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Curran, Terence William. "Recording classical music in Britain : the long 1950s." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:2340cf56-c2be-4c0b-b5a6-2cfe06c22fe4.
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During the 1950s the experience of recording was transformed by a series of technical innovations including tape recording, editing, the LP record, and stereo sound. Within a decade recording had evolved into an art form in which multiple takes and editing were essential components in the creation of an illusory ideal performance. The British recording industry was at the forefront of development, and the rapid growth in recording activity throughout the 1950s as companies built catalogues of LP records, at first in mono but later in stereo, had a profound impact on the music profession in Britain. Despite this, there are few documented accounts of working practices, or of the experiences of those involved in recording at this time, and the subject has received sparse coverage in academic publications. This thesis studies the development of the recording of classical music in Britain in the long 1950s, the core period under discussion being 1948 to 1964. It begins by considering the current literature on recording, the cultural history of the period in relation to classical music, and the development of recording in the 1950s. Oral history informs the central part of the thesis, based on the analysis of 89 interviews with musicians, producers, engineers and others involved in recording during the 1950s and 1960s. The thesis concludes with five case studies, four of significant recordings - Tristan und Isolde (1952), Peter Grimes (1958), Elektra (1966-67), and Scheherazade (1964) - and one of a television programme, The Anatomy of a Record (1975), examining aspects of the recording process. The thesis reveals the ways in which musicians, producers, and engineers responded to the challenges and opportunities created by advances in technology, changing attitudes towards the aesthetics of performance on record, and the evolving nature of practices and relationships in the studio. It also highlights the wider impact of recording on musical practice and its central role in helping to raise standards of musical performance, develop audiences for classical music, and expand the repertoire in concert and on record.
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Kelly, Kenneth Todd. "Chet Baker : a study of his improvisational style, 1952-1959." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1167797.
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The purpose of this study was to identify characteristics of jazz trumpeter Chet Baker's improvisational style, both instrumental and vocal, during the early period of his career (1952-1959). Baker's early years were divided into six periods, based on major milestones: The Charlie Parker Groups (1952-1953), The Gerry Mulligan Quartet and Tentette (1952-1953), The Chet Baker Quartets (1953-1956), The European Groups (1955-1956), Quartets, Quintets, and Sextets (1956-1957), and The Riverside Recordings (1958-1959). Improvised lines and chord changes from fifteen solos were transcribed and analyzed by the researcher; melodies of standard songs were transcribed and compared with the original version. The number of solos selected from each period was based on the length of time Baker spent with each particular group and the number of albums recorded. The solos were analyzed in terms of rhythmic interpretation of melodies, intervals utilized, use of nonharmonic tones, use of jazz cliches, embellishment of the melodic line, use of melodic and rhythmic patterns, range, tone quality, articulation, vibrato, and vocal scat syllables. As a result of this analysis, the researcher was able to draw conclusions concerning Baker's improvisational style during the period of the study.School of Music
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DiGiallonardo, Richard L. (Richard Lee). "Musical Borrowing: Referential Treatment in American Popular Music." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277911/.
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This thesis examines the relationships between popular contemporary musical styles and classic-era art music. Analysis of pop-rock songs, and their referential treatment in art rock, classical music, and society will be examined. Pop-rock musicians borrow from the masters of the past and from each other. Rock guitarists such as Eddie Van Halen employ a virtuosic technique suggestive of Liszt and Paganini. The group Rush borrowed freely from opera seria. Frank Zappa referenced contemporary musicians as well as classical techniques. Referential treatment in popular music and the recent advancements in technology, have challenged copyright law. How these treatments and technologies affect copyright legislators and musicians will be discussed.
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Mamola, Bethany Grace. "Perseverance in the Face of Totalitarianism: The Life and Legacy of Józef Zygmunt Szulc in Nazi Occupied France." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505262/.
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The Reichsleiter Rosenberg Task Force of 1940, initiated a systematic confiscation of items belonging to Jews throughout Europe. Because of this task force and Hitler's decrees, Jews across Europe were labeled as stateless, and were stripped of ownership and rights to property. Not only did these actions devastate Jews economically, but intellectually and artistically as well. In parts of occupied France, this task force was legitimized by Vichy laws under the label of the Commissariat Générale aux Questions Juives (General Commission for Jewish Issues) and enabled Nazi officials to closely watch Jewish musicians and stop them from performing their music, profiting from anyone else performing it, and to halt any public performance of Jewish compositions. This dissertation exhibits the lost legacy of one such Jewish musician, Józef Szulc. It discusses him as a musician of great importance in the ongoing recovery of Jewish culture, music, and life during World War II. His musical output has historical notoriety, as seen through reviews and performance history. The study of Vichy laws and their effect on Jewish musicians in Paris during the Nazi occupation provides the socio-political context for Szulc's life. It also provides the most plausible reason why his contribution to French vocal music was almost entirely lost. Szulc's success with his operetta compositions created a trajectory of performances that lasted well into the late 1920s and early 1930s.
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Cao, T. Y. "The intellectual history of 20th century field theories." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.383778.
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Ahlquist, Karen. "»Thou Shalt Learn These Things«. American Musicians’ Education and Dual Consciousness in the Early 20th Century." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71895.
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Baumer, Andreas. "Urban rejuvenation : a contemporary urban topology for the information age." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1137647.
