Journal articles on the topic 'Music videos – Production and direction'
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Whalley, Ian. "Internet2 and Global Electroacoustic Music: Navigating a decision space of production, relationships and languages." Organised Sound 17, no. 1 (February 14, 2012): 4–15. http://dx.doi.org/10.1017/s135577181100046x.
Full textJautakytė, Žydrė. "The Situation of the National Music Curriculum Implementation: what do the Arts Maturity Examination Results Reveal." Pedagogika 117, no. 1 (March 5, 2015): 86–97. http://dx.doi.org/10.15823/p.2015.069.
Full textNovak, Glenn D. "Music videos in the production lab." TechTrends 34, no. 2 (March 1989): 20–25. http://dx.doi.org/10.1007/bf02782078.
Full textKruse, Adam J., and Stuart Chapman Hill. "Exploring hip hop music education through online instructional beat production videos." Journal of Music, Technology and Education 12, no. 3 (December 1, 2019): 247–60. http://dx.doi.org/10.1386/jmte_00009_1.
Full textRodriguez, Iliana Yamileth. "Listening to el Southside: Kap G’s Southern Mexicanidad." Labor 16, no. 3 (September 1, 2019): 95–101. http://dx.doi.org/10.1215/15476715-7569878.
Full textTaylor, Kris P. "Interview." Alphaville: Journal of Film and Screen Media, no. 19 (July 23, 2020): 195–202. http://dx.doi.org/10.33178/alpha.19.17.
Full textBalaji, Murali, and Thomas Sigler. "Glocal riddim: cultural production and territorial identity in Caribbean music videos." Visual Communication 17, no. 1 (September 26, 2017): 91–111. http://dx.doi.org/10.1177/1470357217727675.
Full textHaddon, Mimi. "Warp's Music Videos: Affective Communities, Genre and Gender in Electronic/Dance Music's Visual Aesthetic." Journal of British Cinema and Television 16, no. 4 (October 2019): 571–90. http://dx.doi.org/10.3366/jbctv.2019.0499.
Full textHam, Minjeong, and Sang Woo Lee. "Factors Affecting the Popularity of Video Content on Live-Streaming Services: Focusing on V Live, the South Korean Live-Streaming Service." Sustainability 12, no. 5 (February 27, 2020): 1784. http://dx.doi.org/10.3390/su12051784.
Full textPope, Amara. "Musical Artists Capitalizing on Hybrid Identities." Stream: Interdisciplinary Journal of Communication 8, no. 2 (December 31, 2016): 3–22. http://dx.doi.org/10.21810/strm.v8i2.199.
Full textCapetola, Christine. "“Gimme a Beat!”." Journal of Popular Music Studies 32, no. 4 (November 30, 2020): 95–117. http://dx.doi.org/10.1525/jpms.2020.32.4.95.
Full textMacnab, A. J., and R. Mukisa. "Celebrity endorsed music videos: innovation to foster youth health promotion." Health Promotion International 34, no. 4 (June 11, 2018): 716–25. http://dx.doi.org/10.1093/heapro/day042.
Full textKerr, David. "'Maisha yetu ya kila siku kama vile movie': Fantasy, desire and urban space in Tanzanian music videos." Journal of African Cinemas 11, no. 3 (December 1, 2019): 225–40. http://dx.doi.org/10.1386/jac_00018_1.
Full textLoji, A. C. "Let’s dance: Diversified depictions of queerness in ensemble dance music videos." Queer Studies in Media & Popular Culture 6, no. 1 (March 1, 2021): 35–54. http://dx.doi.org/10.1386/qsmpc_00043_1.
Full textNg, Eve. "Reading the Romance of Fan Cultural Production: Music Videos of a Television Lesbian Couple." Popular Communication 6, no. 2 (March 31, 2008): 103–21. http://dx.doi.org/10.1080/15405700701746525.
Full textWhite, Joy. "Controlling the Flow." YOUNG 25, no. 4 (July 7, 2016): 407–25. http://dx.doi.org/10.1177/1103308816644110.
Full textCricri, Francesco, Kostadin Dabov, Mikko J. Roininen, Sujeet Mate, Igor D. D. Curcio, and Moncef Gabbouj. "Multimodal Semantics Extraction from User-Generated Videos." Advances in Multimedia 2012 (2012): 1–17. http://dx.doi.org/10.1155/2012/292064.
Full textEkdale, Brian. "Global frictions and the production of locality in Kenya’s music video industry." Media, Culture & Society 40, no. 2 (May 11, 2017): 211–27. http://dx.doi.org/10.1177/0163443717707340.
