Academic literature on the topic 'Musical composition; jazz'
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Journal articles on the topic "Musical composition; jazz"
Arestov, Sergey S. "Jazz composition in the modern educational process." Vestnik of Saint Petersburg State University of Culture, no. 1 (46) (March 2021): 140–44. http://dx.doi.org/10.30725/2619-0303-2021-1-140-144.
Full textCampău, Elisabeta Firtescu. "Improvised musical performance as conversational language in jazz." Artes. Journal of Musicology 26, no. 1 (April 1, 2022): 235–49. http://dx.doi.org/10.2478/ajm-2022-0015.
Full textKharenko, Alina. "Musical dramaturgy as a creative method in jazz art: the example of the piano art by Sergey Davydov." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 55, no. 55 (November 20, 2019): 155–69. http://dx.doi.org/10.34064/khnum1-55.11.
Full textDasevschii, Veaceslav. "Jazz improvisation as a phenomenon of music art." Akademos, no. 3(62) (January 2022): 132–37. http://dx.doi.org/10.52673/18570461.21.3-62.17.
Full textBoyle, James Philip Sheng, Mohd Nasir Hashim, and Yi-Li Chang. "THE INFLUENTIAL MUSICAL COMPOSITIONAL TOOLS OF MALAY POPULAR MUSIC IN MALAYSIA OF THE MID 20th AND THE EARLY 21st CENTURY." International Journal of Creative Industries 4, no. 9 (March 6, 2022): 01–18. http://dx.doi.org/10.35631/ijcrei.49001.
Full textKim, Sook-He. "The Musical Composition of African American Narrative : Toni Morrison’s Jazz." NEW STUDIES OF ENGLISH LANGUAGE & LITERATURE 69 (February 28, 2018): 125–40. http://dx.doi.org/10.21087/nsell.2018.02.69.125.
Full textDuPree, Mary Herron. "Mirror to an Age: Musical America, 1918–30." Royal Musical Association Research Chronicle 23 (1990): 137–47. http://dx.doi.org/10.1080/14723808.1990.10540939.
Full textMyroshnychenko, Valerii. "TEACHING JAZZ IMPROVISATION TO A FUTURE VOCAL ARTIST: ITS ESSENCE AND SPECIFICS." Academic Notes Series Pedagogical Science 1, no. 192 (March 2021): 189–93. http://dx.doi.org/10.36550/2415-7988-2021-1-192-189-193.
Full textDay, Jonathan. "Jazz, Kant and Zen." Culture and Dialogue 4, no. 2 (October 26, 2016): 301–16. http://dx.doi.org/10.1163/24683949-12340017.
Full textFirdaus, Ade Surya, Hendra Santosa, and Ni Wayan Ardini. "I Gusti Anglurah Panji Sakti: Sebuah Interpretasi dalam Musik Jazz." Gondang: Jurnal Seni dan Budaya 3, no. 2 (December 3, 2019): 86. http://dx.doi.org/10.24114/gondang.v3i2.13843.
Full textDissertations / Theses on the topic "Musical composition; jazz"
Harvey, Stephen P. "Jazz Chamber Music: An Analysis of Chris Potter’s Imaginary Cities and a Musical Composition." Youngstown State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1471354255.
Full textChirwa, Kabelo Ufulu. "Encumbered Existence| A Three Movement Work for Jazz Orchestra." Thesis, University of Louisiana at Lafayette, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10279545.
Full textEncumbered Existence is a three-movement programmatic work for jazz orchestra that uses specific events in African-American history to capture the struggle of African- Americans and emotions provoked by these events. The first movement, ?The State of the World,? and last movement, ?Between the World and Me,? capture painful events such as the shooting of Trayvon Martin. ?Between the World and Me? uses the dates of Martin?s birth and death as set classes to guide the piece. The second movement, ?The Dream,? portrays a hopeful attitude and is inspired by Dr. Martin Luther King Jr. and the ?I Have a Dream? speech. Encumbered Existence is 314 measure long. Prior to the score, an analysis of the piece provides an outline of the overall structure of the work as well as illustrations of the musical quotations used throughout the piece. The compositional decisions made during the creative process are explained by highlighting individual musical moments in the piece and then examining their correlation to the work. All inspirational material is also discussed.
Ormsby, Verle A. "John Jacob Graas, Jr. : jazz horn performer, jazz composer, and arranger." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/560288.
Full textSchool of Music
Norton, Benjamin D. "Little Eichmanns: A Composition for Chamber Octet." UKnowledge, 2013. http://uknowledge.uky.edu/music_etds/18.
Full textHansson, Clare. "Marian McPartland, jazz pianist : an overview of a musical career." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16621/.
