Log in

Relevant bibliographies by topics / Music in medieval England

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Music in medieval England'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Music in medieval England.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Music in medieval England"

1

Haggh, Barbara. "Liturgical music in medieval England." Early Music XXII, no. 2 (May 1994): 325–28. http://dx.doi.org/10.1093/earlyj/xxii.2.325.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Lefferts, Peter M. "The Garland Encyclopedia of Medieval England." Musical Times 130, no. 1755 (May 1989): 257. http://dx.doi.org/10.2307/966311.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Beal, Jane. "Matthew Cheung Salisbury, Worship in Medieval England. Past Imperfect Series. Croydon: ARC Humanities Press, 2018, 92 pages." Mediaevistik 32, no. 1 (January 1, 2020): 315–18. http://dx.doi.org/10.3726/med.2019.01.42.

Full text

Abstract:

Matthew Cheung Salisbury, a Lecturer in Music at University and Worcester College, Oxford, and a member of the Faculty of Music at the University of Oxford, wrote this book for ARC Humanities Press’s Past Imperfect series (a series comparable to Oxford’s Very Short Introductions). Two of his recent, significant contributions to the field of medieval liturgical studies include The Secular Office in Late-Medieval England (Turnhout: Brepols, 2015) and, as editor and translator, Medieval Latin Liturgy in English Translation (Kalamazoo: Medieval Institute Publications, 2017). In keeping with the work of editors Thomas Heffernan and E. Ann Matter in The Liturgy of the Medieval Church, 2nd ed. (Kalamazoo: Medieval Institute Publications, 2005) and Richard W. Pfaff in The Liturgy of Medieval England: A History (Cambridge University Press, 2009), this most recent book provides a fascinating overview of the liturgy of the medieval church, specifically in England. Salisbury’s expertise is evident on every page.

APA, Harvard, Vancouver, ISO, and other styles

4

Dittmer, Luther A., and Susan Kathleen Rankin. "The Music of the Medieval Liturgical Drama in France and England." Notes 47, no. 3 (March 1991): 730. http://dx.doi.org/10.2307/941864.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Kisby, Fiona. "A mirror of monarchy: Music and musicians in the household chapel of the Lady Margaret Beaufort, mother of Henry VII." Early Music History 16 (October 1997): 203–34. http://dx.doi.org/10.1017/s0261127900001728.

Full text

Abstract:

Ever since the publication of Frank Harrison's book Music in Medieval Britain in 1958, the study of the cultivation of liturgical music in late-medieval England has been based on the institutional structure of the Church: on the cathedrals, colleges and parish churches, and on the household chapels of the monarchy and higher nobility both spiritual and lay. In that and most subsequent studies, however, male figures have been seen to dominate the establishments under investigation. If art history (perhaps musicology's closest sister discipline) can be shown to have characterised the patronage of Renaissance art as a system dominated by ‘Big Men’, so too has musicology placed the development of English liturgical music in a culture shaped largely by noble male patrons – kings, princes, dukes, earls, archbishops, bishops and the like.

APA, Harvard, Vancouver, ISO, and other styles

6

Halmo, Joan. "A Sarum antiphoner and other medieval office manuscripts from England and France: some musical relationships." Plainsong and Medieval Music 11, no. 2 (October 2002): 113–26. http://dx.doi.org/10.1017/s0961137102002085.

Full text

Abstract:

Using several twelfth- and thirteenth-century sources, this study examines a selected number of Office antiphons, comparing their melodic variants for patterns of similarity and difference. The ancestry of a Sarum manuscript and - in another source - the survival of a pre-Conquest musical tradition in England are discernible in Office manuscripts examined as are affinities among French and English sources. Evidence from previous chant scholarship and certain medieval historical events shed light on the observations made in this study.

APA, Harvard, Vancouver, ISO, and other styles

7

Lawson, Kevin E. "Light from the “Dark Ages”: Lessons in Faith Formation from before the Reformation." Christian Education Journal: Research on Educational Ministry 14, no. 2 (November 2017): 328–46. http://dx.doi.org/10.1177/073989131701400206.

Full text

Abstract:

This article explores how parish members in the later medieval era in England learned the Christian faith through a variety of means (e.g., preaching, liturgical calendar, art, music, poetry, drama, confessional instruction, spiritual kinship relationships, catechetical instruction) with an eye on what we might learn from this era that could strengthen the church's educational ministry efforts in the present.

APA, Harvard, Vancouver, ISO, and other styles

8

Holsinger, Bruce W. "The vision of music in a Lollard florilegium: Cantus in the Middle English Rosarium theologie (Cambridge, Gonville and Caius College MS 354/581)." Plainsong and Medieval Music 8, no. 2 (October 1999): 95–106. http://dx.doi.org/10.1017/s0961137100001650.

Full text

Abstract:

Despite their intriguing testimony to the vagaries of musical life in late medieval England, relatively little attention has been given by musicologists and historians of religion to the wealth of commentary on liturgical and secular music penned by the followers of the Oxford heretic John Wyclif. In a brief mention of this material in The Premature Reformation, her magisterial study of Wyclif and the Lollards, Anne Hudson suggests that the Lollards’ suspicion of musical display reflected their more general hostility towards the decoration of churches.

