Academic literature on the topic 'Musical radio programs'
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Journal articles on the topic "Musical radio programs":
Samigullina, Rufina Ildarovna. "Features of musical enlightenment in Russia in the second half of the twentieth century." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 8 (January 11, 2018): 205–11. http://dx.doi.org/10.18844/prosoc.v4i8.3051.
Vesic, Ivana. "Radio Belgrade in the process of creating symbolic boundaries: The example of the folk music program between the Two World Wars (1929-1940)." Muzikologija, no. 14 (2013): 31–55. http://dx.doi.org/10.2298/muz1314031v.
Simonton, Dean Keith. "Drawing Inferences from Symphonic Programs: Musical Attributes versus Listener Attributions." Music Perception 12, no. 3 (1995): 307–22. http://dx.doi.org/10.2307/40286186.
Synieokyi, O. "The study of sessional recordings of 1962-1972 from the BBC radioarchive (The Beatles, Pink Floyd, Deep Purple)." Visnyk of Kharkiv State Academy of Culture, no. 59 (July 16, 2021): 19–32. http://dx.doi.org/10.31516/2410-5333.059.02.
Howe, Sondra Wieland. "The NBC Music Appreciation Hour: Radio Broadcasts of Walter Damrosch, 1928–1942." Journal of Research in Music Education 51, no. 1 (April 2003): 64–77. http://dx.doi.org/10.2307/3345649.
AKHMADIEVA, N. V. "THE HISTORY OF THE DEVELOPMENT OF THE MUSICAL CULTURE OF BASHKIRIA IN THE 1950S - MID-1980S." Izvestia Ufimskogo Nauchnogo Tsentra RAN, no. 4 (December 13, 2021): 75–82. http://dx.doi.org/10.31040/2222-8349-2021-0-4-75-82.
Fomytsia, Oleksii. "Musical design of news TV and radio programs as a means of influence on the masses." Obraz 2, no. 31 (2019): 13–21. http://dx.doi.org/10.21272/obraz.2019.2(31)-13-21.
Hyrina, T. "СТАНОВЛЕННЯ ПРОФЕСІЙНОЇ КОМПЕТЕНТНОСТІ ПРОДУЦЕНТІВ РАДІОПРОГРАМ ДУХОВНОЇ ТЕМАТИКИ В УКРАЇНСЬКІЙ ЕМІГРАЦІЇ." State and Regions. Series: Social Communications, no. 1(49) (March 23, 2022): 42. http://dx.doi.org/10.32840/cpu2219-8741/2022.1(49).6.
Hirina, T. "ЕКСПЛІКАЦІЯ НАЦІОНАЛЬНОЇ ІДЕНТИЧНОСТІ УКРАЇНСЬКОЇ ГРОМАДИ У ВІДЧИТАХ НА РАДІО ПІВНІЧНОЇ АМЕРИКИ У 1933 Р." State and Regions. Series: Social Communications, no. 4(48) (February 2, 2022): 26. http://dx.doi.org/10.32840/cpu2219-8741/2021.4(48).4.
Collins, Nick. "The Analysis of Generative Music Programs." Organised Sound 13, no. 3 (November 3, 2008): 237–48. http://dx.doi.org/10.1017/s1355771808000332.
Dissertations / Theses on the topic "Musical radio programs":
Ginocchio, Láinez-Lozada María Isabel. "El Discurso irónico en el programa radial juvenil limeño Caídos del catre." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2010. https://hdl.handle.net/20.500.12672/156.
Tesis
Ginocchio, Láinez-Lozada María Isabel, and Láinez-Lozada María Isabel Ginocchio. "El Discurso irónico en el programa radial juvenil limeño Caídos del catre." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2010. http://cybertesis.unmsm.edu.pe/handle/cybertesis/156.
Tesis
Hansson, Clare. "Marian McPartland, jazz pianist : an overview of a musical career." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16621/.
