Journal articles on the topic 'Musicology / Organ / 20th century'
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Whittall, Arnold. "Thoughts for the Future." Tempo, no. 202 (October 1997): 2. http://dx.doi.org/10.1017/s0040298200048865.
Full textSiuta, Bohdan. "Notion “Genre Type” as the Metalіngual Unit of the Modern Musical Theory." Terminological Bulletin, no. 5 (2019): 188–95. http://dx.doi.org/10.37919/2221-8807-2019-5-25.
Full textNuo, Xu. "The reform of Chinese Musical Culture and the Formation of Musical Psychology in the Early 20th Century." Университетский научный журнал, no. 77 (December 25, 2023): 99–111. http://dx.doi.org/10.25807/22225064_2023_77_99.
Full textVesic, Ivana, and Danka Lajic-Mihajlovic. "The dominant currents in the research of music in Serbia: An overview of the Institute of Musicology SAS’s early history (1947-1965)." Muzikologija, no. 25 (2018): 49–76. http://dx.doi.org/10.2298/muz1825049v.
Full textHuovinen, Erkki. "Musiikin aatehistoriaa." Trio 12, no. 1 (June 29, 2023): 33–42. http://dx.doi.org/10.37453/tj.131226.
Full textLajic-Mihajlovic, Danka. "Audio collection in the SASA Institute of Musicology." Muzikologija, no. 10 (2010): 141–51. http://dx.doi.org/10.2298/muz1010141l.
Full textHysa, Oksana, Bingqiang Liu, Olha Yeremenko, Larisa Biryukova, and Bei Liu. "THE HISTORY OF MUSICOLOGY STUDIES AT THE UNIVERSITY OF WROCLAW AND THEIR RELATIONSHIP WITH THE STATE-RELIGIOUS GENESIS OF JAGELLONISM IN THE XV-XVI CENTURIES." Conhecimento & Diversidade 15, no. 40 (December 6, 2023): 417–27. http://dx.doi.org/10.18316/rcd.v15i40.11246.
Full textBrie, Mihai. "Gheorghe Dima – Seiten von der wertvollen hermannstädter musikalischen Tätigkeit." Studia Universitatis Babeş-Bolyai Musica 65, no. 2 (December 21, 2020): 129–42. http://dx.doi.org/10.24193/subbmusica.2020.2.10.
Full textQiang, Wang. "Qu Xiao-Song’s Oratorio “Cleaving the Coffi n”: Features of Vocal and Orchestral Style." Университетский научный журнал, no. 79 (April 24, 2024): 152–59. http://dx.doi.org/10.25807/22225064_2024_79_152.
Full textMiklós, Noémi. ""Organs in Transylvania – Part 2. Transylvanian Organs During the 19th Century "." Studia Universitatis Babeş-Bolyai Musica 67, no. 2 (December 20, 2022): 177–91. http://dx.doi.org/10.24193/subbmusica.2022.2.10.
Full textTotan, Virðinia, and Petruța Maria Coroiu. "Impressionism in Serbian Music." Studia Universitatis Babeş-Bolyai Musica 68, no. 2 (December 30, 2023): 39–61. http://dx.doi.org/10.24193/subbmusica.2023.2.03.
Full textSTETSKOVYCH, Olena. "MASS MUSIC CULTURE OF THE 20TH – EARLY 21ST CENTURY IN THE MIRROR OF MODERN UKRAINIAN MUSICOLOGY." Humanities science current issues 2, no. 64 (2023): 114–19. http://dx.doi.org/10.24919/2308-4863/64-2-19.
Full textMykola, Udovychеnko. "Ways of shaping the concert repertoire for the viola in the 17th–19th centuries." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 62, no. 62 (September 16, 2022): 7–24. http://dx.doi.org/10.34064/khnum1-62.01.
Full textDér, András. "Special Issue on Versatile Organ-on-a-Chip Devices." Micromachines 12, no. 12 (November 25, 2021): 1444. http://dx.doi.org/10.3390/mi12121444.
Full textPuchalska, Iwona. "Deus ex machina, czyli o doświadczeniu fonografii w poezji Stanisława Barańczaka / DEUS EX MACHINA, OR THE EXPERIENCE OF PHONOGRAPHY IN THE POETRY OF STANISŁAW BARAŃCZAK." Ruch Literacki 54, no. 4-5 (October 1, 2013): 477–94. http://dx.doi.org/10.2478/v10273-012-0082-3.
Full textNaumenko, Tatiana I. "Soviet Musicology: Pro et Contra. Work on Archival Materials from the Soviet Era." Problemy Muzykal'noj Nauki / Music Scholarship, no. 4 (2022): 22–37. http://dx.doi.org/10.56620/2782-3598.2022.4.022-037.
