to existing problems for further development of the topic.

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DAVID, NORMAND, EDWARD C. DICKINSON, and STEVEN M. S. GREGORY. "Justified corrections to avian names under Article 32.5.1.1 of the International Code of Zoological Nomenclature." Zootaxa 2217, no. 1 (September 2, 2009): 56–66. http://dx.doi.org/10.11646/zootaxa.2217.1.4.

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Various avian names are examined in the context of Art. 32.5.1.1, a clause newly introduced in the 1999 Code, which applies retroactively; this permits clear decisions in 21 cases where qualifying corrigenda exist. In addition, we detail three names having dual original spellings, but that were not addressed by a First Reviser or in a corrigendum; they are provided as background, but they too should be captured in any planned database for actions under Art. 32.5

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Ivanova, Tatyana. "POETICS OF GEOGRAPHICAL NAMES IN EPIC SONG GENRES OF RUSSIAN FOLKLORE." Проблемы исторической поэтики 20, no. 2 (June 2022): 47–66. http://dx.doi.org/10.15393/j9.art.2022.10863.

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The article examines the ideas about space that have developed in Russian historical and song folklore. In the poetics of the epic song genres of Russian folklore, namely, in epics and historical songs, space plays an important role, defining “one’s own” and “alien” (“other”) worlds within one of the main mythologemes. Natural space (forests, rivers, seas, mountains, caves, etc.) mark the “other” world; cities — “one’s own” (“human”) at the mythological level. Historical ideas about space arise in heroic ballads, which, according to the concept of V. Ya. Propp, are an example of the state epic. Accordingly, the “own”/“foreign” mythologeme is already determined by the content “Russian world”/“enemy world” and is filled with real toponyms. In historical songs, there is a fundamental replacement of the former generalized type of historicism (epic) by concrete historicism, which affects the toponymic system. A number of examples raise the question of the correspondence or non-correspondence of the toponym in epics and historical songs to geographical reality. With regard to the Caspian Sea toponym, the almost complete absence of connections between the geographical name and the real geographical object is emphasized. The notions of the Baltic Sea, as well as of the towns of the Neva-Baltic space (Shlisselburg, Derpt, Revel), turn out to be more firmly connected with real geography. Shifts in the naming of geographical objects are specially considered: Khvalynsk/Caspian Sea; Varangian/Virian/Baltic Sea; Oreshek/Shlisselburg; Yuryev/Dorpat; Kolyvan/Revel.

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Čiripová, Dáša. "Play as Art of Survival." Slovenske divadlo /The Slovak Theatre 66, no. 3 (September 1, 2018): 296–310. http://dx.doi.org/10.2478/sd-2018-0018.

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Abstract The study explores the art of performance and happening in Slovakia from the 1960s, and its influence on theatre. Given its interdisciplinarity, the first part is dedicated to the vantage points of performance in Slovakia: action art and related names. Action art had significant influence on later theatre performative forms. The second part focuses in detail on actions and performances by the company Temporary Society of Intense Experience, Balvan Theatre and on the artist Miloš Karásek.

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ROMANI, LUIGI, EMILIO ROLÁN, LUIZ R. L. SIMONE, and FABIO CROCETTA. "Emarginula poppeorum and Acteon fasuloi: replacement names for the reoccupied taxa Emarginula gigantea Poppe, 2008 and Acteon elongatus Castellanos, Rolán & Bartolotta, 1987 (Mollusca: Gastropoda)." Zootaxa 4300, no. 1 (August 1, 2017): 149. http://dx.doi.org/10.11646/zootaxa.4300.1.11.

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According to the International Code of Zoological Nomenclature (ICZN, 2012: art 57.2), identical species-group names established for different nominal taxa, when originally combined with the same generic name, are primary homonyms. The junior name becomes therefore permanently invalid, except in few selected cases, which however are not met in the two species we will deal with below. The Principle of Priority requires that if a name in use for a taxon is found to be unavailable or invalid, it must be replaced by the next oldest available name from among its synonyms, including the names of the contained taxa of the same group (e.g., subgenera within genera), if that name is not itself invalid. If the rejected name has no potentially valid synonym a new substitute name must be established in its place (ICZN, 2012: art 23.3.5, art. 60). This is the case of two recently described extant molluscan taxa, whose specific names are preoccupied by homonymous fossil taxa.

