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Books on the topic 'Musical instrument instruction'

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1

Bastian, Hans Günther. Jugend am Instrument: Eine Repräsentativstudie. Mainz: Schott, 1991.

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2

How to master any musical instrument: A complete and practical guide. North Canton, Ohio: PAZ Pub., 1987.

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3

Doyle, Robert C. Instruction book on how to play the bones. Dublin: Robert C. Doyle, 1990.

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4

Seodi, Ruth. Time to play a musical instrument: How to take up an instrument later in life. Oxford: Howtobooks, 2009.

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5

Gerardo, Garibay Morales Luis, ed. La biblia del tecladista: Acordes ilustrados para cualquier género musical. México, D.F: Grupo Editorial Tomo, 2011.

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6

Synthesizers in the elementary music classroom: An integrated approach. Reston, Va: Music Educators National Conference, 1991.

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7

Douglas, Boyd, ed. The right instrument for your child: The key to understanding musical potential. 5th ed. London: Orion Books, 2012.

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8

Ben-Tovim, Atarah. The right instrument for your child: The key to unlocking musical talent. London: Gollancz, 1995.

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9

Ben-Tovim, Atarah. The right instrument for your child: A practical guide for parents and teachers. New York: Quill, 1985.

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10

Ben-Tovim, Atarah. The right instrument for your child: A practical guide for parents and teachers. London: Gollancz, 1985.

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11

Kersten, Fred. Teaching recorder in the music classroom. Reston, VA: MENC, the National Association for Music Education, 2001.

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12

Ellis, John. Keyboard magic. Nashville, Tenn: JTG of Nashville, 1992.

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13

Horn technique. 2nd ed. Oxford: Oxford University Press, 1992.

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14

Massey, Howard. A synthesist's guide to acoustic instruments. New York: Amsco, 1987.

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15

Massey, Howard. A synthesist's guide to acoustic instruments. New York: Amsco Publications, 1987.

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16

D, Wagoner James, ed. Analog electronic music techniques. New York, NY: Schirmer Books, 1985.

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17

Naumann, Joel. Analog electronic music techniques: In tape, electronic, and voltage-controlled synthesizer studios. New York: Schirmer Books, 1985.

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18

Reynolds, Verne. The horn handbook. Portland, Or: Amadeus Press, 1997.

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19

Polansky, Larry. Beginning Central Javanese gender: Cengkok list, garapan of pieces, and material on gender panerus. Hanover, N.H: American Gamelan Institute, 1993.

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20

Mayer, Abby. A pamphlet for self improvement on the horn. Cornwall, NY (Box 388, Cornwall 12518): A. Mayer, 1997.

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21

Zeitlin, Ralph William. Ralph Wm. Zeitlin's basic recorder lessons 1: Soprano or tenor for group or individual instruction. New York: Amsco, 1985.

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22

Orgellehrwerke: Eine didaktische Untersuchung auf inhaltsanalytischer Grundlage. Frankfurt am Main: P. Lang, 1991.

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23

Sa'id. Beattips manual: Some insight on producing hip hop-rap beats and music. 3rd ed. Brooklyn, N.Y: Superchamp Books, 2004.

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24

Sa'id. The beattips manual: Beatmaking, the hip hop/rap music tradition, and the common composer. 5th ed. Brooklyn, NY: Superchamp Books, 2009.

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25

Buck, Dudley. Illustrations in choir accompaniment: With hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music. [Greensboro, N.C.]: Wayne Leupold Editions, 1992.

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26

Edmunds, Frederick T. Bones unlimited. [United States]: F.T. Edmunds, 1989.

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27

Gu qin shi yong jiao cheng. Shanghai: Shanghai yin yue chu ban she, 2004.

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28

Prior, Susan. Improve your consort skills. Jackson, NJ: American Recorder Society, 1991.

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29

Maestas, Bobby. The EPS sampling book. Newbury Park, CA: P.L. Alexander Pub., 1989.

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30

Heikki, Laitinen. A guide to five-string kantele playing. Kaustinen: Kansanmusiikki-instituutti, 1988.

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31

Feldstein, Sandy. My recorder book!: A beginning book for soprano recorders. [S.l.]: PlayinTime Productions, 1998.

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32

Hauwe, Walter van. The modern recorder player. London: Schott, 1987.

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33

Adnet, Jacques. Technique du cor: Considérations générales sur la technique et la pédagogie des cuivres : fonctionnement de la colonne "d'air" et de l'"embouchure". Issy-Les-Moulineaux, France: Éditions EAP, 1994.

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34

Chapman, Mim. Recorder teaching: A classroom approach. Bethesda, MD: Peg Hoenack's MusicWorks, 1987.

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35

Walker, Dan. Roland D-20: Sequencing & recording handbook. Newbury Park, CA: P.L. Alexander Pub., 1989.

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36

Emile, Menasché, ed. What's a sequencer?: A basic guide to their features and use. 2nd ed. Milwaukee: Hal Leonard, 2001.

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37

Schwemmer, Marius. Das Orgelwerk Maurice Duruflés im Orgelunterricht: Ein Beitrag zu Form, Ästhetik und Technik. Marburg: Tectum, 2003.

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38

American Recorder Society. Education Program. Study guide handbook. Jackson, NJ: American Recorder Society, 1991.

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39

La musique autrement: Contribution à un enseignement engagé de la flûte à bec. Paris: L'Harmattan, 2012.

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40

What's a sequencer?: A basic guide to their features and use. Milwaukee, WI, U.S.A: H. Leonard Pub. Corp., 1990.

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41

Fishell, Janette. But what do I do with my feet?: A pianist's guide to the organ. Nashville, TN: Abingdon Press, 1996.

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42

Soderlund, Sandra. Organ technique: An historical approach. 2nd ed. Chapel Hill, NC: Hinshaw Music, 1986.

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43

Orgelunterricht in der seminaristischen Lehrerbildung. Frankfurt am Main: Lang, 2002.

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44

Caporali, Fausto. Corso propeduetico d'improvvisazione organistica: Come imparare l'armonia attraverso l'improvvisazione. Padova: Armelin, 2004.

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45

Eddington, Jelani. The art of theatre organ arranging. Racine, WI: RJE Productions, 2009.

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46

Ellingford, Herbert F. The art of transcribing for the organ: A complete text book for the organist in arranging choral and instrumental music. [Greensboro, N.C.]: Wayne Leupold Editions, 1992.

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47

Caporali, Fausto. Corso propeduetico d'improvvisazione organistica: Come imparare l'armonia attraverso l'improvvisazione. Padova: Armelin, 2004.

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48

Johns, Michele. Hymn improvisation. Minneapolis: Augsburg Pub. House, 1987.

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49

Gaar, Reiner. Orgelimprovisation: Lehrplan und Arbeitshilfen. Stuttgart: Carus-Verlag, 2003.

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50

Froseth, James O. Do it! Play recorder: A world of musical enjoyment at your fingertips : student book 1. Chicago, IL: GIA Publications, 1996.

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