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A changing perception based on the appreciation for information in our era allows a broader idea and different understanding of life as a system driven by the flow of information. Simultaneously, our understanding of 'the' urban was broadened. It enabled us to perceive urban structures as living organisms beyond their physical manifestation and separated from human control. Like species, our cities are great products of evolutionary forces and contain invaluable information worth preserving.When writing about urban spaces, urban is understood as a system which is constituted not so much by built forms and infrastructures, but as a heterogeneous field that is constituted by intervention and lines of forces and action. These lines form the coordinates of an urban topology that is not based on the human body and its movements in space alone, but also on relational acts and events within the urban system. These relational acts can be economic, political, technological or tectonic processes, as well as acts of communication. The urban is therefore quite different from the physically defined spaces of events and movements.The focal point of this paper is to explore the relationship between the spaces of movement, the spaces of events and the relational systemic 'spaces'. It will be attempted to identify fundamental processes behind urban design. Rules are derived from connective principles in complexity theory, systems theory, pattern recognition, and artificial intelligence.Department of Architecture
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Braun, Ramona. "Laparoscopy as a neo-eugenic practice, 1940s-60s." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708461.
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Ng, Kin-yuen. "Constitutional developments in China and Japan from the mid 19th century to the early 20th century." [Hong Kong : University of Hong Kong], 1992. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13280181.
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Ng, Kin-yuen, and 吳健源. "Constitutional developments in China and Japan from the mid 19th century to the early 20th century." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31950395.
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Arthur, Brid Caitrin. "Envisioning Lhasa: 17-20th century paintings of Tibet's sacred city." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437525195.
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蕭芬琪 and Fun-kee Siu. "The case of Wang Yiting (1867-1938): a uniquefigure in early twentieth century Chinese art history." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31223357.
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Costello, Paul. "The goals of the world historians : paradigms in world history in twentieth century." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74629.
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Following Nietzsche, Oswald Spengler posed the central problems of the cyclical history of civilization in the twentieth century. Subsequent world historical theorists have attempted to answer Spengler's nihilistic perspective on the destined rise and fall of all cultures by rescuing a progressive movement which transcended the downfall of civilizations. World history since Spengler has been written in pursuit of an answer to the crises of modernism: to the 'Death of God,' the problem of progress, the emergent technological order with its bureaucratic management of society, and the need sensed by the metahistorians for a new 'mythical' grounding to avert the fall of the West. The "Crisis of the West" dominates the perspectives of the world historians. Their goals for the solution of 'modernism,' through the religious transformation of society or political and cultural world unity, are central to their motivation as writers and to the formulation of their paradigms.
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葉翠蓮 and Chui-lin Yip. "Women's movement in Tianjin during the May Fourth Era=." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31641453.
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Yu, Xuying, and 郁旭映. "Alternative modernity discourse and intellectual politics in modern and contemporary China: a case study ofXueheng school." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B48079844.
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This thesis sets to sketch Chinese intellectuals’ sustained efforts to search for an alternative modernity to the Western model throughout the twentieth century, and uncover the interaction between intellectual politics and Chinese modernity discourse by historicizing and contextualizing Chinese modernity discourse.
This study starts with delineating the consistence and the inconsistence of Chinese modernity discourses by juxtaposing different historical conditions and examining reappeared trends of thoughts. Three intellectual currents, i.e., cultural conservatism, humanism, and professionalism, which emerged in the May Fourth period and remerged in the post-socialist condition, are examined to mirror the spiral dynamics and the locus of Chinese modernity. Their respective roles in reconstructing Chinese cultural, ethical and academic orders in response to Western model of modernity are highlighted in the research. Cultural conservatism attempts to legitimize the Chinese culture in the framework of global modernity by resetting or reinterpreting the dialectical relation between the whole and part, universalism, and essentialism. Humanism emphasizes the standard, the guidance of authority, and the self-perfection to resist the ethical disorder caused by the so-called “modern spirit”, which is embodied by individualism, romanticism, and the immoderate expansion of desire. Professionalism influences the pattern of producing and reproducing knowledge about modernity by re-standardizing the academic and the discursive fields and by remolding the identity of the agents.
After exposing how the “alternative modernity” in China, as a discursive-political device, has been produced and repackaged with various contents and meanings, this thesis proceeds to explore the intellectual pedestal of Chinese modernity discourses from two aspects. First, how do the intellectual strategies of self-positioning and position-taking influence knowledge production and reproduction of the Chinese modernity discourse; second, how articulation and re-articulation of modernity discourse reflect the self-adjustments of intellectual politics as well as identity shifts. Through the comparative and diachronic examinations, it poses that, as Chinese modernity discourse is increasingly served as a symbolic capital or a strategy of intellectual politics, it gradually loses its authenticity or even becomes a signifier without signified. Meanwhile, the state-led modernization practice is reversely becoming homogenous, stable, and less diverse, although the dominant ideology, namely, socialism with Chinese characteristics, is, in itself, hybrid, paradoxical, and strategically manufactured.published_or_final_version
Comparative Literature
Doctoral
Doctor of Philosophy
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Asbury, Michael. "Hélio Oiticica : politics and ambivalence in 20th century Brazilian art." Thesis, University of the Arts London, 2003. http://ualresearchonline.arts.ac.uk/8953/.
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This study investigates the presence of ambivalence as a strategy of cultural politics from modern to contemporary art in Brazil. It focuses on the development of modern art leading to the work of Hélio Oiticica, whose approach to avant-garde practice in Brazil was concurrent with intense articulations between the forces of social change and re-evaluations of the legacy of Modernism. The thesis has a strong historiographical emphasis and is organised in three parts: Part one attempts to view the emergence of Modernism in Brazil beyond the prevailing interpretations that emphasise its inadequacy compared to canonical paradigms. Part two discusses the development of abstraction in Brazil, particularly that associated with the constructivist tradition and its relationship with the prevailing positivism of a nation that saw modernity as its inevitable destiny. Such a relationship, between art and ideology, implicitly questions the purported autonomous nature of modern art. Again, what emerged were definite regional distinctions, themselves based on seemingly universal theoretical propositions. The context of Hélio Oiticica's emergence as a constructivist-oriented artist is discussed in order to establish the theoretical foundation for his subsequent articulations between notions of avant-garde and Brazilian popular culture. Part three deals with Oiticica's theoretical and artistic proposals. It centres on the artist's transition from a position concerned primarily with the aesthetic questions of art, to one in which art became engaged on a social, ethical and ultimately political level. Oiticica's relationship with concurrent developments in theatre and later in music and cinema is given particular attention. The artist's questioning of the divides between such fields of specialisation, socio-cultural borders or categories of creative production is argued to have arisen out of Oiticica's lessons from Neoconcretism as well as his individual creative approach to relations of friendship. The latter integrated the wider concept of participation that eventually drove the work through the apparent equivocation between national culture and avant-garde practice. The study concludes with an analysis of the artist's posthumous dissemination and its relation with today's contemporary Brazilian art.
