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1

Muzyri︠a︡, Aleksandra Alekseevna. Iskusstvo slyshatʹ mir: Molodezhi ob iskusstve. Moskva: Iskusstvo, 1989.

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2

Grobecker, Kurt. Hamburger Hafenkonzert: Geschichten um eine erfolgreiche Radionsendung [sic]. Hamburg: DSV Verlag, 1996.

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3

Gösweiner, Friederike. Du holde Kunst - Lyrikvermittlung im Radio: Ein theoretischer Beitrag zur Radioforschung aus philologischer Sicht anhand der Auseinandersetzung mit der Ö1-Lyriksendung Du holde Kunst. Würzburg: Königshausen & Neumann, 2012.

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4

Weiss, Wiesław. 33 x Trójka: Program Trzeci Polskiego Radia w 33 odsłonach. Poznań: Vesper, 2012.

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5

Battistini, Pete. American top 40 with Casey Kasem: The 1980s. Bloomington, IN: AuthorHouse, 2010.

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6

Halper, Donna L. Radio music directing. Boston: Focal Press, 1991.

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7

Balmer, Étienne. Les radios commerciales et la programmation musicale en France: Économie de la culture. Paris, France: L'Harmattan, 2005.

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8

North, James H. Andre Kostelanetz on records and on the air: A discography and radio log. Lanham, Md: Scarecrow Press, 2011.

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9

Jirgens, Eckhard. Der Deutsche Rundfunk der 1. Tschechoslowakischen Republik: Musiksendungen 1925-1938 : Vorträge, Artikel, Autoren. Regensburg: ConBrio Verlagsgesellschaft, 2017.

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10

Wunschkonzert: Unterhaltungsmusik und Propaganda im Rundfunk des Dritten Reichs. Graz: Ares, 2006.

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11

Un compositeur aux commandes de la radio: Essai autobiographique. [Paris]: Fayard, 2010.

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12

Gushurst, Wolfgang. Popmusik im Radio: Musik-Programmgestaltung und Analysen des Tagesprogramms der deutschen Servicewellen 1975-1995. Baden-Baden: Nomos, 2000.

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13

Ulf, Scharlau, Witting-Nöthen Petra, and Deutsches Rundfunkarchiv, eds. "Wenn die Jazzband spielt - ": Von Schlager, Swing und Operette : zur Geschichte der Leichten Musik im deutschen Rundfunk : Symposium der Historischen Kommission der ARD und des Westdeutschen Rundfunks am 28. und 29. Juni 2005 in Köln. Berlin: Verlag für Berlin-Brandenburg, 2006.

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14

Darbandī, ʻAlī Riz̤ā. Gulʹhā-yi ṣaḥrāyī: Pizhūhishī dar sirī barnāmahʹhā-yi gulhāy-i ṣaḥrāyī mūsīqī Īrān = Wild flowers : extensive reaserch on wild flowers series of Iranian music. Tihrān: Nashr-i Ḥarīr, 2019.

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15

Birgit, Bernard, Zahn Robert von, Kames Stefan 1961-, and Wagner Hans-Ulrich, eds. Medien und Musikjournalistik in Köln um 1933: Drei Schlaglichter auf eine Usurpation. Kassel: Merseburger, 2005.

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16

Rundfunkarchiv, Deutsches. Politische Musik in der Zeit des Nationalsozialismus: Ein Verzeichnis der Tondokumente (1933-1945). Potsdam: Verlag für Berlin-Brandenburg, 2000.

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17

Thomas, Synofzik, Schwendowius Barbara, Lorber Richard, Stöhr Tilla, and Wolff Christoph, eds. 50 Jahre Alte Musik im WDR, 1954-2004. Köln: Concerto, 2005.

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18

Lepri, Paul. Rocking radio: Recollections of sounds that made the top 40 airwaves. [New Haven, Conn.?]: P. Lepri, 2000.

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19

Sang-hyŏk, Song, ed. Kyŏngsŏng pangsongguk kugak pangsonggok mongnok saegin. Sŏul: Minsogwŏn, 2002.

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20

McCusker, Kristine M. Lonesome cowgirls and honky-tonk angels: The women of barn dance radio. Urbana: University of Illinois Press, 2008.

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21

McCusker, Kristine M. Lonesome cowgirls and honky-tonk angels: The women of barn dance radio. Urbana: University of Illinois Press, 2008.

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22

Caesar, Little. Songs about music. [s.l.]: Unistar Radio Programming, 1991.

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23

M, Jones Reginald. The mystery of the masked man's music: A search for the music used on the Lone Ranger radio program, 1933-1954. Lanham, Md: Scarecrow, 2001.

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24

Reynolds, Brian. Music while you work: An era in broadcasting. Lewes: Book Guild, 2006.

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25

Malcolm, Hillgartner, Duford Chip, and Beecham Jahnna, eds. Chaps! New York: Samuel French, Inc., 2007.

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26

Köppl, Jörg. Nachtschichten: Radioarbeiten. Zürich: Edition Fink, 2008.

