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Books on the topic 'Music performance analysi'

Author: Grafiati

Published: 9 March 2023

Last updated: 10 March 2023

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1

Berry, Wallace. Musical structure and performance. New Haven: Yale University Press, 1989.

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2

Martin, Chusid, and Schubert Franz 1797-1828, eds. A companion to Schubert's Schwanengesang: History, poets, analysis, performance. New Haven, Conn: Yale University Press, 2000.

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3

1951-, Miles Richard B., and Blocher Larry, eds. Teaching music through performance in band. Chicago: GIA Publications, 1997.

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4

Interpreting Chopin: Analysis and performance. Burlington, VT: Ashgate, 2014.

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5

J, Buchanan Heather, Mehaffey Matthew, Blackstone Jerry, Galván Janet, Jordan James Mark, Jones Ann Howard, and Larsen Libby, eds. Teaching music through performance in choir. Chicago: GIA Publications, 2007.

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6

1951-, Miles Richard B., and Blocher Larry, eds. Teaching music through performance in band. Chicago: GIA Publications, 1998.

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7

1951-, Miles Richard B., and Blocher Larry, eds. Teaching music through performance in band. Chicago: GIA Publications, 2002.

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8

Richard, Miles, and Carter Ronald, eds. Teaching music through performance in jazz. Chicago: GIA Publications, 2008.

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9

Kurtzman, Jeffrey G. The Monteverdi Vespers of 1610: Music, context, performance. Oxford: Oxford University Press, 1999.

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10

Teaching music through performance in band. 2nd ed. Chicago: GIA Publications, 2010.

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11

J, Buchanan Heather, Mehaffey Matthew, and Abrahams Frank, eds. Teaching music through performance in choir. Chicago: GIA Publications, 2005.

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12

1951-, Miles Richard B., ed. Teaching music through performance in beginning band. Chicago: GIA Publications, 2008.

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13

Stockhausen, Karlheinz. Composition course on Hoch-Zeiten (of Sunday from Light) for orchestra (2001/02). Kürten, Germany: Stockhausen-Verlag, 2004.

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14

Stockhausen, Karlheinz. Composition course on Scents-Signs (of Sunday from Light): For 7 vocalists, boy's voice, sythesizer (2002). Kürten, Germany: Stockhausen-Verlag, 2004.

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15

(2005), Stockhausen-Kurse Kürten, ed. Composition course on Light Pictures: (3rd scene of Sunday from Light) für basset horn, flute with ring modulations, tenor, trumpet with ring modulation, synthesizer, (2002/03). Kürten, Germany: Stockhausen-Verlag, 2005.

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16

Composition course on Scents-Signs (of Sunday from Light): For 7 vocalists, boy's voice, sythesizer (2002). Kürten, Germany: Stockhausen-Verlag, 2004.

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17

Guttmann, Hadassah. The music of Paul Ben-Haim: A performance guide. Metuchen, N.J: Scarecrow Press, 1992.

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18

Analytical and biographical writings in percussion music. New York: P. Lang, 1989.

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19

Miles, Richard. Teaching Music through Performance in Band: Volume 4. Chicago: GIA Publications, 2002.

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20

Cramer, Ray, Eugene Corporon, Larry Blocher, Edward S. Lisk, Tim Lautzenheiser, and Richard Miles. Teaching Music Through Performance in Band, Vol. 5. Chicago: GIA Publications, 2004.

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21

service), SpringerLink (Online, ed. Economic Analysis of Music Copyright: Income, Media and Performances. New York, NY: Springer Science+Business Media, LLC, 2010.

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22

Kumar, Datta Asoke, and ITC Sangeet Research Academy. Scientific Research Dept., eds. Experimental analysis of shrutis from performances in Hindustani music. Kolkata: Scientific Research Dept., ITC Sangeet Research Academy, 2006.

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23

Lähteenmäki, Jyrki. Aspects of form, perception and performance in Stockhausen's Klavierstück V. Helsinki: Sibelius Academy, DocMus, 2000.

