Academic literature on the topic 'Musicologie (discipline)'
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Journal articles on the topic "Musicologie (discipline)"
Huvet, Chloé. "La Musicologie du cinéma : enjeux disciplinaires et problèmes méthodologiques." Articles 36, no. 1 (March 16, 2018): 53–84. http://dx.doi.org/10.7202/1043868ar.
Full textDuchesneau, Michel. "La Revue musicale ou le phoenix musical." Revue musicale OICRM 4, no. 2 (February 8, 2018): 19–34. http://dx.doi.org/10.7202/1043218ar.
Full textCouprie, Pierre. "Quelques propos sur les outils et les méthodes audionumériques en musicologie. L’interdisciplinarité comme rupture épistémologique." Revue musicale OICRM 6, no. 2 (March 24, 2020): 25–44. http://dx.doi.org/10.7202/1068384ar.
Full textBlum, Mickael. "Introduction à la ludomusicologie : le cas de Shovel Knight." Musurgia Volume XXIX, no. 3 (September 11, 2023): 75–96. http://dx.doi.org/10.3917/musur.223.0075.
Full textOdoj, Wojciech. "Podróż do źródeł muzyki? Afrykańsko-niemieckie związki muzyczne w I poł. XX wieku." Res Facta Nova. Teksty o muzyce współczesnej, no. 22 (31) (December 15, 2021): 172–77. http://dx.doi.org/10.14746/rfn.2021.22.14.
Full textKizińska, Karolina. "Rola płci kulturowej w badaniach muzykologicznych – zarys pola badawczego muzykologii feministycznej." Kultura i Edukacja 94, no. 1 (2013): 22–41. http://dx.doi.org/10.15804/kie.2013.01.02.
Full textTraube, Caroline. "Quelle place pour la science au sein de la musicologie aujourd’hui ?" Circuit 24, no. 2 (August 13, 2014): 41–49. http://dx.doi.org/10.7202/1026183ar.
Full textCohen, Judah M. "‘Fate Leads the Willing, and Drags the Unwilling’." European Judaism 54, no. 1 (March 1, 2021): 64–87. http://dx.doi.org/10.3167/ej.2021.540106.
Full textEnglin, Stanislav E. "History and Theory of Musical Writing as an Academic Discipline." Musical Art and Education 7, no. 1 (2019): 95–106. http://dx.doi.org/10.31862/2309-1428-2019-7-1-95-106.
Full textMcClatchie, Stephen. "Theory's Children; or, The New Relevance of Musicology." Canadian University Music Review 21, no. 1 (March 4, 2013): 14–27. http://dx.doi.org/10.7202/1014475ar.
Full textDissertations / Theses on the topic "Musicologie (discipline)"
Weber-Rigaudière, Angélica. "La participation des revues à la construction d’une discipline : the Musical Quarterly (1915-…) : revue de Musicologie (1917-…) : archiv für Musikwissenschaft (1918-1927 ; 1952-…)." Thesis, Avignon, 2009. http://www.theses.fr/2009AVIG1099.
Full textBasing on a documentary, editorial and historical approach of the musicological periodical and considering musicology as a form of writing about music, we examine the contribution of journals to the construction of a discipline. Consisting of 122 american, french and german titles, as well as of three leading journals in musicology, the Archiv für Musikwissenschaft, the Revue de Musicologie and The Musical Quarterly, the corpus is submitted to a macroscopical and microscopical observation and to a content analysis. The aim of this investigation is to shed light on the ambiguities and the historicity of learned journals about music. As a rhetorical instrument, the periodical circumscribes a disciplinary territory. This medium of communication federates a collective of which it writes the story, elaborates the history and constructs the identity. By its faculty to accept differences, to link, to leave room to controversy as well as to put discourses into circulation, it can be viewed as a cultural and a heterogeneous object. The articulation between science, writing and music acts on the musicological periodical which is in perpetual transformation
Matzkin, Daniel. "Perception de similarité de mélodies tonales et non tonales : étude pluridisciplinaire." Paris, EHESS, 2001. http://www.theses.fr/2001EHES0125.
