Journal articles on the topic 'Music Production Studio'
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Slater, Mark. "Locating Project Studios and Studio Projects." Journal of the Royal Musical Association 141, no. 1 (2016): 167–202. http://dx.doi.org/10.1080/02690403.2016.1151241.
Full textKearney, Daithí, and Adèle Commins. "Studio Trad: Facilitating traditional music experiences for music production students." Journal of Music, Technology & Education 11, no. 3 (December 1, 2018): 301–18. http://dx.doi.org/10.1386/jmte.11.3.301_1.
Full textRohman, Taufiqur, Evi Malia, and Achamd Baihaki. "Analisis Potensi Penerimaan Pajak Penghasilan Atas Konten Youtube." Jurnal Penelitian Teori & Terapan Akuntansi (PETA) 8, no. 1 (January 31, 2023): 115–35. http://dx.doi.org/10.51289/peta.v8i1.642.
Full textKamalova, Y. B. "COMPUTER SYSTEM FOR HOME MUSIC STUDIO." SOFT MEASUREMENTS AND COMPUTING 6/1, no. 55 (2022): 54–65. http://dx.doi.org/10.36871/2618-9976.2022.06.006.
Full textOctavfernando, Andero Jeremy, Dodot Sapto Adi, and Saudah Saudah. "Proses Komunikasi Kreatif Produser Electronic Dance Music dalam Produksi Lagu (Studi Pada Komunitas Produser EDM Lingkup Pengguna Fruity Loops Studio)." Indonesian Social Science Review 1, no. 2 (September 1, 2023): 61–74. http://dx.doi.org/10.61105/issr.v1i2.49.
Full textPramuditya, Puput, and Arya Putra Hananta. "Proses Produksi Musik pada Lagu Tyok Satrio di Studio DS Records." Journal of Music Science, Technology, and Industry 6, no. 1 (April 30, 2023): 79–96. http://dx.doi.org/10.31091/jomsti.v6i1.2420.
Full textFebrian, Arsya, Hestiasari Rante, Sritrusta Sukaridhoto, and Akhmad Alimudin. "Music Scoring for Film Using Fruity Loops Studio." E3S Web of Conferences 188 (2020): 00004. http://dx.doi.org/10.1051/e3sconf/202018800004.
Full textChagas, Paulo C. "Composition in circular sound space: Migration 12-channel electronic music (1995–97)." Organised Sound 13, no. 3 (November 3, 2008): 189–98. http://dx.doi.org/10.1017/s1355771808000289.
Full textYulia Pratiwi, Dina, and Erfan Erfan. "PELAKSANAAN PELATIHAN BINA VOKALIA DI PURWA CARAKA MUSIC STUDIO PADANG." Jurnal Sendratasik 10, no. 2 (December 5, 2020): 134. http://dx.doi.org/10.24036/jsu.v9i2.111168.
Full textWalzer, Daniel. "Transient soundscape production." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 10, no. 1 (January 15, 2021): 142–57. http://dx.doi.org/10.7146/se.v10i1.124203.
Full textBOMBOLA, GINA. "FromThere's Magic in MusictoThe Hard-Boiled Canary: Promoting “Good Music” in Prewar Musical Films." Journal of the Society for American Music 12, no. 2 (April 5, 2018): 151–78. http://dx.doi.org/10.1017/s1752196318000068.
Full textKHAMIDOVA, MARFUA. "AT THE ORIGINS OF THE UZBEK MUSIC THEATER (STUDIOS, TEACHERS, FIRST EXPERIMENTS: 1920-1930S)." Культурный код, no. 2021-2 (2021): 32–45. http://dx.doi.org/10.36945/2658-3852-2021-2-32-45.
Full textHendra, Yos, and Ganesh Hariamansyah. "Brainwave Stimulation: Konsep Binaural Beats dalam Produksi Musik Digital (Brainwave Stimulation: The Concept of Binaural Beats in Digital Music Production)." Musica: Journal of Music 1, no. 2 (November 22, 2021): 74. http://dx.doi.org/10.26887/musica.v1i2.2097.
Full textBennett, Samantha. "Behind the magical mystery door: history, mythology and the aura of Abbey Road Studios." Popular Music 35, no. 3 (September 14, 2016): 396–417. http://dx.doi.org/10.1017/s0261143016000556.
Full textSlater, Mark. "Nests, arcs and cycles in the lifespan of a studio project." Popular Music 34, no. 1 (December 19, 2014): 67–93. http://dx.doi.org/10.1017/s0261143014000683.
