Books on the topic 'Music – Semiotics'
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Monelle, Raymond. Linguistics and semiotics in music. Chur, Switzerland: Harwood Academic, 1992.
Reiner, Thomas. Semiotics of musical time. New York: Peter Lang Pub., 2000.
Baest, Arjan van. A semiotics of opera. Delft: Eburon, 2000.
Tarasti, Eero. A theory of musical semiotics. Bloomington: Indiana University Press, 1994.
Jabłoński, Maciej. Music as sign. Imatra: International Semiotics Institute, 2010.
name, No. Musical semiotics revisited. Imatra: International Semiotics Institute at Imatra, Semiotic Society of Finland, Department of Musicology, University of Helsinki, 2003.
Eero, Tarasti, Forsell Paul, and Littlefield Richard, eds. Musical semiotics in growth. Bloomington: Indiana University Press, 1996.
Nattiez, Jean Jacques. Music and discourse: Toward a semiology of music. Princeton, N.J: Princeton University Press, 1990.
Nattiez, Jean-Jacques. Music and discourse: Toward a semiology of music. Princeton, N.J: Princeton University Press, 1990.
Monelle, Raymond. The sense of music: Semiotic essays. Princeton, N.J: Princeton University Press, 2000.
Rumph, Stephen C. Mozart and enlightenment semiotics. Berkeley: University of California Press, 2011.
Lomuto, Michele. Semiotica della musica: Introduzione al linguaggio musicale. Bari: B.A. Graphis, 1997.
Monelle, Raymond. Music semiotics: A network of significations in honour and memory of Raymond Monelle. Farnham, Surrey, England: Ashgate Pub., 2012.
Voltmer, Ulrike. Semiose des Musikalischen: Zur Rekonstruktion musikalischer Erkenntnis. Saarbrücken: Lichtenstern, 2005.
Schwalgin, Stefan. Le prècipteur [i.e. précepteur] von Michèle Reverdy: Analyse der Kompositionstechnik unter semantischem Aspekt. Kiel: Vauk, 1999.
Stefani, Gino. Il segno della musica: Saggi di semiotica musicale. Palermo: Sellerio, 1987.
Kühl, Ole. Musical semantics. Bern: Peter Lang, 2007.
Nattiez, Jean Jacques. De la sémiologie à la musique. Montréal, Québec, Canada: Université du Québec à Montréal, 1988.
Nattiez, Jean Jacques. De la sémiologie à la musique. Montréal: Service des publications, Université du Québec à Montréal, 1988.
Martinez, José Luiz. Semiosis in Hindustani music. Imatra: International Semiotics Institute, 1997.
Pizzi, Fulvio Delli. Systems of musical sense: Essays on the analysis, semiotics, and hermeneutics of music. Imatra: International Semiotics Institute at Imatra : Semiotic Society of Finland : Department of Musicology, University of Helsinki, 2003.
Rome, Italy) International Congress on Musical Signification (9th 2006. Music senses body: Proceedings from the 9th International Congress on Musical Signification, Roma, 19-23/09/2006. Imatra: International Semiotics Institute, 2008.
Pizzi, Fulvio Delli. Systems of musical sense: Essays on the analysis, semiotics, and hermeneutics of music. [Imatra]: International Semiotics Institute at Imatra, 2004.
Alonso, Silvia. Música, literatura y semiosis. [Madrid]: Biblioteca Nueva, 2001.
Biłas-Pleszak, Ewa. Język a muzyka: Lingwistyczne aspekty związków intersemiotycznych. Katowice: Wydawnictwo Uniwersytetu Śląskiego, 2005.
Agawu, V. Kofi. Playing with signs: A semiotic interpretation of classic music. Princeton, N.J: Princeton University Press, 1991.
Leeuwen, Theo Van. Speech, music, sound. Houndmills, Basingstoke, Hampshire: Macmillan Press, 1999.
Doubravová, Jarmila. Sémantické gesto. Praha: Karolinum, 2001.
International, Congress on Musical Signification (7th 2001 Imatra Finland). Music and the arts: Proceedings from ICMS 7. Imatra: International Semiotics Institute, 2006.
Tarasti, Eero. Semiotics of classical music: How Mozart, Brahms and Wagner talk to us. Berlin: De Gruyter Mouton, 2012.
Aranovskiĭ, Mark Genrikhovich. Muzykalʹnyĭ tekst: Struktura i svoĭstva. Moskva: Kompozitor, 1998.
Grabócz, Márta. Musique, narrativité, signification. Paris: Harmattan, 2009.
Hernández, Rafael Figueroa. Pasos sobre el silencio: Apuntes para una semiótica de la música. Toluca, México: Centro Toluqueño de Escritores, 1985.
Grabócz, Márta. Musique, narrativité, signification. Paris: Harmattan, 2009.
Barthes, Roland. The responsibility of forms: Critical essays on music, art, and representation. Berkeley: University of California Press, 1991.
Barthes, Roland. The responsibility of forms: Critical essays on music, art, and representation. New York: Hill and Wang, 1985.
Daubner, Stefan. Die Orchesterwerke Petr Ebens: Struktur und Zeichen. Frankfurt am Main: P. Lang, 2003.
Grandi, Maria Stella. L'acclamazione: Indagine semiologica sui gesti tipici della musica rituale. Leumann, Torino: Elle Di Ci, 1992.
Baest, Arjan van. The semiotics of C.S. Peirce applied to music: A matter of belief. Tilburg, The Netherlands: Tilburg University Press, 1995.
Elicker, Martina. Semiotics of popular music: The theme of loneliness in mainstream pop and rock songs. Tübingen: Gunter Narr, 1997.
Martínez, Juan Miguel González. El sentido en la obra musical y literaria: Aproximación semiótica. Murcia: Univesidad de Murcia, 1999.
Martínez, Juan Miguel González. El sentido en la obra musical y literaria: Aproximación semiótica. Murcia: Universidad de Murcia, Servicio de Publicaciones, 1999.
Agawu, V. Kofi. Music as discourse. New York: Oxford University Press, 2008.
Littlefield, Richard. Frames and framing: The margins of music analysis. Imatra: International Semiotics Institute, Semiotic Society of Finland, 2001.
Littlefield, Richard. Frames and framing: The margins of music analysis. Imatra: International Semiotics Institute at Imatra, Semiotic Society of Finland, 2000.
Robert, Samuels. Mahler's Sixth symphony: A study in musical semiotics. Cambridge: Cambridge University Press, 1995.
Eero, Tarasti, ed. Semiotics of music. Amsterdam: Mouton de Gruyter, 1987.
Tarasti, Eero. Semiotics of Classical Music. De Gruyter, Inc., 2012.
Monelle, Raymond. Linguistics and Semiotics in Music. Taylor & Francis Group, 2014.
Monelle, Raymond. Linguistics and Semiotics in Music. Routledge, 2014. http://dx.doi.org/10.4324/9781315076942.