Books on the topic 'Music theory History 16th century'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 books for your research on the topic 'Music theory History 16th century.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse books on a wide variety of disciplines and organise your bibliography correctly.
Smith, Charlotte. A manual of sixteenth-century contrapuntal style. Newark: University of Delaware Press, 1989.
Lowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York, NY: Da Capo Press, 1990.
Palisca, Claude V. Music and ideas in the sixteenth and seventeenth centuries. Chicago: University of Chicago Press, 2006.
Haar, James. The science and art of Renaissance music. Princeton, N.J: Princeton University Press, 1998.
Walker, Paul. Theories of fugue from the age of Josquin to the age of Bach. Rochester, NY: University of Rochester Press, 2000.
Toft, Robert. Aural images of lost traditions: Sharps and flats in the sixteenth century. Toronto: University of Toronto Press, 1992.
Stoquerus, Gaspar. Musica verbali libri duo =: Two books on verbal music. Lincoln: University of Nebraska Press, 1988.
Baumann, Ulrike. Ioannes Stomius, prima ad musicen instructio: Edition, Übersetzung, Kommentar. Bern: Peter Lang, 2010.
Joachim, Burmeister. Musical poetics. New Haven: Yale University Press, 1993.
Vicentino, Nicola. Ancient music adapted to modern practice. New Haven: Yale University Press, 1996.
Agricola, Martin. The "Musica instrumentalis deudsch" of Martin Agricola: A treatise on musical instruments, 1529 and 1545. Cambridge: Cambridge University Press, 1994.
Hülsen, Nora Verena. Frühe Formen musikalisch-rhetorischer Figuren: Ausdrucks- und Gestaltungsmittel in Vokal- und Instrumentalmusik des 16. und beginnenden 17. Jahrhunderts. Frankfurt am Main: Lang, 2012.
Praetorius, Michael. Syntagma musicum III. Oxford: Oxford University Press, 2004.
Praetorius, Michael. Syntagma musicum III. Oxford: Oxford University Press, 2004.
Moyer, Ann E. Musica scientia: Musical scholarship in the Italian Renaissance. Ithaca: Cornell University Press, 1992.
Zarlino, Gioseffo. Theorie des Tonsystems: Das erste und zweite Buch der Institutioni harmoniche (1573). Frankfurt am Main: P. Lang, 1989.
Mersenne, Marin. Harmonie universelle: Contenant la théorie et la pratique de la musique (Paris, 1636). Paris: Centre National de la Recherche Scientifique, 1986.
Pesce, Dolores. The affinities and medieval transposition. Bloomington: Indiana University Press, 1987.
V, Palisca Claude, ed. The Florentine Camerata: Documentary studies and translations. New Haven: Yale University Press, 1989.
McClary, Susan. Modal subjectivities: Self-fashioning in the Italian madrigal. Berkeley, CA: University of California Press, 2005.
Pennington, Anne Elizabeth. Music in medieval Moldavia, 16th century. Bucharest: Musical Pub. House, 1985.
Praetorius, Michael. De organographia: Estratto dal Syntagma musicum : 1616. Udine: Pizzicato, 2003.
Praetorius, Michael. De organographia: Estratto dal Syntagma musicum : 1616. Udine: Pizzicato, 2003.
Praetorius, Michael. Syntagma musicum.: Parts I and II. Oxford [Oxfordshire]: Clarendon Press, 1986.
D'Accone, Frank A. Music and musicians in 16th-century Florence. Aldershot: Ashgate/Variorum, 2007.
Herissone, Rebecca. Music theory in seventeenth-century England. New York: Oxford University Press, 2000.
Pearsall, Edward. Twentieth-century music theory and practice. New York: Routledge, 2012.
Praetorius, Michael. Syntagma musicum.: Parts I and II. Oxford [Oxfordshire]: Clarendon Press, 1991.
Lester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1992.
Lester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1994.
Lowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York: Da Capo Press, 1989.
1944-, Bray Roger, ed. The Sixteenth century. Oxford [England]: Blackwell Reference, 1995.
Bernard, Nelly van Ree. Interpretation of 16th century Iberian music on the clavichord. Buren, The Netherlands: Frits Knuf Publishers, 1989.
Smith, Anne. The performance of 16th-century music: Learning from the theorists. New York: Oxford University Press, 2010.
Blasius, Leslie David. The music theory of Godfrey Winham. Princeton, N.J: Dept. of Music, Princeton University, 1997.
Smith, Anne. The performance of 16th-century music: Learning from the theorists. New York: Oxford University Press, 2011.
Wadhwa, Nisha. Indian music during Delhi Sultanate period: 13th to early 16th century. New Delhi: Kanishka Publishers, Distributors, 2015.
Rodríguez, Juan Carlos. Theory and history of ideological production: The first bourgeois literatures (the 16th century). Newark [Del.]: University of Delaware Press, 2002.
Lester, Joel. Between modes and keys: German theory, 1592-1802. Stuyvesant, NY: Pendragon Press, 1989.
McBeth, W. Francis. Twentieth century techniques of composition: For the beginning student. Arkadelphia, Arkansas: Delta Publications, 1994.
Iain, Fenlon, ed. The Renaissance: From the 1470s to the end of the 16th century. London: Macmillan, 1989.
Wason, Robert W. Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Ann Arbor, Mich: UMI Research Press, 1985.
Judd, Cristle. Tonal Structures in Early Music (Critisism & Analysis of Early Music). Routledge, 1999.
Musical theory in the renaissance. Ashgate, 2013.
Owens, Jessie Ann. Charles Butler's Principles of Musick(1636). Taylor & Francis Group, 2023.
Corneilson, Paul, and James Haar. Science and Art of Renaissance Music. Princeton University Press, 2016.
Corneilson, Paul, and James Haar. Science and Art of Renaissance Music. Princeton University Press, 1998.
Corneilson, Paul, and James Haar. Science and Art of Renaissance Music. Princeton University Press, 2014.
Corneilson, Paul, and James Haar. Science and Art of Renaissance Music. Princeton University Press, 2014.
Merritt, Arthur Tillman. Sixteenth-Century Polyphony: A Basis for the Study of Counterpoint. Harvard University Press, 2013.