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24

The piano sonority of Claude Debussy. Lewiston: E. Mellon Press, 1994.

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25

(2007), Stockhausen-Kurse Kürten, ed. Composition course on Klang: Sound : the 24 hours of the day : Second hour : Freude : for 2 harps, 2005, work no. 82. Kürten, Germany: Stockhausen-Verlag, 2007.

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26

Das sinfonische Werk Hans Pfitzners: Textkritische Anmerkungen und Hinweise zur Aufführungspraxis. Tutzing: H. Schneider, 1987.

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27

1936-, Newbould Brian, ed. Schubert the progressive: History, performance practice, analysis. Aldershot, Hants, England: Ashgate, 2003.

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28

The percussionists art: Same bed, different dreams. Rochester, NY: University of Rochester Press, 2006.

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29

(2003), Stockhausen-Kurse Kürten, ed. Composition course on Hoch-Zeiten (of Sunday from Light) for choir: (2001/02). Kürten, Germany: Stockhausen-Verlag, 2003.

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30

Cook, Nicholas. Theory into practice: Composition, performance and the listening experience. Leuven: University Press, 1999.

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31

Peter, Johnson, and Zender Hans, eds. Theory into practice: Composition, performance and the listening experience. Lauven, BE: Lauven University Press, 1999.

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32

Pierce, Alexandra. Deepening musical performance: The theory and practice of embodied interpretation. Bloomington: Indiana University Press, 2007.

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33

Caputo, Michael C. Contemporary Korean solo clarinet music: Analysis with performance recommendations of three compositions. Ann Arbor, Mich: UMI, 1998.

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34

Louhivuori, Jukka. Veisuun vaihtoehdot: Musiikillinen distribuutio ja kognitiiviset toiminnot. Helsinki: Suomen Musiikkitieteellinen Seura, 1988.

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35

Beck, Gina Carol. The Javanese gender panerus: An analysis of the performance of Pak Minarno. [S.l: s.n.], 1990.

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36

Lewis, Lockwood, and Kroll Mark, eds. The Beethoven violin sonatas: History, criticism, performance. Urbana: University of Illinois Press, 2004.

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37

Gottschewski, Hermann. Die Interpretation als Kunstwerk: Musikalische Zeitgestaltung und ihre Analyse am Beispiel von Welte-Mignon-Klavieraufnahmen aus dem Jahre 1905. Laaber [Germany]: Laaber, 1996.

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38

Komaragiri, Madhu Mohan. Pitch analysis in South Indian music: With a critical examination of the theory of 22 śruti-s. New Delhi: Munshiram Manoharlal Publishers, 2013.

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39

Performing Knowledge: Twentieth-Century Music in Analysis and Performance. Oxford University Press, 2019.

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40

Halfyard, Janet K. Berio's Sequenzas: Essays on Performance, Composition and Analysis. Taylor & Francis Group, 2016.

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41

Swinkin, Jeffrey. Performative Analysis: Reimagining Music Theory for Performance. University of Rochester Press, 2017.

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42

Performative Analysis: Reimagining Music Theory for Performance. University of Rochester Press, 2016.

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43

Swinkin, Jeffrey. Performative Analysis: Reimagining Music Theory for Performance. University of Rochester Press, 2017.

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44

A Companion to Schubert's "Schwanengesang": History, Poets, Analysis, Performance. Yale University Press, 2000.

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45

Teaching music through performance in orchestra. Chicago: GIA Publications, 2003.

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46

Teaching Music Through Performance in Orchestra. GIA Publications Inc., 2001.

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47

1951-, Miles Richard B., and Blocher Larry, eds. Teaching music through performance in band. Chicago: GIA Publications, 2004.

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48

Cook, Nicholas. Beyond the Score: Music As Performance. Oxford University Press, Incorporated, 2013.

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49

Beyond the Score: Music As Performance. Oxford University Press, Incorporated, 2013.

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50

Beyond the Score: Music as Performance. Oxford University Press, 2014.

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