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1

Spink, Ian. Restoration cathedral music, 1660-1714. Oxford: Clarendon Press, 1995.

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2

Music, painting, and restoration or the unbearable lightness of humanism. Oslo: [s.n.], 2008.

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3

Murray, Lisa. The Capitol Theatre restoration. Sydney: Council of the City of Sydney, 2003.

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4

Cox, Geoffrey. Organ music in restoration England: A study of sources, styles, and influences. New York: Garland, 1989.

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5

Cloutman, E. W. English & Scottish musical clocks: Contemporary scores to aid dating and restoration. Wadhurst: Antiquarian Horological Society, 2000.

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6

Cloutman, E. W. English & Scottish musical clocks: Contemporary scores to aid dating and restoration. Ticehurst: Antiquarian Horological Society, 2000.

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7

Cloutman, E. W. English & Scottish musical clocks: Contemporary scores to aid dating and restoration. Ticehurst, Sussex: Antiquarian Horological Society, 2000.

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8

Mark, Roosa, and Gottlieb Jane 1954-, eds. Knowing the score: Preserving collections of music. Canton, Mass: Music Library Association, 1994.

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9

Cox, Geoffrey. Organ music in Restoration England: A study of sources, styles and influences. New York: Garland, 1989.

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10

"To fill, forebear, or adorne": The organ accompaniment of Restoration sacred music. Aldershot, Hants: Ashgate, 2005.

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11

Dowling, Enos Everett. Hymn and gospel song books of the Restoration Movement: A bibliography. 2nd ed. Lincoln, Ill: Jesie C. Eury Library, Lincoln Christian College and Seminary, 1988.

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12

Lucie, Manen, ed. Bel Canto: The teaching of the classical Italian song-schools, its decline and restoration. Oxford: Oxford University Press, 1989.

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13

Hooper, Lisa. Keeping time: An introduction to archival best practices for music librarians. Middleton, Wis: A-R Editions, Inc., 2014.

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14

Manén, Lucie. Bel canto: The teaching of the classical Italian song-schools : its decline and restoration. Oxford [Oxfordshire]: Oxford University Press, 1987.

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15

Ord-Hume, Arthur W. J. G. Restoring musical boxes & musical clocks. Mayfield, Ashbourne, Derbyshire, England: Mayfield Books, 1997.

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16

Choate, J. E. Sounding brass and clanging cymbals: The history and significance of instrumental music in the Restoration Movement (1827-1968). Henderson, Tenn: Freed-Hardeman University, 1991.

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17

Kaufmann, Christoph. Von einem Abriss wird abgeraten: Das Gewandhaus zu Leipzig zwischen 1944 und 1968. Beucha: Sax-Verlag, 1996.

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18

Musiksammlung, Österreichische Nationalbibliothek. Restaurierte Musikschätze der Nationalbibliothek durch die Aktion Buchpatenschaft: Ausstellung : Prunksaal, 5. November bis 12. Dezember 1997. Wien: Österreichische Nationalbibliothek, 1997.

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19

author, Mun Suk-hŭi, and Son Sŏn-suk author, eds. Sejong Taewang ŭi Pongnaeŭi: Kŭ pogwŏn kwa haesŏk = A study on Bonglaeeui : interpretation and restoration. Sŏul: Minsogwŏn, 2015.

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20

Choate, Julian Ernest. Sounding brass and clanging cymbals: The history and significance of instrumental music in the Restoration movement, 1827-1968. Henderson, Tenn: Freed-Hardeman University, 1990.

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21

Berlemont, Simon. The sources of secular keyboard music in England between the end of the Elizabethan period and the Restoration. Norwich: University of East Anglia, 1991.

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22

Richard, Clothier, ed. A heritage of hymns: An exploration of music and religion, music and our hymns, and the stories of hymns and hymn writers of the Restoration Movement. Independence, Mo: Herald Pub., 1996.

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23

Nevio, Salimbeni, Lomaglio Amalia, Trabacchini Alessio, and ARCI (Association), eds. Rumore dagli spazi: Dossier sugli spazi da riusare per la musica in Italia. Padova [Italy]: Il Poligrafo, 2001.

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24

Sheila, Leach, ed. Blowing our own trumpet: The story of the Devon Museuem of Mechanical Music and the restoration of the Mortier 84-key fairground organ known as the Trumpeter. Hargate: Arcturus, 1998.

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25

God, Worldwide Church of. Encore!: A vision to reopen Ambassador Auditorium. [Pasadena, CA?]: Worldwide Church of God, 2003.

