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1

Cortot, Alfred. Alfred Cortot's studies in musical interpretation. New York: Da Capo Press, 1989.

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2

Leopold, Auer. Violin master works and their interpretation. Mineola, N.Y: Dover Publications, 2012.

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3

Ritzkowski, Klaus. Interpretation lesen: Analytische Studien zur Interpretation von Anton Weberns Klaviervariationen op. 27. Tutzing: Schneider, 2009.

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4

Davidsson, Hans. Matthias Weckmann: The interpretation of his organ music. Stockholm: Gehrmans Musikförlag, 1991.

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5

Agawu, V. Kofi. Playing with signs: A semiotic interpretation of classic music. Princeton, N.J: Princeton University Press, 1991.

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6

1928-, Poos Heinrich, ed. Chormusik und Analyse.: Beiträge zur Formanalyse und Interpretation mehrstimmiger Vokalmusik. Mainz: Schott, 1997.

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7

Song interpretation in 21st-century pop music. Farnham, Surrey: Ashgate, 2015.

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8

Berry, Wallace. Structural functions in music. New York: Dover, 1987.

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9

Klier, Johannes. Werkanalyse und Interpretation auf der Gitarre. Wilhelmshaven: Heinrichshofen, 1985.

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10

Alfred Cortot's studies in musical interpretation. New York: Da Capo Press, 1989.

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11

1951-, DeLio Thomas, ed. The music of Morton Feldman. Westport, Conn: Greenwood Press, 1996.

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12

Pierce, Alexandra. Deepening musical performance: The theory and practice of embodied interpretation. Bloomington: Indiana University Press, 2007.

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13

Kelterborn, Rudolf. Analyse und Interpretation: Eine Einführung anhand von Klavierkompositionen : Bach, Haydn, Mozart, Beethoven, Schumann, Brahms, Schönberg, Bartók. Winterthur/Schweiz: Amadeus, 1993.

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14

Harvey, David I. H. The later music of Elliott Carter: A study in music theory and analysis. New York: Garland Pub., 1989.

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15

Wichert, Rolf. Vermittlung und Aneignung: Studien zum Konzept der didaktischen Interpretation von Musik. Augsburg: B. Wissner, 1994.

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16

Brackett, David. Interpreting popular music. Cambridge [England]: Cambridge University Press, 1995.

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17

Stride, the music of Fats Waller. Boston, Mass: Twayne Publishers, 1985.

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18

Gronich, Ilan. Mozarts Sonaten für Klavier und Violine: Entstehung, Analyse und Interpretation. Wien: Hollitzer, 2019.

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19

Hatten, Robert S. Musical meaning in Beethoven: Markedness, correlation, and interpretation. Bloomington: Indiana University Press, 2004.

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20

Pierce, Alexandra. Deepening musical performance through movement: The theory and practice of embodied interpretation. Bloomington, Ind: Indiana University Press, 2010.

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21

The music of Gershwin. New Haven: Yale University Press, 1995.

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22

J.S. Bach's Well-tempered clavier: In-depth analysis and interpretation. Hong Kong: Mainer International, 1993.

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23

Bahe liu shou jian pan zu qu: Yan jiu yu quan shi = J. S. Bach : sechs Partiten BWV 825-830 : analyse und Interpretation. [Taibei Shi]: Lin Qiuzi, 2001.

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24

Musik und Rhythmus: Grundlagen, Geschichte, Analyse. Mainz: Schott, 2010.

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25

So spiele und lehre ich Chopin: Analysen und Interpretationen. Stuttgart: F. Steiner, 1994.

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26

So spiele und lehre ich Liszt: Analysen und Interpretationen. Stuttgart: Steiner, 2008.

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27

Horlacher, Gretchen Grace. Building blocks: Repetition and continuity in the music of Stravinsky. New York: Oxford University Press, 2011.

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28

Craig, Ayrey, and Everist Mark, eds. Analytical strategies and musical interpretation: Essays on nineteenth- and twentieth-century music. Cambridge: Cambridge University Press, 1996.

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29

1610-1675, Ali Ufkî, ed. Ottoman and European Music in 'Alī Ufuḳī's Compendium, MS Turc 292: Analysis, interpretation, cultural context. Münster: Westfälische Wilhelms-Universität, 2020.

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30

The music of Stuart Saunders Smith. Westport, Conn: Greenwood Press, 1995.

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31

The music of Stuart Saunders Smith. New York, NY: Excelsior Music Pub. Co., 1994.

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32

Drei kleine Vorträge zur Musik. Bonn: Goethe & Hafis, 2015.

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33

Buchanan, Fannie R. Magic Music: Story Interpretations. Kessinger Publishing, LLC, 2006.

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34

Buchanan, Fannie R. Magic Music: Story Interpretations. Kessinger Publishing, LLC, 2007.

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35

Venable, Mary. The Interpretation of Piano Music. Library Reprints, 2001.

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36

David, Schulenberg, ed. The music of J.S. Bach: Analysis and interpretation. Lincoln: University of Nebraska Press, 1999.

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37

Harmonic Rhythm: Analysis and Interpretation. Oxford University Press, USA, 2002.

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38

Swain, Joseph P. Harmonic Rhythm: Analysis and Interpretation. Oxford University Press, 2002.

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39

Music In Search Of Itself: Essays On Music About Music (Studies in the History and Interpretation of Music). Edwin Mellen Press, 2005.

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40

Moore, Allan F., Ralf von Appen, and André Doehring. Song Interpretation in 21st-Century Pop Music. Taylor & Francis Group, 2016.

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41

Neue Musik vermitteln: Analysen, Interpretationen, Unterricht. Mainz: Schott, 2004.

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42

Buhler, James, and David P. Neumeyer. Meaning and Interpretation of Music in Cinema. Indiana University Press, 2015.

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43

Neumeyer, David Paul, and Buhler James. Meaning and Interpretation of Music in Cinema. Indiana University Press, 2015.

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44

Meaning and Interpretation of Music in Cinema. Indiana University Press, 2015.

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45

Theory And Composition Of Percussion Music (Studies in the History and Interpretation of Music). Edwin Mellen Press, 2004.

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46

Playing with Signs: A Semiotic Interpretation of Classic Music. Princeton University Press, 2016.

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47

Agawu, V. Kofi. Playing with Signs: A Semiotic Interpretation of Classic Music. Princeton University Press, 2014.

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48

Agawu, V. Kofi. Playing with Signs: A Semiotic Interpretation of Classic Music. Princeton University Press, 1991.

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49

Agawu, V. Kofi. Playing with Signs: A Semiotic Interpretation of Classic Music. Princeton University Press, 2014.

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50

Song Interpretation in 21st-Century Pop Music. Taylor & Francis Group, 2016.

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