Journal articles on the topic 'Musical'
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Greenspan, Charlotte. "Death Comes to the Broadway Musical." Daedalus 141, no. 1 (January 2012): 154–59. http://dx.doi.org/10.1162/daed_a_00137.
Cherry, James M. "The Musical of Musicals (The Musical!) (review)." Theatre Journal 56, no. 4 (2004): 705–6. http://dx.doi.org/10.1353/tj.2004.0156.
Bispham, John C. "Music's “design features”: Musical motivation, musical pulse, and musical pitch." Musicae Scientiae 13, no. 2_suppl (September 2009): 41–61. http://dx.doi.org/10.1177/1029864909013002041.
Yanuar, Dani. "Interaksi musikal dalam pertunjukan Kesenian Topeng Betawi." Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni 14, no. 1 (July 17, 2019): 10–18. http://dx.doi.org/10.33153/dewaruci.v14i1.2532.
Mellers, Wilfrid. "Platform: Are Musicals Musical?" Musical Times 132, no. 1782 (August 1991): 380. http://dx.doi.org/10.2307/965879.
Burford, Mark. "Hanslick's Idealist Materialism." 19th-Century Music 30, no. 2 (2006): 166–81. http://dx.doi.org/10.1525/ncm.2006.30.2.166.
Tyasrinestu, Fortunata. "Lirik Musikal pada Lagu Anak Berbahasa Indonesia." Resital: Jurnal Seni Pertunjukan 15, no. 2 (December 1, 2014): 163–68. http://dx.doi.org/10.24821/resital.v15i2.850.
Molero, Esteve. "Todos poseemos inteligencia musical." Folia Humanística 2, no. 2 (July 6, 2020): 36–60. http://dx.doi.org/10.30860/0067.
Davies, Coral. "Listen to my song: a study of songs invented by children aged 5 to 7 years." British Journal of Music Education 9, no. 1 (March 1992): 19–48. http://dx.doi.org/10.1017/s0265051700008676.
Mills, Janet. "Assessing Musical Performance Musically." Educational Studies 17, no. 2 (January 1991): 173–81. http://dx.doi.org/10.1080/0305569910170206.
BOMBOLA, GINA. "FromThere's Magic in MusictoThe Hard-Boiled Canary: Promoting “Good Music” in Prewar Musical Films." Journal of the Society for American Music 12, no. 2 (April 5, 2018): 151–78. http://dx.doi.org/10.1017/s1752196318000068.
Araújo, Ítalo Robert da Silva, and Alexsander Jorge Duarte. "Criação-performance partilhada em música." ouvirOUver 15, no. 2 (March 10, 2020): 552–67. http://dx.doi.org/10.14393/ouv-v15n2a2019-46350.
MEDEIROS, ALAN RAFAEL DE, and ÁLVARO LUIZ RIBEIRO DA SILVA CARLINI. "A modernidade em questão: música de concerto em Curitiba – coexistência e especificidades entre a "SCABI" e "SPMC" * Modernity in question: concert music in Curitiba - coexistence and specificity between "SCABI" and "SPMC"." História e Cultura 2, no. 1 (August 19, 2013): 44. http://dx.doi.org/10.18223/hiscult.v2i1.939.
MacDonald, Laura. "Le pouvoir de consommer : le spectateur comme enjeu et acteur de l’économie du théâtre musical1." Pratiques et travaux, no. 58 (December 13, 2016): 137–50. http://dx.doi.org/10.7202/1038324ar.
Fagundes, Flávia Maiara Lima, and Giann Mendes Ribeiro. "O FEEDBACK E O SEU PAPEL PARA A MOTIVAÇÃO NO TEATRO MUSICAL." Cena, no. 20 (October 27, 2016): 72. http://dx.doi.org/10.22456/2236-3254.63097.
Boffone, Trevor. "From Heathers to Six: Stealth musicals and the TikTok Broadway archive." Studies in Musical Theatre 15, no. 3 (December 1, 2021): 175–89. http://dx.doi.org/10.1386/smt_00070_1.
Martin, Denis-Constant. "A herança musical da escravidão." Tempo 15, no. 29 (December 2010): 15–41. http://dx.doi.org/10.1590/s1413-77042010000200002.