Full textVäkevä, Lauri. "Garage band or GarageBand®? Remixing musical futures." British Journal of Music Education 27, no. 1 (January 26, 2010): 59–70. http://dx.doi.org/10.1017/s0265051709990209.
Full textDenisova, Anastasia, and Aliaksandr Herasimenka. "How Russian Rap on YouTube Advances Alternative Political Deliberation: Hegemony, Counter-Hegemony, and Emerging Resistant Publics." Social Media + Society 5, no. 2 (April 2019): 205630511983520. http://dx.doi.org/10.1177/2056305119835200.
Full textMössler, Karin, Wolfgang Schmid, Jörg Aßmus, Laura Fusar-Poli, and Christian Gold. "Attunement in Music Therapy for Young Children with Autism: Revisiting Qualities of Relationship as Mechanisms of Change." Journal of Autism and Developmental Disorders 50, no. 11 (March 18, 2020): 3921–34. http://dx.doi.org/10.1007/s10803-020-04448-w.
Full textPedelty, Mark, Rebecca Dirksen, Tara Hatfield, Yan Pang, and Elja Roy. "Field to Media: applied ecomusicology in the Anthropocene." Popular Music 39, no. 1 (February 2020): 22–42. http://dx.doi.org/10.1017/s0261143019000540.
Full textBoyd, Jeffrey. "Paul Dirac’s view of the Theory of Elementary Waves." JOURNAL OF ADVANCES IN PHYSICS 13, no. 3 (March 29, 2017): 4731–34. http://dx.doi.org/10.24297/jap.v13i3.5921.
Full textPassos, Mateus Yuri. "The world in a bottle and the archeology of staging: audiovisual recording as registers of opera productions." Comunicação e Sociedade 31 (June 29, 2017): 39–56. http://dx.doi.org/10.17231/comsoc.31(2017).2603.
Full textVailati, Alex. "New arenas for small media: towards an ethnological exploration of family cinema." Vibrant: Virtual Brazilian Anthropology 9, no. 2 (December 2012): 253–71. http://dx.doi.org/10.1590/s1809-43412012000200009.
Full textGera Roy, Anjali. "Gendering Dance." Religions 11, no. 4 (April 18, 2020): 202. http://dx.doi.org/10.3390/rel11040202.
Full textAnderson, Martin. "London, English national Opera: ‘The Handmaid's Tale’." Tempo 57, no. 225 (July 2003): 39. http://dx.doi.org/10.1017/s0040298203220246.
Full textMomcilovic, Drago. "Music Video Gothic: Fragmentary Form at the Dawn of MTV." Gothic Studies 23, no. 2 (July 2021): 148–62. http://dx.doi.org/10.3366/gothic.2021.0091.
Full textKoempel, Florian. "From the gut? Questions on Artificial Intelligence and music." Queen Mary Journal of Intellectual Property 10, no. 4 (December 25, 2020): 503–13. http://dx.doi.org/10.4337/qmjip.2020.04.05.
Full textAdler, Christopher. "Zaum Box: New Music for Speaking Percussionist." Malaysian Journal Of Music 9 (September 22, 2020): 55–64. http://dx.doi.org/10.37134/mjm.vol9.5.2020.
Full textWijayanto, Xenia Angelica, and Lestari Nurhajati. "Copyright issue on music back sound usage by Indonesian YouTuber." Journal of Social Studies (JSS) 16, no. 2 (September 24, 2020): 137–56. http://dx.doi.org/10.21831/jss.v16i2.31055.
Full textHANSEN, KAI ARNE. "(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities." Twentieth-Century Music 16, no. 3 (July 12, 2019): 501–29. http://dx.doi.org/10.1017/s1478572219000276.
Full textJones, Stephen. "Synthetics: A History of the Electronically Generated Image in Australia." Leonardo 36, no. 3 (June 2003): 187–95. http://dx.doi.org/10.1162/002409403321921389.
Full textVan der Hoeven, Frank, and Milena Ivković. "When hooliganism and the socialist city melt into one." проект байкал 18, no. 68 (August 8, 2021): 36–43. http://dx.doi.org/10.51461/projectbaikal.68.1798.
Full textHuang, Hsin-chou. "The Effects of Video Projects on EFL Learners' Language Learning and Motivation." International Journal of Computer-Assisted Language Learning and Teaching 5, no. 1 (January 2015): 53–70. http://dx.doi.org/10.4018/ijcallt.2015010104.
