Academic literature on the topic 'Music – Semiotics'
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Journal articles on the topic "Music – Semiotics":
Tarasti, Eero. "Musical Semiotics – a Discipline, its History and Theories, Past and Present1." Recherches sémiotiques 36, no. 3 (September 20, 2018): 19–51. http://dx.doi.org/10.7202/1051395ar.
Abdullah, Farid. "SEMIOTIKA = ILMU ATAU METODE : TELAAH BUKU ' HANDBOOK OF SEMIOTIK', WINFRIED NOTH, 1995." Jurnal Dimensi Seni Rupa dan Desain 8, no. 2 (September 1, 2011): 1–10. http://dx.doi.org/10.25105/dim.v8i2.965.
Tomasevic, Katarina. "Dragutin Gostuski and the semiotics of music." Muzikologija, no. 22 (2017): 177–97. http://dx.doi.org/10.2298/muz1722177t.
Romero, Brenda M. "Musical Semiotics as a Tool for the Social Study of Music. By Óscar Hernández Salgar. Translated by Brenda M. Romero." Ethnomusicology Translations, no. 2 (July 1, 2016): 1–33. http://dx.doi.org/10.14434/emt.v0i2.22335.
HOOPER, GILES. "A Sign of the Times: Semiotics in Anglo-American Musicology." Twentieth-Century Music 9, no. 1-2 (March 2012): 161–76. http://dx.doi.org/10.1017/s1478572212000242.
Rozin, Vadim Markovich. "Semiotics as a philosophical and methodological, natural science and mathematical discipline (main stages of development and perspective)." Философия и культура, no. 6 (June 2022): 66–81. http://dx.doi.org/10.7256/2454-0757.2022.6.38261.
Crnjanski, Nataša. "Is that a new language coming?" Rasprave Instituta za hrvatski jezik i jezikoslovlje 44, no. 2 (2018): 373–84. http://dx.doi.org/10.31724/rihjj.44.2.2.
Leman, Marc, and Raymond Monelle. "Linguistics and Semiotics in Music." Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 51 (1997): 213. http://dx.doi.org/10.2307/3687197.
Hatten, Robert S., and Raymond Monelle. "Linguistics and Semiotics in Music." Notes 50, no. 3 (March 1994): 1002. http://dx.doi.org/10.2307/898579.
Amalia, Anindita Fikri, Nurdien Harry Kristanto, and Sukarjo Waluyo. "Semiotika Nonverbal dalam Musik Video “Azza” Karya Rhoma Irama (Kajian Semiotika Roland Barthes)." Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 5, no. 4 (November 1, 2022): 731–48. http://dx.doi.org/10.30872/diglosia.v5i4.494.
Dissertations / Theses on the topic "Music – Semiotics":
Curry, Ben. "Reading conventions, interpreting habits : Peircian semiotics in music." Thesis, Cardiff University, 2011. http://orca.cf.ac.uk/54429/.
Dougherty, William Patrick. "An Examination of Semiotics in Musical Analysis: The Neapolitan Complex in Beethoven's Op.131." The Ohio State University, 1985. http://catalog.hathitrust.org/api/volumes/oclc/23645007.html.
Kannisto, Viktor. "Varifrån får jag allt? : En självstudie i bruket av tecken i komposition." Thesis, Karlstads universitet, Institutionen för konstnärliga studier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-41067.
This study focuses on composition from a semiotic perspective, and how different “signs” are used in compositions to mediate the music’s content. The purpose is to explore the use of semiotic signs in a composition, and the research questions are: Which semiotic signs do I use in this specific composition? And how do I use these signs? The method consists of audio recordings of the composed music, and of my expressed thoughts and feelings. The result shows that I use three different kinds of signs: indexical, symbolic and affectional signs, in purpose to mediate the music’s content. Furthermore, the result shows that I use defined orchestration in varying degree to mediate these signs in purpose to obtain varied clarity. Finally the quality and the functions of these signs are discussed.
McGuire, Meghan S. "Covering Music: Tracing the Semiotics of Beatles'Album Covers Through the Cultural Circuit." Bowling Green State University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1112552888.
McGuire, Meghan. "Covering music : tracing the semiotics of Beatles album covers through the cultural circuit." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1112552888.
Potgieter, Liske. "Deconstructing Disney's diva: a feminist psychoanalytic critique of the singing princess." Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/3379.
Lewis, Paul. "A model for culture-independent music analysis : 'sounding form' and musical communication." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361468.
Hanby, Gary T. "The Status Is Not Quo: Unraveling Music Videos." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6600.
Pozderac-Chenevey, Sarah. "The Narrative Function of Pre-existing Music in Video Games." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1562060451119602.
Morrison, Elizabeth Aileen Carmen. "The dead/ly feminine : violence and eroticism in three expressionist operas." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38245.
Books on the topic "Music – Semiotics":
Monelle, Raymond. Linguistics and semiotics in music. Chur, Switzerland: Harwood Academic, 1992.
Reiner, Thomas. Semiotics of musical time. New York: Peter Lang Pub., 2000.
Baest, Arjan van. A semiotics of opera. Delft: Eburon, 2000.
Tarasti, Eero. A theory of musical semiotics. Bloomington: Indiana University Press, 1994.