Gregori i Cifré, Josep Maria. "IFMuC: un proyecto universitario para la recuperación del Patrimonio Musical de Catalunya." Cuadernos de Investigación Musical, no. 1 (March 20, 2017): 12–26. http://dx.doi.org/10.18239/invesmusic_2016.01.1306.
Santo, Erickson Rodrigues do Espírito, and Arnaldo Nogaro. "COMPORTAMENTOS MUSICAIS NA EDUCAÇÃO MUSICAL." Vivências 19, no. 38 (January 1, 2023): 283–300. http://dx.doi.org/10.31512/vivencias.v19i38.870.
Anderson, Natasha. "Narrative and Number in Busby Berkeley’s Footlight Parade." MUSIC.OLOGY.ECA 1 (September 11, 2020): 40–59. http://dx.doi.org/10.2218/music.2020.5697.
Koniari, Dimitra, Sandrine Predazzer, and Marc Méélen. "Categorization and Schematization Processes Used in Music Perception by 10- to 11-Year-Old Children." Music Perception 18, no. 3 (2001): 297–324. http://dx.doi.org/10.1525/mp.2001.18.3.297.
ROHOLT, TIGER C. "Musical Musical Nuance." Journal of Aesthetics and Art Criticism 68, no. 1 (February 2010): 1–10. http://dx.doi.org/10.1111/j.1540-6245.2009.01387.x.
Hodge, Matthew. "21st-Century Broadway Musicals and the ‘Best Musical’ Tony Award: Trends and Impact." Arts 9, no. 2 (May 10, 2020): 58. http://dx.doi.org/10.3390/arts9020058.
Cont, Arshia, and Martine Rhéaume. "Synchronisme musical et musiques mixtes : du temps écrit au temps produit." Circuit 22, no. 1 (April 30, 2012): 9–24. http://dx.doi.org/10.7202/1008965ar.
WITKOWSKA-ZAREMBA, ELŻBIETA. "Johannes de Muris's Musica speculativa cited by Jacobus de Ispania." Plainsong and Medieval Music 31, no. 1 (April 2022): 37–63. http://dx.doi.org/10.1017/s0961137122000031.
Aramayo, Stella. "Un diseño musicológico reversible para analizar canciones escritas en notación occidental tradicional." Epistemus. Revista de Estudios en Música, Cognición y Cultura 9, no. 2 (December 17, 2021): 035. http://dx.doi.org/10.24215/18530494e035.
Duchesneau, Michel. "La Revue musicale ou le phoenix musical." Revue musicale OICRM 4, no. 2 (February 8, 2018): 19–34. http://dx.doi.org/10.7202/1043218ar.
Sung Hee Kirk. "Translated Musicals and Musical Translation in Korea." Journal of Translation Studies 9, no. 1 (March 2008): 283–309. http://dx.doi.org/10.15749/jts.2008.9.1.011.
Harahap, Irwansyah. "MERANGKAI WARNA: EKSPLORASI LARAS “PELOG” DALAM PERMAINAN ‘OUD ARABIS BERBASIS GARAPAN “WORLD MUSIC”." MELAYU ARTS AND PERFORMANCE JOURNAL 2, no. 2 (January 20, 2020): 149. http://dx.doi.org/10.26887/mapj.v2i2.974.
Nevriana, Alicia, Pandu Riono, Tri Budi W. Rahardjo, and Adji Kusumadjati. "Lifetime Musical Activities and Cognitive Function of the Elderly." Kesmas: National Public Health Journal 7, no. 7 (February 1, 2013): 304. http://dx.doi.org/10.21109/kesmas.v7i7.28.
Pfändtner, Willy. "Religiously (Un)musical, Musically (Un)religious." DISKUS 16, no. 1 (July 15, 2014): 3. http://dx.doi.org/10.18792/diskus.v16i1.1.
Kato, Katia. "A Mimesis Musical." Trans/Form/Ação 39, spe (2016): 93–110. http://dx.doi.org/10.1590/s0101-31732016000500007.
Breytburg, Kimol A. "Broadway musical commercial theater in the context of the socio-cultural environment of the 70s of the XX century." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 46 (2022): 182–95. http://dx.doi.org/10.17223/22220836/46/15.
Das, Joanna Dee, and Ryan Donovan. "Special Issue: Dance in musical theatre." Studies in Musical Theatre 13, no. 1 (March 1, 2019): 3–7. http://dx.doi.org/10.1386/smt.13.1.3_2.