Full textILCHUK, LINA. "CONTENTS OF METHODICAL TRAINING OF FUTURE TEACHERS-MUSICIANS FOR THE USE OF BELL RINGING MEANS IN PROFESSIONAL ACTIVITY." Scientific Issues of Ternopil Volodymyr Hnatiuk National Pedagogical University. Series: pedagogy, no. 2 (April 6, 2021): 60–69. http://dx.doi.org/10.25128/2415-3605.20.2.9.
Full textBrennan-Horley, Chris. "Work and Play: Vagaries Surrounding Contemporary Cultural Production in Sydney's Dance Music Culture." Media International Australia 123, no. 1 (May 2007): 123–37. http://dx.doi.org/10.1177/1329878x0712300112.
Full textHsu, Jia-Lien, and Shuh-Jiun Chang. "Generating Music Transition by Using a Transformer-Based Model." Electronics 10, no. 18 (September 16, 2021): 2276. http://dx.doi.org/10.3390/electronics10182276.
Full textBlumstein, Daniel T., Gregory A. Bryant, and Peter Kaye. "The sound of arousal in music is context-dependent." Biology Letters 8, no. 5 (June 13, 2012): 744–47. http://dx.doi.org/10.1098/rsbl.2012.0374.
Full textHabibi, Cahya Berto, and Irwansyah Irwansyah. "KONSUMSI DAN PRODUKSI MUSIK DIGITAL PADA ERA INDUSTRI KREATIF." Metacommunication: Journal of Communication Studies 5, no. 1 (March 25, 2020): 23. http://dx.doi.org/10.20527/mc.v5i1.7449.
Full textPérez-Rufí, José-Patricio, and Águeda-María Valverde-Maestre. "The spatial-temporal fragmentation of live television video clips: analysis of the television production of the Eurovision Song Contest." Communication & Society 33, no. 2 (April 20, 2020): 17–31. http://dx.doi.org/10.15581/003.33.2.17-31.
Full textMabuto, Kudzai, and Umali Saidi. "Locating the nihilistic culture within Zimdancehall in contemporary Zimbabwe." DANDE Journal of Social Sciences and Communication 2, no. 2 (2018): 57–74. http://dx.doi.org/10.15641/dande.v2i2.46.
Full textPugnaghi, Giulia, Robert Schnuerch, Henning Gibbons, Daniel Memmert, and Carina Kreitz. "The Other End of the Line." Swiss Journal of Psychology 79, no. 1 (January 2020): 5–14. http://dx.doi.org/10.1024/1421-0185/a000231.
Full textCalzada-Pérez, María. "Researching the European Parliament with Corpus-Assisted Discourse Studies." Specialised Translation in Spain 30, no. 2 (December 31, 2017): 465–90. http://dx.doi.org/10.1075/resla.00003.cal.
Full textHerro, Danielle C., Lorraine Lin, and Michelle Fowler. "Meet the (media) producers: artists, composers, and gamemakers." Journal of Applied Research in Higher Education 9, no. 1 (February 6, 2017): 40–53. http://dx.doi.org/10.1108/jarhe-04-2015-0029.
Full textRepp, Bruno H., Justin London, and Peter E. Keller. "Distortions in Reproduction of Two-Interval Rhythms: When the “Attractor Ratio” Is Not Exactly 1:2." Music Perception 30, no. 2 (December 1, 2012): 205–23. http://dx.doi.org/10.1525/mp.2012.30.2.205.
Full textAtanasovski, Srdjan. "Consequences of the affective turn: Exploring music practices from without and within." Muzikologija, no. 18 (2015): 57–75. http://dx.doi.org/10.2298/muz1518057a.
Full textGiromini, Luciano, Donald J. Viglione, Emanuela Brusadelli, Alessandro Zennaro, Marzia Di Girolamo, and Piero Porcelli. "The Effects of Neurological Priming on the Rorschach." Rorschachiana 37, no. 1 (April 2016): 58–73. http://dx.doi.org/10.1027/1192-5604/a000077.
Full textŠimunovič, Natalija. "Poučevanje inštrumenta v času epidemije COVID-19 / Teaching musical instruments during COVID-19 epidemic." Glasbenopedagoški zbornik Akademije za glasbo ◆ The Journal of Music Education of the Academy of Music in Ljubljana 16, no. 32 (November 26, 2020): 11–38. http://dx.doi.org/10.26493/2712-3987.16(32)11-38.
Full textHoretska, Nataliia. "Stylistic features of the performing ancient instrumental music." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 57, no. 57 (March 10, 2020): 110–32. http://dx.doi.org/10.34064/khnum1-57.07.
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