Journal articles on the topic 'Musical performance; Robert Schumann; piano'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 36 journal articles for your research on the topic 'Musical performance; Robert Schumann; piano.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
Polska, I. І. "«Exegi monumentum»: the reflection of Schumann’s images in the Variations by J. Brahms on the theme by R. Schumann op. 23." Aspects of Historical Musicology 17, no. 17 (September 15, 2019): 249–61. http://dx.doi.org/10.34064/khnum2-17.16.
Full textFerris, David. "Public Performance and Private Understanding: Clara Wieck's Concerts in Berlin." Journal of the American Musicological Society 56, no. 2 (2003): 351–408. http://dx.doi.org/10.1525/jams.2003.56.2.351.
Full textNikolenko, R. "Soirées musicales, Op. 6 by Clara Schumann: compositional and dramaturgical principles of the cycle." Culture of Ukraine, no. 78 (December 23, 2022): 150–55. http://dx.doi.org/10.31516/2410-5325.078.19.
Full textStefaniak, Alexander. "Robert Schumann, Serious Virtuosity, and the Rhetoric of the Sublime." Journal of Musicology 33, no. 4 (2016): 433–82. http://dx.doi.org/10.1525/jm.2016.33.4.433.
Full textHadji, Nazfar. "Musical-aesthetic education in an adolescent psychiatric ward." Orfeu 6, no. 2 (September 10, 2021): 315–34. http://dx.doi.org/10.5965/2525530406022021315.
Full textRepp, Bruno H. "A Constraint on the Expressive Timing of a Melodic Gesture: Evidence from Performance and Aesthetic Judgment." Music Perception 10, no. 2 (1992): 221–41. http://dx.doi.org/10.2307/40285608.
Full textStefaniak, Alexander. "Clara Schumann's Interiorities and the Cutting Edge of Popular Pianism." Journal of the American Musicological Society 70, no. 3 (2017): 697–765. http://dx.doi.org/10.1525/jams.2017.70.3.697.
Full textSerdiuk, Ya O. "Amanda Maier: a violinist, a pianist, a composer – the representative of Leipzig Romanticism." Aspects of Historical Musicology 17, no. 17 (September 15, 2019): 232–48. http://dx.doi.org/10.34064/khnum2-17.15.
Full textWhite, Stephen. "Fighting the Philistines: Robert Schumann and the Davidsbündler." Musical Offerings 12, no. 1 (2021): 1–9. http://dx.doi.org/10.15385/jmo.2021.12.1.1.
Full textIvanova, I. L. "“3 Piano Sonatas for the Young” op. 118 in a context of last works by Robert Schumann." Aspects of Historical Musicology 13, no. 13 (September 15, 2018): 26–45. http://dx.doi.org/10.34064/khnum2-13.03.
Full textSchmalfeldt, Janet. "From Literary Fiction to Music: Schumann and the Unreliable Narrative." 19th-Century Music 43, no. 3 (2020): 170–93. http://dx.doi.org/10.1525/ncm.2020.43.3.170.
Full textBERRY, PAUL. "Old Love: Johannes Brahms, Clara Schumann, and the Poetics of Musical Memory." Journal of Musicology 24, no. 1 (January 1, 2007): 72–111. http://dx.doi.org/10.1525/jm.2007.24.1.72.
Full textMits, Oksana. "The genre of the piano miniature in the creative work of M. Moszkowski." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 50, no. 50 (October 3, 2018): 136–48. http://dx.doi.org/10.34064/khnum1-50.10.
Full textSycheva, Natalia Nikolaevna. "Romantic Traditions in the Works of Ivan Sokolov on the Example of Intertextual Poetics of "Gospel Paintings"." PHILHARMONICA. International Music Journal, no. 6 (June 2022): 24–39. http://dx.doi.org/10.7256/2453-613x.2022.6.39523.
Full textMühlenbeck, Bettina S. "On Musical Journeys: William Sterndale Bennett’s Diaries, 1836–1842." Nineteenth-Century Music Review 13, no. 2 (December 2016): 221–32. http://dx.doi.org/10.1017/s1479409816000653.
Full textRumiantseva, A. Yu. "Lucas Debargue’s performing interpretation as a new horizon for understanding the artistic space of N. Medtner’s Sonata fmoll, op. 5." Culture of Ukraine, no. 75 (March 21, 2022): 103–8. http://dx.doi.org/10.31516/2410-5325.075.13.
Full textDunsby, Jonathan, and Yannis Rammos. "Onset asynchrony in Western art music." Quodlibet. Revista de Especialización Musical, no. 76 (December 17, 2021): 126–58. http://dx.doi.org/10.37536/quodlibet.2021.76.1465.
Full textTemperley, Nicholas. "William Sterndale Bennett: Imitator or Original?" Nineteenth-Century Music Review 13, no. 2 (December 2016): 173–93. http://dx.doi.org/10.1017/s147940981600063x.
