Academic literature on the topic 'Music videos – Production and direction'
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Journal articles on the topic "Music videos – Production and direction"
Whalley, Ian. "Internet2 and Global Electroacoustic Music: Navigating a decision space of production, relationships and languages." Organised Sound 17, no. 1 (February 14, 2012): 4–15. http://dx.doi.org/10.1017/s135577181100046x.
Full textJautakytė, Žydrė. "The Situation of the National Music Curriculum Implementation: what do the Arts Maturity Examination Results Reveal." Pedagogika 117, no. 1 (March 5, 2015): 86–97. http://dx.doi.org/10.15823/p.2015.069.
Full textNovak, Glenn D. "Music videos in the production lab." TechTrends 34, no. 2 (March 1989): 20–25. http://dx.doi.org/10.1007/bf02782078.
Full textKruse, Adam J., and Stuart Chapman Hill. "Exploring hip hop music education through online instructional beat production videos." Journal of Music, Technology and Education 12, no. 3 (December 1, 2019): 247–60. http://dx.doi.org/10.1386/jmte_00009_1.
Full textRodriguez, Iliana Yamileth. "Listening to el Southside: Kap G’s Southern Mexicanidad." Labor 16, no. 3 (September 1, 2019): 95–101. http://dx.doi.org/10.1215/15476715-7569878.
Full textTaylor, Kris P. "Interview." Alphaville: Journal of Film and Screen Media, no. 19 (July 23, 2020): 195–202. http://dx.doi.org/10.33178/alpha.19.17.
Full textBalaji, Murali, and Thomas Sigler. "Glocal riddim: cultural production and territorial identity in Caribbean music videos." Visual Communication 17, no. 1 (September 26, 2017): 91–111. http://dx.doi.org/10.1177/1470357217727675.
Full textHaddon, Mimi. "Warp's Music Videos: Affective Communities, Genre and Gender in Electronic/Dance Music's Visual Aesthetic." Journal of British Cinema and Television 16, no. 4 (October 2019): 571–90. http://dx.doi.org/10.3366/jbctv.2019.0499.
Full textHam, Minjeong, and Sang Woo Lee. "Factors Affecting the Popularity of Video Content on Live-Streaming Services: Focusing on V Live, the South Korean Live-Streaming Service." Sustainability 12, no. 5 (February 27, 2020): 1784. http://dx.doi.org/10.3390/su12051784.
Full textPope, Amara. "Musical Artists Capitalizing on Hybrid Identities." Stream: Interdisciplinary Journal of Communication 8, no. 2 (December 31, 2016): 3–22. http://dx.doi.org/10.21810/strm.v8i2.199.
Full textDissertations / Theses on the topic "Music videos – Production and direction"
Fidler, Tristan. "Music video auteurs : the directors label DVDs and the music videos of Chris Cunningham, Michel Gondry and Spike Jonze." University of Western Australia. School of Social and Cultural Studies, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0251.
Full textGumaste, Nitin S. "An experiment in portable escapism : storytelling and the iPod." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1345339.
Full textDepartment of Telecommunications
Stewart, Richard Christopher. "Effective audio for music videos : the production of an instructional video outlining audio production techniques for amateur music videos." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1996. http://www.kutztown.edu/library/services/remote_access.asp.
Full textVance, Sharie. "Miz Markley." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849604/.
Full textMitra, Sukanya. "A study of the impact music videos have had on production techniques in relation to network television programs and commercials." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1986. http://www.kutztown.edu/library/services/remote_access.asp.
Full textCarlile, Solfa. "Characterisation in contemporary opera and music theatre." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:dd3468ba-dba6-49c2-88d4-82c2bb23af5c.
Full textLeung, Lai-yue Ciris, and 梁麗榆. "The social organization of a Cantonese opera performance." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B29751093.
Full textVargas, Ariel 1981. "Desenvolvimento de um software educacional para auxilio a produção de videos." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/276227.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Computação
Made available in DSpace on 2018-08-08T19:26:22Z (GMT). No. of bitstreams: 1 Vargas_Ariel_M.pdf: 14292812 bytes, checksum: 5e95a71dec0ab3e727e297596c906b70 (MD5) Previous issue date: 2007
Resumo: Nos dias de hoje, a produção de vídeos é uma atividade bastante comum, que desperta curiosidade, fascínio e identificação, principalmente entre as crianças e os jovens, como se pode observar pela crescente popularidade de sites onde se assiste e disponibiliza vídeos pela Internet. A produção de vídeos, além de uma atividade de lazer e entretenimento, pode ser utilizada como ferramenta de ensino e aprendizagem, com grande potencial educacional. Desse modo, esta dissertação apresenta um trabalho de pesquisa realizado com objetivo de desenvolver um software educacional voltado a dar suporte à produção de vídeos, por crianças e adolescentes. O protótipo do software desenvolvido, denominado Promídia, visa contemplar as principais etapas da produção de vídeo em um único ambiente, dando ao usuário uma visão geral de todo o processo. Dessa forma, pretende-se facilitar o desenvolvimento da atividade e contribuir para a compreensão do processo, por alunos. Com o protótipo implementado, realizou-se alguns experimentos com o objetivo verificar o potencial que a produção de vídeos tem como atividade educacional e testar a interação dos usuários com a interface desenvolvida para a ferramenta. Os resultados iniciais permitiram observar, na prática, os benefícios educacionais da atividade, descritos na literatura. Além disso, permitiram validar a interface da ferramenta que tem o propósito de auxiliar o desenvolvimento das etapas da produção de vídeos
Abstract: Nowadays, video production is a common activity, which arouses curiosity, fascination, and identification, mainly between children and young people. This can be noticed in the growing popularity of WEB sites, where is possible to watch and to share videos on the Internet. Video production, in addition to be an entertaining activity, can be used as teaching and learning tool, having great educational power. In this way, this work presents a research carried out whith goals towards the development of an educational software to assist video production by children and young people. The developed software prototype, called Promídia, intends to gather the main steps of video production activity in one computational tool, giving to the user the whole view of process. Therefore, it intends to ease the activity development and help the process realization by users. Also, we realized some experiments using the prototype aiming to validate our design decisions and to verify the acceptance of this kind of software in educational settings. Early results had enabled the observation of educational benefits of the activity, such as described in literature. Moreover, the experiments have validated the interface tool, as an assistant in the development of video production stages
Mestrado
Mestre em Ciência da Computação
Bevins, Thomas. "Street Chords and the Truth: A Street Level View of Country Music." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc6134/.