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Lizak, Agata. "Prawna ochrona nazw jako wartości niematerialnych na gruncie ustawy o ochronie zabytków i opiece nad zabytkami." Acta Iuridica Resoviensia 32, no. 1 (2021): 83–93. http://dx.doi.org/10.15584/actaires.2021.1.6.

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Regulations of the Act from 23 July 2003 on the Protection of Monuments and the Guardianship of Monuments concerns especially material heritage. Nevertheless, the legislator in several articles of mentioned act has referred also to intangible values, such as geographical, traditional and historic names. As regards the question of their protection, it has been mentioned only in two laconic provisions – one of them concerns possibility of names’ protection in general (art. 6 par. 2), while the second one stipulates that the name of immovable historic monument entered in the register of monuments may be also listed in such register. Bearing this in mind, the reflection is needed under which circumstances name may be protected and what are the specific rules of such a protection. Given the above, in the article, as a first issue, status of the names has been analyzed. Furthermore, attention has been paid to the scope of protection.

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Meil, Doug, and Mario Antoine Aoun. "Finding the art in systems conversions, naming." Communications of the ACM 64, no. 9 (September 2021): 10–11. http://dx.doi.org/10.1145/3474351.

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The Communications website, http://cacm.acm.org, features more than a dozen bloggers in the BLOG@CACM community. In each issue of Communications , we'll publish selected posts or excerpts. twitter Follow us on Twitter at http://twitter.com/blogCACM http://cacm.acm.org/blogs/blog-cacm Doug Meil considers a third distinct type of development, while Mario Antoine Aoun ponders alternate names for ACM.

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Hansen, Yvonne Brenden, Dag Hensten, Gro Benedikte Pedersen, and Magnus Bognerud. "Norwegian Artist Names Authority List of Artists in Norwegian Art Collections." Heritage 2, no. 1 (February 1, 2019): 490–506. http://dx.doi.org/10.3390/heritage2010033.

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How can one best transform a paper-based publication into a living online resource? This is the theme of a project at The National Museum of Art, Architecture and Design in Norway, supported by the Arts Council Norway. The National Museum aims to create, publish and maintain an authority list of Norwegian artists, architects, designers and craftsmen. The objective is to ease the digitisation process for other museums, scholars and the public in general and contribute to better data quality in Norwegian online collections. The list will in part be based on the Norsk Kunstnerleksikon (Encyclopaedia of Norwegian Artists in English), published in 1982–1986 and subsequently digitised in 2013. With the help of other public collections in Norway, the purpose is to make the new resource as complete as possible and available in both human- and machine-readable formats. Although the original paper publication contains biographical texts as well as lists of exhibitions, education, travels, publications and more, the data in the new authority list will be constrained to a set of core biographical data. It will however carry references to online biographical resources such as Norsk Kunstnerleksikon (NKL), Wikidata, Union List of Artist Names (ULAN) and Virtual International Authority File (VIAF). This article discusses the process of defining the scope of and setting constraints for the list, how to enrich and reconcile existing data, as well as strategies to ensure that other institutions contribute both as content publishers and end users. It will also shed light on issues concerning keeping such a resource updated and maintained.

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MONTESINOS-TUBÉE, DANIEL B., and DUILIO IAMONICO. "Typifications of Andean Arenaria names (Caryophyllaceae), with a nomen novum." Phytotaxa 579, no. 1 (January 13, 2023): 54–60. http://dx.doi.org/10.11646/phytotaxa.579.1.6.

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The nomenclature of the names Alsine weberbaueri, Arenaria musciformis, and Scleranthus peruvianus is investigated. The names were typified on specimens preserved at HOXA, MOL, and P. All these names are to be included in Arenaria. Concerning Alsine weberbaueri, a new combination (Arenaria weberbaueri) is proposed, whereas for Arenaria humboldtiana, a new name is provided for Scleranthus peruvianus since a previous Arenaria peruviana by Poeppig ex Rohrbach was validly published (Art. 53.1 of ICN).