Full textDoes the musical expertise of listeners influence the way in which similarity is perceived? How can we rebuild a similarity judgement in terms of the subjacent mental processes? Are these processes specific to melody perception? Similarity perception obeys a basic ecological need: the adaptation of organisms to their environment. A review of the mental processes subjacent with the recognition and generalization of patterns suggests that the mental operations behind melodic similarity perception are not necessarily particular with the musical faculty. Certain peripheral and central activities of the brain can be modelled relatively correctly starting from a reductionistic approach. Various examples coming from very different cognitive faculties makes it possible to make assume that melodic similarity perception could be predicted by an additive model combining the processing of musical dimensions “height” and “duration”. This research provides data making possible to characterize some of the computations underlying melodic similarity perception (modularity, perception of the configurational properties, and musical expertise). Similarities between these processes and those of other mental faculties are underlined. Data shows a new relation between the perception of the melodic contour and duration, and conveys to reformulate the existing processing models. A computational model of melodic similarity perception is proposed. Its links with the of the Shepard law are underlined. However, significant limitations limit the degree of data generalization. It is due to the characteristics of the musical stimuli used, to the simplifying approach which was adopted, as well as with the type statistical analyses carried out
Pardoen, Marie-Hélène. "Du sabre à la baguette : les musiques militaires pendant la Révolution française." Clermont-Ferrand 2, 2007. http://www.theses.fr/2007CLF20006.
Full textNishimagi, Shin. "Les modalités de l'enseignement musical au Moyen Age : Le traité De Modis, Cambrai, Médiathèque municipale, Ms 172 (XIIème siècle)." Paris, EPHE, 2005. http://www.theses.fr/2005EPHE4047.
Full textMayaud, Isabelle. "Sciences de la musique sans frontières ? : Contribution à une sociologie du processus de primitivisation." Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080007.
Full textIn this dissertation, I analyse how, in the modern period, the different scientific domains dealing with music were divided, and how, at the same time, musical repertories were organised into a hierarchy. This research, focused on the French case, is based on a socio-historical enquiry and on several sources dating from the beginning of the seventeenth to the mid-twentieth century. Those sources are both manuscript and printed, and range from administrative documents, scientific and museum archives, conference proceedings and other printed sources related to the Universal Exhibitions, to archives from the publishing sector and other pieces related to the collection and curating of musical instruments, songs and audio recordings. The following methods were mobilised : lexical analysis, textual sociology, databases and historical ethnography. The enquiry emphasizes a configuration of the process of making music a part of national heritage by the French State, which is also a long-term process of social differentiation through the music. Collecting and curating operations of musical objects were initiated by the Second Empire and consolidated by the Third Republic. These operations have contributed to make certain repertories anhistorical, kept in a zone below history. This separation is analysed as a symbolic domination system, which was enacted by several administrations (Public Instruction, Trading and Industry, Fine Arts, Colonies), produced and reproduced by different agents commissioned by the State (teachers and professors, academicians, curators, territorial leaders)
Romero-García, Gonzalo. "Mathematical Morphology for the Analysis and Generation of Time-Frequency Representations of Music." Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUS554.
Full textThis thesis explores the application of Mathematical Morphology to the analysis and generation of music, focusing on two time-frequency representations: spectrograms and piano rolls. Mathematical Morphology is a nonlinear image processing tool that serves to consider topological notions of the image. We present three applications. The first is to analyze spectrograms with morphological tools to obtain parameters with which to synthesize a musical instrument sound. The second is to generate piano rolls with two musical parameters, texture and harmony, by arranging them through morphological dilation. The third is to apply morphological operators to analyze piano rolls using graph theory. The thesis thus proposes new approaches for problems in sound analysis and computational musicology
FRATTALI, ARIANNA. "La drammaturgia fra letteratura e musica nel Settecento: figure femminili nei salotti lombardo veneti." Doctoral thesis, Università Cattolica del Sacro Cuore, 2010. http://hdl.handle.net/10280/750.
Full textThe thesis reconstructs the role of the female figure in the XVIII century salon in the lombardo-veneto area regarding the relationship between music, theatre and literature. The study focuses on four female figures: Francesca Manzoni, Luisa Bergalli, Maria Teresa Agnesi e Paolina Secco Suardo
FRATTALI, ARIANNA. "La drammaturgia fra letteratura e musica nel Settecento: figure femminili nei salotti lombardo veneti." Doctoral thesis, Università Cattolica del Sacro Cuore, 2010. http://hdl.handle.net/10280/750.
Full textThe thesis reconstructs the role of the female figure in the XVIII century salon in the lombardo-veneto area regarding the relationship between music, theatre and literature. The study focuses on four female figures: Francesca Manzoni, Luisa Bergalli, Maria Teresa Agnesi e Paolina Secco Suardo
AVANZINI, SUSANNA. "LA FUNZIONE DELLA MUSICA NEL TEATRODANZA DI SASHA WALTZ E PINA BAUSCH." Doctoral thesis, Università degli Studi di Milano, 2013. http://hdl.handle.net/2434/222405.
