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Books on the topic 'Music videos'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Rowley, Kay. Videos. New York: Crestwood House, 1992.

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2

1967-, Weir Kathryn Elizabeth, Chambers Nicholas, and Queensland Art Gallery, eds. Video hits: Art & music video. South Brisbane: Queensland Art Gallery, 2004.

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3

Complesso museale Santa Maria della Scala (Siena, Italy), ed. Musica per gli occhi: Interferenze tra video arte, musica pop, video clip = Music for the eyes : crossovers between video art, pop music, music videos. Cinisello Balsamo, Milano: Silvana editoriale, 2018.

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4

Long Beach Museum of Art. Art of music video. Long Beach, Calif: Long Beach Museum of Art, 1989.

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5

Marcovitz, Hal. The history of music videos. Farmington Hills, MI: Lucent Books, 2012.

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6

F, Roberts Donald, and United States. Office of National Drug Control Policy., eds. Substance use in popular music videos. Washington, D.C: Office of National Drug Control Policy, 2002.

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7

Robin, Roberts. Ladies first: Women in music videos. Jackson: University Press of Mississippi, 1996.

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8

F, Roberts Donald, and United States. Office of National Drug Control Policy., eds. Substance use in popular music videos. Washington, D.C: The Office, 2002.

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9

Chu, John. The music video guide. New York: McGraw-Hill, 1986.

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10

Meigs, James B. Make your own music video. New York: F. Watts, 1986.

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11

Shore, Michael. Music video: A consumer's guide. New York: Ballantine Books, 1987.

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12

Feisthauer, Leo. Theorizing Music Videos of the Late 2010s. Berlin, Heidelberg: Springer Berlin Heidelberg, 2022. http://dx.doi.org/10.1007/978-3-662-65049-3.

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13

Aufderheide, Pat. Music videos: The look of the sound. Philadelphia: Oxford University Press, 1986.

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14

group), ABBA (Musical. ABBA in concert. Oaks, PA: Music Video Distributors, 2004.

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15

Györfi, Alexander. Alexander Györfi--electric friends. Stuttgart: Akademie Schloss Solitude, 2005.

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16

Kimball, Jennifer. Making a music video. New York: Macmillan/McGraw-Hill, 1995.

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17

Gaskell, Ed. Make your own music video. San Francisco: CMP Books, 2004.

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18

Ismail, Mohamed Hossam. Contemporary Arab music videos: Cultural discontinuity and global change. Giza: Al-Madina Press, 2003.

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19

Beebe, Roger. Medium cool: Music videos from soundies to cellphones. Durham, N.C: Duke University Press, 2007.

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20

Groningen. Dienst Ruimtelijke Ordening van de Gemeente. and Groninger Museum voor Stad en Lande., eds. What a wonderful world!: Music videos in architecture. Groningen: Groninger Museum, 1990.

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21

Maura, Kennedy, ed. Make your own music videos with Adobe Premiere. New York: Hungry Minds, 2002.

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22

1952-, Bódy Veruschka, and Weibel Peter, eds. Clip, Klapp, Bum: Von der visuellen Musik zum Musikvideo. Köln: DuMont, 1987.

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23

Bosæus, Catarina. Om musikvideo. 2nd ed. Århus: Musikvidenskabeligt Institut, Århus Universitet, 1993.

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24

Deville, Nicolas. Rock'n clip: La première encyclopédie mondiale du vidéo-clip. Paris: Seghers, 1988.

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25

McCuen, Brad. Swingtime Video presents a complete review of the Swingtime Video library: Vols. 101 thru 121, 1935-1965 : Swingtime's Video review. Hollywood, Calif. (P.O. Box 3476, Hollywood 90078-3476): Swingtime Video, 1986.

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26

Kleiler, David. You stand there: Making music video. New York: Three Rivers Press, 1997.

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27

Frazer, Paula. A place where I know: 4-track songs, 1992-2002. [Place of publication not identified]: Birdman Records, 2003.

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28

Riemann, Silke. Die Inszenierung von Popmusikern als Popstars in Videoclips: Eine Untersuchung anhand der Videoclip-Kompilationen "US' - Peter Gabriel (1993), "HIStory" - Michael Jackson (1995) und "Greatest Fix II" - Queen (1991). Berlin: Pharus Verlag, 1998.

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29

1964-, Johnson Dave, and Glenn Walter J, eds. Make the most of your digital photos, videos, & music. Indianapolis, Ind: Que, 2003.

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30

Large, Brian. Last night of the proms: The 100th season of Henry Wood Promenade Concerts. [S.l.]: Teldec Video, 1994.