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Fedotova, E. D. "О великом деле «собирания искусств»." Iskusstvo Evrazii [The Art of Eurasia], no. 4(19) (December 30, 2020): 129–33. http://dx.doi.org/10.46748/arteuras.2020.04.010.

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The article is an introduction to the conference “From the history of collecting: patrons, collectors, founders of museums”, organized by the Russian Academy of Arts. The author's address to the participants is devoted to a short story about people whose names are associated with the concept of “charity” — patrons, collectors, founders of museums in Russia and abroad. These are well-known personalities of various national schools, who became famous for their deeds in the field of caring for the preservation of cultural heritage. The purpose of the conference is to remember their names and noble activities. Статья представляет собой вступительное слово к конференции «Из истории собирательства: меценаты, коллекционеры, основатели музеев», организованной Российской академией художеств. Обращение автора к участникам посвящено краткому рассказу о людях, чьи имена связаны с понятием «благотворительность», — меценатах, коллекционерах, основателях музеев России и зарубежных стран. Это известные личности разных национальных школ, своими деяниями прославившиеся на поприще заботы о сохранении культурного наследия. Цель конференции — вспомнить их имена и благородную деятельность.

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VILLAR, JOSE LUIS, Mª ÁNGELES ALONSO, ANA JUAN, and MANUEL B. CRESPO. "Corrections on the previous typifications of some names in Tamarix (Tamaricaceae)." Phytotaxa 289, no. 1 (December 20, 2016): 96. http://dx.doi.org/10.11646/phytotaxa.289.1.10.

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In two recent publications (Villar et al. 2014, 2015), we made comments on 24 nomenclatural types in Tamarix Linnaeus (1753: 270). However we overlooked Schiman-Czeika’s (1964) Tamaricaceae treatment for the Flora Iranica, which included mention to all the types of the species recognized by the author. In fact, Schiman-Czeika (1964) always referenced a “type” to a concrete specimen, and then isotypes, if found, in different herbaria. According to the Melbourne Code (ICN, McNeill et al. 2012), most of those designations of type (Schiman-Czeika 1964) must be corrected to lectotype (Art. 9.9 of the ICN), and have priority (Art. 7.10 of the ICN) over later type designations in our previous publications or those taken as a base for them (Baum 1966, Qaiser 1981, Villar et al. 2014, 2015). As a consequence, 7 out of the 24 names treated in our two previous works on Tamarix types (Villar et al. 2014, 2015) need of corrections after considering the Schiman-Czeika’s type designations. As a result, seven lectotypes first designated by Schiman-Czeika (1964) are recovered here, and second step lectotypes are designated in four cases, according to Art. 9.17 of the ICN.

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BENA, MARIA JULIA. "Typification and nomenclatural notes on twenty-seven names of Gomphrena L. (Amaranthaceae) linked to the South American flora." Phytotaxa 296, no. 2 (February 15, 2017): 131. http://dx.doi.org/10.11646/phytotaxa.296.2.3.

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Twenty-seven Gomphrena names are here investigated, and discussed. Seventeen names are typified (sixteen lectotypes, one neotype) in the present paper on specimens preserved at B, GOET, M, P, and S, while isolectotypes are found at B, BM, BR, CORD, F, G, M, P, S, and US. Concerning the other ten names, they were previously dicusssed by Holzhammer, who reported the word “Typus”. According to the Art. 7.10 of the ICN Holzhammer’s statements are here interpreted as lectotypifications.

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Marcińczuk, Michał, and Aleksander Wawer. "Named entity recognition for Polish." Poznan Studies in Contemporary Linguistics 55, no. 2 (June 26, 2019): 239–69. http://dx.doi.org/10.1515/psicl-2019-0010.

