Books on the topic 'Musical pitch'

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1

Kopytman, Mark Ruvimovich. Pitch graph. 2nd ed. Jerusalem, Israel: Jerusalem Academy of Music and Dance, Oscar Brietbart Research Center, 2002.

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2

Krumhansl, Carol L. Cognitive foundations of musical pitch. New York: Oxford University Press, 1990.

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3

Lerdahl, Fred. Tonal pitch space. New York: Oxford University Press, 2001.

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4

Lerdahl, Fred. Tonal pitch space. Oxford: Oxford University Press, 2005.

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5

Saishō, Hazuki. Zettai onkan =: Absolute pitch. Tōkyō: Shōgakkan, 1998.

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6

Lucy, Charles E. H. Pitch, pi and other musical paradoxes: A practical guide to natural microtonality. London: Lucy Scale Developments, 1987.

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7

Fricke, Jobst Peter. Intonation und musikalisches Hören. Osnabrück: Electronic Publishing, 2012.

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8

Ebeling, Martin. Tonhöhe: Physikalisch, musikalisch, psychologisch, mathematisch. Frankfurt am Main: P. Lang, 1999.

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9

Bruce, Haynes. A history of performing pitch: The story of "A". Lanham, MD: Scarecrow Press, 2003.

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10

Kınıklı, Nuriye Esra. Analiz yöntemlerine genel bakiş ve analizde SPT yöntemi. Eskişehir: Anadolu Üniversitesi yayınları, 2008.

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11

Martin, Feierabend John, ed. The book of pitch exploration. Chicago: GIA Publications, 2000.

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12

Čharœ̄nsuk, Sukrī. Sīang læ rabop sīang dontrī Thai. Nakhon Pathom]: Witthayālai Duriyāngkhasin, Mahāwitthayālai Mahidon, 2003.

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13

Honti, Rita. Principles of pitch organization in Bartók's Duke Bluebeard's Castle. 2nd ed. Helsinki: Faculty of Arts, Dept. of Musicology, University of Helsinki, 2007.

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14

Honti, Rita. Principles of pitch organization in Bartók's Duke Bluebeard's Castle. Helsinki: Faculty of Arts, Dept. of Musicology, University of Helsinki, 2006.

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15

Vurma, Allan. Voice quality and pitch in singing: Some aspects of perception and production = Häälekvaliteet ja helikõrgus laulmisel : mõningad taju ja moodustusega seotud aspektid. Tallinn: Estonian Academy of Music and Theater, Department of Musicology, 2007.

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16

Alekseev, Ė. Rannefolʹklornoe intonirovanie: Zvukovysotnyĭ aspekt. Moskva: Vses. izd-vo "Sov. kompozitor", 1986.

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17

Komaragiri, Madhu Mohan. Pitch analysis in South Indian music: With a critical examination of the theory of 22 śruti-s. New Delhi: Munshiram Manoharlal Publishers, 2013.

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18

Śuklā, Madhurānī. "Kāku" kā sāṅgītika vivecana. Ilāhābāda: Pāṭhaka Pablikeśana, 2003.

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19

Schuijer, Michiel. Analyzing atonal music: Pitch-class set theory and its contexts. Rochester, NY: University of Rochester Press, 2008.

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20

Zwang, Gérard. Le diapason. Montpellier, France: Sauramps, 1998.

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21

Bernier, Nicolas. Sur le diapason: Autour d'un cycle de création, entre son, science et lumière. Dijon: Les Presses du réel, 2019.

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22

Stevenson, John R. Rhythm and pitch: An integrated approach to sightsinging. Englewood Cliffs, N.J: Prentice-Hall, 1986.

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23

Feierabend, John Martin. The book of pitch exploration: Can your voice do this? Chicago, Ill: GIA Publications, 2003.

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24

Ratio, Symposium (1992 Hague Netherlands). The Ratio book: A documentation of The Ratio Symposium, Royal Conservatory, The Hague, 14-16 December 1992. Köln, Germany: Feedback Studio, 2001.

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25

Goetze, Mary. Factors affecting accuracy in children's singing. [Ann Arbor: s.n.], 1985.

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26

Miśrā, Kāntā Prasāda. Svara, vijñāna evaṃ gaṇita. Naī Dillī: Kanishka Pabliśarsa, Ḍisṭrībyūṭarsa, 2009.