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Cohen, Robin John. "British energy crisis management : a comparative study in the 20th century." Thesis, London School of Economics and Political Science (University of London), 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301572.
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Kachnowski, Stanislaw. "A history of medical technology in post-colonial India : the development of technology in medicine from 1947-1991." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:a98170a0-f494-401e-9ad3-4483e89f6359.
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Over the past 60 years, India has undergone immense political, economic, and social changes, which have led to its emergence as a global economic power and regional military power. During this period, the population has surged, growing from 233 million to 1.2 billion people, making India the second most populous nation in the world. In the course of this change, there have been key indicators of medical progress, such as rising life expectancy and a falling infant mortality rate. Another striking indicator, specifically in the area of medical technology, is the fact that India in 2006 was a net exporter of HIV medications to dozens of countries around the globe, earning a reputation as the pharmacist of the developing world. Although many books and papers have been written about the emergence of the country's economy and military, little has been written on how it has been able to achieve its leadership in medical technology. This thesis, 'A History of Medical Technology in Postcolonial India: 1947-1991', is the first major study examining the development of medical technology in India in the period directly following colonial rule. The period covered in this research is crucial because it highlights the evolution and impact of medical technology in postcolonial India, leading up to, but excluding, the free-market reforms enacted by the Indian government in 1991. This thesis will also illustrate the impact diffusion had on the evolution of medical technology. Most importantly, this thesis introduces a new concept appropriate to understanding India's trajectory in this period: the medical technology complex. It will be shown that this complex consists of different groups working toward an aligned objective. It is not the point of this thesis to characterize the medical technology complex in a positive light or a negative one. Its primary concern is to demonstrate through historical evidence that this construct grew throughout the twentieth century and still exists today.
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Saks, Catherine Marie. ""Real Americanism" : resistance to the Oregon Compulsory School Bill, 1920-1925." PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/4164.
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The early 1920s are generally described as a period of transition for American society. Many forces of change collided to create an unsettled atmosphere that appeared to threaten traditional American ideas and values. After World War I, the United States fostered a climate of anti-Catholicism and nativism out of fear that foreign ideas spelled the demise of traditional American values. These ideas were certainly not new to American culture as anti-Catholic sentiments figured prominently throughout the founding of the nation. During the early 1920s, however, a resurrected Ku Klux Klan promoted itself as the protector of American institutions. It won recruits with an identity as a secret society for white, Anglo-Saxon, Protestant citizens. The organization also exploited the political issues of the day to ingratiate itself within communities across the nation.
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Häusler, Clemens Albert Josef. "The transatlantic exchange between American liberals, British Labourites, and German social democrats from the mid-1950s to the mid-1970s." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609089.
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Hart, Bradley William. "British, German, and American eugenicists in transnational context, c. 1900-1939." Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/283886.
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Chapin, Charles Nicholas. "The turn to reading in twentieth-century literary criticism." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609859.
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Dughi, William Christian. "Shabashniks : a history of the USSR's dissenting protagonists of free enterprise." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36764.
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Shabashniks, as dissenting protagonists of free enterprise within the Soviet economic system did as much or more to undermine the political and economic security and control of the Communist Party of the Soviet Union (CPSU) than many of the more well known political dissidents of the Soviet era. While it was never the conscious or primary motivation of those Soviet citizens working as shabashniks to challenge the political primacy of the CPSU in their self proclaimed position as the vanguard of the development of communism in the Soviet Union, the scope and the scale of the private economic activities engaged in by shabashniks represented a significant source of the impetus for the eventual decline in the Party's monopoly on political and economic power.This study investigates the place of shabashniks within the Soviet system, their contributions to that system and their part in its eventual decline. The narrative created as a result of this study relied primarily on Soviet newspaper, journal and magazine articles to describe the lifestyles of shabashniks. There were no Russian language monographs available on the subject at the time of this study. This study then combined the existing Soviet discussions concerning the private economic activities of shabashniks and the effects of those activities on the Soviet system, as reflected in the Soviet press, with the information gleaned from conversations the author had while working with and interviewing former shabashniks and Soviet citizens in Russia during the fall of 1994 and the winter 1997.
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Feng, Huanian, and 馮華年. "The reception of western art history in Republican China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31227326.
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Burkhardt, Alex. "Democrats into Nazis? : the radicalisation of the Bürgertum in Hof-an-der-Saale, 1918-1924." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/16029.
