Dissertations / Theses on the topic 'Muslim fiction'
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Durdana, Benazir. "Muslim India in Anglo-Indian fiction /." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487944660930967.
Full textAmeri, Firouzeh. "Veiled experiences: Rewriting women's identities and experiences in contemporary Muslim fiction in English." Thesis, Ameri, Firouzeh (2012) Veiled experiences: Rewriting women's identities and experiences in contemporary Muslim fiction in English. PhD thesis, Murdoch University, 2012. https://researchrepository.murdoch.edu.au/id/eprint/10197/.
Full textMallick, Suman. "Apples and Knives (A Novel)." PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3023.
Full textAydogdu, Zeynep. "Modernity, Multiculturalism, and Racialization in Transnational America: Autobiography and Fiction by Immigrant Muslim Women Before and After 9/11." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1557191593344128.
Full textHayhurst, Lauren Amy. "Fictive responsibility : why all novelists are political writers (whether they like it or not)." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/33196.
Full textLeafgren, Luke Anthony. "Novelizing the Muslim Wars of Conquests: The Christian Pioneers of the Arabic Historical Novel." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10362.
Full textBoone, F. Khalilah. "Really Daddy: A Collection of Stories." Thesis, Virginia Tech, 2012. http://hdl.handle.net/10919/77482.
Full textMaster of Fine Arts
Banting, Adrian. "Muslims and the politics of love in contemporary British fiction." Thesis, University of East London, 2017. http://roar.uel.ac.uk/6721/.
Full textGodsall, Jonathan. "Pre-existing music in fiction sound film." Thesis, University of Bristol, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.633201.
Full textBorrebach, Peter Andew. "Gravel music." FIU Digital Commons, 2010. http://digitalcommons.fiu.edu/etd/1736.
Full textKershaw, Hannah Charlotte. "History, memory, and multiculturalism : representations of Muslims in contemporary British fiction." Thesis, University of York, 2017. http://etheses.whiterose.ac.uk/18198/.
Full textMacauslan, John. "Schumann's music and Hoffmann's fictions." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/schumanns-music-and-hoffmanns-fictions(6204c093-4ed6-44c9-b992-08c19f3060e9).html.
Full textGrover, Danielle. "Representations of music in late eighteenth-century fiction." Thesis, University of Southampton, 2012. https://eprints.soton.ac.uk/374756/.
Full textCox, Geraldine. "Music matters in fiction: Creative and critical reflections." Thesis, Cox, Geraldine (2015) Music matters in fiction: Creative and critical reflections. PhD thesis, Murdoch University, 2015. https://researchrepository.murdoch.edu.au/id/eprint/28762/.
Full textArimbi, Diah Ariani Women's & Gender Studies UNSW. "Reading the writings of contemporary Indonesian Muslim women writers: representation, identity and religion of Muslim women in Indonesian fictions." Awarded by:University of New South Wales. Women's and Gender Studies, 2006. http://handle.unsw.edu.au/1959.4/25498.
Full textViol, Claus-Ulrich. "Jukebooks: contemporary British fiction, popular music, and cultural value." Heidelberg Winter, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2772862&prov=M&dok_var=1&dok_ext=htm.
Full textDunst, Maura. ""Such genius as hers" : music in New Woman fiction." Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/46493/.
Full textDyehouse, Jeremiah. "Science Fiction : Rhetoric, Authenticity, Textuality and the Museum of Jurassic Technology." Oberlin College Honors Theses / OhioLINK, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1509374752516486.
Full textClements, Madeline. "Orienting Muslims : mapping global spheres of affiliation and affinity in contemporary South Asian fiction." Thesis, University of East London, 2013. http://roar.uel.ac.uk/3896/.
Full textPotoczny, Marie. "From the Museum of Lost Smells." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/45.
Full textMudge, Ethne. "Molla's music." Thesis, University of the Western Cape, 2017. http://hdl.handle.net/11394/5542.
