Journal articles on the topic 'Musical pitch'
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Bispham, John C. "Music's “design features”: Musical motivation, musical pulse, and musical pitch." Musicae Scientiae 13, no. 2_suppl (September 2009): 41–61. http://dx.doi.org/10.1177/1029864909013002041.
Miyazaki, Ken’ichi. "Musical pitch identification by absolute pitch possessors." Perception & Psychophysics 44, no. 6 (November 1988): 501–12. http://dx.doi.org/10.3758/bf03207484.
Miyazaki, Ken'ichi. "Perception of Musical Intervals by Absolute Pitch Possessors." Music Perception 9, no. 4 (1992): 413–26. http://dx.doi.org/10.2307/40285562.
Deutsch, Diana. "Paradoxes of Musical Pitch." Scientific American 267, no. 2 (August 1992): 88–95. http://dx.doi.org/10.1038/scientificamerican0892-88.
Burns, Edward M. "Perception of musical pitch." Journal of the Acoustical Society of America 101, no. 5 (May 1997): 3172. http://dx.doi.org/10.1121/1.419195.
Tamir-Ostrover, Hila, and Zohar Eitan. "Higher is Faster." Music Perception 33, no. 2 (December 1, 2015): 179–98. http://dx.doi.org/10.1525/mp.2015.33.2.179.
Miyazaki, Ken'ichi. "Absolute Pitch as an Inability: Identification of Musical Intervals in a Tonal Context." Music Perception 11, no. 1 (1993): 55–71. http://dx.doi.org/10.2307/40285599.
Aruffo, Christopher, Robert L. Goldstone, and David J. D. Earn. "Absolute Judgment of Musical Interval Width." Music Perception 32, no. 2 (December 1, 2014): 186–200. http://dx.doi.org/10.1525/mp.2014.32.2.186.
Creel, Sarah C., Reina Mizrahi, Alicia G. Escobedo, Li Zhao, and Gail D. Heyman. "No Heightened Musical Pitch Weighting For Tone Language Speakers in Early Childhood." Music Perception 40, no. 3 (February 1, 2023): 193–201. http://dx.doi.org/10.1525/mp.2023.40.3.193.
Repp, Bruno H., and Carol L. Krumhansl. "Cognitive Foundations of Musical Pitch." American Journal of Psychology 104, no. 4 (1991): 612. http://dx.doi.org/10.2307/1422945.
Chalmers, John H., and Carol L. Krumhansl. "Cognitive Foundations of Musical Pitch." Leonardo 25, no. 2 (1992): 221. http://dx.doi.org/10.2307/1575725.
Krumhansl, C. L., and Jerry V. Tobias. "Cognitive Foundations of Musical Pitch." Journal of the Acoustical Society of America 92, no. 2 (August 1992): 1193. http://dx.doi.org/10.1121/1.404005.
Miller, Johanna L. "Musical pitch perception starts early." Physics Today 67, no. 10 (October 2014): 18–19. http://dx.doi.org/10.1063/pt.3.2537.
Dolscheid, Sarah, Shakila Shayan, Asifa Majid, and Daniel Casasanto. "The Thickness of Musical Pitch." Psychological Science 24, no. 5 (March 28, 2013): 613–21. http://dx.doi.org/10.1177/0956797612457374.
Weinstein, Nicole. "Pitch perfect." Nursery World 2021, no. 7 (July 2, 2021): 20–21. http://dx.doi.org/10.12968/nuwa.2021.7.20.
Miyazaki, Ken'ichi. "Absolute Pitch Identification: Effects of Timbre and Pitch Region." Music Perception 7, no. 1 (1989): 1–14. http://dx.doi.org/10.2307/40285445.
Gribenski, Fanny. "Nature's “Disturbing Influence”: Sound and Temperature in the Age of Empire." 19th-Century Music 45, no. 1 (2021): 23–36. http://dx.doi.org/10.1525/ncm.2021.45.1.23.
Ariga, Atsunori, and Shiori Saito. "Spatial–musical association of response codes without sound." Quarterly Journal of Experimental Psychology 72, no. 9 (March 28, 2019): 2288–301. http://dx.doi.org/10.1177/1747021819838831.