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This thesis analyses the radicalisation of the bürgertum in a single Bavarian town, Hof-an-der-Saale, in the five years after the First World War. It is bookended by two important and enormously different elections. In the first of these – the January 1919 elections to the National Assembly – the bürgerliche districts of Hof voted almost entirely for the German Democratic Party, a left-liberal, pro-Republican party that called for a parliamentary democracy, the separation of church and state, rights for women, a renunciation of German militarism and a close collaboration with the Social Democrats. But just five years later, in the Reichstag elections of May 1924, these very same districts cast their votes for the Völkisch Block, a cover organisation for the then-banned Nazi Party. Within half a decade, then, Hof's bürgerliche milieu had switched its allegiance from a party of left-liberal democrats to the most radical nationalists in German history. Why did this dramatic and disturbing electoral turnaround occur? In an effort to answer this question, this thesis offers a detailed study of the narratives and discourses that circulated within Hof's bürgerliche milieu during this five-year period. It uses newspaper editorials, the minutes of political meetings, electoral propaganda, the documents of civic associations and commercial organisations, the Protestant newsletter and a range of other sources in an effort to reconstruct what Hof's Burghers thought, said and wrote between these two elections. What happened between January 1919 and May 1924 to transform Hof's bürgerliche inhabitants from Democrat into Nazi voters, and how did this startling change manifest itself at the level of discourse and political culture?
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Bayar, Yesim. "Turkish nation-building process : an analysis of language, education, and citizenship policies during the early Republic (1920-1938)." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115601.
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This study seeks to analyze the Turkish nation-building process during the early Republican period (1920-1938). In doing this, the substantive focus will be on three main dimensions --language, education, and citizenship -- with particular emphasis on the rhetoric and actions of the political elite.By looking at language, education, and citizenship policies, and their formulations, the present analysis will make three main propositions: First, and in contrast to the existing literature on nations and nation-building, it will be demonstrated that the process of Turkish nation-building was neither a smooth nor an automatic process. Moreover, during the period under analysis, there were competing definitions of nationhood which were taken up, and discussed by the political elite. The final conceptualization of nationhood --which took an assimilationist form with an ethnic understanding attached to it -- was formed over time. At times, the process was wrought with tensions as illustrated by the heated debates among the political elite.
Second, the present analysis will seek to bring together two different ways of looking at nation formation. More specifically, the analysis will attempt to bridge the gap between those works which only underline the role of ideas in the formation of nations, and those which emphasize the role of structural forces. By paying attention to the "voices" (and actions) of the political elite, this study will demonstrate that it is not only ideas, nor is it only structural forces that matter. Rather, the crystallization of the contents of Turkish nationhood illustrates the interplay of ideological as well as geopolitical and political forces.
Third, a detailed analysis of the trajectory of Turkish nation-building and the formulation of Turkish nationhood reveals the complexity of this process. The existing literature on Turkey tends to treat the Kemalist era as an undifferentiated whole. The present work will remain critical to such an outlook. Instead, and by looking at the shifting conceptualizations of nationhood, it will seek to demonstrate the complexity and contingent nature of the Turkish nation-building process.
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Martyn, Elizabeth 1968. "Gender and nation in a new democracy : Indonesian women's organisations in the 1950s." Monash University, Dept. of Politics, 2001. http://arrow.monash.edu.au/hdl/1959.1/9112.
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Poulson, Stephen Chastain. "Confronting the West: Social Movement Frames in 20th Century Iran." Diss., Virginia Tech, 2002. http://hdl.handle.net/10919/30008.
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The Iranian Revolution of 1979 received considerable attention from modern social scientists who study collective action and revolution because it allowed them to apply their different perspectives to an ongoing social event. Likewise, this work used the Iranian experience as an exemplar, focusing on a sequence of related social movement frames that were negotiated by Iranian groups from the late 19th through the 20th century. Snow and Benford (1992) have proposed that cycles of protest are associated with the development of a movement master frame. This frame is a broad collective orientation that enables people to interpret an event in a more or less uniform manner. This study investigated how movement groups in Iran developed master frames of mobilization during periodic cycles of protests from 1890 to the present. By investigating how master frames were negotiated by social movement actors over time, this work examined both the continuity and change of movement messages during periods of heightened social protest in Iran.Ph. D.
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Bangham, Jenny. "Blood groups and the rise of human genetics in mid-twentieth century Britain." Thesis, University of Cambridge, 2014. https://www.repository.cam.ac.uk/handle/1810/265573.
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This dissertation reconstructs how blood groups were made into pre-eminent objects of human genetic research and powerful markers for producing human biological difference. By tracing the ways in which three British laboratories became international centres for blood-group genetic research, it also offers an expanded history of postwar human genetics. In early 1930s Britain a community of geneticists, including R.A. Fisher and B.S. Haldane, promoted blood groups as having the potential to give the study of human heredity 'a solidly objective foundation, under strict statistical control'. Fisher and colleagues at the Cambridge Galton Serum Unit- especially Robert Race and Arthur Mourant- implemented this vision, the dissertation shows, using the arrangements for large-scale blood transfusion set up early in the Second World War. In 1946, Mourant became director of the Blood Group Reference Laboratory and Race of the Blood Group Research Unit, both at London's Lister Institute. As well as standardising blood-grouping reagents and investigating serological problems for the World Health Organization, these laboratories collected, analysed and published vast quantities of genetic data, making the Lister the global centre for blood-group genetics. During this period, human genetics changed from a marginal research field to an established discipline, partly, the dissertation argues, as a result of this blood-group research. By the 1950s a third of all human genetics publications were on blood groups: as one of the few human traits with simple Mendelian inheritance, they formed the basis for linkage studies and association surveys, and underpinned innovation in theoretical population genetics. Against a backdrop of intense international discussion about the meaning and scope of race science, blood groups were also made into tools for a supposedly 'obj ective' and 'unprejudiced' anthropology. This first history of how blood groups became scientific objects follows their collection in Britain and overseas, the grouping of samples, their transformation into data, and their presentation as credible genetic knowledge. It also offers the first sustained analysis of the functions of genetic nomenclatures. I argue that mid-century human genetics was profoundly influenced by the questions and practices of physical anthropology, by clinical practice, and by international infrastructures for medical research.
