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Books on the topic 'Music – Semiotics'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2023

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1

Linguistics and semiotics in music. Chur, Switzerland: Harwood Academic, 1992.

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2

Reiner, Thomas. Semiotics of musical time. New York: Peter Lang Pub., 2000.

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3

Baest, Arjan van. A semiotics of opera. Delft: Eburon, 2000.

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4

A theory of musical semiotics. Bloomington: Indiana University Press, 1994.

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5

Jabłoński, Maciej. Music as sign. Imatra: International Semiotics Institute, 2010.

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6

name, No. Musical semiotics revisited. Imatra: International Semiotics Institute at Imatra, Semiotic Society of Finland, Department of Musicology, University of Helsinki, 2003.

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7

Eero, Tarasti, Forsell Paul, and Littlefield Richard, eds. Musical semiotics in growth. Bloomington: Indiana University Press, 1996.

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8

Music and discourse: Toward a semiology of music. Princeton, N.J: Princeton University Press, 1990.

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9

Music and discourse: Toward a semiology of music. Princeton, N.J: Princeton University Press, 1990.

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10

The sense of music: Semiotic essays. Princeton, N.J: Princeton University Press, 2000.

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11

Mozart and enlightenment semiotics. Berkeley: University of California Press, 2011.

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12

Lomuto, Michele. Semiotica della musica: Introduzione al linguaggio musicale. Bari: B.A. Graphis, 1997.

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13

Music semiotics: A network of significations in honour and memory of Raymond Monelle. Farnham, Surrey, England: Ashgate Pub., 2012.

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14

Voltmer, Ulrike. Semiose des Musikalischen: Zur Rekonstruktion musikalischer Erkenntnis. Saarbrücken: Lichtenstern, 2005.

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15

Schwalgin, Stefan. Le prècipteur [i.e. précepteur] von Michèle Reverdy: Analyse der Kompositionstechnik unter semantischem Aspekt. Kiel: Vauk, 1999.

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16

Stefani, Gino. Il segno della musica: Saggi di semiotica musicale. Palermo: Sellerio, 1987.

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17

Musical semantics. Bern: Peter Lang, 2007.

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18

Nattiez, Jean Jacques. De la sémiologie à la musique. Montréal, Québec, Canada: Université du Québec à Montréal, 1988.

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19

Nattiez, Jean Jacques. De la sémiologie à la musique. Montréal: Service des publications, Université du Québec à Montréal, 1988.

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20

Martinez, José Luiz. Semiosis in Hindustani music. Imatra: International Semiotics Institute, 1997.

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21

Pizzi, Fulvio Delli. Systems of musical sense: Essays on the analysis, semiotics, and hermeneutics of music. Imatra: International Semiotics Institute at Imatra : Semiotic Society of Finland : Department of Musicology, University of Helsinki, 2003.

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22

Dario, Martinelli, International Semiotics Institute, and II Università degli studi di Roma, eds. Music senses body: Proceedings from the 9th International Congress on Musical Signification, Roma, 19-23/09/2006. Imatra: International Semiotics Institute, 2008.

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23

Michele, Ignelzi, Rosato Paolo, International Semiotics Institute, Suomen semiotiikan seura, and Helsingin yliopisto Musiikkitieteen laitos, eds. Systems of musical sense: Essays on the analysis, semiotics, and hermeneutics of music. [Imatra]: International Semiotics Institute at Imatra, 2004.

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24

Alonso, Silvia. Música, literatura y semiosis. [Madrid]: Biblioteca Nueva, 2001.

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25

Biłas-Pleszak, Ewa. Język a muzyka: Lingwistyczne aspekty związków intersemiotycznych. Katowice: Wydawnictwo Uniwersytetu Śląskiego, 2005.

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26

Agawu, V. Kofi. Playing with signs: A semiotic interpretation of classic music. Princeton, N.J: Princeton University Press, 1991.

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27

Speech, music, sound. Houndmills, Basingstoke, Hampshire: Macmillan Press, 1999.

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28

Doubravová, Jarmila. Sémantické gesto. Praha: Karolinum, 2001.

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29

International, Congress on Musical Signification (7th 2001 Imatra Finland). Music and the arts: Proceedings from ICMS 7. Imatra: International Semiotics Institute, 2006.

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30

Semiotics of classical music: How Mozart, Brahms and Wagner talk to us. Berlin: De Gruyter Mouton, 2012.

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31

Aranovskiĭ, Mark Genrikhovich. Muzykalʹnyĭ tekst: Struktura i svoĭstva. Moskva: Kompozitor, 1998.

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32

Grabócz, Márta. Musique, narrativité, signification. Paris: Harmattan, 2009.

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33

Hernández, Rafael Figueroa. Pasos sobre el silencio: Apuntes para una semiótica de la música. Toluca, México: Centro Toluqueño de Escritores, 1985.

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34

Musique, narrativité, signification. Paris: Harmattan, 2009.

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35

Barthes, Roland. The responsibility of forms: Critical essays on music, art, and representation. Berkeley: University of California Press, 1991.

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36

Barthes, Roland. The responsibility of forms: Critical essays on music, art, and representation. New York: Hill and Wang, 1985.

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37

Die Orchesterwerke Petr Ebens: Struktur und Zeichen. Frankfurt am Main: P. Lang, 2003.

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38

Grandi, Maria Stella. L'acclamazione: Indagine semiologica sui gesti tipici della musica rituale. Leumann, Torino: Elle Di Ci, 1992.

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39

Baest, Arjan van. The semiotics of C.S. Peirce applied to music: A matter of belief. Tilburg, The Netherlands: Tilburg University Press, 1995.

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40

Elicker, Martina. Semiotics of popular music: The theme of loneliness in mainstream pop and rock songs. Tübingen: Gunter Narr, 1997.

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41

El sentido en la obra musical y literaria: Aproximación semiótica. Murcia: Univesidad de Murcia, 1999.

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42

Martínez, Juan Miguel González. El sentido en la obra musical y literaria: Aproximación semiótica. Murcia: Universidad de Murcia, Servicio de Publicaciones, 1999.

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43

Music as discourse. New York: Oxford University Press, 2008.

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44

Frames and framing: The margins of music analysis. Imatra: International Semiotics Institute, Semiotic Society of Finland, 2001.

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45

Littlefield, Richard. Frames and framing: The margins of music analysis. Imatra: International Semiotics Institute at Imatra, Semiotic Society of Finland, 2000.

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46

Mahler's Sixth symphony: A study in musical semiotics. Cambridge: Cambridge University Press, 1995.

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47

Eero, Tarasti, ed. Semiotics of music. Amsterdam: Mouton de Gruyter, 1987.

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48

Tarasti, Eero. Semiotics of Classical Music. De Gruyter, Inc., 2012.

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49

Monelle, Raymond. Linguistics and Semiotics in Music. Taylor & Francis Group, 2014.

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50

Monelle, Raymond. Linguistics and Semiotics in Music. Routledge, 2014. http://dx.doi.org/10.4324/9781315076942.

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