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1

The writer's journey: Mythic structure for writers. 2nd ed. Studio City, CA: M. Wiese Productions, 1998.

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2

The writer's journey: Mythic structure for writers. 3rd ed. Studio City, CA: Michael Wiese Productions, 2007.

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3

Vogler, Christopher. The writer's journey: Mythic structure for storytellers and screenwriters. London: Boxtree, 1996.

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4

Myth and the movies: Discovering the mythic structure of 50 unforgettable films. Studio City, CA: Michael Wiese Productions, 1999.

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5

The writer's journey: Mythic structures for storytellers and screenwriters. Studio City, CA: M. Wiese Productions, 1992.

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6

Bailey, Marianne Wichmann. The ritual theater of Aimé Césaire: Mythic structures of the dramatic imagination. Tübingen: G. Narr, 1992.

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7

Baudrillard, Jean. La société de consommation: Ses mythes, ses structures. Paris: Gallimard, 1986.

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8

Bauhaus Tel Aviv: Mythos und Wirklichkeit. Berlin: Artshop, 2011.

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9

Rohrmann, Eckhard. Mythen und Realitäten des Anders-Seins: Gesellschaftliche Konstruktionen seit der frühen Neuzeit. 2nd ed. Wiesbaden: VS Verlag, 2011.

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10

Douer, Alisa. Wien, Heldenplatz: Mythen und Massen 1848-1998. Wien: Mandelbaum, 2000.

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11

Herbert, Haupt, ed. Wien, Heldenplatz: Mythen und Massen 1848-1998. Wien: Mandelbaum, 1998.

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12

author, Unnerstall Nadja, ed. Sehn-Sucht nach "Mythus": Buchau im Fadenkreuz von Prähistorismus-Ideologen. Lindenberg im Allgäu: Kunstverlag Josef Fink, 2013.

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13

Cohen, Jean-Louis. Casablanca: Mythes et figures d'une aventure urbaine. [Paris]: Hazan, 1998.

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14

Sarnoff, Charles A. Symbols in structure and function. [Philadelphia, Pa.?]: Xlibris, 2002.

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15

Mvuluya, Mulambu. Migrations et structure des grupements dans la zone de Miabi: Mythes et réalités. Kinshasa: [s.n.], 1991.

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16

V, Berliner Unterwelten e., ed. Mythos Germania: Shadows and traces of the Reich capital. Berlin: Lehmanns, 2008.

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17

Westman, Heinz. The structure of biblical myths: The ontogenesis of the psyche. Wilmette, Ill: Chiron Publications, 1991.

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18

Der Mythos des Singulären: Eine Untersuchung zur Struktur kollektiven Handelns. Paderborn: Mentis, 2011.

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19

Hellerstein, Nina S. Mythe et structure dans les Cinq grandes odes de Paul Claudel. [Besançon]: Université de Besançon, 1990.

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20

Du matriarcat au patriarcat: Les mythes masculins à l'épreuve de la science. Paris: L'Harmattan, 2012.

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21

Pottier, Richard. Essai d'anthropologie du mythe. Paris: Editions Kimé, 1994.

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22

La structure mythique de la Modification de Michel Butor. New York: P. Lang, 1994.

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23

Beauvalot, Yves. La Place royale de Dijon: Mythes et réalités : conception et construction, aménagement et transformation, des origines à nos jours. Dijon: Association pour le renouveau du Vieux-Dijon, 1993.

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24

Strohmeyer, Arn. Der gebaute Mythos: Das Haus Atlantis in der Böttcherstrasse : ein deutsches Missverständnis. Bremen: Donat, 1993.

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25

Wilson, William Donald. La structure de déboublement: Objectivité et mythe dans Les Thibault de Roger Martin du Gard. Birmingham, Ala: Summa Publications, 1997.

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26

Fauskevåg, Svein Eirik. Allégorie et tradition: Étude sur la technique allégorique et la structure mythique dans Le roi des Aulnes de Michel Tournier. Oslo: Solum, 1993.

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27

Grazzini, Serena. Der strukturalistische Zirkel: Theorien über Mythos und Märchen bei Propp, Lévi-Strauss, Meletinskij. Wiesbaden: Deutscher Universitäts-Verlag, 1999.

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28

The structuralists on myth: An introduction. New York: Garland Pub., 1992.

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29

Discourse and the construction of society: Comparative studies of myth, ritual, and classification. New York: Oxford University Press, 1989.

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30

vi-Strauss, Claude Le. Mifologiki: C elovek golyj. Moskva: Izdatel'skij dom "Flu id, 2007.

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31

Arrowsmith, Nancy. Field guide to the little people: A curious journey into the hidden realm of elves, faeries, hobgoblins & other not-so-mythical creatures. Woodbury, Minn: Llewellyn Publications, 2009.

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32

Dinnerstein, Dorothy. The mermaid and the minotaur: Sexual arrangements and human malaise. New York: HarperPerennial, 1991.

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33

Argonauts of the desert: Structural analysis of the Hebrew Bible. London: Equinox Pub., 2011.

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34

Erickson, Wayne. Mapping the faerie queene: Quest structures and the world of the poem. New York: Garland Pub., 1996.

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35

Kosharnai͡a, S. A. Mif i i͡azyk: Opyt lingvokulʹturologicheskoĭ rekonstrukt͡sii russkoĭ mifologicheskoĭ kartiny mira. Belgorod: Izd-vo Belgorodskogo universiteta, 2002.