Full textHansson, Clare. "Marian McPartland, jazz pianist : an overview of a musical career." Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16621/1/Clare_Hansson_Thesis.pdf.
Full textMacDonald, Glyn Alan. "Towards interaction: Combining jazz techniques and idiomatic writing for Varied ensembles. A collection of musical works -and- An exegesis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2019. https://ro.ecu.edu.au/theses/2204.
Full textRays, Luís Gustavo Carvalho Alonso. "A trajetória musical do compositor brasileiro Djalma de Andrade = Bola Sete." [s.n.], 2018. http://repositorio.unicamp.br/jspui/handle/REPOSIP/283940.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Este trabalho apresenta e analisa os elementos musicais pertencentes aos diferentes estilos e gêneros que caracterizam a obra do compositor e músico brasileiro Djalma de Andrade, mais conhecido nos meios musicais como "Bola Sete", evidenciados neste trabalho pela notável influência do jazz em suas composições e os reflexos de sua vida pessoal, como a sua origem humilde, sua dedicação à arte como meio de sobrevivência, sua espiritualidade, a busca do reconhecimento profissional em outros países e as parcerias com importantes músicos seus contemporâneos, pois estamos cientes da importância e necessidade de contribuir para com a historiografia da música brasileira, bem como da carência de trabalhos direcionados à interpretação das obras para o violão. Os elementos acima mencionados que marcaram o estilo deste músico no cenário musical na segunda metade do século XX, de certa forma ajudaram a construir a cultura popular musical brasileira, consolidada por outros personagens de nosso país. Os achados desta pesquisa tiveram como fonte principal o acervo particular Anne Sete, a viúva do compositor, que despreendidamente contemplounos com informações privadas como cartas, partituras, gravações e recortes de jornais e revistas contendo artigos que retratam a trajetória deste incomparável músico, tendo em vista que sua vida e obra são pouco conhecidas no meio acadêmico. O primeiro capítulo desta pesquisa recupera a trajetória pessoal e profissional do compositor e músico objeto desta investigação apresentando uma apreciação crítica dessas fontes bibliográficas. No segundo capítulo realizamos um estudo detalhado dos elementos musicais que caracterizam as composições de Djalma de Andrade identificando as suas sugestões interpretativas e apresentando os exemplos musicais em seus diferentes estilos e gêneros, observando, principalmente, a influência do jazz em suas composições. No terceiro capítulo, transcrevemos e analisamos algumas das obras, selecionadas a partir da sua importância na discografia nacional e internacional, pois, além de pesquisar e exemplificar os dados colhidos, ilustrando as reflexões sobre os elementos que caracterizam a obra do músico Djalma de Andrade, o Bola Sete, atendemos ao objetivo principal deste trabalho que é apresentar um estudo do repertório escrito para violão por este artista e incentivar novas criações e aperfeiçoamentos musicais que contribuam para a evolução e a inovação musical de nosso tempo
Abstract: This dissertation analyses the musical elements that belong to the different styles and genres that characterize the work of Djalma de Andrade, a Brazilian composer and musician, who is best known as "Bola Sete". This piece aims to exemplify the notable Jazz influences in the musicians work, as well as his personal life, his humble origins, his dedication to art as a means of survival, his spirituality, the search for professional recognition in other countries and the collaboration with other important musicians - for we are aware of the importance of contributing to the history of Brazilian music, as well as the lack of work that aims to interpret the art of the acoustic guitar. The elements above mentioned that marked the style of Djalma de Andrade in the second half of the 20th century, in many ways helped build the popular Brazilian musical culture, consolidated as well, by other characters of this country. The main reference for this research was the personal archive of Anne Sete, Djalma's widow, who unselfishly provided personal information such as letters and newspaper clippings containing the trajectory of this incomparable musician. We would like to point out that his life and work are not well known in academic circles. The first chapter of this research uncovers the musician's personal and professional trajectory with a critical appreciation of the archival material. The second chapter consists of a detailed study of the elements that were key in Djalma de Andrade's compositions - identifying interpretive suggestions and presenting musical examples of his different styles and genres. But mostly, we aim to reveal the jazz influence in his compositions. The third chapter is a transcription and analysis of a selection of his work, chosen due to their importance in the national and international repertoire. We have researched and exemplified the data, pondering about the elements that characterize the work of Djalma de Andrade, "Bola Sete" - but our main focus was to study the artist's acoustic guitar repertoire and hopefully inspire new work that contribute to the musical evolution and innovation of our times
Mestrado
Musica
Mestre em Música
Huntley, Alec Villars. "The Guaraldi Sound: The Musical Devices that Characterize Vince Guaraldi's Improvisational and Compositional Idiom." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1752365/.