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31

Jirsa, Tomáš, and Mathias Bonde Korsgaard, eds. Traveling Music Videos. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501398025.

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Traveling Music Videos offers a new interdisciplinary perspective on how contemporary music videos travel across, shape, and transform various media, online platforms, art institutions, and cultural industries worldwide. With the onset of digital technologies and the proliferation of global video-sharing websites at the beginning of the 21st century, music video migrated from TV screens to turn instead to the internet, galleries, concert stages, and social media. As a result, its aesthetics, technological groundings, and politics have been radically transformed. From the kinaesthetic experience of TikTok to the recent reimaginations of maps and navigation tools through music video cartographies, from the ecofeminist voices mediated by live-stream concerts to the transmedia logic of video games and VR, from the videos’ role in contemporary art galleries to their political interventions —the chapters map the ways music video is continually reconfiguring itself. The volume tracks music video’s audiovisual itineraries across different geographies, maps its transmedia routes, and tackles the cultural impact that it has on our current media ecosystem.

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32

Traveling Music Videos. Bloomsbury Publishing Plc, 2023.

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33

Shaviro, Steven. Digital Music Videos. Rutgers University Press, 2017.

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34

Shaviro, Steven. Digital Music Videos. Rutgers University Press, 2017.

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35

Shaviro, Steven. Digital Music Videos. Rutgers University Press, 2017.

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36

Digital Music Videos. Rutgers University Press, 2017.

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37

Traveling Music Videos. Bloomsbury Publishing Plc, 2023.

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38

Neil, Anderson. Music Madness: Questioning Music and Music Videos. Capstone, 2007.

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39

Andersen, Neil. Music Madness: Questioning Music and Music Videos. Fact Finders, 2007.

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40

Marcovitz, Hal. History of Music Videos. Greenhaven Publishing LLC, 2012.

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41

Korsgaard, Mathias Bonde. Music Video Transformed. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.015.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter asks what music video has become today and how its audiovisual aesthetics have changed online. It suggests that music videos generally through process of remediation content more actively than any other media form, performing the dual function of “visualizing music” (by recasting a song visually) and “musicalizing vision” (by structuring images according to musical logic). The discussion identifies and provides an overview of several new music video types that have come into existence online, placing them in five categories. In particular, the chapter focuses on interactive music videos and music video apps through close analyses of both Arcade Fire’s interactive video “We Used to Wait” and Björk’s interactive “app album”Biophilia. Both of these actively challenge what we have come to expect of music videos while still performing some familiar functions, prompting us to consider whether they are even music videos.

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42

Caston, Emily. British Music Videos 1966 - 2016. Edinburgh University Press, 2020. http://dx.doi.org/10.1515/9781474435338.

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43

Troupe, Thomas Kingsley. Make Mind-Blowing Music Videos. Raintree Publishers, 2020.

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44

Troupe, Thomas Kingsley. Make Mind-Blowing Music Videos. Raintree Publishers, 2022.

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45

Make Mind-Blowing Music Videos. Raintree Publishers, 2020.

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46

Music Madness: Questioning Music and Music Videos (Fact Finders). Capstone Press, 2007.

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47

Abeshouse, Matthew, and Tevin Abeshouse. Music Video Trivia. Avon Books, 1985.

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48

Vernallis, Carol. Music Video’s Second Aesthetic? Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0016.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. MTV’s launch happened thirty years ago. Since then music video has undergone shifts in technologies and platforms, financial booms and busts, and changing levels of audience engagement. While music videos hit a low point at the start of the millennium, they have reemerged as a key driver of popular culture. This resurgence resembles MTV’s first moment: it’s again worth asking what music video can do and where it fits. A variety of styles, genres, and tropes marks both the eighties and today. The traditional definition of music video - a record-company product that puts images to a pop record in order to sell the song — has become too narrow. Instead we might describe music videos as containing heightened sound/image relations we recognize as such. Today's videos can reflect great technical proficiency. But in the eighties an attempt at an audiovisual connection often left a trace of the performers’ and director’s efforts. This gave videos a special charm. Today’s videos, however, may also reflect a full flowering of the genre. Many directors have labored in the industry and weathered its transitions: their experiences inform today’s music videos. This chapter looks at what this thirty-year history might add up to.

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49

Korsgaard, Mathias Bonde. Music Video after MTV: Audiovisual Studies, New Media, and Popular Music. Taylor & Francis Group, 2017.

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50

Roberts, Donald F. Substance Use in Popular Music Videos. Diane Pub Co, 2001.

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