Dohn, Anders, Eduardo A. Garza-Villarreal, Lars Riisgaard Ribe, Mikkel Wallentin, and Peter Vuust. "Musical Activity Tunes Up Absolute Pitch Ability." Music Perception 31, no. 4 (December 2012): 359–71. http://dx.doi.org/10.1525/mp.2014.31.4.359.
Cai, Jieqing, Yimeng Liu, Minyun Yao, Muqing Xu, and Hongzheng Zhang. "A Neurophysiological Study of Musical Pitch Identification in Mandarin-Speaking Cochlear Implant Users." Neural Plasticity 2020 (July 22, 2020): 1–11. http://dx.doi.org/10.1155/2020/4576729.
Spitzer, Michael. "The Metaphor of Musical Space." Musicae Scientiae 7, no. 1 (March 2003): 101–20. http://dx.doi.org/10.1177/102986490300700106.
Finney, Steven A. "Auditory Feedback and Musical Keyboard Performance." Music Perception 15, no. 2 (1997): 153–74. http://dx.doi.org/10.2307/40285747.
Rudenko, Svetlana, and Maria José de Córdoba Serrano. "Musical-Space Synaesthesia: Visualisation of Musical Texture." Multisensory Research 30, no. 3-5 (2017): 279–85. http://dx.doi.org/10.1163/22134808-00002562.
Stronsick, Lisa M., Samantha E. Tuft, Sara Incera, and Conor T. McLennan. "Masculine harps and feminine horns: Timbre and pitch level influence gender ratings of musical instruments." Psychology of Music 46, no. 6 (November 10, 2017): 896–912. http://dx.doi.org/10.1177/0305735617734629.
Van Hedger, Stephen C., Shannon LM Heald, and Howard C. Nusbaum. "Long-term pitch memory for music recordings is related to auditory working memory precision." Quarterly Journal of Experimental Psychology 71, no. 4 (January 1, 2018): 879–91. http://dx.doi.org/10.1080/17470218.2017.1307427.
Miyazaki, Ken'ichi. "The Speed of Musical Pitch Identification by Absolute-Pitch Possessors." Music Perception 8, no. 2 (1990): 177–88. http://dx.doi.org/10.2307/40285495.
Butler, David, and W. Dixon Ward. "Effacing the Memory of Musical Pitch." Music Perception 5, no. 3 (1988): 251–59. http://dx.doi.org/10.2307/40285399.
Semal, Catherine, and Laurent Demany. "The Upper Limit of "Musical" Pitch." Music Perception 8, no. 2 (1990): 165–75. http://dx.doi.org/10.2307/40285494.
Iușcă, Dorina Geta. "The Effect of Pitch Height, Timbre and Octave Error on Absolute Pitch Accuracy. Educational Implications." Review of Artistic Education 18, no. 1 (March 1, 2019): 353–58. http://dx.doi.org/10.2478/rae-2019-0040.
Balzano, Gerald J. "What Are Musical Pitch and Timbre?" Music Perception 3, no. 3 (1986): 297–314. http://dx.doi.org/10.2307/40285339.
Lamont, Alexandra, and Ian Cross. "Children's Cognitive Representations of Musical Pitch." Music Perception 12, no. 1 (1994): 27–55. http://dx.doi.org/10.2307/40285754.
Galembo, Alexandre. "Musical pitchness evaluation through pitch extraction." Journal of the Acoustical Society of America 97, no. 5 (May 1995): 3390. http://dx.doi.org/10.1121/1.412600.
Lepain, Philippe. "Polyphonic Pitch Extraction from Musical Signals." Journal of New Music Research 28, no. 4 (December 1, 1999): 296–309. http://dx.doi.org/10.1076/0929-8215(199912)28:04;1-o;ft296.
Bogusz-Witczak, Edyta, Ewa Skrodzka, and Hanna Turkowska. "Influence of Musical Experience of Blind and Visually Impaired Young Persons on Performance in Selected Auditory Tasks." Archives of Acoustics 40, no. 3 (September 1, 2015): 337–49. http://dx.doi.org/10.1515/aoa-2015-0037.
Moore, Robert E., Julie M. Estis, Fawen Zhang, Christopher Watts, and Elizabeth Marble. "Relations of Pitch Matching, Pitch Discrimination, and Otoacoustic Emission Suppression in Individuals Not Formally Trained as Musicians." Perceptual and Motor Skills 104, no. 3 (June 2007): 777–84. http://dx.doi.org/10.2466/pms.104.3.777-784.