Full textVERGA, DAVIDE. "MUSICHE DI SCENA E TEATRO DI REGIA. FIORENZO CARPI E GLI SPETTACOLI GOLDONIANI DI GIORGIO STREHLER." Doctoral thesis, Università degli Studi di Milano, 2012. http://hdl.handle.net/2434/202740.
Full textBooks on the topic "Musicologie (discipline)"
Masse, Isabelle. Influence des modes d'émissions vocales extra-européennes dans la musique contemporaine: Thèse pour obtenir le grade de docteur de l'université Paris IV-Sorbonne, discipline musicologie, présentée et soutenue publiquement [en] décembre 2000. Villeneuve-d'Ascq: Presses universitaires du septentrion, 2002.
Find full textMasse, Isabelle. Influence des modes d'émissions vocales extra-européennes dans la musique contemporaine: Thèse pour obtenir le grade de docteur de l'université Paris IV-Sorbonne, discipline musicologie, présentée et soutenue publiquement [en] décembre 2000. Villeneuve-d'Ascq: Presses universitaires du septentrion, 2002.
Find full textDupré, Sven, Anna Harris, Julia Kursell, Patricia Lulof, and Maartje Stols-Witlox, eds. Reconstruction, Replication and Re-enactment in the Humanities and Social Sciences. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463728003.
Full text1937-, Greer David Clive, Rumbold Ian, and King Jonathan 1971-, eds. Musicology and sister disciplines: Past, present, future : proceedings of the 16th International Congress of the International Musicological Society, London, 1997. New York: Oxford University Press, 2000.
Find full textG, Pauly Reinhard, and Radice Mark A, eds. Irvine's writing about music. 3rd ed. Portland, Or: Amadeus Press, 1999.
Find full textJewler, A. Jerome. Creative strategy in advertising. 5th ed. Belmont: Wadsworth Pub. Co., 1995.
Find full textJewler, A. Jerome. Creative strategy in advertising. 3rd ed. Belmont, Calif: Wadsworth, 1989.
Find full textL, Drewniany Bonnie, ed. Creative strategy in advertising. 8th ed. Belmont, CA: Thomson/Wadsworth, 2005.
Find full textJewler, A. Jerome. Creative strategy in advertising. 4th ed. Belmont, Calif: Wadsworth, 1992.
Find full textJewler, A. Jerome. Creative strategy in advertising. 2nd ed. Belmont, Calif: Wadsworth, 1985.
Find full textBook chapters on the topic "Musicologie (discipline)"
Wissner, Reba A. "Using Public Musicology to Teach Digital Literacy in Music History Classes." In Integrating Digital Literacy in the Disciplines, 95–104. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003445326-11.
Full textChimenes, Myriam. "La Vie Musicale Sous Vichy, 1940-1944." In Musicology And Sister Disciplines Past,Present,Future, 541–43. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198167341.003.0078.
Full textOlleson, Philip. "Musicology And Biography." In Musicology And Sister Disciplines Past,Present,Future, 483–85. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198167341.003.0056.
Full textMartin, Peter J. "Music and Cultural Practices." In Musicology And Sister Disciplines Past,Present,Future, 331–41. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198167341.003.0037.
Full text"Musicology and Related Disciplines." In Musicology and Performance, 11–23. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300146394-004.
Full textStenzl, J. ü. rg. "Response." In Musicology And Sister Disciplines Past,Present,Future, 218–20. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198167341.003.0024.
Full textSeebass, Tilman. "Musicology And Art History." In Musicology And Sister Disciplines Past,Present,Future, 548–51. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198167341.003.0081.
Full textMeconi, Honey. "Session 29: Hildegard of Bingen." In Musicology And Sister Disciplines Past,Present,Future, 646–47. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198167341.003.0122.
Full textDell’Antonio, Andrew. "Statement." In Musicology And Sister Disciplines Past,Present,Future, 179–84. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198167341.003.0018.
Full textLocke, Ralph P. "Response." In Musicology And Sister Disciplines Past,Present,Future, 209–17. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198167341.003.0023.
Full textConference papers on the topic "Musicologie (discipline)"
Bressan, Federica. "Philology in the preservation of audio documents." In SOIMA 2015: Unlocking Sound and Image Heritage. International Centre for the Study of the Preservation and Restoration of Cultural Property, 2017. http://dx.doi.org/10.18146/soima2015.2.10.
Full textKeil, Reinhard. "Der Computer als Denkzeug für hermeneutische Arbeit." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.89.
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