Full textKazadi, Kanyabu Solomon. "A sociological analysis of the production, marketing and distribution of contemporary popular music by Zambian musicians." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1018933.
Full textBooks on the topic "Music videos – Production and direction"
Rowley, Kay. Videos. New York: Crestwood House, 1992.
Find full textGaskell, Ed. Make your own music video. San Francisco: CMP Books, 2004.
Find full textMake your own music video. Lewes: Ilex, 2004.
Find full textKleiler, David. You stand there: Making music video. New York: Three Rivers Press, 1997.
Find full textMeigs, James B. Make your own music video. New York: F. Watts, 1986.
Find full textEl videoclip en España (1980-1995): Gesto audiovisual, discurso y mercado. Madrid: Instituto Complutense de Ciencias Musicales, 2009.
Find full textBehind the scenes at a music video. New York: Cavendish Square, 2015.
Find full textMartin, Jerry. The Rolling Stones: The first rock music video. Whitestone, N.Y: Silver Rock Productions, 2002.
Find full textMusic in video production. White Plains, N.Y: Knowledge Industry Publications, 1991.
Find full textCefrey, Holly. Backstage at a music video. New York: Children's Press, 2003.
Find full textBook chapters on the topic "Music videos – Production and direction"
Ramey, Mark. "Fight Club’s Production and Promotion." In Studying Fight Club, 25–44. Liverpool University Press, 2012. http://dx.doi.org/10.3828/liverpool/9781906733551.003.0003.
Full textMoody, Dr James L., and Paul Dexter. "Music Videos, Film, DVDs, and Long-Form Production." In Concert Lighting, 303–9. Elsevier, 2010. http://dx.doi.org/10.1016/b978-0-240-80689-1.00026-x.
Full textMurray, Sterling E. "Love in a Village and a New Direction for Musical Theater in Eighteenth-Century America." In Rethinking American Music, edited by Tara Browner and Thomas L. Riis, 77–102. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042324.003.0005.
Full textIttzés, Tamás. "There Is No Such Thing as Sound Production, or Sound=Release – The Importance of Natural Movement and Its Teaching in Violin Playing." In Studies in Music Pedagogy - The Methodological Revitalisation of Music Education. University of Debrecen Faculty of Music, 2020. http://dx.doi.org/10.5434/9789634902263/16.
Full textJenzen, Olu, Itir Erhart, Hande Eslen-Ziya, Derya Güçdemir, Umut Korkut, and Aidan McGarry. "Music Videos as Protest Communication: The Gezi Park Protest on YouTube." In The Aesthetics of Global Protest. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789463724913_ch10.
Full textVarış, Yakup Alper. "Reflections of Violence in Music." In Advances in Media, Entertainment, and the Arts, 98–118. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-4655-0.ch006.
Full textRyzewski, Krysta. "Making Music in Detroit: Archaeology, Popular Music, and Post-industrial Heritage." In Contemporary Archaeology and the City. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198803607.003.0011.
Full textMills, Richard. "Anthems of Whose Generation?" In Fandom and The Beatles, 230–54. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190917852.003.0010.
Full textAhmed, Omar. "Key Credits and Synopsis." In RoboCop, 7–8. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325253.003.0001.
Full textTarchynska, Yulia. "WAYS OF FORMING THE TECHNIQUE OF SOUND PRODUCTION IN THE INTERPRETATION OF MULTI-STYLE PIANO MUSIC." In Integration of traditional and innovative scientific researches: global trends and regional as. Publishing House “Baltija Publishing”, 2020. http://dx.doi.org/10.30525/978-9934-26-001-8-1-9.
Full textConference papers on the topic "Music videos – Production and direction"
Hedrick, R., R. J. Urbanic, and Ashley Novak. "A System Design for Computer-Aided Manufacturing Shared, Interactive Process Setup Sheets." In ASME 2016 11th International Manufacturing Science and Engineering Conference. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/msec2016-8723.
Full textvan Wijhe, Andries, Lennert Buijs, Leszek Stachyra, and Olivier Macchion. "Measurements of Low Frequency Vibration in Subsea Piping Using ROV Video Analysis." In ASME 2020 39th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/omae2020-18579.
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