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27

Michel, A. J. Low hug: The radio issue. Champaign, IL: Low Hug Productions, 2001.

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28

Getting radio airplay. San Diego, CA: Rockpress, 1992.

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29

Sociedad General de Autores de España, ed. Ars sonora: Una experiencia de arte sonoro en radio : 25 años. [Madrid]: Fundación Autor, 2012.

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30

1935-, Sloan Bill, ed. Elvis, Hank, and me: Making musical history on the Louisiana hayride. New York: St. Martin's Press, 1998.

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31

Garrod, Charles. Associated transcription master numbers: October 2, 1934-July 24, 1942. Zephyrhills, Fla. (Box 1687, Zephyrhills 33539): Joyce Record Club Publication, 1991.

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32

Garrod, Charles. Associated transcription listing: 60,000 series, 60,000-60,999. Zephyrhills, Fla. (Box 1687, Zephyrhills 33539): Joyce Record Club Publication, 1992.

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33

Garrod, Charles. Associated transcription listing: Original series and A series. Zephyrhills, Fla. (Box 1687, Zephyrhills 33539): Joyce Record Club Publication, 1991.

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34

Vilkko, Arto. Soittolistan symbolinen valta ja vallankäytön mekanismit: Tutkimus viiden radioaseman formaatista ja musiikkitarjonnasta. Tampere: Tampere University Press, 2010.

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35

Beecham, Jahnna. Chaps!: A jingle jangle Christmas. New York, NY: Samuel French, 2007.

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36

Hernández, Ivón Peñalver. Eduardo Rosillo: Alma de la música popular cubana. [Habana?]: Ediciones Güajira, 2003.

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37

Gentry, Robert Roy. Louisiana hayride: The glory years, 1948-1960. Many, La: R. Gentry, 1998.

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38

Gentry, Robert Roy. Louisiana hayride: The glory years, 1948-1960. Many, La: R. Gentry, 1998.

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39

Hustwit, Gary. Getting radio airplay: The guide to getting your music played on college, public & commercial radio. 3rd ed. San Diego, CA: Rockpress Pub., 1998.

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40

Pancani, Eleonora, ed. Ruggero Jacobbi alla radio. Florence: Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-664-8.

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Recent years have seen the publication of a great deal of the work of Ruggero Jacobbi, a legendary figure of Italian twentieth-century culture, thanks to a praiseworthy retrieval of unpublished material conserved in the «A. Bonsanti» contemporary archive of the Gabinetto «G.P. Vieusseux». However, despite so many new pages of poetry and translation, what was still lacking was the writer's voice. The voice which, thanks to the painstaking work of Eleonora Pancani, we can now read (if not hear), as with characteristic dexterity it intermingles verses and music, literature and theatre, politics and entertainment. Ruggero Jacobbi alla radio presents the transcription of several radio programmes of the 70s featuring the genial culture of this multi-faceted intellectual. Jacobbi entertains his audience, discorsing on literary history, the figurative arts and opera, quoting poetry, discussing plays, mingling observations on Goldoni, Pirandello, Bontempelli, Savinio, Pessoa and García Lorca in an engaging anecdotal style that involves the cinema, the theatre and literature, while the great figures of tradition and recent history are interwoven with reminiscences of private life.
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41

Saxer, Ulrich. Musik zwischen Markt und Programm: Eine Analyse der Bedingungen der Musikprogrammierung am Beispiel der Radiostationen und der Tonträgerindustrie in der Schweiz. Zürich: Seminar für Publistikwissenschaft der Universität Zürich, 1986.

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42

Saroldi, Luiz Carlos. Rádio Nacional, o Brasil em sintonia. 3rd ed. Rio de Janeiro: J. Zahar Editor, 2005.

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43

Saroldi, Luiz Carlos. Rádio Nacional, o Brasil em sintonia. 3rd ed. Rio de Janeiro: J. Zahar Editor, 2005.

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44

Oermann, Robert K. Behind the Grand Ole Opry Curtain. New York: Center Street, 2008.

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45

West, Kay. Around the Opry table: The official cookbook of the Grand Ole Opry. New York: Center Street, 2007.

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46

West, Kay. Around the Opry Table. New York: Center Street, 2009.

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47

McLeod, Jim. Jim McLeod's jazztrack. Sydney, NSW: Published by ABC Books for the Australian Broadcasting Corp., 1994.

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48

1961-, Scheib Christian, Line in:line out (Organization), and Österreichischer Rundfunk, eds. Im Osten--: Neue Musik Territorien in Europa : Reportagen aus Ländern im Umbruch = In the East-- : new music territories in Europe : reports from changing countries. Saarbrücken: Pfau, 2002.

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49

Ulrich, Neuert, ed. The AFRS "Jubilee" transcription programs: An exploratory discography. Frankfurt: N. Ruecker, 1985.

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50

Vaughn, Margaret Britton. Grand ole Saturday nights. Bell Buckle, Tenn: Bell Buckle Press, 1990.

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