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Relevant bibliographies by topics / Music recordings / Books

Books on the topic 'Music recordings'

To see the other types of publications on this topic, follow the link: Music recordings.

Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Cash, Johnny. American recordings. Burbank, CA: American Recordings, 1994.

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2

Gelfand, Steve. Television theme recordings. [New York, N.Y.?]: Television Music Archives, 1985.

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3

Wright, Christine. Music master: British record industry prefix list. Hastings: John Humphries, 1985.

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4

American recordings. New York: Continuum, 2011.

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5

Mutum, Tim. Brass band recordings. Baldock: Egon, 1991.

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6

Moses, Julian Morton. American celebrity recordings, 1900-1925. 3rd ed. Dallas, Tex: Monarch Record Enterprises, 1993.

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7

1965-, Bogdanov Vladimir, Woodstra Chris, and Erlewine Stephen Thomas, eds. All Music Guide: The Definitive Guide to Popular Music. 4th ed. San Francisco, USA: Backbeat Books, 2001.

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8

Cahn, William L. Xylophone in acoustic recordings, 1877-1929. 2nd ed. Bloomfield, N.Y: W.L. Cahn, 1996.

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9

1965-, Bogdanov Vladimir, Woodstra Chris, and Erlewine Stephen Thomas, eds. All music guide to jazz: The definitive guide to jazz music. 4th ed. San Francisco, CA: Backbeat Books, 2002.

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10

A discography of treble voice recordings. Metuchen, N.J: Scarecrow Press, 1985.

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11

Designing for music. New York: Library of Applied Design, PBC International, Inc., 1992.

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12

Cogswell, Robert. Tennessee folk music recordings: A recommended list. Nashville, TN: Folk Arts Program, Tennessee Arts Commission, 1990.

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13

Music producer. Ann Arbor, Mich: Cherry Lake Pub., 2012.

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14

Adrian, Shaughnessy, House Julian, and Intro (Firm : London, England), eds. Art, pop and contemporary music graphics. New York, N.Y: Universe Pub., 2000.

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15

Thornton, Big Mama. Hound dog: The Peacock recordings. Universal City, CA: MCA, 1992.

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16

Ursula, Block, Glasmeier Michael 1951-, Daadgalerie, Haags Gemeentemuseum, and Centre national d'art contemporain de Grenoble., eds. Broken music: Artists' recordworks. Berlin: Berliner Künstlerprogramm des DAAD, 1989.

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17

iTunes music: Mastering high resolution audio delivery : produce great sounding music with Mastered for iTunes. Waltham, MA: Focal Press, 2013.

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18

Hepworth-Sawyer, Russ, and Craig Golding. What Is Music Production? Taylor & Francis Group, 2010.

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19

Hodgson, Jay, Russ Hepworth-Sawyer, and Mark Marrington. Producing Music. Taylor & Francis Group, 2019.

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20

Hodgson, Jay, Russ Hepworth-Sawyer, and Mark Marrington. Producing Music. Taylor & Francis Group, 2019.

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21

Hodgson, Jay, Russ Hepworth-Sawyer, and Mark Marrington. Producing Music. Taylor & Francis Group, 2019.

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22

Machlis. Norton Recordings. 7th ed. W W Norton & Co Ltd, 1995.

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23

Mangoré, Agustín Barrios. Agustin Barrios recordings. 2017.

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24

Mangoré, Agustín Barrios. Agustin Barrios recordings. 2017.

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25

The Norton Recordings. W W Norton & Co Inc (Np), 2003.

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26

Producing music - 1. edicion. Routledge, Taylor and Francis Group, 2019.

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27

King, Richard. Recording Orchestra and Other Classical Music Ensembles. Taylor & Francis Group, 2016.

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28

King, Richard. Recording Orchestra and Other Classical Music Ensembles. Taylor & Francis Group, 2016.

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29

King, Richard. Recording Orchestra and Other Classical Music Ensembles. Taylor & Francis Group, 2016.

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30

King, Richard. Recording Orchestra and Other Classical Music Ensembles. Taylor & Francis Group, 2016.

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31

Stimeling, Travis D. Recording Practice in Country Music. Edited by Travis D. Stimeling. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190248178.013.5.

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Abstract:

This chapter explores the influence of recording technologies on the creation and reception of country music from the first hillbilly recordings to the twenty-first century. Following a survey of recent literature from the musicology of recording and sound studies, country music’s voice-centered recording strategies are explored through case studies drawn from early hillbilly, honky tonk, and “hot country” recordings. Country music’s history as a recorded musical practice is shaped by technological and aesthetic developments that can be heard in a wide range of recorded popular musics. Furthermore, this chapter examines the ways that bluegrass musicians, engineers, and producers deploy specific technologies, including the single-microphone technique, to articulate their musical and cultural authenticity. These ways can help us gain a better understanding of the expressive power of recorded country music by placing these “records in dialogue” with other recordings in country music and from other music styles.

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32

Toft, Robert. Recording Classical Music. Taylor & Francis Group, 2019.

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33

Toft, Robert. Recording Classical Music. Taylor & Francis Group, 2019.

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34

Recording Classical Music. Taylor & Francis Group, 2019.

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35

Toft, Robert. Recording Classical Music. Taylor & Francis Group, 2019.

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36

Toft, Robert. Recording Classical Music. Taylor & Francis Group, 2019.

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37

Toft, Robert. Recording Classical Music. Taylor & Francis Group, 2019.

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38

Tolansky, Jon, and Basil Tschaikov. Reflections: Performers/Audiences/Recordings. Taylor & Francis Group, 2016.

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39

Tolansky, Jon, and Basil Tschaikov. Reflections: Performers/Audiences/Recordings. Taylor & Francis Group, 2016.

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40

Tolansky, Jon, and Basil Tschaikov. Reflections: Performers/Audiences/Recordings. Taylor & Francis Group, 2016.

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41

Tolansky, Jon, and Basil Tschaikov. Reflections: Performers/Audiences/Recordings. Taylor & Francis Group, 2016.

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42

Norton Recordings (Norton Recordings to Accompany the Norton Scores & the Enjoy). W W Norton & Co Ltd, 1995.

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43

Hodgson, Jay, and Russ Hepworth-Sawyer. Mixing Music. Taylor & Francis Group, 2016.

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44

Mixing Music. Taylor & Francis Group, 2017.

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45

Hodgson, Jay, and Russ Hepworth-Sawyer. Mixing Music. Taylor & Francis Group, 2016.

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46

Hodgson, Jay, and Russ Hepworth-Sawyer. Mixing Music. Taylor & Francis Group, 2016.

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47

Reiss, Joshua D., Ryan Stables, and Brecht De Man. Intelligent Music Production. Taylor & Francis Group, 2019.

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48

Reiss, Joshua D., Ryan Stables, and Brecht De Man. Intelligent Music Production. Taylor & Francis Group, 2019.

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49

Reiss, Joshua D., Ryan Stables, and Brecht De Man. Intelligent Music Production. Taylor & Francis Group, 2019.

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50

Reiss, Joshua D., Ryan Stables, and Brecht De Man. Intelligent Music Production. Taylor & Francis Group, 2019.

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