Journal articles on the topic 'Music – Tanzania – American influences'
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van der Lee, Pedro. "Latin American influences in Swedish popular music." Popular Music and Society 21, no. 2 (June 1997): 17–45. http://dx.doi.org/10.1080/03007769708591666.
Full textNarvaez, Peter. "The Influences of Hispanic Music Cultures on African-American Blues Musicians." Black Music Research Journal 22 (2002): 175. http://dx.doi.org/10.2307/1519948.
Full textPope, Edgar W. "Imported others: American influences and exoticism in Japanese interwar popular music." Inter-Asia Cultural Studies 13, no. 4 (December 2012): 507–17. http://dx.doi.org/10.1080/14649373.2012.717598.
Full textNarvaez, Peter. "The Influences of Hispanic Music Cultures on African-American Blues Musicians." Black Music Research Journal 14, no. 2 (1994): 203. http://dx.doi.org/10.2307/779484.
Full textLeCroy, Hoyt F. "Community-Based Music Education: Influences of Industrial Bands in the American South." Journal of Research in Music Education 46, no. 2 (July 1998): 248–64. http://dx.doi.org/10.2307/3345627.
Full textSchurk, William L., B. Lee Cooper, and Julie A. Cooper. "Before the Beatles: International Influences on American Popular Recordings, 1940–63." Popular Music and Society 30, no. 2 (May 2007): 227–66. http://dx.doi.org/10.1080/03007760701267755.
Full textChong, Angela A. "Elusive Kodály Part I: Searching for Hungarian Influences in US Preschool Music Education." Hungarian Cultural Studies 15 (July 19, 2022): 33–44. http://dx.doi.org/10.5195/ahea.2022.463.
Full textFRIEDMAN, MONROE. "Commercial Influences in the Lyrics of Popular American Music of the Postwar Era." Journal of Consumer Affairs 20, no. 2 (December 1986): 193–213. http://dx.doi.org/10.1111/j.1745-6606.1986.tb00378.x.
Full textPalmese, Michael. "THE CURIOUS CASE OF ANTHONY GNAZZO: A LOST AMERICAN EXPERIMENTALIST." Tempo 74, no. 294 (September 1, 2020): 39–47. http://dx.doi.org/10.1017/s0040298220000376.
Full textKahn, Douglas. "Christian Marclay's Early Years: An Interview." Leonardo Music Journal 13 (December 2003): 17–21. http://dx.doi.org/10.1162/096112104322750737.
Full textCollins, John. "The early history of West African highlife music." Popular Music 8, no. 3 (October 1989): 221–30. http://dx.doi.org/10.1017/s0261143000003524.
Full textAbras Daneri, Araceli. "Julio Cortázar: el jazz y América." Catedral Tomada. Revista de crítica literaria latinoamericana 5, no. 9 (January 5, 2018): 536–50. http://dx.doi.org/10.5195/ct/2017.227.
Full textBarretta, Paul G. "Tracing the color line in the American music market and its effect on contemporary music marketing." Arts and the Market 7, no. 2 (October 2, 2017): 213–34. http://dx.doi.org/10.1108/aam-08-2016-0016.
Full textComeau, Gilles, Veronika Huta, and YiFei Liu. "Work ethic, motivation, and parental influences in Chinese and North American children learning to play the piano." International Journal of Music Education 33, no. 2 (February 12, 2014): 181–94. http://dx.doi.org/10.1177/0255761413516062.
Full textBurke, Patrick. "Tear down the walls: Jefferson Airplane, race, and revolutionary rhetoric in 1960s rock." Popular Music 29, no. 1 (January 2010): 61–79. http://dx.doi.org/10.1017/s0261143009990389.
Full textony Mitchell, T. "Paolo Conte: Italian ‘Arthouse Exotic’." Popular Music 26, no. 3 (October 2007): 489–96. http://dx.doi.org/10.1017/s0261143007001390.
Full textCarter, Bruce Allen. "“Nothing Better or Worse Than Being Black, Gay, and in the Band”." Journal of Research in Music Education 61, no. 1 (March 5, 2013): 26–43. http://dx.doi.org/10.1177/0022429412474470.
Full textLewis, George H. "Ghosts, ragged but beautiful: Influences of Mexican music on American country‐western & rock ‘n’ roll." Popular Music and Society 15, no. 4 (December 1991): 85–103. http://dx.doi.org/10.1080/03007769108591458.