Full textTONKOSHKURA, Oleg. "The Opera Studio of the Ukrainian National Tchaikovsky Academy of Music. Stages of achievements." CONTEMPORARY ART, no. 18 (November 29, 2022): 267–76. http://dx.doi.org/10.31500/2309-8813.18.2022.269742.
Full textAnderson, Natasha. "Narrative and Number in Busby Berkeley’s Footlight Parade." MUSIC.OLOGY.ECA 1 (September 11, 2020): 40–59. http://dx.doi.org/10.2218/music.2020.5697.
Full textPlatte, Nathan. "Making Space for Music." Journal of Film Music 10, no. 2 (December 2, 2022): 162–69. http://dx.doi.org/10.1558/jfm.24723.
Full textMoffat, David, and Mark B. Sandler. "Approaches in Intelligent Music Production." Arts 8, no. 4 (September 25, 2019): 125. http://dx.doi.org/10.3390/arts8040125.
Full textKruse, Adam J., and Stuart Chapman Hill. "Exploring hip hop music education through online instructional beat production videos." Journal of Music, Technology and Education 12, no. 3 (December 1, 2019): 247–60. http://dx.doi.org/10.1386/jmte_00009_1.
Full textHELMREICH, STEFAN, and PETER McMURRAY. "Tape, Prince, and the Studio: Interview with Susan Rogers 23 May 2016, Cambridge, MA." Twentieth-Century Music 14, no. 1 (February 2017): 135–47. http://dx.doi.org/10.1017/s1478572217000111.
Full textMontano, Ed, and Simon Zagorski-Thomas. "Introduction to Production Technologies and Studio Practice in Electronic Dance Music Culture." Dancecult 6, no. 1 (2014): 1–7. http://dx.doi.org/10.12801/1947-5403.2014.06.01.00.
Full textRitonga, Danny Ivanno, Tri Danu Satria, and Aqsa Mulya. "IMPLEMENTATION OF OPEN BROADCASTER SOFTWARE STUDIO IN MUSIC PERFORMANCE MANAGEMENT THROUGH LIVE STREAMING." Gondang: Jurnal Seni dan Budaya 5, no. 2 (December 1, 2021): 204. http://dx.doi.org/10.24114/gondang.v5i2.29638.
Full textHughes, Alayna. "Maker music: Incorporating the maker and hacker community into music technology education." Journal of Music, Technology & Education 11, no. 3 (December 1, 2018): 287–300. http://dx.doi.org/10.1386/jmte.11.3.287_1.
Full textMenezes, Flo. "La voie du syncrétisme : sur la musique électroacoustique au Brésil." Circuit 17, no. 2 (December 10, 2007): 55–64. http://dx.doi.org/10.7202/016839ar.
Full textSembiring, Bebas, Mauly Purba, and Ishbir Mujahid Adha. "Empowering Huruk Gabe Aeksorseang Musical Studio as Bataknese Musical Instrument Craftman in Lintongnihuta Village, Samosir." ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat 5, no. 2 (December 2, 2020): 248–58. http://dx.doi.org/10.32734/abdimastalenta.v5i2.5029.
Full textde Huu, Roos. "Women in the studio: creativity, control and gender in popular music sound production." Feminist Media Studies 20, no. 3 (April 2, 2020): 450–51. http://dx.doi.org/10.1080/14680777.2020.1741229.
Full textMcCartney, Andra. "In and out of the sound studio." Organised Sound 8, no. 1 (April 2003): 89–96. http://dx.doi.org/10.1017/s1355771803001109.
Full textAnyanwu, Obumneke S., and Emaeyak P. Sylvanus. "Music Production Technology in New Nollywood Soundtracks: Context, Application, and the Effect of Globalization." Music and the Moving Image 15, no. 1 (April 1, 2022): 22–37. http://dx.doi.org/10.5406/19407610.15.1.02.
Full textWuran, Frederik Kevin, Ricky Irawan, Guntur Eko Prasetyo, and Ni Wayan Ardini. "Writing Background Music for “Bali Channel Tourist TV” Television Program." Jurnal Bali Membangun Bali 3, no. 2 (August 5, 2022): 99–110. http://dx.doi.org/10.51172/jbmb.v3i2.230.
Full textCichocki, Piotr. "Sound production as a cultural practice." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 9, no. 1 (January 22, 2020): 60–80. http://dx.doi.org/10.7146/se.v9i1.118246.
Full textHarding, Phil, and M. Nyssim Lefford. "Pop vs rock: A comparison study of managing sessions in the recording studio and the influences of genre." Journal of Music, Technology and Education 13, no. 2 (December 1, 2021): 141–61. http://dx.doi.org/10.1386/jmte_00020_1.
