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Books on the topic 'Musical pitch'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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1

Kopytman, Mark Ruvimovich. Pitch graph. 2nd ed. Jerusalem, Israel: Jerusalem Academy of Music and Dance, Oscar Brietbart Research Center, 2002.

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2

Saishō, Hazuki. Zettai onkan =: Absolute pitch. Tōkyō: Shōgakkan, 1998.

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3

Lucy, Charles E. H. Pitch, pi and other musical paradoxes: A practical guide to natural microtonality. London: Lucy Scale Developments, 1987.

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4

Sprowles, Michael. Geometric pitch structure and form in Déserts by Edgar Varèse. Saarbrücken: VDM Verlag Dr. Müller, 2008.

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5

Kınıklı, Nuriye Esra. Analiz yöntemlerine genel bakiş ve analizde SPT yöntemi. Eskişehir: Anadolu Üniversitesi yayınları, 2008.

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6

1945-, Barlow Klarenz, ed. The Ratio book: A documentation of The Ratio Symposium, Royal Conservatory, The Hague, 14-16 December 1992. Köln, Germany: Feedback Studio, 2001.

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7

Čharœ̄nsuk, Sukrī. Sīang læ rabop sīang dontrī Thai. Nakhon Pathom]: Witthayālai Duriyāngkhasin, Mahāwitthayālai Mahidon, 2003.

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8

Martin, Feierabend John, ed. The book of pitch exploration. Chicago: GIA Publications, 2000.

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9

Vurma, Allan. Voice quality and pitch in singing: Some aspects of perception and production = Häälekvaliteet ja helikõrgus laulmisel : mõningad taju ja moodustusega seotud aspektid. Tallinn: Estonian Academy of Music and Theater, Department of Musicology, 2007.

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10

Śuklā, Madhurānī. "Kāku" kā sāṅgītika vivecana. Ilāhābāda: Pāṭhaka Pablikeśana, 2003.

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11

Komaragiri, Madhu Mohan. Pitch analysis in South Indian music: With a critical examination of the theory of 22 śruti-s. New Delhi: Munshiram Manoharlal Publishers, 2013.

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12

Zwang, Gérard. Le diapason. Montpellier, France: Sauramps, 1998.

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13

Bernier, Nicolas. Sur le diapason: Autour d'un cycle de création, entre son, science et lumière. Dijon: Les Presses du réel, 2019.

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14

Schiller Institute (Washington, D.C.), ed. A Manual on the rudiments of tuning and registration. Washington, D.C: Schiller Institute, 1992.

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15

Feierabend, John Martin. The book of pitch exploration: Can your voice do this? Chicago, Ill: GIA Publications, 2003.

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16

Stevenson, John R. Rhythm and pitch: An integrated approach to sightsinging. Englewood Cliffs, N.J: Prentice-Hall, 1986.

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17

Goetze, Mary. Factors affecting accuracy in children's singing. [Ann Arbor: s.n.], 1985.

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18

Miśrā, Kāntā Prasāda. Svara, vijñāna evaṃ gaṇita. Naī Dillī: Kanishka Pabliśarsa, Ḍisṭrībyūṭarsa, 2009.

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19

Garam, Lajos. The influence of the spatial-temporal structure of movement on intonation during changes of position in violin playing. [Helsinki: Sibelius-Akatemia, 1990.

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20

Whiting, Caroline. Auditory imagery-its role in musical performance: An experiment in pitch and rhythm imaging. Guildford: University of Surrey, 1986.

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21

Dibble, Cynthia A. Videotape pitch discrimination instruction of five-year-old children from different home musical environments. Ann Arbor, Michigan: University Microfilms International, 1985.

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22

Whiting, Caroline. Auditory imagery: Its role in musical performance : an experiment in pitch and rhythm imagery. (Guildford): (University of Surrey), 1986.

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23

Associates, Independent Communications, British Broadcasting Corporation, Royal Institution of Great Britain, and Films for the Humanities (Firm), eds. Scales, synthesizers, and samplers. Princeton, N.J: Films for the Humanities & Sciences, 2004.

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24

Frece, Robert James de. The relationship of French-immersion education to tonal skills of first and fourth-grade Canadian children. [Oregon: s.n.], 1988.

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25

Misakyan, Talar. Perception of musical rhythm and pitch in children and adolescents with spina bifida and hydrocephalus. Ottawa: National Library of Canada, 2003.

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26

Kumāra, Rīnā. Hindustanī saṅgīta kā avalokana "Kāku" ke ādhāra para. Naī Dillī: Kanishka Pabliśarsa, Ḍisṭrībyūṭarsa, 2008.

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27

Kumāra, Rīnā. Hindustanī saṅgīta kā avalokana "Kāku" ke ādhāra para. Naī Dillī: Kanishka Pabliśarsa, Ḍisṭrībyūṭarsa, 2008.

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28

Rüütel, I. A study of pitch contours and the scale structure in Votic folk music. Tallinn: Academy of Sciences of the Estonian S.S.R., Division of Social Sciences, 1985.

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29

Tsutomu, Nakada, ed. Integrated human brain science: Theory, method, application (music). New York: Elsevier Science B.V., 2000.

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30

Cordes, Inge. Der Zusammenhang kultureller und biologischer Ausdrucksmuster in der Musik. Münster: Lit, 2005.

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31

Rapkin, Mickey. Pitch Perfect. New York: Penguin Group USA, Inc., 2008.

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32

History of Musical Pitch. Creative Media Partners, LLC, 2023.

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33

History of Musical Pitch. Creative Media Partners, LLC, 2023.

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34

Lerdahl, Fred. Tonal Pitch Space. Oxford University Press, 2001.

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35

Lerdahl, Fred. Tonal Pitch Space. Oxford University Press, Incorporated, 2004.

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36

Lerdahl, Fred. Tonal Pitch Space. Oxford University Press, USA, 2004.

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37

Tonal pitch space. New York: Oxford University Press, 2001.

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38

Tonal pitch space. Oxford: Oxford University Press, 2005.

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39

Ellis, Alexander John. The History Of Musical Pitch. Franklin Classics, 2018.

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40

Ellis, Alexander John. The History Of Musical Pitch. Franklin Classics, 2018.

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41

Cognitive foundations of musical pitch. New York: Oxford University Press, 1990.

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42

On the History of Musical Pitch. Creative Media Partners, LLC, 2023.

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43

On the History of Musical Pitch. Creative Media Partners, LLC, 2023.

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44

Hal Leonard Publishing Corporation (COR). Exploring Double Notes For Organs, Pianos and Electronic Keyboards - A special supplementary edition teaching how to create two-part harmony by playing "double notes" in the melody. Hal Leonard Corporation, 1990.

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45

Vance, Thomas Franklin. Variation in Pitch Discrimination Within the Tonal Range. Creative Media Partners, LLC, 2018.

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46

Vance, Thomas Franklin. Variation in Pitch Discrimination Within the Tonal Range. Creative Media Partners, LLC, 2015.

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47

Haynes, Bruce. History of Performing Pitch: The Story of 'A'. Scarecrow Press, Incorporated, 2002.

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48

Haynes, Bruce. History of Performing Pitch: The Story Of 'A'. Scarecrow Press, Incorporated, 2002.

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49

A history of performing pitch: The story of "A". Lanham, MD: Scarecrow Press, 2003.

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50

Krumhansl, Carol L. Cognitive Foundations of Musical Pitch. Oxford Psychology Series. Oxford University Press, 2001.

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