Domingues, Glauber Resende. "A criação musical na perspectiva das pedagogias musicais abertas." Orfeu 6, no. 2 (September 10, 2021): 48–77. http://dx.doi.org/10.5965/2525530406022021048.
Lucas, Monica. "Imitação de Retóricas Latinas na Concepção de Gêneros e Estilos da Musica Poetica." Revista Música 14, no. 1 (May 10, 2014): 129. http://dx.doi.org/10.11606/rm.v14i1.115250.
Ridley, Aaron. "Musical Ontology, Musical Reasons." Monist 95, no. 4 (2012): 663–83. http://dx.doi.org/10.5840/monist201295433.
Johnson, Peter. "Musical Works, Musical Performances." Musical Times 138, no. 1854 (August 1997): 4. http://dx.doi.org/10.2307/1003750.
McLEAY, COLIN R. "Musical Words, Musical Worlds." New Zealand Geographer 51, no. 2 (October 1995): 1–6. http://dx.doi.org/10.1111/j.1745-7939.1995.tb02044.x.
Duchesneau, Michel. "French Music Criticism and Musicology at the Turn of the Twentieth Century: New Journals, New Networks." Nineteenth-Century Music Review 14, no. 1 (February 7, 2017): 9–32. http://dx.doi.org/10.1017/s1479409816000264.
Rodríguez Reinoso, Oswaldo Antonio. "¿Qué se entiende por Competencias Musicales? Configurando bases teóricas desde la socioformación y el desarrollo social sostenible." FORHUM International Journal of Social Sciences and Humanities, no. 3 (July 31, 2020): 51–65. http://dx.doi.org/10.35766/jf20235.
Afonso, José António. "Ana L. Paz. Ser músico em Portugal: trajetórias do aprender a ser génio, finais do século XIX – inícios do século XX." Sarmiento. Revista Galego-Portuguesa de Historia da Educación 23 (December 27, 2019): 317–21. http://dx.doi.org/10.17979/srgphe.2019.23.0.5900.
Granot, Roni Y., and Nori Jacoby. "Musically puzzling I: Sensitivity to overall structure in the sonata form?" Musicae Scientiae 15, no. 3 (July 6, 2011): 365–86. http://dx.doi.org/10.1177/1029864911409508.
Costa, Manuela Areias. "A Sociedade Musical União XV de Novembro como Patrimônio Cultural: da prática musical ao arquivo vivo." LaborHistórico 8, no. 1 (September 20, 2022): 87–107. http://dx.doi.org/10.24206/lh.v8i1.46743.
Firdhani, Aldhila Mifta. "Peningkatan Kemampuan Musikal Peserta Didik Melalui Aktivitas Musik Kreatif." Indonesian Journal Of Performing Arts Education 1, no. 1 (January 31, 2021): 11–17. http://dx.doi.org/10.24821/ijopaed.v1i1.4915.
During, Jean. "Éthique, droits et devoirs dans les cultures musicales orientales." Les Cahiers de la Société québécoise de recherche en musique 11, no. 1-2 (November 21, 2018): 89–98. http://dx.doi.org/10.7202/1054027ar.
Mateo, Marta. "Sunset Boulevard in Spanish Performance: Translations on the Musical Stage." Revista Alicantina de Estudios Ingleses, no. 37 (July 27, 2022): 81. http://dx.doi.org/10.14198/raei.2022.37.03.
Park, Moon Hee. "The Definition of Concept and the Role of the Audience in Concept Musicals." Liberal Arts Innovation Center 9 (May 30, 2022): 259–82. http://dx.doi.org/10.54698/kl.2022.9.259.
Kalό, Ildiko. "Considerations on the Elements of Musical Language in ‘La casa di peste drum’ [At the House across the Road] by Tudor Jarda." Musicology Papers 35, no. 1 (November 1, 2020): 35–40. http://dx.doi.org/10.47809/mp.2020.35.01.02.
Pei, Zhengwei, Yidi Wu, Xiaocui Xiang, and Huimin Qian. "The Effects of Musical Aptitude and Musical Training on Phonological Production in Foreign Languages." English Language Teaching 9, no. 6 (May 3, 2016): 19. http://dx.doi.org/10.5539/elt.v9n6p19.