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Komarower, Patricia 1950. "The development of vertebrate palaeontology in China during the first half of the twentieth century." Monash University, School of Geosciences, 2002. http://arrow.monash.edu.au/hdl/1959.1/9337.
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Saleh, Fauzan. "The development of Islamic theological discourse in Indonesia : a critical survey of Muslim reformist attempts to sustain orthodoxy in the twentieth century." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37830.
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This study aims to trace the development of Islamic theological discourse in Indonesia, from the early 1900s to the end of the twentieth century. It will focus on how modernist Muslims have constructed their theological thought throughout the century, which, in turn, reflects their religious understanding in response to the particular demands of their age. The modernist theological thought constructed so far signifies a continuum of progress, developing from one stage to the next. Implicitly, this progress also indicates the improvement of Indonesian Muslims' understanding of their own religion, which may suggest the betterment of their commitment to doctrinal beliefs and religious practices. Therefore, this study will also examine the ways in which Indonesian Islam noticeably grows more orthodox through these forms of religious commitment. Drawing upon an Indonesian term, the growth of orthodox Islam is known as the santri cultural expansion, which, at least since the last two decades of the century, has been characterized by the vertical (and horizontal) mobility of devoted Muslims in political, cultural and economic enterprises. As well, this study will include a discussion of the theological thought underlying that santri cultural expansion.
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Grohmann, Carolyn. "The problems of integrating annexed Lorraine into France, 1918-1925." Thesis, University of Stirling, 1999. http://hdl.handle.net/1893/3540.
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In 1918, the signing of the armistice at the end of the First World War, brought about the return of the region known as Elsaß-Lothringen, Alsace-Lorraine, to France after 47 years of German rule. This thesis examines the problems which the integration process created for the heterogeneous population of the Moselle (annexed Lorraine), a population which included those who were indigenous to the region, Germans from all over the German Reich, and immigrants from elsewhere in Europe. In this integration process, the French authorities attempted to undo the effects of Germanisation on all levels: linguistic, cultural, political, economic, administrative, and demographic. However, the manner in which they attempted to achieve francisation, soon alienated large sections of the indigenous population. This sense of unease and dissatisfaction manifested itself within weeks of the entry of French troops to the region and became known as the malaise lorrain. Sacrifices forced upon the region by integration included a disappointingly sluggish economic recovery. Equally, whilst a process of epuration, or ethnic cleansing, deported three quarters of the Moselle's German community, many among the indigenous population were obliged to prove their loyalty to France at specially created tribunals to allow them to remain in the region. This thesis brings to light the region's experience which the historiography has hitherto treated as less controversial and less problematic than that of its neighbour, Alsace. Mosellan particularisme, which sought a middle ground between separatist regionalism and complete assimilation into France, was not as radical, reactionary, or well publicized as Alsatian autonomism. However, it was, in the long-term, far more successful.
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Gaudenzi, Bianca. "Commercial advertising in Germany and Italy, 1918-1943." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609367.
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Cueva, Samuel. "Partnership in mission in creative tension : an analysis of the relationships in mission within the Evangelical Movement with special reference to Peru and Britain 1987-2006." Thesis, University of Wales Trinity Saint David, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683024.
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WITKOWSKI, Victoria Margaret. "Remembering fascism and empire : the public representation and myth of Rodolfo Graziani in 20th-century Italy." Doctoral thesis, European University Institute, 2021. https://hdl.handle.net/1814/72739.
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Defence date: 24 September 2021; Examining Board: Professor Lucy Riall (European University Institute); Professor Alexander Etkind (European University Institute); Professor John Foot (University of Bristol); Professor Marla Stone (Occidental College)My PhD has utilised the cultural representation of Italy’s most popular military figure from the Fascist period to account for the myth-making and warped remembrance of Rodolfo Graziani in Modern-day Italy. By proving himself to Mussolini with his brutal tactics, namely, mass hangings, the erection of concentration camps, and utilisation of poison gas during the Italian ‘pacification’ of Libya in the 1920’s and the Fascist conquest of Ethiopia in 1936, my project highlights that Graziani was chosen by the Fascist government to be a national imperial war hero. Facilitated by the dawn of totalitarianism and mass consumption, the propaganda campaign to promote the Fascist Empire utilised Graziani as a modern-day celebrity, through many mediums, which became the source base for my research. Images of Graziani filtered back to Italy in the 1930s through postcards, books, magazines, film, radio, busts and the like. During the Second World War, collaboration with the Nazis under the Salò Republic led to his trial in 1948, but his colonial crimes remained unquestioned, testament to the effect of heroisation for his previous colonial career. Since then, this manipulation of historical consciousness has continued to pervade Italian society as the state searched for a collective ‘usable’ past from the remnants of the Fascist dictatorship. As Mussolini’s most popular enterprise, colonial ambition remained a shared goal across the political spectrum in the immediate post-war period. By countering national insecurities through the utilisation of male symbols, men like Graziani provided an opportunity to promote such ideals through untainted virtues of masculinity. Institutionally therefore, the role of individuals in bringing ‘civilisation’ to its African colonies continued to be revered in post-fascist and post-colonial Italy. Moreover, most recently, a regionally funded monument that was built in Graziani’s honour near Rome in 2012 only led to public outcry abroad and from interested national parties with almost no negative response from the Italian public. Graziani’s memory thus remains a fervent, multifaceted one and signifies tension in popular attitudes to Italy fascist and colonial history. It is with this timely and noteworthy case-study that I aim to shed light on the persistently neglected darker aspects of Italy’s recent past.
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Hanekom, Wouter Pierre. "A history of tourism, leisure and adventure in the Antarctic and Sub-Antarctic, c.1895 to present." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86454.