Full textAnuchin, Artem Maximovich. "Musical portrait of Nikolay Tcherepnin: Stages of his life and creative work. On the 150th anniversary of his birth." Manuscript 17, no. 2 (March 15, 2024): 76–84. http://dx.doi.org/10.30853/mns20240011.
Full textTabyisova, Fedosia W. "Trio Texture in Choral Arrangements and Polyclavier Organ of Southern Germany in the First Third of the 16th Century." Contemporary Musicology, no. 2 (2022): 81–106. http://dx.doi.org/10.56620/2587-9731-2022-2-081-106.
Full textKlendii, Oleksandra. "Music editing in the aspect of interdisciplinary connections (according to pages of foreign studies)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 66, no. 66 (April 9, 2023): 191–206. http://dx.doi.org/10.34064/khnum1-66.12.
Full textPeno, Vesna. "Methodological disputes about interpretation of neum notation in the 20th century." Muzikologija, no. 18 (2015): 15–33. http://dx.doi.org/10.2298/muz1518015p.
Full textGorbunova, Irina B., and Mikhail S. Zalivadny. "About Applying Probabilistic-Static Methods in Studying Regular Laws of Music and Musical-Pedagogical Research Works." Music Scholarship / Problemy Muzykal'noj Nauki, no. 1 (2022): 35–49. http://dx.doi.org/10.33779/2782-3598.2022.1.035-049.
Full textBralovic, Milos, and Ivana Medic. "The composer and his critics: The reception of Stanojlo Rajicic’s works in the light of crucial events for the development of Serbian music in the twentieth century." Muzikologija, no. 31 (2021): 59–94. http://dx.doi.org/10.2298/muz2131059b.
Full textKysliuk, Andrii. "Lysenkiana in the Studies of Mykhailo Stepanenko in Its Connections with Musicological Tradition and Modern Investigations of the Artist’s Heritage." Folk Art and Ethnology, no. 2 (June 30, 2024): 87–94. http://dx.doi.org/10.15407/nte2024.02.087.
Full textStrizhakova, Elena A. "F. J. Fetis and his role in the development of French organ playing school in the second half of the 19th century." Contemporary Musicology, no. 4 (2020): 75–89. http://dx.doi.org/10.56620/2587-9731-2020-4-075-089.
Full textTao, Jin. "PERFORMANCE CHARACTERISTICS of Eugene Goossens’s Concerto for Oboe and Orchestra." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 60, no. 60 (October 3, 2021): 167–83. http://dx.doi.org/10.34064/khnum1-60.09.
Full textTeparić, Srđan. "Analytical Listening and Aesthetic Experience in Music Criticism." Arts 13, no. 1 (February 14, 2024): 34. http://dx.doi.org/10.3390/arts13010034.
Full textKushch, Viktoriia. "Chamber vocal works by Ivan Karabyts in the Ukrainian musicological discourse." Collection of scientific works “Notes on Art Criticism”, no. 39 (September 1, 2021): 196–201. http://dx.doi.org/10.32461/2226-2180.39.2021.238720.
Full textDUȚICĂ, Luminița, and Ema-Laura STANCIU. "Sound polychromes in the choral creation of the composer Gheorghe Duțică." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (January 20, 2021): 57–68. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.6.
Full textКовнацкая, Л. Г. "The XVIII Bach Readings in St. Petersburg." OPERA MUSICOLOGICA, no. 2021 (September 15, 2021): 96–107. http://dx.doi.org/10.26156/om.2021.13.3.006.
Full textTazegul, Gokhan, Humeyra Bozoglan, Tahir S. Ogut, and Mustafa K. Balci. "A Clinician's Artificial Organ? Instant Messaging Applications in Medical Care." International Journal of Artificial Organs 40, no. 9 (May 24, 2017): 477–80. http://dx.doi.org/10.5301/ijao.5000606.
Full textVasic, Aleksandar. "The beginnings of Serbian music historiography: Serbian music periodicals between the world wars." Muzikologija, no. 12 (2012): 143–64. http://dx.doi.org/10.2298/muz120227007v.
Full textBausch, Sebastian, and Manuel Bärtsch. "Geisterhände – neu belebt." Schweizer Jahrbuch für Musikwissenschaft 40 (April 19, 2024): 103–8. http://dx.doi.org/10.36950/sjm.40.9.
Full textКнязева, Ж. В. "Manfred Bukofzer, Paul Sacher and the Basel Ordinariat." Научный вестник Московской консерватории, no. 4(39) (December 7, 2019): 162–93. http://dx.doi.org/10.26176/mosconsv.2019.39.4.006.
Full textГрохотов, С. В., К. В. Зенкин, Р. А. Насонов, Т. В. Цареградская, and В. П. Чинаев. "Following the Conference “From Art Nouveau to Futurism” (Virtual Round-Table Discussion)." Научный вестник Московской консерватории, no. 1(40) (March 20, 2020): 56–67. http://dx.doi.org/10.26176/mosconsv.2020.40.1.004.