Full textChzhen, Lisha. "S. Feinberg — composer-thinker of the Silver Age." Человек и культура, no. 3 (March 2022): 47–60. http://dx.doi.org/10.25136/2409-8744.2022.3.38208.
Full textSpinelli, Isabella. "Completing Mahler’s Piano Quartet: A Study of Unfinished Music, Ethics, and Authenticities." Nota Bene: Canadian Undergraduate Journal of Musicology 14, no. 1 (June 16, 2021): 115–78. http://dx.doi.org/10.5206/notabene.v14i1.13410.
Full textYouens, Susan. "Maskenfreiheit and Schumann's Napoleon-Ballad." Journal of Musicology 22, no. 1 (2005): 5–46. http://dx.doi.org/10.1525/jm.2005.22.1.5.
Full textZani, Amilcar, Heloisa Zani, and Branca De Oliveira. "A dobra schumanniana: transitividade e intermeios." ARS (São Paulo) 12, no. 24 (December 24, 2014): 71. http://dx.doi.org/10.11606/issn.2178-0447.ars.2014.96739.
Full textDumas Macedo, Tatiana. "O gesto musical e a construção interpretativa de obras contemporâneas brasileiras." Epistemus. Revista de Estudios en Música, Cognición y Cultura 7, no. 1 (June 7, 2019): 006. http://dx.doi.org/10.24215/18530494e006.
Full textMcHugh, Dominic. "“I'll Never Know Exactly Who Did What”: Broadway Composers as Musical Collaborators." Journal of the American Musicological Society 68, no. 3 (2015): 605–52. http://dx.doi.org/10.1525/jams.2015.68.3.605.
Full textЖуань, Вэньшэн. "THE PERFORMING STYLE OF THE OUTSTANDING OF THE CHINESE PIANIST VANG YUJI ON THE EXAMPLE OF THE MUSIC OF F. CHOPIN, R. SCHUMANN, P.I. TCHAIKOVSKY." Вестник Адыгейского государственного университета, серия «Филология и искусствоведение», no. 1(292) (September 12, 2022): 127–34. http://dx.doi.org/10.53598/2410-3489-2022-1-292-127-134.
Full textLynnyk, M. S. "Rostislav Genika: performer, teacher, composer." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (December 10, 2019): 39–54. http://dx.doi.org/10.34064/khnum1-54.03.
Full textRom, Uri B. ""To Gild Refined Gold," or What Mozart Didn't Want Us to Embellish." Music Theory and Analysis (MTA) 6, no. 1 (April 30, 2019): 50–87. http://dx.doi.org/10.11116/mta.6.1.2.
Full textSerdiuk, O. V. "Maria Szymanowska as a recital pianist‑composer of the Romantic epoch." Aspects of Historical Musicology 17, no. 17 (September 15, 2019): 180–94. http://dx.doi.org/10.34064/khnum2-17.12.
Full textHatipova, I. A. "Mikhail Vasilyevich Sechkin – Pianist, Conductor, Teacher." Aspects of Historical Musicology 18, no. 18 (December 28, 2019): 155–70. http://dx.doi.org/10.34064/khnum2-18.09.
Full textCollins, John. "Ghanaian Christianity and Popular Entertainment: Full Circle." History in Africa 31 (2004): 407–23. http://dx.doi.org/10.1017/s0361541300003570.
Full textSholes, Jacquelyn. "D-Minor Concertos and Symphonies of the Brahms–Schumann Circle in the 1850s: Cross-Relationships and the Influence of Beethoven." Nineteenth-Century Music Review, December 9, 2020, 1–32. http://dx.doi.org/10.1017/s1479409820000245.
Full textRoy, Matthew. "Guiding Hand." Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung, December 1, 2021, 51–65. http://dx.doi.org/10.21248/gkjf-jb.65.
Full textSuurpää, Lauri. "Longing for the Tonic in Robert Schumann's ‘Meine Rose’ Op. 90 No. 2 and Fantasiestück Op. 73 No. 1." Nineteenth-Century Music Review, March 21, 2022, 1–24. http://dx.doi.org/10.1017/s1479409821000483.
Full textReynolds, Christopher. "Schumann contra Wagner: Beethoven, the F.A.E. Sonata and ‘Artwork of the Future’." Nineteenth-Century Music Review, November 16, 2020, 1–27. http://dx.doi.org/10.1017/s1479409820000257.
Full textZhou, Yuanchang. "Coordinating Mind and Body: A Comparison of Three Somatic Approaches for Improving Wellness and Performance of Pianists." Arts Studies and Criticism 2, no. 2 (May 8, 2021). http://dx.doi.org/10.32629/asc.v2i2.308.
Full textSauer, Amanda Stringer. "Cognitive Dissonance and the Performer’s Inner Conflict." Music Theory Online 13, no. 2 (June 2007). http://dx.doi.org/10.30535/mto.13.2.2.
Full text