Full textMolla's Music is a novella about Maureen (Molla), a white Afrikaans woman born in 1935 in Cape Town, who faced poverty and abandonment before apartheid and who, during apartheid, faced the choice between an unwanted pregnancy with a married man, and a carreer in music funded by the father who had betrayed her. Maureen is introduced in three sections with very different voices in each. In the first section she is depicted in the context of being cared for by a single mother with severe post natal depression. The short chapters and long sentences reflect the naïvity of the subject, whose unfiltered observations allow the reader to bear witness to the traumas that dictate her character later in life. She was so ashamed of her poverty, her father's abandonment, and her pregnancy, that she hid all memories of her past from her children and grandchildren and almost managed to die with all her secrets in tact. The second section becomes more sophisticated with longer chapters. The reader is guided through the fifties by a young adult whose adolescent memories inform the events that unfold over a mere two days. Finally, the last section consists of only one chapter, but it reviews an entire life. It is written in the first person, revealing the identity of the narrator. Maureen taught herself piano before school. Her father played the violin and her dedication to music seems to be a mechanism for connecting to him and what his absence from her life represents. It is an absense that eludes consolidation until her death. Molla proved to be such a gifted child that she skipped two years of school and took on music as an extra subject until matric, but financial strain and the shackles of patriarchy limited her options and only after years of working, does she apply to the UCT college of music. She inherits a piano from her landlords, who are evicted during the implementation of the Group Areas Act of 1957. In the years after that, playing piano becomes her private liberation practised in plain sight, on the only heirloom that persists from her past. When she dies, her granddaughter has a heritage that beckons to be resolved and remembered. She does not play the piano she inherited from her grandmother, but starts to investigate its past. In the course of Molla's Music, I explore themes of Afrikaner identity, and question modes of being for white Afrikaans women in South Africa today. By offering an intimate depiction of an individual's search for meaning, while negotiating the forces of Apartheid and patriarchy, especially as a confluence of forces, I hope to gain clarity with regard to my own questions about identity.
Watson, Anna Elizabeth. "Music lessons and the construction of womanhood in English fiction, 1870-1914." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5479.
Full textAlqahtani, Norah Hassan. "Muslim feminisms and fictions in a postcolonial frame : case studies of Nawal El Saadawi and Leila Aboulela." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/67676/.
Full textMcGinney, William Lawrence. "The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966-1976." Thesis, connect to online resource, 2009. http://digital.library.unt.edu/permalink/meta-dc-9839.
Full textAdams, Jade Broughton. "'The melody lingers on' : dance, music, and film in F. Scott Fitzgerald's short fiction." Thesis, University of Leicester, 2015. http://hdl.handle.net/2381/36270.
Full textBates, Jessica Rachel. "Walking the Tightrope: Selfhood and Speculative Fiction in Janelle Monáe’s The ArchAndroid." Thesis, Virginia Tech, 2012. http://hdl.handle.net/10919/42520.
Full textMaster of Arts
Whittle, David. "Bruce Montgomery (1921-1978) : a biography with a catalogue of the musical works." Thesis, University of Nottingham, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285461.
Full textStrong, Alissa Eugenia. "An Empirical Study on the Effects of Music and Sound Effects in Fiction E-Books." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3912.
Full textMumme, Lisa Pollock Mumme. "Not things: gender and music in the Mad Max franchise." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/7056.
Full textModeste, Jacquelynne Jones. "The blues and jazz in Albert Murray's fiction: A study in the tradition of stylization." W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539623458.
Full textYoung, Sade Marie. "SOUTHERN-PLAYALISTIC-HIPHOP-SPACESHIP-MUSIC." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1305583004.
Full textPasquet, Olivier. "Automatic versus automatic, materialized fiction as a confrontational compositional process : a resolved complexity : simplicity." Thesis, University of Huddersfield, 2018. http://eprints.hud.ac.uk/id/eprint/34734/.
Full textBoyd-Buggs, Debra. "Baraka : maraboutism and maraboutage in the francophone Senegalese novel /." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392894752.
Full textCaporaletti, Daniel. "If There's Anything I Can Do." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2135.
Full textCrump, Simon Richard. "'My Elvis Blackout' and 'Neverland' : truth, fiction and celebrity in the postmodernist heterobiographical composite novel." Thesis, University of Huddersfield, 2014. http://eprints.hud.ac.uk/id/eprint/24692/.
Full textBigna, Daniel Humanities & Social Sciences Australian Defence Force Academy UNSW. "Life on the margins : the autobiographical fiction of Charles Bukowski." Awarded by:University of New South Wales - Australian Defence Force Academy. School of Humanities and Social Sciences, 2005. http://handle.unsw.edu.au/1959.4/38717.
Full textSchereka, Wilton. "Sonic Afrofuturism: Blackness, electronic music production and visions of the future." University of the Western Cape, 2018. http://hdl.handle.net/11394/6548.
Full textThis thesis is an exploration and analysis of the ways in which we might use varying forms of Black thought, theory, and art to think Blackness anew. For this purpose I work with electronic music from Nigeria and Detroit between 1976 and 1993, as well as with works of science fiction by W.E.B. Du Bois, Samuel Delany, Ralph Ellison, and Octavia Butler. Through a conceptual framework provided by theorists such as Fred Moten and Kodwo Eshun and the philosophical work of Afrofuturists like Delany, Ellison, Butler, and Du Bois, I explore the outer limits of what is possible when doing away with a canon of philosophy that predetermines our thinking of Blackness. This exploration also takes me to the possible depths of what this disavowal of a canon might mean and how we work with sound, the aural, and the sonic in rethinking the figuring of Blackness. This thesis is also be woven together by the theory of the Black Radical Tradition – following Cedric Robinson and Fred Moten specifically. At the centre of this thesis, and radiating outwards, is the assertion that a set of texts developed for a University of the West – Occidental philosophy as I refer to it in the thesis – is wholly insufficient in attempting to become attuned to the possibilities of Blackness. The thesis, finally, is a critique of ethnomusicology and its necessity for a native object, as well as sound studies, which fails to conceptualise any semblance of Black noise.