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27

Miśrā, Kāntā Prasāda. Svara, vijñāna evaṃ gaṇita. Naī Dillī: Kanishka Pabliśarsa, Ḍisṭrībyūṭarsa, 2009.

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28

Whiting, Caroline. Auditory imagery-its role in musical performance: An experiment in pitch and rhythm imaging. Guildford: University of Surrey, 1986.

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29

Whiting, Caroline. Auditory imagery: Its role in musical performance : an experiment in pitch and rhythm imagery. (Guildford): (University of Surrey), 1986.

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30

Dibble, Cynthia A. Videotape pitch discrimination instruction of five-year-old children from different home musical environments. Ann Arbor, Michigan: University Microfilms International, 1985.

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31

Garam, Lajos. The influence of the spatial-temporal structure of movement on intonation during changes of position in violin playing. [Helsinki: Sibelius-Akatemia, 1990.

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32

Misakyan, Talar. Perception of musical rhythm and pitch in children and adolescents with spina bifida and hydrocephalus. Ottawa: National Library of Canada, 2003.

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33

Frece, Robert James de. The relationship of French-immersion education to tonal skills of first and fourth-grade Canadian children. [Oregon: s.n.], 1988.

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34

Jasen, Paul C. Low end theory: Bass, bodies and the materiality of sonic experience. New York: Bloomsbury Academic, 2016.

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35

Kumāra, Rīnā. Hindustanī saṅgīta kā avalokana "Kāku" ke ādhāra para. Naī Dillī: Kanishka Pabliśarsa, Ḍisṭrībyūṭarsa, 2008.

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36

Kumāra, Rīnā. Hindustanī saṅgīta kā avalokana "Kāku" ke ādhāra para. Naī Dillī: Kanishka Pabliśarsa, Ḍisṭrībyūṭarsa, 2008.

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37

Rüütel, I. A study of pitch contours and the scale structure in Votic folk music. Tallinn: Academy of Sciences of the Estonian S.S.R., Division of Social Sciences, 1985.

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38

Kupferstein, Henny. Perfect pitch in the key of autism: A guide for educators, parents, and the musically gifted. Bloomington, IN: iUniverse, 2016.

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39

Cordes, Inge. Der Zusammenhang kultureller und biologischer Ausdrucksmuster in der Musik. Münster: Lit, 2005.

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40

Rapkin, Mickey. Pitch Perfect. New York: Penguin Group USA, Inc., 2008.

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41

H, Edskes Cor, Davidsson Hans, Peeters Paul 1953-, and Edskes Cor H, eds. Cornelius H. Edskes, Doctor Honoris Causa: Publication in honor of Cornelius H. Edskes : curriculum vitae, bibliography, essay : Über die Stimmtonhöhe und Temperatur der Arp Schnitger-Orgel von St. Jacobi in Hamburg = On the pitch and temperament of the Arp Schnitger organ in St. Jacobi, Hamburg. Göteborg: Dept. of Musicology, Göteborg University, 1996.

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42

Lerdahl, Fred. Tonal Pitch Space. Oxford University Press, Incorporated, 2004.

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43

Lerdahl, Fred. Tonal Pitch Space. Oxford University Press, 2001.

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44

Ellis, Alexander John. The History Of Musical Pitch. Franklin Classics, 2018.

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45

Ellis, Alexander John. The History Of Musical Pitch. Franklin Classics, 2018.

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46

Lerdahl, Fred. Tonal Pitch Space. Oxford University Press, USA, 2004.

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47

Vance, Thomas Franklin. Variation in Pitch Discrimination Within the Tonal Range. Creative Media Partners, LLC, 2015.

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48

Hal Leonard Publishing Corporation (COR). Exploring Double Notes For Organs, Pianos and Electronic Keyboards - A special supplementary edition teaching how to create two-part harmony by playing "double notes" in the melody. Hal Leonard Corporation, 1990.

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49

Vance, Thomas Franklin. Variation in Pitch Discrimination Within the Tonal Range. Creative Media Partners, LLC, 2018.

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50

Haynes, Bruce. History of Performing Pitch: The Story Of 'A'. Scarecrow Press, Incorporated, 2002.

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