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26

Massarente, Alessandro. Ricomposizioni di uno spazio per la musica: Studi per il restauro del complesso dell'Auditorium nell'ex arcispedale Sant'Anna a Ferrara. Macerata: Quodlibet, 2012.

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27

Orgeldenkmalpflege: Nachhaltigkeit als Zukunftsstrategie für eine vielfältige Orgelkultur. Regensburg: Schnell & Steiner, 2013.

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28

Das neue Ensemble Orangerie und Musikpavillon im Kurpark Bad Homburg vor der Höhe: 100 Jahre nach Louis Jacobi. Bad Homburg: Kur- und Kongress-GmbH, 2012.

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29

Hedlund, Oscar. I musikens kvarter. Stockholm: Byggförlaget/Kultur, 1998.

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30

Estermann, Kurt. Orgelrestauration und Orgelbau in Österreich nach dem 2. Weltkrieg: Egon Krauss zum 100. Geburtstag; Tagungsbericht 2005. Rum/Innsbruck: Helbling, 2008.

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31

author, Postal Matthew A., ed. The Brill Building, 1619 Broadway (aka 1613-23 Broadway, 207-213 West 49th Street), Manhattan: Built 1930-31 ; architect Victor A. Bark, Jr. New York]: NYC Landmarks Preservation Commission, 2010.

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32

Christophe, Demontfaucon, ed. La Salle Pleyel: Lieu de modernité = at the heart of modernity. Paris: Pleyel, 2006.

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33

Gibeaux, Christian. La restauration des documents musicaux: Exposition. Paris: Bibliothèque nationale, Département de la musique, 1987.

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34

Juliette, Barbet, ed. Un musée aux rayons X: Dix ans de recherche au service de la musique. Paris: Musée de la musique, Cité de la musique, 2001.

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35

Renson, André. À Verviers un kiosque à musique retrouve son Harmonie. Namur: Editions MET, 1995.

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36

Sack, Manfred. Lluís Domènech i Montaner: Palau de la Música Catalana, Barcelona. Stuttgart: Edition Axel Menges, 1995.

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37

Mauro, Perani, and Ruini Cesarino, eds. Fragmenta ne pereant: Recupero e studio dei frammenti di manoscritti medievali e rinascimentali riutilizzati in legature. Ravenna: Longo, 2002.

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38

Choral society. Rearsby: W F Howes, 2009.

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39

Andrew, McKinney E., and National Trust for Historic Preservation in the United States., eds. Preserving the West: California, Arizona, Nevada, Utah, Idaho, Oregon, Washington. New York: Pantheon Books, 1985.

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40

Choral society. Toronto: McArthur & Company, 2011.

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41

Karakkuk Sajŏk Kaebal Yŏnʼguwŏn (Korea), ed. Musin Karak ŭi palchachʻwi. [Seoul]: Karakkuk Sajŏk Kaebal Yŏnʼguwŏn, 1989.

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42

Estermann, Kurt, and Franz Comploi. Die Daniel-Herz-Orgel der Frauenkirche in Brixen: [zur Restaurierung und Rekonstruktion 2009/2010]. Rum: Helbling, 2010.

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43

Lluís Domènech i Montaner: Palau de la Música Catalana, Barcelona. Stuttgart: A. Menges, 1995.

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44

García, Joan Carles Castro. El órgano romántico-sinfónico de San Antonio de Padua de Barcelona: Música, organistas y organeros franciscanos. Barcelona: G.B.G. editora, 2004.

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45

Parisi, Barbara. The history of Brooklyn's three major performing arts institutions. Lanham, Md: Scarecrow Press, 2003.

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46

Poznańskie Towarzystwo Przyjaciół Nauk. Komisja Historyczna, ed. Oblicza mediewalizmu: Faces of medievalism. Poznań: Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk, 2013.

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47

Singer, Robert, 1953 May 30-, ed. The history of Brooklyn's three major performing arts institutions. Lanham, Md: Scarecrow Press, 2003.

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48

Costa, Paolo. La Fenice ritrovata: Musica e lavori pubblici. Milano: Libri Scheiwiller, 2003.

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49

Tryon, Peter. The organs and organists of St Mary's Church, Bury St Edmunds, Suffolk. Bury St. Edmunds, Suffolk: Honey Hill Pub., 2001.

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50

Lillehammer, Høgskolen i., and Universitetet i Oslo. Institutt for medier og kommunikasjon, eds. "Ikke førenn der er grodd mose på deres talent": Musikkpolitikken 1859-1905. Oslo: Unipub, 2005.

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