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Thesis (MA)--Stellenbosch University, 2014.ENGLISH ABSTRACT: This thesis deals with the nature and historical development of tourism and leisure activities that have been conducted within the Antarctic and sub-Antarctic regions from 1895 to present. First, it traces the brief history of human involvement with the Antarctic continent, which culminated in a surge of ostensibly scientific exploration with jingoistic overtones which has become widely known as the ‘Heroic Age’ of Antarctic exploration. These explorers’ adventures, taken up by the popular press and promoted by jingoistic governments, popularised a particular conception of the continent to the point where people imagined going to see it for themselves, vicariously reliving their heroes’ adventures in the form of tourism. The rise of formal governance on the Antarctic is then traced and used to explain how this provided for regular tourist activities to commence since the mid-1960s. The changing nature of tourism to the region is surveyed, as well as its impact on the environment. Finally, Marion Island, South Africa’s Sub-Antarctic Island, is discussed through the lens of tourism and leisure. Tourism has not been permitted on the island, so it offers a useful comparison with other sub-Antarctic islands that do allow tourists to visit. The thesis also deals with masculinity, as the Antarctic and sub-Antarctic were male dominated environments for the majority of human interaction with these regions. The thesis argues that the accumulation of knowledge in these areas by scientists has (perhaps counter-intuitively) led to the creation of the tourism industry, which would not have been able to flourish without the constant human presence secured by the scientific bases scattered around the Antarctic. Finally, this thesis offers a form of autoethnographic historical investigation, as an insider/outsider dichotomy (between “scientist” and “tourist”) was explored through embedded research, where scientists and support personnel are viewed as insiders on the one hand, and tourists are regarded as outsiders on the other.
AFRIKAANSE OPSOMMING: Hierdie tesis handel oor die aard en historiese ontwikkeling van toerisme en ontspannings aktiwiteite wat binne die Antarktiese en sub-Antarktiese gebiede onderneem is vanaf 1895 tot die hede. Dit behandel eerstens die kort geskiedenis van menslike betrokkenheid op die Antarktiese vasteland, wat uitgeloop het op 'n oplewing van oënskynlik wetenskaplike eksplorasie met nasionalistiese konnotasies wat wyd bekend geword het as die ‘Helde Era’ van Antarktiese verkenning. Hierdie ontdekkingsreisigers se avonture, soos weerspieël in die populêre pers en bevorder deur nasionalistiese regerings, het 'n bepaalde opvatting van die vasteland gewild gemaak. Soveel so dat dit mense beweeg het om as toeriste die gebied te besoek en op die wyse hul helde se avonture te herleef in die vorm van toerisme. Die opkoms van die formele beheer van die Antarktiese vasteland word dan nagespeur en gebruik om aan te dui hoe dit teen die middel 1960’s tot aktiewe toerisme in die gebied aanleiding gegee het. Die veranderende aard van toerisme na die streek, sowel as die impak daarvan op die omgewing word ondersoek. Ten slotte, word Marion Island, Suid-Afrika se Sub-Antarktiese eiland bespreek deur die lens van toerisme en ontspanning. Toerisme word nie op die eiland toegelaat nie, wat hom leun tot 'n nuttige vergelyking met ander sub-Antarktiese eilande wat wel toerisme toelaat. Aangesien die meerderheid van die menslike interaksie met Antarktieka en die sub- Antarktiese eilande deur mans gedomineer is, handel die tesis ook oor manlikheid. Die tesis argumenteer dat die opbou van kennis in hierdie gebiede deur wetenskaplikes (miskien teenintuïtief) gelei het tot die skepping van die toerisme-bedryf, wat nie in staat sou gewees het om te floreer sonder die konstante menslike teenwoordigheid, wat deur die wetenskaplike basisse versprei oor die Antarktieka verskaf is nie. Ten slotte, bied hierdie tesis 'n vorm van ń etnografiese historiese ondersoek in die vorm van ń binnestaander / buitestaander teenstelling (tussen "wetenskaplike" en "toeris"), waar wetenskaplikes en ondersteunings personeel as binnestaanders, en toeriste, as buitestaanders beskou word.
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Hubbs, Holly J. "American women saxophonists from 1870-1930 : their careers and repertoire." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1259304.
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The late nineteenth century was a time of great change for women's roles in music. Whereas in 1870, women played primarily harp or piano, by 1900 there were all-woman orchestras. During the late nineteenth century, women began to perform on instruments that were not standard for them, such as cornet, trombone, and saxophone. The achievements of early female saxophonists scarcely have been mentioned in accounts of saxophone history. This study gathers scattered and previously unpublished information about the careers and repertoire of American female saxophonists from 1870-1930 into one reference source.The introduction presents a brief background on women's place in music around 1900 and explains the study's organization. Chapter two presents material on saxophone history and provides an introduction to the Chautauqua, lyceum, and vaudeville circuits. Chapter three contains biographical entries for forty-four women saxophonists from 1870-1930. Then follows in Chapter four a discussion of the saxophonists' repertoire. Parlor, religious, and minstrel songs are examined, as are waltz, fox-trot, and ragtime pieces. Discussion of music of a more "classical" nature concludes this section. Two appendixes are included--the first, a complete alphabetical list of the names of early female saxophonists and the ensembles with which they played; the second, an alphabetical list of representative pieces played by the women.The results of this study indicate that a significant number of women became successful professional saxophonists between 1870-1930. Many were famous on a local level, and some toured extensively while performing on Chautauqua, lyceum, and vaudeville circuits. Some ended their performing careers after becoming wives and mothers, but some continued to perform with all-woman swing bands during the 1930s and 40s.The musical repertoire played by women saxophonists from 1870-1930 reflects the dichotomy of cultivated and vernacular music. Some acts chose to use popular music as a drawing card by performing ragtime, fox-trot, waltz, and other dance styles. Other acts presented music from the more cultivated classical tradition, such as opera transcriptions or original French works for saxophone (by composers such as Claude Debussy). Most women, however, performed a mixture of light classics, along with crowd-pleasing popular songs.School of Music
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Sims, Stella Corinne. "Retro, history and nostalgia : rethinking popular memory and the 1950s." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/54472/.