Hansson, Clare. "Marian McPartland, jazz pianist : an overview of a musical career." Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16621/1/Clare_Hansson_Thesis.pdf.
VIEIRA, Inês Zena Almeida. "Programação do ouvinte: memória música e sociabilidade." www.teses.ufc.br, 2002. http://www.repositorio.ufc.br/handle/riufc/10008.
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Made available in DSpace on 2014-11-27T15:13:47Z (GMT). No. of bitstreams: 1 2002_dis_izavieira.pdf: 158139604 bytes, checksum: a2fa6f3df8ec8ebf5ea954bb34d422f3 (MD5) Previous issue date: 2002
Como resultado desta pesquisa é possível observar uma relação entre comunicação, sociabilidade e reconstrução de memória musical. Além disso, a Programação do ouvinte tem um importante papel que permite o reconhecimento da autoridade de seu produtor de informação numa relação com o reconhecimento do ouvinte. A construção dos ouvintes deve ser entendida como resultados de processos sociais relacionados também ao perfil das concepções desta Rádio sobre o processo de comunicação tal como é definido por sua linha editorial. Neste caso, a radiodifusão parece contribuir para a educação informal de pessoas que não tiveram este direito social assegurado por vias institucionais. E também interessante a divulgação de algumas atividades profissionais de ouvintes como músico, comerciante, cabeleireiro e pessoas que costumam participar do programa para se sentirem prestigiados. Não só contribui com "a música e informação de qualidade", mas significa entretenimento para pessoas de distintas gerações e segmentos sociais. Tem ainda importante contribuição crítica à perspectiva do processo de comunicação que defende a ação hegemônica dos meios massivos. Esta pesquisa considera que há uma relação dinâmica entre o produtor da informação e a participação de ouvintes. Baseada em estudos de antropólogos latino-americanos como Barbero, Canclini, além de outros autores, a investigação acena para concepção de ouvintes como ativos atores destes processos históricos e sociais. De acordo com esta pesquisa, é possível questionar um preconceito social que vê uma direta relação entre gosto musical e uma específica classe social. Este programa é analisado como expressão de uma dinâmica cultural, cuja rica diversidade representa um entrelaçamento de distintos movimentos musicais,épocas e estilos de vida.
Richards, Donald Frederick, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "The creative ear : the ABC's The listening room and the nurturing of sound art in Australia." 2003. http://handle.uws.edu.au:8081/1959.7/13211.
Doctor of Philosophy (PhD)
Richards, Donald Frederick. "The creative ear : the ABC's The listening room and the nurturing of sound art in Australia." Thesis, 2003. http://handle.uws.edu.au:8081/1959.7/13211.
Books on the topic "Musical radio programs":
Cox, Peter. Set into song: Ewan MacColl, Charles Parker, Peggy Seeger, and the Radio Ballads. [London]: Labatie Books, 2008.
Muzyri︠a︡, Aleksandra Alekseevna. Iskusstvo slyshatʹ mir: Molodezhi ob iskusstve. Moskva: Iskusstvo, 1989.
Dēmētrēs, Papanikolaou. To Trito Programma tēs hellēnikēs radiophōnias sta chronia tou Manou Chatzidaki: Koinōnikes kai politistikes prosengiseis. Athēna: Ekdoseis Fagotto, 2012.
Grobecker, Kurt. Hamburger Hafenkonzert: Geschichten um eine erfolgreiche Radionsendung [sic]. Hamburg: DSV Verlag, 1996.
Gösweiner, Friederike. Du holde Kunst - Lyrikvermittlung im Radio: Ein theoretischer Beitrag zur Radioforschung aus philologischer Sicht anhand der Auseinandersetzung mit der Ö1-Lyriksendung Du holde Kunst. Würzburg: Königshausen & Neumann, 2012.
North, James H. Andre Kostelanetz on records and on the air: A discography and radio log. Lanham, Md: Scarecrow Press, 2011.
Battistini, Pete. American top 40 with Casey Kasem: The 1980s. Bloomington, IN: AuthorHouse, 2010.