Kohn, Dafna, and Zohar Eitan. "Moving Music." Music Perception 34, no. 1 (September 1, 2016): 40–55. http://dx.doi.org/10.1525/mp.2016.34.1.40.
Lerdahl, Fred. "Concepts and Representations of Musical Hierarchies." Music Perception 33, no. 1 (September 1, 2015): 83–95. http://dx.doi.org/10.1525/mp.2015.33.1.83.
Benguerel, André-Pierre, and Carol Westdal. "Absolute Pitch and the Perception of Sequential Musical Intervals." Music Perception 9, no. 1 (1991): 105–19. http://dx.doi.org/10.2307/40286161.
Broze, Yuri, and David Huron. "Is Higher Music Faster? Pitch–Speed Relationships in Western Compositions." Music Perception 31, no. 1 (September 1, 2013): 19–31. http://dx.doi.org/10.1525/mp.2013.31.1.19.
Chen-Hafteck, Lily. "Pitch abilities in music and language of Cantonese-speaking children." International Journal of Music Education os-31, no. 1 (May 1998): 14–24. http://dx.doi.org/10.1177/025576149803100102.
Szczyrba-Poroszewska, Joanna. "Zabawowe sposoby wprowadzania zapisu muzycznego w zakresie wysokości dźwięku — propozycje dla nauczycieli klas I–III." Pedagogika Przedszkolna i Wczesnoszkolna, no. 2 (18) (2021): 61–71. http://dx.doi.org/10.4467/23537159ppw.21.018.15178.
Cross, I., R. West, and P. Howell. "Pitch Relations and the Formation of Scalar Structure." Music Perception 2, no. 3 (1985): 329–44. http://dx.doi.org/10.2307/40285302.
Miyazaki, Ken'ichi, Andrzej Rakowski, Sylwia Makomaska, Cong Jiang, Minoru Tsuzaki, Andrew J. Oxenham, Gregory Ellis, and Scott D. Lipscomb. "Absolute Pitch and Relative Pitch in Music Students in the East and the West." Music Perception 36, no. 2 (December 1, 2018): 135–55. http://dx.doi.org/10.1525/mp.2018.36.2.135.
Weber, Robert J., and Suellen Brown. "Musical Imagery." Music Perception 3, no. 4 (1986): 411–26. http://dx.doi.org/10.2307/40285346.
Brown, Helen. "The Interplay of Set Content and Temporal Context in a Functional Theory of Tonality Perception." Music Perception 5, no. 3 (1988): 219–49. http://dx.doi.org/10.2307/40285398.
Ilari, Beatriz, Cara Fesjian, Bronte Ficek, and Assal Habibi. "Improvised song endings in a developmental perspective: A mixed-methods study." Psychology of Music 46, no. 4 (July 14, 2017): 500–520. http://dx.doi.org/10.1177/0305735617715515.
Yuan, Chenjie, Santiago González-Fuente, Florence Baills, and Pilar Prieto. "OBSERVING PITCH GESTURES FAVORS THE LEARNING OF SPANISH INTONATION BY MANDARIN SPEAKERS." Studies in Second Language Acquisition 41, no. 1 (January 2, 2018): 5–32. http://dx.doi.org/10.1017/s0272263117000316.
Inabinet, Devin, Jan De La Cruz, Justin Cha, Kevin Ng, and Gabriella Musacchia. "Diotic and Dichotic Mechanisms of Discrimination Threshold in Musicians and Non-Musicians." Brain Sciences 11, no. 12 (November 30, 2021): 1592. http://dx.doi.org/10.3390/brainsci11121592.
Tamboli, Allabakash Isak, and Rajendra D. Kokate. "An Effective Optimization-Based Neural Network for Musical Note Recognition." Journal of Intelligent Systems 28, no. 1 (January 28, 2019): 173–83. http://dx.doi.org/10.1515/jisys-2017-0038.
Jiang*, Jun, Tang Hai, Dongrui Man, and Linshu Zhou. "Is Absolute Pitch Associated With Musical Tension Processing?" i-Perception 11, no. 6 (November 2020): 204166952097165. http://dx.doi.org/10.1177/2041669520971655.