Full textBlume, Gernot. "Blurred affinities: tracing the influence of North Indian classical music in Keith Jarrett's solo piano improvisations." Popular Music 22, no. 2 (May 2003): 117–42. http://dx.doi.org/10.1017/s0261143003003088.
Full textHEFFLEY, MIKE. "“O for a Thousand Tongues to Sing”: Anthony Braxton's Speculative Musics." Journal of the Society for American Music 2, no. 2 (May 2008): 203–33. http://dx.doi.org/10.1017/s1752196308080073.
Full textMcAdams, Stephen, Bradley W. Vines, Sandrine Vieillard, Bennett K. Smith, and Roger Reynolds. "Influences of Large-Scale Form on Continuous Ratings in Response to a Contemporary Piece in a Live Concert Setting." Music Perception 22, no. 2 (2004): 297–350. http://dx.doi.org/10.1525/mp.2004.22.2.297.
Full textPope, David A., and James P. Mick. "An Analysis of Ratings and Interrater Reliability at the American String Teachers Association’s National Orchestra Festival." String Research Journal 11, no. 1 (July 2021): 67–82. http://dx.doi.org/10.1177/19484992211021012.
Full textWaters, Tony, and David Philhour. "Cross-National Attunement to Popular Songs across Time and Place: A Sociology of Popular Music in the United States, Germany, Thailand, and Tanzania." Social Sciences 8, no. 11 (November 5, 2019): 305. http://dx.doi.org/10.3390/socsci8110305.
Full textAlbert, Daniel J. "The classroom culture of a middle school music technology class." International Journal of Music Education 38, no. 3 (October 17, 2019): 383–99. http://dx.doi.org/10.1177/0255761419881483.
Full textCabrera, Daniel Antonio Milan. "PENGARUH MUSIK AMERIKA LATIN TERHADAP INDONESIA." Sorai: Jurnal Pengkajian dan Penciptaan Musik 13, no. 1 (November 20, 2020): 36–50. http://dx.doi.org/10.33153/sorai.v13i1.3093.
Full textPasler, Jann. "Revisiting Debussy’s Relationships with Otherness: Difference, Vibrations, and the Occult." Music and Letters 101, no. 2 (January 20, 2020): 321–42. http://dx.doi.org/10.1093/ml/gcz079.
Full textLove, Rachel E. "Talking Italian blues: Roberto Leydi, Giovanna Marini and American Influence in the Italian folk revival, 1954–66." Popular Music 38, no. 2 (May 2019): 317–34. http://dx.doi.org/10.1017/s0261143019000114.
Full textKubrin, Charis E. "“I See Death around the Corner”: Nihilism in Rap Music." Sociological Perspectives 48, no. 4 (December 2005): 433–59. http://dx.doi.org/10.1525/sop.2005.48.4.433.
Full textHudson, Andrew Sinclair. "Pentecostal History, Imagination, and Listening between the Lines." PNEUMA 36, no. 1 (2014): 25–44. http://dx.doi.org/10.1163/15700747-03601003.
Full textShemet, L. "Genre and style priorities of accordion performance in traditional common culture of USA." Culture of Ukraine, no. 72 (June 23, 2021): 150–55. http://dx.doi.org/10.31516/2410-5325.072.21.
Full textBöhme, Claudia. "Enjoying sameness and difference – competition and convergence of Latin American telenovelas and Swahili video films in Tanzania." Journal of African Cultural Studies 31, no. 2 (December 7, 2018): 226–41. http://dx.doi.org/10.1080/13696815.2018.1552126.
Full textFrohburg, Jan. "Ellington under Glass." BAc Boletín Académico. Revista de investigación y arquitectura contemporánea 9 (November 4, 2019): 45–68. http://dx.doi.org/10.17979/bac.2019.9.0.4582.
Full textRubel, Jeffrey. "Colour and light: Colour theory and mechanization in Sunday in the Park with George’s Chromolume." Studies in Musical Theatre 15, no. 2 (July 1, 2021): 101–18. http://dx.doi.org/10.1386/smt_00062_1.
Full textWARNES, ANDREW. "Black, white and blue: the racial antagonism of The Smiths’ record sleeves." Popular Music 27, no. 1 (December 13, 2007): 135–49. http://dx.doi.org/10.1017/s0261143008001463.