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Abstract In this article we discuss the current state-of-the-art for named entity recognition for Polish. We present publicly available resources and open-source tools for named entity recognition. The overview includes various kind of resources, i.e. guidelines, annotated corpora (NKJP, KPWr, CEN, PST) and lexicons (NELexiconS, PNET, Gazetteer). We present the major NER tools for Polish (Sprout, NERF, Liner2, Parallel LSTM-CRFs and PolDeepNer) and discuss their performance on the reference datasets. In the article we cover identification of named entity mentions in the running text, local and global entity categorization, fine- and coarse-grained categorization and lemmatization of proper names.

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Mahmoodi, Mohammad, Farrokh Ghahremaninejad, and Ali-Asghar Maassoumi. "Validation of the names of four Iranian plant taxa." Phytotaxa 227, no. 1 (September 18, 2015): 99. http://dx.doi.org/10.11646/phytotaxa.227.1.11.

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Acantholimon flabellum Assadi (2005: 32), A. moradii Assadi (2005: 37), Cousinia farimanensis Assadi (2011: 6) and C. mozdouranensis Djavadi & Attar (2005: 287) were described from Iran without indication of the herbarium in which the holotype specimens were conserved. Therefore, these names were not validly published (Art. 40.7 of the ICN, McNeill et al. 2012) and need to validation.

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DOWELD, ALEXANDER B. "New names of fossil Hemitrapa and Trapa (Lythraceae)." Phytotaxa 252, no. 3 (March 14, 2016): 228. http://dx.doi.org/10.11646/phytotaxa.252.3.5.

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The creation of the International Fossil Plant Names Index (IFPNI, 2014 onwards) with the aim of listing of all fossil plant species reveals a few new cases of homonymy between fossil and extant species. In the present paper there are proposed two new combinations in Hemitrapa Miki (1941: 289) and four replacing names for later homonyms of Trapa Linnaeus (1753: 120) that are illegitimate (Art. 53.1 of the International Code of Nomenclature for Algae, Fungi and Plants—ICN, McNeill et al., 2012).

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ZAKHAROVA, Ekaterina. "THE ETHNONYMIC PLACE-NAMES KOREL- / KARELSKIY IN THE TOPONYMY OF THE RUSSIAN NORTH." Nordic and Baltic Studies Review, no. 2 (December 2017): 16. http://dx.doi.org/10.15393/j103.art.2017.764.

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SOUMYA, PULIYAKODE, and PURAYIDATHKANDY SUNOJKUMAR. "Lectotypification of three names in Justicia (Acanthaceae)." Phytotaxa 350, no. 1 (May 17, 2018): 97. http://dx.doi.org/10.11646/phytotaxa.350.1.12.

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Justicia Linneaus (1753: 15) is the largest genus of Acanthaceae with about 600 species, distributed mainly in the tropical and subtropical regions, extending into warm temperate zones in Europe, Asia and North America (Graham 1988). In India, the genus is represented by about 51 species and 5 varieties (Karthikeyan et al. 2009). During the systematic studies on the genus Justicia, we could observe that several names are to be typified to avoid ambiguity in the application of names. Three such names (Justicia salsoloides T. Anderson, Justicia prostrata (Roxb. ex C.B.Clarke) Gamble, and Justicia aquatica Benoist are lectotypified here according to Art. 9.2, 9.11 & 9.12 of the ICN (McNeill et al., 2012).

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Apressyan, Armen R. "Street artists: acquiring a face." Chelovek 33, no. 2 (2022): 165. http://dx.doi.org/10.31857/s023620070019517-5.

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Despite the growing popularity of street art, the names of street artists — with the possible exception of one or two - are not known to the general public, street art is impersonal in the mass consciousness. Of course, there is a significant amount of information resources dedicated to street art, but they do not significantly affect the wide popularity of artists. Like many years ago, even the names of very interesting authors are known only to a narrow circle of fans of the genre. An absurd situation is emerging: even Banksy, who can be considered as the most famous street artist in the world, is impersonal. No one knows who exactly is hiding behind this name, and for many years fans of his artworks have been putting forward a variety of theories, sometimes frankly fantastic. The article suggests that in today's art world, a street artist can gain wide popularity, «acquire a face» only by changing his status and abandoning street art in favor of easel painting. The works of Jean-Michel Basquiat and Richard Hambleton are considered as examples.

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Journal articles on the topic 'Names in art'

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