Bennet, Christophe. La musique à la radio dans les années trente: La création d'un genre radiophonique. Paris: L'Harmattan, 2010.
Halper, Donna L. Radio music directing. Boston: Focal Press, 1991.
Radoslavova-Doĭcheva, Antoaneta. Muzikata v Bŭlgarskoto radio: 1930-1944. Sofii︠a︡: izd-vo "Petko i Pencho Slaveĭkovi,", 2010.
Book chapters on the topic "Musical radio programs":
Salkind, Micah E. "Remediating the Underground." In Do You Remember House?, 85–118. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190698416.003.0004.
"Tick Tock Goes the Musical Clock: Time Discipline and Early Morning Radio Programs." In Radio's New Wave, 204–18. Routledge, 2013. http://dx.doi.org/10.4324/9780203124673-21.
Frith, Simon. "What does it mean to be cultured? Desert Island Discs as an ideological archive." In Defining the Discographic Self, edited by Julie Brown, Nicholas Cook, and Stephen Cottrell. British Academy, 2017. http://dx.doi.org/10.5871/bacad/9780197266175.003.0010.
Iverson, Jennifer. "Introduction." In Electronic Inspirations, 1–22. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190868192.003.0001.
Szabo, Victor. "Pacifica Radio’s Music from the Hearts of Space and the Spacious Sound of California’s New Age." In Turn On, Tune In, Drift Off, 101—C2.N147. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780190699307.003.0003.
Devine, Kyle. "Desert island discomorphoses: Listening formations and the material cultures of music." In Defining the Discographic Self, edited by Julie Brown, Nicholas Cook, and Stephen Cottrell. British Academy, 2017. http://dx.doi.org/10.5871/bacad/9780197266175.003.0005.
Potter, Simon J. "Programmes, Soft Power, and Public Diplomacy." In The Wireless World, 167—C6.P48. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192864987.003.0006.
Mullins, Daniel. "All the Way to the Fence." In Industrial Strength Bluegrass, 23–42. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043642.003.0003.
Ó Briain, Lonán. "Battle for the Airwaves during the First Indochina War." In Voices of Vietnam, 44–70. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197558232.003.0003.
Lornell, Kip. "Bluegrass Unlimited (1966–1977)." In Capital Bluegrass, 150–96. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199863112.003.0004.
Conference papers on the topic "Musical radio programs":
MacDonald, Marie-Paul. "Design of Sound and Place - Recent Studios." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.29.
Jani, Matyas, Gyorgy Takacs, and Gergely Lukacs. "Evaluation of speech music transitions in Radio programs based on acoustic features." In 2013 11th International Workshop on Content-Based Multimedia Indexing (CBMI). IEEE, 2013. http://dx.doi.org/10.1109/cbmi.2013.6576562.
Keshtkar, Mohammad, and Azam Bastanfard. "Determining the best proportion of music genre to be played in a radio program." In 2015 7th Conference on Information and Knowledge Technology (IKT). IEEE, 2015. http://dx.doi.org/10.1109/ikt.2015.7288794.
Tao Qin, Yukun Liu, Chenxu Wang, Tao Yang, and Chao He. "From online to offline: Charactering user's online music listening behavior for efficacious offline radio program arrangement." In 2017 IEEE Symposium on Computers and Communications (ISCC). IEEE, 2017. http://dx.doi.org/10.1109/iscc.2017.8024691.
Aktuğlu, Işıl, and Elif İnceismail. "Uluslararasılaşma Stratejilerinde Küresel Doğan Modeli Ve Spotify “Music, Meet Podcasts” Örnek Olay İncelemesi." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctc.2021/ctc21.026.
Reports on the topic "Musical radio programs":
Cunningham, Stuart, Marion McCutcheon, Greg Hearn, Mark Ryan, and Christy Collis. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Sunshine Coast. Queensland University of Technology, December 2020. http://dx.doi.org/10.5204/rep.eprints.136822.