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This thesis examines how and why we remember the 1950s in Britain in particular ways. The 1950s have become a popular and visible decade in the culture of 'retro' since the late-1960s; there is a stylistic fascination with iconic symbols that have become shorthand for the post-war era. Popular memory is the everyday sense of a past which circulates in a particular culture through the interaction of past and present, public and private, which is expressed and experienced through memory, media and commodities. I interrogate how popular memory is expressed nostalgically through 'Fifties' retro and heritage in Britain, revealing the tensions between past and present in the politics of remembering. In the main, studies of popular representations of the past through nostalgia and retro have largely remained within the boundaries of academic disciplines such as subcultural studies, design/art history and collective memory theory. I use this scholarship in combination to analyse our popular historical culture because a popular sense of the past is created and experienced by an interaction of many different cultural expressions, experiences and representations. Using an interdisciplinary approach, this project blends interviews with fans of Fifties revival culture with other sources such as memories from the Mass Observation Archive, period dramas on film and television, retro in popular music, as well as press reception on retro and nostalgia. This innovative methodology foregrounds the tensions and politics of representing the past, challenging the notion of popular memory of the 1950s as merely 'retro' consumerism and manipulated history. Recent academic thought has emphasised the 'presentness' of nostalgia; that this emotional, rose-tinted view of the past is actually a response to the present. This project suggests nostalgia can be used with agency - individuals and communities use nostalgic images for a wide range of personal and political meanings; nostalgia can also be dynamic and pleasurable. We remember the past through family albums and personal memory, but these interact with mediated pasts in retro popular culture, favourite films and period dramas. My research calls for a more democratic approach to historical study which considers not just 'what happened' in the past but the politics of how we imagine and re-imagine the past.
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Frantz, Susanne K. "ARTISTS AND GLASS: A HISTORY OF INTERNATIONAL STUDIO GLASS (SCULPTURE)." Thesis, The University of Arizona, 1987. http://hdl.handle.net/10150/291668.
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Carotenuto, Matthew Paul. "Cultivating an African community the Luo Union in 20th century East Africa /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3238502.
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Thesis (Ph.D.)--Indiana University, Dept. of History, 2006."Title from dissertation home page (viewed July 12, 2007)." Source: Dissertation Abstracts International, Volume: 67-10, Section: A, page: 3939. Adviser: John H. Hanson.
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O'Brien, Carolyn 1957. "Immigrant integration, European integration : the Front national and the manipulation of French nationhood." Monash University, Centre for European Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/8548.
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Zabecki, D. T. "Operational Art and the German 1918 Offensives." Thesis, Department of Defence Management and Security Analysis, 2009. http://hdl.handle.net/1826/3897.
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At the tactical level of war the Germans are widely regarded as having had the most
innovative and proficient army of World War I. Likewise, many historians would agree that
the Germans suffered from serious, if not fatal, shortcomings at the strategic level of war. It is
at the middle level of warfare, the operational level, that the Germans seem to be the most
difficult to evaluate.
Although the operational was only fully accepted in the 1980s by many Western
militaries as a distinct level of warfare, German military thinking well before the start of
World War I clearly recognized the Operativ, as a realm of warfighting activity between the
tactical and the strategic. But the German concept of the operational art was flawed at best,
and actually came closer to tactics on a grand scale. The flaws in their approach to operations
cost the Germans dearly in both World Wars.
Through a thorough review of the surviving original operational plans and orders, this
study evaluates the German approach to the operational art by analyzing the Ludendorff
Offensives of 1918. Taken as a whole, the five actually executed and two planned but never
executed major attacks produced stunning tactical results, but ultimately left Germany in a far
worse strategic position by August 1918. Among the most serious operational errors made by
the German planners were their blindness to the power of sequential operations and
cumulative effects, and their insistence in mounting force-on-force attacks.
The Allies, and especially the British, were exceptionally vulnerable in certain
elements of their warfighting system. By attacking those vulnerabilities the Germans might
well have achieved far better results than by attacking directly into the Allied strength.
Specifically, the British logistics system was extremely fragile, and their rail system had two
key choke points, Amiens and Hazebrouck. During Operations MICHAEL and GEORGETTE, the Germans came close to capturing both rail centers, but never seemed to
grasp fully their operational significance. The British and French certainly did. After the
Germans attacked south to the Marne during Operation BLUCHER, they fell victims
themselves to an inadequate rail network behind their newly acquired lines. At the
operational level, then, the respective enemy and friendly rail networks had a decisive
influence on the campaign of March-August 1918.
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Piper, Stamatia A. J. "The emergence of a medical exception from patentability in the 20th century." Thesis, University of Oxford, 2008. http://ora.ox.ac.uk/objects/uuid:85e2c91c-182e-45aa-8580-3908ac343a54.
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Many patent law dilemmas arise from a failure to understand technologies as embedded in broader social, economic and political realities and to contextually analyze these legal phenomena. This narrowness leads to poor legal development, of which the modern medical exception from patentability is one example. Judges have difficulty interpreting it, patentees do not understand its purpose and it does not protect the important medical technologies to which the public would like access. This thesis applies a legal pluralist analysis to examine the emergence of the medical methods exception in order to understand why it was created and legislated. It starts by examining the origins of the exception in the caselaw, and the informal, concurrent norm established by the emerging medical profession in the early 20th century. It then proceeds to examine why the medical profession might have sought and enforced a norm prohibiting its members from patenting, and concludes that this arose from the need of the medical profession to distance itself from the patent law. As a result, professionalizing physicians established an internal normative order that mimicked and in many cases replaced the effect of the formal law. The thesis then proceeds to examine how the form of the informal norm evolved in the period between WWI and WWII, finding that the profession’s norm transformed and broke down concurrently with its efforts to achieve external legitimacy through legislation. That breakdown arose from factors which included growing labour mobility, greater understanding of the benefits of patents, and a growing role of science and industry in medicine that threatened the profession’s access to valuable medical innovation. The thesis concludes with a study of a current case (Myriad Genetics) that applies the thesis’ theoretical framework to a present dispute over the role the law should play in regulating genetic diagnostic tests.
