Log in

Relevant bibliographies by topics / Music theory History 16th century / Books

To see the other types of publications on this topic, follow the link: Music theory History 16th century.

Books on the topic 'Music theory History 16th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Music theory History 16th century.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

A manual of sixteenth-century contrapuntal style. Newark: University of Delaware Press, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Tonality and atonality in sixteenth-century music. New York, NY: Da Capo Press, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Music and ideas in the sixteenth and seventeenth centuries. Chicago: University of Chicago Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

E, Corneilson Paul, ed. The science and art of Renaissance music. Princeton, N.J: Princeton University Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Theories of fugue from the age of Josquin to the age of Bach. Rochester, NY: University of Rochester Press, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Toft, Robert. Aural images of lost traditions: Sharps and flats in the sixteenth century. Toronto: University of Toronto Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Stoquerus, Gaspar. Musica verbali libri duo =: Two books on verbal music. Lincoln: University of Nebraska Press, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Ioannes Stomius, prima ad musicen instructio: Edition, Übersetzung, Kommentar. Bern: Peter Lang, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Joachim, Burmeister. Musical poetics. New Haven: Yale University Press, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

1937-, Maniates Maria Rika, and Palisca Claude V, eds. Ancient music adapted to modern practice. New Haven: Yale University Press, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Agricola, Martin. The "Musica instrumentalis deudsch" of Martin Agricola: A treatise on musical instruments, 1529 and 1545. Cambridge: Cambridge University Press, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Hülsen, Nora Verena. Frühe Formen musikalisch-rhetorischer Figuren: Ausdrucks- und Gestaltungsmittel in Vokal- und Instrumentalmusik des 16. und beginnenden 17. Jahrhunderts. Frankfurt am Main: Lang, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Praetorius, Michael. Syntagma musicum III. Oxford: Oxford University Press, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

T, Kite-Powell Jeffery, ed. Syntagma musicum III. Oxford: Oxford University Press, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Moyer, Ann E. Musica scientia: Musical scholarship in the Italian Renaissance. Ithaca: Cornell University Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Michael, Fend, ed. Theorie des Tonsystems: Das erste und zweite Buch der Institutioni harmoniche (1573). Frankfurt am Main: P. Lang, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Mersenne, Marin. Harmonie universelle: Contenant la théorie et la pratique de la musique (Paris, 1636). Paris: Centre National de la Recherche Scientifique, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Pesce, Dolores. The affinities and medieval transposition. Bloomington: Indiana University Press, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

V, Palisca Claude, ed. The Florentine Camerata: Documentary studies and translations. New Haven: Yale University Press, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Modal subjectivities: Self-fashioning in the Italian madrigal. Berkeley, CA: University of California Press, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Pennington, Anne Elizabeth. Music in medieval Moldavia, 16th century. Bucharest: Musical Pub. House, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Praetorius, Michael. De organographia: Estratto dal Syntagma musicum : 1616. Udine: Pizzicato, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

Praetorius, Michael. De organographia: Estratto dal Syntagma musicum : 1616. Udine: Pizzicato, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Praetorius, Michael. Syntagma musicum.: Parts I and II. Oxford [Oxfordshire]: Clarendon Press, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

D'Accone, Frank A. Music and musicians in 16th-century Florence. Aldershot: Ashgate/Variorum, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Music theory in seventeenth-century England. New York: Oxford University Press, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

Twentieth-century music theory and practice. New York: Routledge, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Praetorius, Michael. Syntagma musicum.: Parts I and II. Oxford [Oxfordshire]: Clarendon Press, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Lester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

Lowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York: Da Capo Press, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

1944-, Bray Roger, ed. The Sixteenth century. Oxford [England]: Blackwell Reference, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Interpretation of 16th century Iberian music on the clavichord. Buren, The Netherlands: Frits Knuf Publishers, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

The performance of 16th-century music: Learning from the theorists. New York: Oxford University Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

Blasius, Leslie David. The music theory of Godfrey Winham. Princeton, N.J: Dept. of Music, Princeton University, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Smith, Anne. The performance of 16th-century music: Learning from the theorists. New York: Oxford University Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Indian music during Delhi Sultanate period: 13th to early 16th century. New Delhi: Kanishka Publishers, Distributors, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

Theory and history of ideological production: The first bourgeois literatures (the 16th century). Newark [Del.]: University of Delaware Press, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

Between modes and keys: German theory, 1592-1802. Stuyvesant, NY: Pendragon Press, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

McBeth, W. Francis. Twentieth century techniques of composition: For the beginning student. Arkadelphia, Arkansas: Delta Publications, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Iain, Fenlon, ed. The Renaissance: From the 1470s to the end of the 16th century. London: Macmillan, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Ann Arbor, Mich: UMI Research Press, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

Tonal Structures in Early Music (Critisism & Analysis of Early Music). Routledge, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

44

Musical theory in the renaissance. Ashgate, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Owens, Jessie Ann. Charles Butler's Principles of Musick(1636). Taylor & Francis Group, 2023.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

Corneilson, Paul, and James Haar. Science and Art of Renaissance Music. Princeton University Press, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Corneilson, Paul, and James Haar. Science and Art of Renaissance Music. Princeton University Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

48

Corneilson, Paul, and James Haar. Science and Art of Renaissance Music. Princeton University Press, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

49

Corneilson, Paul, and James Haar. Science and Art of Renaissance Music. Princeton University Press, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

50

Merritt, Arthur Tillman. Sixteenth-Century Polyphony: A Basis for the Study of Counterpoint. Harvard University Press, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!