Academic literature on the topic 'Music recordings'
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Journal articles on the topic "Music recordings"
CLARKE, ERIC F. "The Impact of Recording on Listening." twentieth-century music 4, no. 01 (March 2007): 47–70. http://dx.doi.org/10.1017/s1478572207000527.
Full textRoux, Gerhard. "STILL RECORDING AFRICAN MUSIC IN THE FIELD." African Music: Journal of the International Library of African Music 11, no. 1 (November 22, 2018): 136–58. http://dx.doi.org/10.21504/amj.v11i1.2296.
Full textKaranjia, Rustum, Donald G. Brunet, and Martin W. ten Hove. "Optimization of Visual Evoked Potential (VEP) Recording Systems." Canadian Journal of Neurological Sciences / Journal Canadien des Sciences Neurologiques 36, no. 1 (January 2009): 89–92. http://dx.doi.org/10.1017/s0317167100006375.
Full textSimpkins, Terry. "Cataloging Popular Music Recordings." Cataloging & Classification Quarterly 31, no. 2 (January 2001): 1–35. http://dx.doi.org/10.1300/j104v31n02_01.
Full textJudd, Aaron. "Qin Music: Two Recordings." Asian Music 50, no. 2 (2019): 175–77. http://dx.doi.org/10.1353/amu.2019.0021.
Full textSupper, Alexandra. "Listening for the hiss: lo-fi liner notes as curatorial practices." Popular Music 37, no. 2 (April 13, 2018): 253–70. http://dx.doi.org/10.1017/s0261143018000041.
Full textNegus, Keith. "From creator to data: the post-record music industry and the digital conglomerates." Media, Culture & Society 41, no. 3 (September 5, 2018): 367–84. http://dx.doi.org/10.1177/0163443718799395.
Full textHamilton, David. "Recordings." Opera Quarterly 3, no. 1 (1985): 135–40. http://dx.doi.org/10.1093/oq/3.1.135.
Full textHarris, Dale. "Recordings." Opera Quarterly 3, no. 2 (1985): 75–79. http://dx.doi.org/10.1093/oq/3.2.75.
Full textTurnbull, Michael. "RECORDINGS." Early Music 13, no. 1 (February 1985): 127–31. http://dx.doi.org/10.1093/earlyj/13.1.127.
Full textDissertations / Theses on the topic "Music recordings"
Olson, Ted. "Recording Review of Charlie Poole with The Highlanders: Complete Recordings." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/1165.
Full textSzabo, Moira. "For the love of music : avenues of entry into the world of western art music /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/11342.
Full textOlson, Ted. "Recording Review of Folksongs of Another America: Field Recordings from the Upper Midwest, 1937-1946." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/1143.
Full textOlson, Ted. "Louis Armstrong: Ten Recordings of Consequence." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/1187.
Full textStewart, Richard Christopher. "Effective audio for music videos : the production of an instructional video outlining audio production techniques for amateur music videos." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1996. http://www.kutztown.edu/library/services/remote_access.asp.
Full textFerguson, Robert W. III. "Automatic segmentation in concert recordings." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81489.
Full textFew definitions are adequate to describe music, but a "point of time" is a concept with which people are familiar. When musicians give concerts they try to create these points in a context, which allows the audience to observe each moment by itself. Concert practice has developed to define the edges of musical points, guided by cues such as clapping, pauses, and concert program notes.
This masters thesis investigates how to analyze concert recordings of Western music and their program notes to produce segments which best fit the boundaries of musical points. Modern segmentation techniques are reviewed and a new method specific to concert recordings is examined.
McKay, Cory. "Automatic genre classification of MIDI recordings." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81503.
Full textMcGuire, Meghan. "Covering music : tracing the semiotics of Beatles album covers through the cultural circuit." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1112552888.
Full textMeynell, Anthony. "How recording studios used technology to invoke the psychedelic experience : the difference in staging techniques in British and American recordings in the late 1960s." Thesis, University of West London, 2017. https://repository.uwl.ac.uk/id/eprint/3837/.
Full textHaan, Keith Alan. "Trends in complimentary recordings distributed by choral music publishers and the use made of these recordings by Missouri School Choral Directors /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3101021.
Full textBooks on the topic "Music recordings"
Cash, Johnny. American recordings. Burbank, CA: American Recordings, 1994.
Find full textGelfand, Steve. Television theme recordings. [New York, N.Y.?]: Television Music Archives, 1985.
Find full textWright, Christine. Music master: British record industry prefix list. Hastings: John Humphries, 1985.
Find full textAmerican recordings. New York: Continuum, 2011.
Find full textMutum, Tim. Brass band recordings. Baldock: Egon, 1991.
Find full textMoses, Julian Morton. American celebrity recordings, 1900-1925. 3rd ed. Dallas, Tex: Monarch Record Enterprises, 1993.
Find full text1965-, Bogdanov Vladimir, Woodstra Chris, and Erlewine Stephen Thomas, eds. All Music Guide: The Definitive Guide to Popular Music. 4th ed. San Francisco, USA: Backbeat Books, 2001.
Find full textCahn, William L. Xylophone in acoustic recordings, 1877-1929. 2nd ed. Bloomfield, N.Y: W.L. Cahn, 1996.
Find full text1965-, Bogdanov Vladimir, Woodstra Chris, and Erlewine Stephen Thomas, eds. All music guide to jazz: The definitive guide to jazz music. 4th ed. San Francisco, CA: Backbeat Books, 2002.
Find full textA discography of treble voice recordings. Metuchen, N.J: Scarecrow Press, 1985.