Full textRyzhinsky, Alexander S. "British Choral Music at the Turn of the 19th and 20th Centuries: the Phenomenon of the English Musical Renaissance." Problemy muzykal'noi nauki / Music Scholarship, no. 2 (July 2023): 53–67. http://dx.doi.org/10.56620/2782-3598.2023.2.053-067.
Full textRadoman, Valentina. "On comparative research in musicology: Peripheral vs. Central European musical culture and the musicological comparative approach in the 20th century." New Sound, no. 39-1 (2012): 30–48. http://dx.doi.org/10.5937/newso1201030r.
Full textDumbill, Richard, and Sanjay Sinha. "Seven decades of organ transplantation: Out of the 20th and into the 21st century." Journal of Indira Gandhi Institute of Medical Sciences 10, no. 1 (2024): 3–5. http://dx.doi.org/10.4103/jigims.jigims_47_23.
Full textZhornikova, Mariia. "EMBODIMENT OF THE PRINCIPLES OF SONOR WRITING IN THE CREATIVE WORKS OF E. VILLA-LOBOS (on the example of the piano suite “Dolls”)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 58, no. 58 (March 10, 2021): 158–81. http://dx.doi.org/10.34064/khnum1-58.10.
Full textDOLGUSHINA, MARINA. "CROSS-CULTURAL CONNECTIONS IN BRIGHT SHENG'S OPERA THE SONG OF MAJNUN." Культурный код, no. 2023-1 (2023): 100–111. http://dx.doi.org/10.36945/2658-3852-2023-1-100-111.
Full textBrooke, Christopher, Howell Edwards, Peter Vandenabeele, Sylvia Lycke, and Michelle Pepper. "Raman Spectroscopic Analysis of an Early 20th Century English Painted Organ Case by Temple Moore." Heritage 3, no. 4 (October 21, 2020): 1148–61. http://dx.doi.org/10.3390/heritage3040064.
Full textKogler, Susanne. "Art as a Critique of Language: On the Continuity of the Tradition of the Avant-Garde Aesthetic in the Modern and the Postmodern." Musicological Annual 43, no. 2 (December 1, 2007): 287–303. http://dx.doi.org/10.4312/mz.43.2.287-303.
Full textGumerova, Aysylu Tagirovna. "The tradition of Orthodox singing of the baptized Tatars of the Laish and Mamadysh districts of Kazan province: the historical background." PHILHARMONICA. International Music Journal, no. 3 (March 2021): 82–88. http://dx.doi.org/10.7256/2453-613x.2021.3.35028.
Full textNikolskaya, I. I. "The Warsaw Autumn International Music Festival — Overcoming the Boundaries between East and West." Art & Culture Studies, no. 4 (December 2023): 500–555. http://dx.doi.org/10.51678/2226-0072-2023-4-500-555.
Full textBoettcher, Wolfgang, Frank Merkle, and Heinz-Hermann Weitkemper. "History of Extracorporeal Circulation: The Conceptional and Developmental Period." Journal of ExtraCorporeal Technology 35, no. 3 (September 2003): 172–83. http://dx.doi.org/10.1051/ject/2003353172.
Full textVasiliu, Laura-Otilia. "Noi istorii ale muzicilor românești [New histories of Romanian types of music] – The most important editorial publication in the Romanian musicology of recent years." Artes. Journal of Musicology 24, no. 1 (April 1, 2021): 329–43. http://dx.doi.org/10.2478/ajm-2021-0020.
Full textRastegar, Sohi. "Life Force." Mechanical Engineering 122, no. 03 (March 1, 2000): 74–79. http://dx.doi.org/10.1115/1.2000-mar-4.
Full textRusu-Persic, Dalia. "Critical reception of late 19th century Iași-based music. Alexandru Flechtenmacher." Artes. Journal of Musicology 18, no. 1 (March 1, 2018): 190–206. http://dx.doi.org/10.2478/ajm-2018-0012.
Full textUrbaniak, Krzysztof. "The organ made by Andreas Hildebrandt at tHe elevation of tHe Holy Cross Church in Pruszcz Gdański." Notes Muzyczny 2, no. 14 (December 10, 2020): 29–58. http://dx.doi.org/10.5604/01.3001.0014.5747.
Full textFu, Xiaojiao. "Court Music of the Qing Dynasty at the End of the 17th-18th Centuries: Main Aspects of Research." PHILHARMONICA. International Music Journal, no. 6 (June 2022): 40–54. http://dx.doi.org/10.7256/2453-613x.2022.6.39562.
Full textPina, Isabel. "A Russian way of depicting true Portuguese traditions? Alentejo Suite No. 1 by Luis de Freitas Branco and its connections with intergalisimo lusitano." Contemporary Musicology, no. 3 (2019): 73–91. http://dx.doi.org/10.56620/2587-9731-2019-3-073-091.
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