Demmler, Monika [Verfasser], and Hubert [Akademischer Betreuer] Zapf. "Biophilia and the Aesthetics of Blues, Jazz, and Hip-Hop Music in African-American Prose Fiction / Monika Demmler. Betreuer: Hubert Zapf." Augsburg : Universität Augsburg, 2015. http://d-nb.info/108077291X/34.
Full textTreby, Marion Elizabeth. "The signifyin(g) impulse and the music of Toni Morrison : an examination of how Morrison's fiction signifies on music, Black culture and the oral tradition." Thesis, Anglia Ruskin University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413621.
Full textChao, Noelle. "Musical letters eighteenth-century writings of music and the fictions of Burney, Radcliffe, and Scott /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467893641&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Full textGoad, John C. "Tracing Appalachian Musical History through Fiction: Representations of Appalachian Music in Selected Works by Mildred Haun and Lee Smith." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2536.
Full textHum, Peter. "Lift the bandstand." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61832.
Full textMiesak, Edward. "Heroes Are Born Then Made." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc504458/.
Full textZhao, Ye. "Chamber Opera 'With Her Eyes'." University of Cincinnati / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1623251121828837.
Full textO'Brien, Rebecca Ann. "WHEN THE INHUMAN BECOMES HUMAN: AN EXAMINATION OF THE MUSICAL PORTRAYAL OF THE ROBOT IN TWENTY-FIRST CENTURY SCIENCE-FICTION CINEMA THROUGH AN ANALYSIS OF THE FILM SCORES OF AUTOMATA, EX MACHINA, AND THE MACHINE." UKnowledge, 2019. https://uknowledge.uky.edu/music_etds/142.
Full textTan, Ngiap Leng. "The uses of art in the fiction of Anthony Powell with special reference to 'A dance to the music of time'." Thesis, Birkbeck (University of London), 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401754.
Full textOlson, Neleigh. "AMERICAN IDYLL: STORIES." UKnowledge, 2018. https://uknowledge.uky.edu/english_etds/74.
Full textFarouk, May. "Les Tribulations de la fiction chez Jean Echenoz : le retour du roman d'aventures : formes et enjeux contemporains." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030128.
Full textSince 1980, the literary scene in France has witnessed a revival of romance once made obsolete by the New Novel (Nouveau Roman). Realistic, social, musical, crime, spy and adventure fiction has thus sprung up again. The current study examines and questions the problematic of “return” especially the return of adventure fiction in the very representative work of Jean Echenoz. Thought reviving a classical genre, the author does not shy away from modifying and remodeling that genre’s configurations and issues. Thus, this survey elaborates a poetic of the postmodern fiction of adventures, revisiting a traditional genre to extract contemporary forms and issues, so to speak. But from a broader perspective, the study underscores the tribulations of Echenoz’s fiction, work which does not mind to collapse plots, oscillate from one genre to another or sway between two space-times, at the risk of presenting itself in a turbulent mode of writing confounding the reader - who fells helpless in the face of the unbridled audacity of the author and his narrative perturbations
Bao, Cheng. "La Musique dans l'œuvre de Boris Vian." Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA034/document.
Full textAs a novelist, jazz critic, trumpet player, singer and artistic director, Boris Vian is a versatile man recognized diversely. Omnipresent in his life, the music has given him a keen sense that is certainly part of his originality as a writer. This research aims to investigate the importance of music in his literary universe, as well as the efforts he has devoted to bringing the two arts closer together. By taking a broad view of music as Vian, we have discovered a world where the writer inscribes the art of Euterpe in many ways : by the spaces, the instruments, the musicians and the pieces interpreted or quoted. The elements borrowed from jazz have a decisive influence on Vian's novel writing. Boris Vian himself recognizes the importance of music in his "jazz-writing", which is always rhythmic and improvisatory, free and inventive. In the work of fiction, music exerts its influence from the stylistic detail to the macroscopic structure. The first part of our study concerns the explicit presentations of music in his fiction while the following part continues the exploration in a more implicit dimension
Erlandsson, Patrik. "Gäst i Katas hus : En undersökning av fiktionens roll i museet." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-15080.
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