Journal articles on the topic 'Musical perception'
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Miller, Benjamin O. "Time perception in musical meter perception." Psychomusicology: A Journal of Research in Music Cognition 12, no. 2 (1993): 124–53. http://dx.doi.org/10.1037/h0094111.
Full textKoniari, Dimitra, Sandrine Predazzer, and Marc Méélen. "Categorization and Schematization Processes Used in Music Perception by 10- to 11-Year-Old Children." Music Perception 18, no. 3 (2001): 297–324. http://dx.doi.org/10.1525/mp.2001.18.3.297.
Full textBurns, Edward M. "Perception of musical pitch." Journal of the Acoustical Society of America 101, no. 5 (May 1997): 3172. http://dx.doi.org/10.1121/1.419195.
Full textGirgin, Demet. "Pre-service Music Teachers’ Metaphoric Perception for the Musical Instrument Education." Journal of Qualitative Research in Education 7, no. 1 (January 31, 2019): 1–15. http://dx.doi.org/10.14689/issn.2148-2624.1.7c1s.7m.
Full textTillmann, Barbara, and Emmanuel Bigand. "Does Formal Musical Structure Affect Perception of Musical Expressiveness?" Psychology of Music 24, no. 1 (April 1996): 3–17. http://dx.doi.org/10.1177/0305735696241002.
Full textZatorre, Robert J. "Brain Imaging Studies of Musical Perception and Musical Imagery." Journal of New Music Research 28, no. 3 (September 1, 1999): 229–36. http://dx.doi.org/10.1076/jnmr.28.3.229.3112.
Full textSwain, Joseph P. "Music Perception and Musical Communities." Music Perception 11, no. 3 (1994): 307–20. http://dx.doi.org/10.2307/40285625.
Full textTrehub, Sandra E. "Infants’ perception of musical patterns." Perception & Psychophysics 41, no. 6 (November 1987): 635–41. http://dx.doi.org/10.3758/bf03210495.
Full textBest, Harold M. "Musical Perception and Music Education." Arts Education Policy Review 96, no. 4 (April 1995): 2–9. http://dx.doi.org/10.1080/10632913.1995.9934551.
Full textMiller, Johanna L. "Musical pitch perception starts early." Physics Today 67, no. 10 (October 2014): 18–19. http://dx.doi.org/10.1063/pt.3.2537.
Full textAyari, Mondher. "Performance and Musical Perception Analysis." Intellectica. Revue de l'Association pour la Recherche Cognitive 48, no. 1 (2008): 51–80. http://dx.doi.org/10.3406/intel.2008.1240.
Full textVaiedelich, Stéphane, and Claudia Fritz. "Perception of old musical instruments." Journal of Cultural Heritage 27 (October 2017): S2—S7. http://dx.doi.org/10.1016/j.culher.2017.02.014.
Full textKARAELMA, Barış, and Serkan DEMİREL. "SCALE DEVELOPMENT FOR CHILDREN'S MUSICAL HEARING PERCEPTION." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 1 (April 15, 2021): 293–311. http://dx.doi.org/10.46291/zfwt/130115.
Full textRodsakan, Tepika. "Comparison of the Effects of Using Traditional Thai Musical Instruments and Carl Orff’s Instruments on Mentally Disabled Children’s Perception and Reaction to the Musical Elements." International Journal of Creative and Arts Studies 2, no. 2 (December 18, 2015): 35. http://dx.doi.org/10.24821/ijcas.v2i2.1796.
Full textKerkova, Barbora. "Perception and experience of musical emotions in schizophrenia." Psychology of Music 48, no. 2 (September 7, 2018): 199–214. http://dx.doi.org/10.1177/0305735618792427.
Full textLīduma, Anna. "CHILD’S MUSICAL PERCEPTION DEVELOPMENT IN EARLY YEARS." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 2 (May 26, 2016): 416. http://dx.doi.org/10.17770/sie2016vol2.1408.
Full textAstakhova, Ol’ga Andreevna. "Physical and Acoustic Space in the Music of Composers of the Second Half of the XX Century." Pan-Art 3, no. 1 (January 10, 2023): 3–10. http://dx.doi.org/10.30853/pa20230003.
Full textChoi, William, Cheuk Lam Katie Ling, and Chun Him Jason Wu. "Musical Advantage in Lexical Tone Perception Hinges on Musical Instrument." Music Perception: An Interdisciplinary Journal 41, no. 5 (June 1, 2024): 360–77. http://dx.doi.org/10.1525/mp.2024.41.5.360.