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Ganczak, Iwona. "At the crossroads of politics and culture : Polish dissident art of the 1980s." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83104.
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This thesis will examine the political and social significance of the new artistic language that emerged in Poland in the 1980s. The new artistic language pertains to symbols, imagery and themes that originated in the discourse of the opposition and can be defined as the amalgam of the traditional religious vocabulary and time-specific symbols of oppression under Communism. The most prominent in this category are the symbols of the cross, the flowers, the national red and white flag, exclusively contemporary symbols such as the "television-people" as well as an array of traditional religious vocabulary. This unusual relationship between symbolic language of art and the symbols of the Church and the Solidarity accounted for the inherently political nature of dissident art. This thesis will discuss dissident art in context of the contemporary discourses: the discourse of the Communist Party, the Church, John Paul II and Solidarity.
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Carter, Daniel Barnaby. "Narratives of nation, frontier and social conflict in Chile : the province of Cautín during the agrarian reform period, 1967-1973." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648297.
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Law, Suk-mun Sophia, and 羅淑敏. "Zhang Daqian's (1899-1983) place in the history of Chinese painting." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31245808.
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Sutherland, Frederick E. "The Cuyuna Iron Range| Legacy of a 20th century industrial community." Thesis, Michigan Technological University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10120229.
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The Cuyuna Range is a former North American iron mining district about 90 miles(145 kilometers) west of Duluth in central Minnesota. The district was the furthest south and west of the three Minnesota iron ranges (Vermilion, Mesabi, and Cuyuna). In 2011, Students and staff from Michigan Technological University's Department of Social Sciences were asked to identify and promote features of the Cuyuna Range's mining heritage. Methods and approaches of mulitsited archaeology were used to unify the diverse places and themes into a more cohesive narrative. Their investigations focused on sites of technological innovation, social conflict, and important people. One collaborative project involved training a team of local volunteers to survey seven iron mining communities to identify sites with historic importance. In total, 876 sites were documented. The data generated from this effort can be used to develop plans for cultural tourism focused on the iron mining heritage of the Cuyuna Iron Range. It was found that using multiple themes from multisited archaeology strengthened the region’s narrative better than simply focusing on sites from a single thematic viewpoint
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Daigle, Paulin. "Les fonctions harmoniques et formelles de la technique 5-6 à plusieurs niveaux de structure dans la musique tonale /." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35996.
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This research constitutes a detailed study of 5 - 6 voice-leading technique that is often found in music - theoretical literature and in the tonal repertoire. The study aims to prove that this technique is an essential theoretical and analytical concept for understanding the evolution of tonal music.The first part of this study examines concepts and descriptions of 5 - 6 technique as they appear in the theoretical literature of the eigthteenth and nineteenth centuries and in the writings of Heinrich Schenker and the modern Schenkerian school. The descriptions of 5 - 6 technique in earlier conterpoint, figured-bass and harmony treatises led Schenker and his disciples to place the technique in a much broader context, though even they do not always grasp the full implications of their procedures.
In the light of William Caplin's recent theory of formal functions, (Caplin 1985; 1998), the second part of the thesis in a substantial selection of musical excerpts from the eighteenth through the early twentieth centuries, demonstrates that 5 - 6 technique as a contrapuntal analatycal concept, provides an effective model for understanding the development of chromaticism and the extension of the tonal language at multiple structural levels.
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Wernitznig, Dagmar. "No documents, no history : a political biography of Rosika Schwimmer (1877-1948)." Thesis, University of Oxford, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711810.
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Willis, Avery Tinch. "Euripides' Trojan women : a 20th century war play in performance." Thesis, University of Oxford, 2005. http://ora.ox.ac.uk/objects/uuid:bb57e1d3-b560-45f2-8cd9-64befab97bba.
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In this dissertation, I approach the interpretation of a classical text in performance by examining the practical elements (directorial and design choices: set, costumes, lighting, music, etc.) and promotional materials (programmes, press releases, photographs, etc.) for a selection of significant test cases in order to determine how these production decisions engage with external factors of political, intellectual, and cultural import. Trojan Women is a particularly useful case study to explore within the parameters of this method because the dynamism and immediacy of the play is most powerfully articulated when production choices allow for it to be wielded as a weapon of protest or reaction against contemporary policy, especially the waging of war. Using a chronological approach, this analysis of Trojan Women as a text for performance provides a broad and in-depth discussion of the reception of the play in the twentieth century, the period in which the ancient text was most frequently performed. Through the investigation of several influential productions on the international stage, and through an examination of the roles of key players (particularly Gilbert Murray and Jean-Paul Sartre), Trojan Women emerges as a play that offers theatre artists a unique and effective forum for debating issues of human responsibility in times of war a central theme in the play and a considerable preoccupation during a century of armed conflict. Chapter One discusses how the play was used to criticize imperial activity and promote ideological causes in the first half of the century. Chapters Two and Three draw attention to a major cluster of performances reflecting the spirit of international war protest in the 1960s and 1970s. Chapter Four addresses productions of the play affected by delayed responses to the Holocaust. Chapter Five features performances in the 1990s that respond to crises of civil conflict and genocide.