Find full textBook chapters on the topic "Music recordings"
Siefert, Marsha. "Entrepreneurial Tapists." In Music and Democracy, 19–60. Vienna, Austria / Bielefeld, Germany: mdwPress / transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456576-002.
Full textSampath, Vikram. "Analysing the Recordings." In Indian Classical Music and the Gramophone, 1900–1930, 113–73. London: Routledge, 2022. http://dx.doi.org/10.4324/9780367822026-6.
Full textDannenberg, Roger B., and Ning Hu. "Discovering Musical Structure in Audio Recordings." In Music and Artificial Intelligence, 43–57. Berlin, Heidelberg: Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/3-540-45722-4_6.
Full textGoldberg, Daniel. "Tapping to recordings of Bulgarian music." In Trends in World Music Analysis, 125–42. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003033080-8.
Full textLópez-Serrano, Patricio, Christian Dittmar, and Meinard Müller. "Finding Drum Breaks in Digital Music Recordings." In Music Technology with Swing, 111–22. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01692-0_8.
Full textKubera, Elżbieta, and Alicja A. Wieczorkowska. "Pitch-Related Identification of Instruments in Classical Music Recordings." In New Frontiers in Mining Complex Patterns, 194–209. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-17876-9_13.
Full textGrollmisch, Sascha, Estefanía Cano, Fernando Mora Ángel, and Gustavo López Gil. "Ensemble Size Classification in Colombian Andean String Music Recordings." In Lecture Notes in Computer Science, 60–74. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70210-6_4.
Full textPaiva, Rui Pedro, Teresa Mendes, and Amílcar Cardoso. "An Auditory Model Based Approach for Melody Detection in Polyphonic Musical Recordings." In Computer Music Modeling and Retrieval, 21–40. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/978-3-540-31807-1_2.
Full textAshbourn, Julian. "Why Recordings Sound Worse Now Than They Did in the 1950s and 1960s." In Audio Technology, Music, and Media, 107–9. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-62429-3_23.
Full textKania, Andrew. "Recordings." In Philosophy of Western Music, 222–49. Routledge, 2020. http://dx.doi.org/10.4324/9781315210629-9.
Full textConference papers on the topic "Music recordings"
Tsai, Wei-Ho, and Duo-Fu Bao. "Clustering Music Recordings Based on Genres." In 2010 International Conference on Information Science and Applications. IEEE, 2010. http://dx.doi.org/10.1109/icisa.2010.5480365.
Full textEwert, Sebastian, and Meinard Muller. "Estimating note intensities in music recordings." In ICASSP 2011 - 2011 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2011. http://dx.doi.org/10.1109/icassp.2011.5946421.
Full textJiang, Nanzhu, and Meinard Muller. "Estimating double thumbnails for music recordings." In ICASSP 2015 - 2015 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2015. http://dx.doi.org/10.1109/icassp.2015.7177949.
Full textWarrenburg, Lindsay, Nathan Centa, Xintong Li, Hansae Park, Diana Sari, and Feiyu Xie. "Sonic intimacy in the music of Billie Eilish and recordings that induce ASMR." In Future Directions of Music Cognition. The Ohio State University Libraries, 2021. http://dx.doi.org/10.18061/fdmc.2021.0026.
Full textGrosche, Peter, and Meinard Muller. "Computing predominant local periodicity information in music recordings." In 2009 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA). IEEE, 2009. http://dx.doi.org/10.1109/aspaa.2009.5346544.
Full textTsai, Wei-Ho, and Cin-Hao Ma. "Singing performance evaluation by reference to CD music recordings." In 2014 IEEE International Conference on Consumer Electronics - Taiwan (ICCE-TW). IEEE, 2014. http://dx.doi.org/10.1109/icce-tw.2014.6904030.
Full textTsai, Wei-Ho, and Wei-Che Hsieh. "Blind Clustering of Music Recordings Based on Audio Fingerprinting." In 2009 Fifth International Conference on Intelligent Information Hiding and Multimedia Signal Processing (IIH-MSP). IEEE, 2009. http://dx.doi.org/10.1109/iih-msp.2009.152.
Full textAntonopoulos, Iasonas, Aggelos Pikrakis, and Sergios Theodoridis. "Locating Rhythmic Patterns in Music Recordings using Hidden Markov Models." In 2007 IEEE International Conference on Acoustics, Speech, and Signal Processing. IEEE, 2007. http://dx.doi.org/10.1109/icassp.2007.366656.
Full textDemirel, Emir, Sven Ahlback, and Simon Dixon. "Low Resource Audio-To-Lyrics Alignment from Polyphonic Music Recordings." In ICASSP 2021 - 2021 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2021. http://dx.doi.org/10.1109/icassp39728.2021.9414395.
Full textDuggan, Bryan, Brendan O'Shea, and Padraig Cunningham. "A system for automatically annotating traditional Irish music field recordings." In 2008 International Workshop on Content-Based Multimedia Indexing (CBMI). IEEE, 2008. http://dx.doi.org/10.1109/cbmi.2008.4564923.
Full textReports on the topic "Music recordings"
Li, Yipeng, and DeLiang Wang. Separation of Singing Voice from Music Accompaniment for Monaural Recordings. Fort Belvoir, VA: Defense Technical Information Center, September 2005. http://dx.doi.org/10.21236/ad1001211.
Full textDuch, Michael. Performing Hanne Darboven's Opus 17a and long duration minimalist music. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.481276.
Full textMayas, Magda. Creating with timbre. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.686088.
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