Books on the topic 'Music – Tanzania – American influences'

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1

E, Robertson Carol, ed. Musical repercussions of 1492: Encounters in text and performance. Washington: Smithsonian Institution Press, 1992.

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2

1948-, Lock Graham, and Murray David, eds. The hearing eye: Jazz & blues influences in African American visual art. New York: Oxford University Press, 2009.

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3

Sheldon, Harvey. The history of Afro Cuban Latin American music: Singers, musicians, composers. [Charleston, S.C: BookSurge], 2010.

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4

Alexander Zemlinsky--Steve Reich: Alternative Moderne(n) : "Afrika" in der Kompositionskultur des 20. Jahrhunderts. Köln: Verlag Dohr, 2014.

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5

Jack, Sullivan. New World symphonies: How American culture changed European music. New Haven: Yale University Press, 1999.

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6

Santos, Ramon Pagayon. Musika: An essay on the American colonial and contemporary traditions in Philippine music. [Manila]: Sentrong Pangkultura ng Pilipinas, 1994.

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7

Santos, Ramon Pagayon. Musika: An essay on the American colonial and contemporary traditions in Philippine music. [Manila]: Sentrong Pangkultura ng Pilipinas, 1994.

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8

Marc, Smirnoff, ed. The Oxford American book of great music writing. Fayetteville: University of Arkansas Press, 2008.

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9

Sound diplomacy: Music and emotions in German-American relations, 1850-1920. Chicago: University of Chicago Press, 2009.

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10

A language of song: Journeys in the musical world of the African diaspora. Durham [NC]: Duke University Press, 2009.

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11

Lee, Vera. The black and white of American popular music: From slavery to World War II. Rochester, Vt: Schenkman Books, 2007.

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12

Lewis, Mark W. The diffusion of black gospel music in postmodern Denmark: How mission and music are combining to affect Christian renewal. Lexington, KY: Emeth Press, 2010.

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13

Lewis, Mark W. The diffusion of black gospel music in postmodern Denmark: How mission and music are combining to affect Christian renewal. Lexington, KY: Emeth Press, 2010.

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14

American Latin music: Rumba rhythms, bossa nova, and the salsa sound. Minneapolis: Twenty-First Century Books, 2013.

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15

The Latin beat: The rhythms and roots of Latin music from bosa nova to salsa and beyond. Cambridge, MA: Da Capo, 2003.

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16

New music, new allies: American experimental music in West Germany from the zero hour to reunification. Berkeley: University of California Press, 2006.

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17

Blues: The British connection. Poole: Blandford Press, 1986.

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18

Avant-Mier, Roberto. Rock the nation: Latin/o identities and the Latin rock diaspora. New York: Continuum, 2010.

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19

Black music of two worlds: African, Caribbean, Latin, and African-American traditions. 2nd ed. New York: Schirmer Books, 1998.

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20

Swingtime in Deutschland. Berlin: Transit, 2012.

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21

Representing the good neighbor: Music, difference, and the Pan American dream. New York: Oxford University Press, 2013.

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22

1947-, Budds Michael J., ed. Jazz & the Germans: Essays on the influence of "hot" American idioms on the 20th-century German music. Hillsdale, NY: Pendragon Press, 2002.

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23

A fine romance: Jewish songwriters, American songs. New York: Nextbook/Schocken, 2009.

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24

Souled American: How black music transformed white culture. New York, NY: Billboard Books, 2005.

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25

Fabi, M. Giulia. America nera: La cultura afroamericana. Roma: Carocci, 2002.

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26

Rock the nation: Latin/o identities and the Latin rock diaspora. New York: Continuum, 2010.

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27

1951-, Shaw Robert, Szego Peter, and Wunderlich George, eds. The birth of the banjo: Katonah Museum of Art, November 9, 2003-February 1, 2004. Katonah, NY: Katonah Museum of Art, 2003.

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28

The Latin tinge: The impact of Latin American music on the United States. 2nd ed. New York: Oxford University Press, 1999.

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29

Cubana be Cubana bop: Der Jazz und die lateinamerikanische Musik. Graz, Austria: Akademische Druck- u. Verlagsanstalt, 2005.

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30

O funk e o hip-hop invadem a cena. Rio de Janeiro: Editora UFRJ, 2000.

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31

Secular devotion: Afro-Latin music and imperial jazz. London: Verso, 2008.

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32

Imagining America: Dutch youth and its sense of place. [Tilburg, Netherlands]: Tilburg University, 1994.

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33

Manfredo, Joseph. Influences on the development of the instrumentation of the American collegiate wind-band and attempts for standardization of the instrumentation from 1905-1941. Tutzing: H. Schneider, 1995.

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34

Apfl, Peter. Der fünfte Beatle war Homer: Vom Klassischen im Gegenkulturellen. Wien: Ferstl & Perz Verlag, 2013.

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35

Benilan, Annabel. Modes du XXe siècle: Le rockabilly. Paris: Falbalas, 2010.

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36

El ritmo perdido: Sobre el influjo negro en la canción española. Barcelona: Ediciones Península, 2012.

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37

Baraka, Imamu Amiri. Blues people: Negro music in white America. New York: Perennial, 2002.

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38

Baraka, Imamu Amiri. Blues people: Negro music in white America. New York: William Morrow, 1999.

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39

Lehman, David. A Fine Romance. New York: Knopf Doubleday Publishing Group, 2009.

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40

Making Americans: Jews and the Broadway musical. Cambridge, Mass: Harvard University Press, 2004.

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41

Hip hop world. Berkeley, CA: Groundwood Books, 2009.

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42

Descarga cubana: El jazz en Cuba, 1900-1950. Ciudad [de La Habana]: Ediciones Unión, 2000.

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43

Swinging the machine: Modernity, technology, and African American culture between the World Wars. Amherst: University of Massachusetts Press, 2003.

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44

Kahyaoğlu, Orhan. And dağları'ndan Anadolu'ya 'devrimci müzik' geleneği: "Sıyrılıp gelen" Grup Yorum. Cağaloğlu, İstanbul: Nekitaplar, 2003.

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45

The color of sound: Race, religion, and music in Brazil. New York: New York University Press, 2011.

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46

The Ellington century. Berkeley: University of California Press, 2012.

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47

María, Gembero Ustárroz, and Ros-Fábregas Emilio, eds. La música y el atlántico: Relaciones musicales entre España y Latinoamérica. Granada: Editorial Universidad de Granada, 2007.

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48

The Black and White of American Popular Music. Schenkman Books, 2007.

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49

Dvorak to Duke Ellington: A Conductor Explores America's Music and Its African American Roots. Oxford University Press, USA, 2004.

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50

Peress, Maurice. Dvorak to Duke Ellington: A Conductor Explores America's Music and Its African American Roots. Ebsco Publishing, 2004.

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