Full textMoore, James Ross. "The Gershwins in Britain." New Theatre Quarterly 10, no. 37 (February 1994): 33–48. http://dx.doi.org/10.1017/s0266464x00000075.
Full textHelmiawan, Martinus. "Bossa Nova: the reinvention and reinvigoration of samba in the 1950s." Paradigma, Jurnal Kajian Budaya 3, no. 2 (February 16, 2016): 169. http://dx.doi.org/10.17510/paradigma.v3i2.42.
Full textFriedman, Monroe. "Commercial Influences in Popular Literature: An Empirical Study of Brand Name Usage in American and British Hit Plays in the Postwar Era." Empirical Studies of the Arts 4, no. 1 (January 1986): 63–77. http://dx.doi.org/10.2190/x7qy-ekka-2v29-qga3.
Full textMiller, Brian A. "Leonard Meyer’s Theory of Musical Style, from Pragmatism to Information Theory." Resonance 2, no. 4 (2021): 475–502. http://dx.doi.org/10.1525/res.2021.2.4.475.
Full textGrimaud, Michel. "Reference and Preference in Narrative: Sherwood Anderson's Winesburg, Ohio." Empirical Studies of the Arts 7, no. 1 (January 1989): 33–43. http://dx.doi.org/10.2190/6p86-wve2-3y3v-p06l.
Full textTakeshi, Kensho. "American Educational Influences on Japanese Music Education from the End of World War II (1945) to the First Tentative Course of Study (1947)." Bulletin of Historical Research in Music Education 19, no. 2 (January 1998): 115–37. http://dx.doi.org/10.1177/153660069801900203.
Full textFilatova, Tetiana. "Academic Performing Traditions of Chilean Guitar Art." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 131 (June 30, 2021): 26–37. http://dx.doi.org/10.31318/2522-4190.2021.131.243205.
Full textAvery, Tamlyn. "“Split by the Moonlight”: Beethoven and the Racial Sublime in African American Literature." American Literature 92, no. 4 (October 6, 2020): 623–52. http://dx.doi.org/10.1215/00029831-8780863.
Full textMcKay, Jim, and Toby Miller. "From Old Boys to Men and Women of the Corporation: The Americanization and Commodification of Australian Sport." Sociology of Sport Journal 8, no. 1 (March 1991): 86–94. http://dx.doi.org/10.1123/ssj.8.1.86.
Full textBergee, Martin J., and Melvin C. Platt. "Influence of Selected Variables on Solo and Small-Ensemble Festival Ratings." Journal of Research in Music Education 51, no. 4 (December 2003): 342–53. http://dx.doi.org/10.2307/3345660.
Full textLoktіonova-Oitsius, Oleksandra. "POPULAR MUSICAL TELEVISION PROJECTS OF THE LATE XX – EARLY XXI CENTURIES." EUREKA: Social and Humanities, no. 5 (September 30, 2020): 3–8. http://dx.doi.org/10.21303/2504-5571.2020.001425.
Full textWALDEN, JOSHUA S. "“The Hora Staccato in Swing!”: Jascha Heifetz's Musical Eclecticism and the Adaptation of Violin Miniatures." Journal of the Society for American Music 6, no. 4 (November 2012): 405–31. http://dx.doi.org/10.1017/s175219631200034x.
Full textHerbst, Jan-Peter. "The formation of the West German power metal scene and the question of a ‘Teutonic’ sound." Metal Music Studies 5, no. 2 (June 1, 2019): 201–23. http://dx.doi.org/10.1386/mms.5.2.201_1.
Full textAntonova, Olena. "Violin concerto by Gian Carlo Menotti: at the intersection of opera and instrumental genres." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 135 (December 26, 2022): 81–95. http://dx.doi.org/10.31318/2522-4190.2022.135.271007.
Full textJovanovic, Jelena. "Folklore motives in the early compositions of Nikola Borota - Radovan." Muzikologija, no. 16 (2014): 173–92. http://dx.doi.org/10.2298/muz1416173j.
Full textMilanina, Aliona. "ЕErnest Chausson: periodization of artistic path in the context of the style formation." Aspects of Historical Musicology 27, no. 27 (December 27, 2022): 112–28. http://dx.doi.org/10.34064/khnum2-27.07.
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