Full textBoll-Avetisyan, Natalie, Anjali Bhatara, and Barbara Höhle. "Processing of Rhythm in Speech and Music in Adult Dyslexia." Brain Sciences 10, no. 5 (April 30, 2020): 261. http://dx.doi.org/10.3390/brainsci10050261.
Full textDyatlov, Dmitrii Alekseevich. "On the Typology of Musical Perception." Философия и культура, no. 10 (October 2022): 1–11. http://dx.doi.org/10.7256/2454-0757.2022.10.38893.
Full textFujita, Shuji, and Juichiito. "Musical Perception in Nucleus Cochlear Implantees." Otolaryngology–Head and Neck Surgery 117, no. 2 (August 1997): P89. http://dx.doi.org/10.1016/s0194-59989780121-0.
Full textKapliienko-Iliuk, Yuliia. "MUSICAL STYLE CATEGORY: PERCEPTION AND UNDERSTANDING." Knowledge, Education, Law, Management 2, no. 5 (2020): 25–30. http://dx.doi.org/10.51647/kelm.2020.5.2.5.
Full textSeger, Carol A., Brian J. Spiering, Anastasia G. Sares, Sarah I. Quraini, Catherine Alpeter, James David, and Michael H. Thaut. "Corticostriatal Contributions to Musical Expectancy Perception." Journal of Cognitive Neuroscience 25, no. 7 (July 2013): 1062–77. http://dx.doi.org/10.1162/jocn_a_00371.
Full textCaclin, Anne, Elvira Brattico, Bennett K. Smith, Mari Tervaniemi, Marie‐Hilhne Giard, and Stephen McAdams. "Electrophysiological correlates of musical timbre perception." Journal of the Acoustical Society of America 112, no. 5 (November 2002): 2240. http://dx.doi.org/10.1121/1.4778890.
Full textVurma, Allan, and Jaan Ross. "Production and Perception of Musical Intervals." Music Perception 23, no. 4 (April 1, 2006): 331–44. http://dx.doi.org/10.1525/mp.2006.23.4.331.
Full textPlatel, Hervé. "Neuropsychology of musical perception: new perspectives." Brain 125, no. 2 (February 1, 2002): 223–24. http://dx.doi.org/10.1093/brain/awf078.
Full textSMOLIAR, STEPHEN W. "Modelling Musical Perception: A Critical View." Connection Science 6, no. 2-3 (January 1994): 209–22. http://dx.doi.org/10.1080/09540099408915724.
Full textBeauchamp, James W., Andrew B. Horner, and Michael D. Hall. "Recent research in musical timbre perception." Journal of the Acoustical Society of America 126, no. 4 (2009): 2235. http://dx.doi.org/10.1121/1.3249183.
Full textFUJITA, S., and J. ITO. "Musical perception in nucleus cochlear implantees." Otolaryngology - Head and Neck Surgery 117, no. 2 (August 1997): P89. http://dx.doi.org/10.1016/s0194-5998(97)80121-0.
Full textKrumhansl, Carol L., and Peter W. Jusczyk. "Infants’ Perception of Phrase Structure in Music." Psychological Science 1, no. 1 (January 1990): 70–73. http://dx.doi.org/10.1111/j.1467-9280.1990.tb00070.x.
Full textVukićević, Nataša M. "НАСТАВА МУЗИЧКЕ КУЛТУРЕ И ПОЗИТИВНО ОБРАЗОВАЊЕ – ОД ДОЖИВЉАЈА ДО ИСХОДА У ОБЛАСТИ МУЗИЧКОГ СТВАРАЛАШТВА И СЛУШАЊА МУЗИКЕ." Узданица XX, no. 3 (2023): 241–56. http://dx.doi.org/10.46793/uzdanica20.s.241v.
Full textSpitzer, Jaclyn B., Dean Mancuso, and Min-Yu Cheng. "Development of a Clinical Test of Musical Perception: Appreciation of Music in Cochlear Implantees (AMICI)." Journal of the American Academy of Audiology 19, no. 01 (January 2008): 056–81. http://dx.doi.org/10.3766/jaaa.19.1.6.
Full textBailes, Freya, and Roger T. Dean. "Comparative Time Series Analysis of Perceptual Responses to Electroacoustic Music." Music Perception 29, no. 4 (April 1, 2012): 359–75. http://dx.doi.org/10.1525/mp.2012.29.4.359.
Full textBenguerel, André-Pierre, and Carol Westdal. "Absolute Pitch and the Perception of Sequential Musical Intervals." Music Perception 9, no. 1 (1991): 105–19. http://dx.doi.org/10.2307/40286161.