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36

The mermaid and the minotaur: Sexual arrangements and human malaise. New York: Other Press, 1999.

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37

1948-, Segal Robert A., ed. Structuralism and myth: Lévi-Strauss, Barthes, Dum'ezil,and Propp. New York: Garland Pub, 1996.

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38

Centini, Massimo. Il diavolo sotto la mole. Torino: D. Piazza, 1993.

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39

Grazia, Sgrilli, Roli Ghigo, and Crerar-Bromelow Grace, eds. Palazzo Te: Giulio Romano's masterwork in Mantua. London: Thames & Hudson, 2013.

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40

The story of Lynx. Chicago: University of Chicago Press, 1995.

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41

Schneider, Mark A. Culture and enchantment. Chicago: University of Chicago Press, 1993.

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42

Writer's Journey: Mythic Structure for Writers. Wiese Productions, Michael, 2020.

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43

The Writer's Journey - 3rd edition: Mythic Structure for Writers. Michael Wiese Productions, 2007.

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44

Vogler, Christopher. The Writers Journey: Mythic Structure for Writers, 3rd Edition. 3rd ed. Michael Wiese Productions, 2007.

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45

The Writer's Journey - 25th Anniversary Edition - Library Edition: Mythic Structure for Writers. Michael Wiese Productions, 2020.

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46

Segal, Robert A. 7. Myth and structure. Oxford University Press, 2015. http://dx.doi.org/10.1093/actrade/9780198724704.003.0008.

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‘Myth and structure’ examines the contributions of Claude Lévi-Strauss to the study of myth. Lévi-Strauss treats myth as a coldly intellectual phenomenon: the oppositions expressed in myth constitute logical puzzles rather than existential predicaments. In calling his approach to myth ‘structuralist’, Lévi-Strauss intends to distinguish it from ‘narrative’ interpretations, or those that adhere to the plot of myth. In his unique brand of myth-ritualism, myths and rituals operate together, but as structural opposites rather than, as for other myth-ritualists, parallels. Other structuralists—Vladimir Propp, Georges Dumézil, Louis Gernet, and Marcel Detienne—are then considered. They have sought to decipher underlying patterns in myth and then to link those patterns to ones in the culture at large.
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47

Bibb, Bryan D. Blood, Death, and the Holy in the Leviticus Narrative. Edited by Danna Nolan Fewell. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199967728.013.10.

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After briefly discussing the final literary structure of Leviticus, this chapter considers three parts of the book in light of particular themes: blood ritual and mythic drama in chapters 1–7 and 11–15; life, death, and ambiguity in chapters 8–10 and 16; and holiness and God’s people in chapters 17–27. By embedding ritual instructions within a mythical-narrative frame, the authors/editors of Leviticus created a sacred timeless and authoritative world that resists challenge from dissent and doubt. However, narratives interspersed within the ritual texts expose ambiguities within the system and raise questions about the ability of the law to accomplish its purposes. In the second half of Leviticus, the world of “holiness” is expanded and reframed in order to apply to the whole community, a recognition that priestly ritual is a cosmic reality that is broader and more transformative than what happens only in the tabernacle.
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48

Uzendoski, Michael A., and Edith Felicia Calapucha-Tapuy. The Twins and the Jaguars. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036569.003.0005.

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This chapter employs the verse analysis method developed by Dell Hymes to analyze an Amazonian Quichua myth-narrative, “The Twins and the Jaguars,” from the province of Napo. The narrative's theme, “becoming a jaguar,” is expressed through a rhetorical logic of onset, ongoing, and outcome that unfolds as a structural transformation relation between humans and mythical jaguars. This structural transformation relation is mediated by a third element, the twins, who not only lend movement to structure but also advance the development of drama by obviating previous relations as a dynamic synecdoche. The chapter demonstrates the major contours of performative complexity involved in Amazonian Quichua narration of traditional mythical knowledge and the importance of the jaguar as an active and dominant symbolic “sign” of “becoming” in Napo Runa cosmology and culture. It shows that narrative performance emerges as an important artistic, cultural, and religious tool for experiencing the “transcendence” of everyday human form.
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49

Litwa, M. D. How the Gospels Became History. Yale University Press, 2019. http://dx.doi.org/10.12987/yale/9780300242638.001.0001.

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The purpose of this book is to show why and how (what later became) the four canonical gospels take on a historical cast, a history-like “feel” that remains vitally important for many Christians today. This aim is worked out by in-depth comparisons with other Greco-Roman stories that have been made to seem like history (mythic historiography). Instead of using these comparisons to justify genetic links between texts, Litwa uses them to show how the evangelists dynamically interacted with Greco-Roman literary culture, felt the pressures of its structures of plausibility, and responded by using well-known historiographical tropes. These include the mention of famous rulers and kings, geographical notices, the introduction of eyewitnesses, vivid presentation, alternative reports, staged skepticism, and so on. This study is the most sustained and thorough comparison of the gospels and Greco-Roman mythology (not just Homer and Euripides) of the past fifty years. Its innovation is to show that the gospels were not perceived as myths (or mythoi), but as histories (records of actual events).
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50

Les structures de l'esprit : Lévi-Strauss et les mythes. Presses Universitaires de France - PUF, 2013.

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