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1

Lees, Heath. Mallarmé and Wagner: Music and poetic language. Aldershot, Hants, England: Ashgate, 2007.

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2

Griscom, Richard, and Peter H. Lisius. Directions in music cataloging. Middleton, Wis: A-R Editions, 2012.

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3

Directions in music cataloging. Middleton, Wis: A-R Editions, 2012.

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4

Scott, Cyril. Music and its secret influence throughout the ages. 5th ed. Rochester, Vt: Inner Traditions, 2013.

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5

Quenoy, Paul Du. Wagner and the French muse: Music, society, and nation in modern France. Bethesda: Academica Press, 2011.

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6

Boulez and Mallarmé: A study in poetic influence. Aldershot, England: Scolar Press, 1996.

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7

Shakespeare and popular music. London: Continuum, 2010.

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8

Otto, Werner. The Latin influence on jazz. Dubuque, Iowa: Kendall/Hunt Pub. Co., 1992.

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9

Marchiò, Roberto Baronti. A thought-tormented music: Browning & Joyce. Roma: Bulzoni, 2012.

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10

O'Connor, Jason. Music as an advertising tool: An analysis of music influence on attitude conditioning. Dublin: University College Dublin, 1996.

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11

Smith, Jane Stuart. The gift of music: Great composers and their influence. 3rd ed. Cumbria: Solway, 1998.

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12

Betty, Carlson, ed. The gift of music: Great composers and their influence. 3rd ed. Wheaton, Ill: Crossway Books, 1995.

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13

Music and trance: A theory of the relations between music and possession. Chicago: University of Chicago Press, 1985.

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14

Women of influence in contemporary music: Nine American composers. Lanham, Md: Scarecrow Press, 2011.

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15

Cowan, Joan Bell. Gamelan range of light: The influence of instrument building on composition. Oakland, CA: Distributed by the American Gamelan Institute, 1985.

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16

Kun-ja, Kim, ed. Tʻaegyo ŭmak yua ŭmak. Sŏul-si: Saemtʻŏsa, 1988.

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17

Bible & music: Influences of the Old Testament on western music. Jersey City, NJ: KTAV Pub. House, 2011.

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18

Impresionizam u hrvatskoj glazbi: Recepcija glazbe Claudea Debussya u Hrvatskoj, 1918-1940. Zagreb: Nakladni zavod Matice hrvatske, 1995.

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19

Rueger, Christoph. Die musikalische Hausapotheke für jedwede Lebens- und Stimmungslage von A bis Z. 4th ed. Genf: Ariston Verlag, 1991.

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20

Kunz, Susanne. Musik am Arbeitsplatz. Wien: Doblinger, 1991.

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21

Garlock, Frank. Music in the balance. Greenville, SC: Majesty Music, 1992.

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22

Why music moves us. Houndmills [England]: Palgrave Macmillan, 2009.

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23

British invasion: The crosscurrents of musical influence. Lanham, Maryland: Rowman & Littlefield, 2015.

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24

Bringing it all back home: The influence of Irish music. London: BBC Books, 1991.

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25

Le Chemin de la guitare: La pratique de l'instrument commediscipline spirituelle. Saint-Romuald, QC: Productions D'Oz, 2007.

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26

Frascarolo, Aristide. Un parcours de la musique: De ses bienfaits à ses maux. Le Lieu: A. Frascarolo, 2003.

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27

Fagiuoli, Ettore. Nietzsche: La finitudine come autobiografia. Milano: EGEA, Edizioni giuridiche economiche aziendali dell'Università Bocconi e Giuffrè editori, 1994.

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28

Music is the master key. Orlando, Fla: Rivercross Pub., 2000.

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29

Nanette, Nielsen, ed. Music and ethics. Burlington: Ashgate, 2012.

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30

L' influence de la musique sur l'apprentissage, le comportement et la santé. Montréal: Québec/Amérique, 1989.

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31

The role of rock: Harmless entertainment or destructive influence? Canton, Ohio: Daring Pub. Group, 1989.

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32

Wendy, Lee. Chinese composers, western piano works: Unpacking aspects of musical influence. Saarbrucken [Switzerland]: VDM Verlag Dr. Müller, 2007.

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33

Chinese composers, western piano works: Unpacking aspects of musical influence. Saarbrucken [Switzerland]: VDM Verlag Dr. Müller, 2007.

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34

Wendy, Lee. Chinese composers, western piano works: Unpacking aspects of musical influence. Saarbrucken [Switzerland]: VDM Verlag Dr. Müller, 2007.

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35

The Benedictine gift to music. New York: Paulist Press, 2003.

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36

Mann, Thomas. Beethoven im Werk von Thomas Mann: Ohne Romane und Erzählungen. Bern: Eigenverlag F. Schären, 1988.

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37

Philipp, Beate. Grete von Zieritz und der Schreker-Kreis: Die Kunst des unbedingten Ausdrucks. Wilhelmshaven: F. Noetzel, 1993.

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38

Loske, Alexandra. Förderung von sozialen Kompetenzen durch Musikpraxis bei alten Menschen. Göttingen: Cuvillier, 2000.

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39

Hitler et la musique: Un mélomane mégalomane. Grez-sur-Loing: Pardès, 2007.

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40

Stella, Benson. The healing musician: A guide to playing healing music at the bedside. Seattle, WA: NewGrail Media, 1999.

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41

Ginepro, Raffaella. La via della musica: La dimensione del suono, le musiche giuste per ognuno, per ogni momento. Torino: Horus, 1993.

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42

Geier, Jens-Stefan. Psychophysiologische Konzepte und emotionstheoretische Modelle als Grundlage anxioalgolytischer Musikwirkung. Osnabrück: Univ. Verlag Rasch, 2001.

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43

Listening, playing, creating: Essays on the power of sound. Albany: State University of New York Press, 1995.

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44

Lange, Carsten. Telemann und Frankreich - Frankreich und Telemann: Bericht über die Internationale Wissenschaftliche Konferenz, Magdeburg, 12. bis 14. März 1998, anlässlich der 14. Magdeburger Telemann-Festtage. Hildesheim: Olms, 2009.

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45

Kapchan, Deborah A. Traveling spirit masters: Moroccan Gnawa trance and music in the global marketplace. Middletown, Conn: Wesleyan University Press, 2007.

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46

The legacy of Johann Strauss: Political influence and twentieth-century identity. New York: Cambridge University Press, 2014.

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47

Spaethling, Robert. Music and Mozart in the life of Goethe. Columbia, S.C., USA: Camden House, 1987.

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48

Lawrence, Robert Means. The Healing Influence of Music. Kessinger Publishing, 2005.

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49

Hip Hop: Artists Music and Influence. UXL, 2008.

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50

Diserens, Charles M., and Harry Fine. A Psychology Of Music: The Influence Of Music On Behavior. Kessinger Publishing, LLC, 2007.

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