Full textStobart, Henry. "Constructing community in the digital home studio: Carnival, creativity and indigenous music video production in the Bolivian Andes." Popular Music 30, no. 2 (May 2011): 209–26. http://dx.doi.org/10.1017/s0261143011000031.
Full textGanelin, Aleksandr E. "Early 20th Century Studio and Theatre Innovations of Vs. E. Meyerhold and S. E. Radlov." Vestnik of Saint Petersburg University. Arts 11, no. 3 (2021): 393–409. http://dx.doi.org/10.21638/spbu15.2021.303.
Full textBurston, Jonathan. "Theatre space as virtual place: audio technology, the reconfigured singing body, and the megamusical." Popular Music 17, no. 2 (May 1998): 205–18. http://dx.doi.org/10.1017/s026114300000060x.
Full textHerbst, Jan-Peter. "Culture-specific production and performance characteristics: An interview study with ‘Teutonic’ metal producers." Metal Music Studies 7, no. 3 (September 1, 2021): 445–67. http://dx.doi.org/10.1386/mms_00059_1.
Full textPlatte, Nathan. "Dream Analysis: Korngold, Mendelssohn, and Musical Adaptations in Warner Bros.' A Midsummer Night's Dream (1935)." 19th-Century Music 34, no. 3 (2011): 211–36. http://dx.doi.org/10.1525/ncm.2011.34.3.211.
Full textMorrison, Simon. "The Origins of Daphnis et Chloe (1912)." 19th-Century Music 28, no. 1 (2004): 50–76. http://dx.doi.org/10.1525/ncm.2004.28.1.50.
Full textBrackett, David. "Listening to Electric Miles." Journal of Jazz Studies 15, no. 1 (July 9, 2024): 1–38. http://dx.doi.org/10.14713/jjs.v15i1.270.
Full textPras, Amandine. "Women in the Studio. Creativity, Control and Gender in Popular Music Sound Production, de Paula Wolfe." Revue musicale OICRM 7, no. 2 (2020): 158. http://dx.doi.org/10.7202/1072424ar.
Full textFindlay-Walsh, Iain. "Sonic Autoethnographies: Personal listening as compositional context." Organised Sound 23, no. 1 (December 26, 2017): 121–30. http://dx.doi.org/10.1017/s1355771817000371.
Full textSatdarova, Liliana L. "MUSIC BY R. M. GLIÈRE FOR DRAMA THEATRE." Arts education and science 4, no. 37 (2023): 164–74. http://dx.doi.org/10.36871/hon.202304164.
Full textChocano, Rodrigo. "Outsourcing the nation? Musical collaboration, nation building and neo-liberal logics in Coke Studio Pakistan." Indian Theatre Journal 6, no. 1 (August 1, 2022): 77–95. http://dx.doi.org/10.1386/itj_00028_1.
Full textMaiorino, Alexandre. "Evaluation of a rehearsal/recording room project for symphonic orchestra based on ISO23591." Journal of the Acoustical Society of America 152, no. 4 (October 2022): A103. http://dx.doi.org/10.1121/10.0015686.
Full textFields, Kenneth. "Syneme: Live." Organised Sound 17, no. 1 (February 14, 2012): 86–95. http://dx.doi.org/10.1017/s1355771811000549.
Full textAtton, Chris. "Challenging authenticity: fakes and forgeries in rock music." Popular Music 38, no. 2 (May 2019): 204–18. http://dx.doi.org/10.1017/s0261143019000084.
Full textAskerøi, Eirik. "Transmissions: Sonic markers of difference in the sound of Joy Division." Punk & Post Punk 10, no. 2 (June 1, 2021): 201–20. http://dx.doi.org/10.1386/punk_00072_1.
Full textDicenzo, Maria, and Jim Ellis. "In Review." Canadian Theatre Review 101 (January 2000): 93–95. http://dx.doi.org/10.3138/ctr.101.015.
Full text黃文龍, 黃文龍, and 周成虎 周成虎. "內容產製與當代影視產業:LED 幕虛擬製作室之研究." 傳播研究與實踐 13, no. 2 (July 2023): 187–216. http://dx.doi.org/10.53106/222114112023071302007.
Full textMcNeill, Fraser G. "MAKING MUSIC, MAKING MONEY: INFORMAL MUSICAL PRODUCTION AND PERFORMANCE IN VENDA, SOUTH AFRICA." Africa 82, no. 1 (January 19, 2012): 93–110. http://dx.doi.org/10.1017/s000197201100074x.
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