Full textReva, Valentin. "SPIRITUAL AND PHYSICAL FOUNDATIONS OF MUSICAL PERCEPTION." Academic Notes Series Pedagogical Science 1, no. 195 (2021): 114–18. http://dx.doi.org/10.36550/2415-7988-2021-1-195-114-118.
Full textBerger, Harris M. "Death metal tonality and the act of listening." Popular Music 18, no. 2 (May 1999): 161–78. http://dx.doi.org/10.1017/s0261143000009028.
Full textSamiotis, Ioannis Petros, Sihang Qiu, Christoph Lofi, Jie Yang, Ujwal Gadiraju, and Alessandro Bozzon. "Exploring the Music Perception Skills of Crowd Workers." Proceedings of the AAAI Conference on Human Computation and Crowdsourcing 9 (October 4, 2021): 108–19. http://dx.doi.org/10.1609/hcomp.v9i1.18944.
Full textSong, Baoqing, Chenyu Gong, Yicheng Gao, Yue Ke, Zehua Wang, Ruichong Lin, and Yunji Cai. "Music Literacy and Soundscape Perception: A Study Based on the Soundwalk Method of Soundscapes." International Journal of Environmental Research and Public Health 19, no. 14 (July 11, 2022): 8471. http://dx.doi.org/10.3390/ijerph19148471.
Full textBroze, Yuri, Brandon T. Paul, Erin T. Allen, and Kathleen M. Guarna. "Polyphonic Voice Multiplicity, Numerosity, and Musical Emotion Perception." Music Perception 32, no. 2 (December 1, 2014): 143–59. http://dx.doi.org/10.1525/mp.2014.32.2.143.
Full textAlimazyan, Aida M. "Musical movement as a means of comprehending the inner form of a musical work." National Psychological Journal 51, no. 3 (2023): 55–71. http://dx.doi.org/10.11621/npj.2023.0307.
Full textParson, Dale. "Quantum Composition and Improvisation." Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment 8, no. 4 (June 30, 2021): 21–25. http://dx.doi.org/10.1609/aiide.v8i4.12552.
Full textPetersen, Suse. "Talent development in Chinese and Swiss music students." International Journal of Music Education 36, no. 2 (September 23, 2017): 230–43. http://dx.doi.org/10.1177/0255761417729544.
Full textGfeller, Kate, Jacob Oleson, John F. Knutson, Patrick Breheny, Virginia Driscoll, and Carol Olszewski. "Multivariate Predictors of Music Perception and Appraisal by Adult Cochlear Implant Users." Journal of the American Academy of Audiology 19, no. 02 (February 2008): 120–34. http://dx.doi.org/10.3766/jaaa.19.2.3.
Full textGaripova, Natalya. "On the psychological component in the preparation of a future musician teacher." SHS Web of Conferences 87 (2020): 00105. http://dx.doi.org/10.1051/shsconf/20208700105.
Full textUpadhya, Sushmitha, Rohit Bhattacharyya, Ritwik Jargar, and K. Nisha Venkateswaran. "Closed-field Auditory Spatial Perception and Its Relationship to Musical Aptitude." Journal of Indian Speech Language & Hearing Association 37, no. 2 (2023): 61–65. http://dx.doi.org/10.4103/jisha.jisha_20_23.
Full textMarčenoka, Marina. "Formation of the Artistic Image in the Music Perception Process." SOCIETY, INTEGRATION, EDUCATION. Proceedings of the International Scientific Conference 1 (May 30, 2015): 467. http://dx.doi.org/10.17770/sie2013vol1.578.
Full textRodriguez, Hugo, Pablo Arias Sarah, and Clément Canonne. "Contrasts of Register Underlie the Perception of Musical Humor." Music Perception: An Interdisciplinary Journal 40, no. 4 (April 1, 2023): 316–33. http://dx.doi.org/10.1525/mp.2023.40.4.316.
Full textPeters, Deniz. "Musical Empathy, Emotional Co-Constitution, and the “Musical Other”." Empirical Musicology Review 10, no. 1-2 (April 8, 2015): 2. http://dx.doi.org/10.18061/emr.v10i1-2.4611.
Full textBragança, Guilherme Francisco F., João Gabriel Marques Fonseca, and Paulo Caramelli. "Synesthesia and music perception." Dementia & Neuropsychologia 9, no. 1 (March 2015): 16–23. http://dx.doi.org/10.1590/s1980-57642015dn91000004.
Full textGallun, Erick, and Daniel Reisberg. "On the Perception of Interleaved Melodies." Music Perception 12, no. 4 (1995): 387–98. http://dx.doi.org/10.2307/40285673.
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