Jabłoński, Maciej. Music as sign. Imatra: International Semiotics Institute, 2010.
name, No. Musical semiotics revisited. Imatra: International Semiotics Institute at Imatra, Semiotic Society of Finland, Department of Musicology, University of Helsinki, 2003.
Eero, Tarasti, Forsell Paul, and Littlefield Richard, eds. Musical semiotics in growth. Bloomington: Indiana University Press, 1996.
Nattiez, Jean Jacques. Music and discourse: Toward a semiology of music. Princeton, N.J: Princeton University Press, 1990.
Nattiez, Jean-Jacques. Music and discourse: Toward a semiology of music. Princeton, N.J: Princeton University Press, 1990.
Monelle, Raymond. The sense of music: Semiotic essays. Princeton, N.J: Princeton University Press, 2000.
Book chapters on the topic "Music – Semiotics":
Mazzola, Guerino, Alex Lubet, Yan Pang, Jordon Goebel, Christopher Rochester, and Sangeeta Dey. "Semiotics of Time." In Computational Music Science, 193–97. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-85629-8_14.
Tokumaru, Yoshihiko. "Intertextuality in Japanese Traditional Music." In Foundations of Semiotics, 139. Amsterdam: John Benjamins Publishing Company, 1991. http://dx.doi.org/10.1075/fos.8.07tok.
Mazzola, Guerino, Maria Mannone, Yan Pang, Margaret O’Brien, and Nathan Torunsky. "The Babushka Principle in Semiotics: Connotation, Motivation, and Metatheory." In Computational Music Science, 81–83. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-47334-5_10.
Mazzola, Guerino, Maria Mannone, Yan Pang, Margaret O’Brien, and Nathan Torunsky. "Recapitulation of the First Three Dimensions: Realities, Semiotics, Communication." In Computational Music Science, 127–29. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-47334-5_14.
Mazzola, Guerino, René Guitart, Jocelyn Ho, Alex Lubet, Maria Mannone, Matt Rahaim, and Florian Thalmann. "Gesture Philosophy: Phenomenology, Ontology, and Semiotics." In The Topos of Music III: Gestures, 845–57. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64481-3_2.
Mazzola, Guerino, Joomi Park, and Florian Thalmann. "Oniontology: Realities, Communication, Semiotics, and Embodiment of Music." In Musical Creativity, 5–11. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-24517-6_2.
Golomb, Harai. "Music as Theme and as Structural Model in Chekhov'sThree Sisters." In Semiotics of Drama and Theatre, 174. Amsterdam: John Benjamins Publishing Company, 1985. http://dx.doi.org/10.1075/llsee.10.11gol.
Ohno, Susumu. "Of Words, Genes and Music." In The Semiotics of Cellular Communication in the Immune System, 131–47. Berlin, Heidelberg: Springer Berlin Heidelberg, 1988. http://dx.doi.org/10.1007/978-3-642-73145-7_12.
Tarasti, Eero. "Music as Sign and Process." In Semiotics and International Scholarship: Towards a Language of Theory, 127–51. Dordrecht: Springer Netherlands, 1986. http://dx.doi.org/10.1007/978-94-009-4464-0_7.
Burkhart, Benjamin. "Popular Music Analysis and Social Semiotics: The Case of the Reggae Voice." In Popular Music Studies Today, 43–52. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-17740-9_4.
Conference papers on the topic "Music – Semiotics":
Attri, Shalini, and Yogesh Chander. "Reproducing Meaning: A Dialogic Approach to Sports and Semiotics." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.11-3.
Santos da Rosa, Sandro. "MUSIC AS A METAPHOR OF LIFE." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-066.
Neț, Mariana. "POPULAR MUSIC AND SIGNS OF TIMES. ROMANCES DEDICATED TO BUCHAREST." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-015.
Kokkidou, May, Christina Tsigka, and Ifigeneia Vamvakidou. "MUSIC IN FILM SEMIOSPHERE: RECONSIDERING KUBRICK’S 2001: A SPACE ODYSSEY." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-099.
Taylor, Stephen. "From Program Music to Sonification: Representation and the Evolution of Music and Language." In The 23rd International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.060.
Ponzio, Julia. "ARTICULATION AS MUSICAL DIMENSION OF TEXT. THE RELATION BETWEEN WORD AND MUSIC IN SALVATORE SCIARRINO’S WORK." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-070.
Kendall, Roger A. "Music in film and animation: experimental semiotics applied to visual, sound and musical structures." In IS&T/SPIE Electronic Imaging, edited by Bernice E. Rogowitz and Thrasyvoulos N. Pappas. SPIE, 2010. http://dx.doi.org/10.1117/12.849097.
Molchanyuk, Yuriy. "Analysis and Synthesis of Music using Semiotic Intelligent System." In 2007 4th IEEE Workshop on Intelligent Data Acquisition and Advanced Computing Systems: Technology and Applications. IEEE, 2007. http://dx.doi.org/10.1109/idaacs.2007.4488443.
Sagimin, Eka Margianti, and Ratna Sari. "A Semiotic Analysis on LAY’s and EXO’s Selected Music Videos." In Twelfth Conference on Applied Linguistics (CONAPLIN 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200406.010.
Makovetskaya, Mariya. "MUSIC AS A LANGUAGE OF FEELINGS AND AS A SEMIOTIC SYSTEM." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/21/s06.035.