Full textFeijão, Pedro Cipriano 1975. "Um algoritmo de criação de improvisos com harmonia de jazz." [s.n.], 2004. http://repositorio.unicamp.br/jspui/handle/REPOSIP/259104.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Engenharia Elétrica e de Computação
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Resumo: Um levantamento detalhado dos trabalhos em composição computacional será apresentado. Um algoritmo de composição e performance em tempo real de solos de jazz foi criado, inspirado no estilo bebop. Técnicas utilizadas por músicos de bebop durante os seus improvisos foram implementadas usando-se várias regras. Um novo modelo estocástico, baseado no raciocínio de um músico durante o seu solo, escolhe a saída do algoritmo. O usuário pode avaliar a saída do algoritmo em tempo-real, e isto será utilizado em um processo de aprendizado supervisionado para modificar os parâmetros do modelo estocástico. Algumas amostras de saídas do algoritmo serão mostradas, junto com as conclusões
Abstract: An extensive review of the most prominent works in the field of computer music is presented. A real-time algorithm for composition and performance of jazz solos in the style of bebop was created. Techniques that bebop musicians use on their solos were implemented using several rules. A new stochastic model, inspired by the thinking of a musician during his solo chooses the algorithm output. The user evaluates the algorithm output in real-time, and this input is used in a supervised learning process to change the stochastic model parameters. Samplings of the algorithm output are shown, along with concluding remarks
Mestrado
Eletrônica, Microeletrônica e Optoeletrônica
Mestre em Engenharia Elétrica
Books on the topic "Musical composition; jazz"
Sussman, Richard. Jazz composition and arranging in the digital age. New York: Oxford University Press, 2011.
Find full textBoras, Tom. Jazz composition and arranging. Belmont, CA: Thomson/Schirmer, 2005.
Find full textRon, Miller. Modal jazz composition & harmony. Rottenburg/N., Germany: Advance Music, 1992.
Find full textDavid, Baker. David Baker's Arranging & composing: For the small ensemble, jazz, R & B, jazz-rock. Van Nuys, CA: Alfred Pub. Co., 1988.
Find full textRick, Mattingly, ed. Jazz composition: Theory and practice. Boston, MA: Berklee Press, 2003.
Find full textWhite, Andrew Nathaniel. A treatise on jazz composition. Washington, D.C: Andrew's Music, 1985.
Find full textCoker, Jerry. Guide to jazz composition and arranging. [Rottenburg?]: Advance Music, 1998.
Find full textEvans, Bill. The last compositions: Piano solos and leadsheets. New York, NY: Ludlow Music, 1991.
Find full textKessler, Dietrich. Neue Musiklehre & Songcomposing: Klassik, Jazz, Blues, Rock. Berlin: KDM., 1993.
Find full textExploratory musicism: Ideas for spontaneous composition. Binghamton, N.Y: Global Academic Pub., 2009.
Find full textBook chapters on the topic "Musical composition; jazz"
Nam, Yong-Wook, and Yong-Hyuk Kim. "Automatic Jazz Melody Composition Through a Learning-Based Genetic Algorithm." In Computational Intelligence in Music, Sound, Art and Design, 217–33. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-16667-0_15.
Full textWilliams, James Gordon. "Unified Fragmentation: Andrew Hill’s Street Theory of Black Musical Space." In Crossing Bar Lines, 131–52. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496832108.003.0006.
Full textLoza, Steven. "From a Musical Point of View." In The Jazz Pilgrimage of Gerald Wilson, 107–58. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496816023.003.0008.
Full textWilliams, James Gordon. "The Social Science Music of Terri Lyne Carrington." In Crossing Bar Lines, 71–104. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496832108.003.0004.
Full textIddon, Martin, and Philip Thomas. "Situating the Concert for Piano and Orchestra." In John Cage's Concert for Piano and Orchestra, 11–55. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190938475.003.0002.
Full textLoza, Steven. "From the Seventies On." In The Jazz Pilgrimage of Gerald Wilson, 74–98. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496816023.003.0006.
Full textSmith, Steven C. "Stairway to Paradise." In Music by Max Steiner, 45–54. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190623272.003.0004.
Full textHaroutounian, Joanne. "Talent as Creativity." In Kindling the Spark. Oxford University Press, 2002. http://dx.doi.org/10.1093/oso/9780195129489.003.0011.
Full textWeiser, Nick. "Teaching Jazz Standards." In Teaching School Jazz, 245–56. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190462574.003.0022.
Full textMartin, Henry. "Introduction." In Charlie Parker, Composer, 1–34. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190923389.003.0001.
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