APA, Harvard, Vancouver, ISO, and other styles

9

Heminger, Anne. "MUSIC THEORY AT WORK: THE ETON CHOIRBOOK, RHYTHMIC PROPORTIONS AND MUSICAL NETWORKS IN SIXTEENTH-CENTURY ENGLAND." Early Music History 37 (October 2018): 141–82. http://dx.doi.org/10.1017/s0261127918000074.

Full text

Abstract:

Whilst scholars often rely on a close reading of the score to understand English musical style at the turn of the fifteenth century, a study of the compositional techniques composers were taught provides complementary evidence of how and why specific stylistic traits came to dominate this repertory. This essay examines the relationship between practical and theoretical sources in late medieval England, demonstrating a link between the writings of two Oxford-educated musicians, John Tucke and John Dygon, and the polyphonic repertory of the Eton Choirbook (Eton College Library, MS 178), compiled c. 1500–4. Select case studies from this manuscript suggest that compositional and notational solutions adopted at the turn of the fifteenth century, having to do particularly with metrical proportions, echo music-theoretical concepts elucidated by Tucke and Dygon. These findings impinge upon the current debate concerning the presence of a network between educational institutions in the south-east of England during this period.

APA, Harvard, Vancouver, ISO, and other styles

10

DEEMING, HELEN. "The song and the page: experiments with form and layout in manuscripts of medieval Latin song." Plainsong and Medieval Music 15, no. 1 (April 2006): 1–27. http://dx.doi.org/10.1017/s096113710600026x.

Full text

Abstract:

The non-liturgical songs of twelfth- and thirteenth-century England were recorded, for the most part, not in dedicated song books, but on occasional pages in manuscript miscellanies. Away from the context of fully musical books, there were no fixed procedures for the layout of music, and scribes devised new approaches to layout as they worked. This article considers three Latin songs from such sources and explores the evidence for experimentation, both in scribal technique and in musical procedures, that may have contributed to their specific manuscript presentations.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Music in medieval England"

1

Wathey, A. B. "Music in the Royal and noble households in late medieval England : studies of sources and patronage." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.235758.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Schell, Sarah. "The Office of the Dead in England : image and music in the Book of Hours and related texts, c. 1250-c. 1500." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2107.

Full text

Abstract:

This study examines the illustrations that appear at the Office of the Dead in English Books of Hours, and seeks to understand how text and image work together in this thriving culture of commemoration to say something about how the English understood and thought about death in the fourteenth and fifteenth centuries. The Office of the Dead would have been one of the most familiar liturgical rituals in the medieval period, and was recited almost without ceasing at family funerals, gild commemorations, yearly minds, and chantry chapel services. The Placebo and Dirige were texts that many people knew through this constant exposure, and would have been more widely known than other 'death' texts such as the Ars Moriendi. The images that are found in these books reflect wider trends in the piety and devotional practice of the time. The first half of the study discusses the images that appear in these horae, and the relationship between the text and image is explored. The funeral or vigil scene, as the most commonly occurring, is discussed with reference to contemporary funeral practices, and ways of reading a Book of Hours. Other iconographic themes that appear in the Office of the Dead, such as the Roman de Renart, the Pety Job, the Legend of the Three Living and the Three Dead, the story of Lazarus, and the life of Job, are also discussed. The second part of the thesis investigates the musical elaborations of the Office of the Dead as found in English prayer books. The Office of the Dead had a close relationship with music, which is demonstrated through an examination of the popularity of musical funerals and obits, as well as in the occurrence of musical notation for the Office in a book often used by the musically illiterate. The development of the Office of the Dead in conjunction with the development of the Books of Hours is also considered, and places the traditions and ideas that were part of the funeral process in medieval England in a larger historical context.

APA, Harvard, Vancouver, ISO, and other styles

3

Hamilton, Elizabeth P. K. "A Study of Early Sixteenth-Century English Music Fragments from the DIAMM Database." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20241.

Full text

Abstract:

While the study of complete sources is very valuable, and has contributed greatly to what is understood of music history, the perspective they contribute is limited because they cannot reveal information about how music and music sources were most often used. The study of functional sources, more probably created for use, allows for more insight into how music was performed and understood, and how such sources were created, used and valued. This study examines twelve fragmentary early sixteenth-century English sources from the Digital Image Archive of Medieval Music (DIAMM) database, constituting a sample of functional music sources in this period. The study of this sampling reveals information about how functional manuscripts were created, used and valued in England during this time period. Some of the fragments contain works with concordances. These concordances are compared using variant comparison, where differences in the versions of the work are considered and weighed. The comparative study of concordances provides insight into the transmission of the versions, scribal and performance culture, as well as into music culture in general. Overall, the study of this sampling of early sixteenth-century functional English sources provides a clearer understanding of the use of accidentals, scribes and scribal culture, performers, performance practice and music culture in England at this time, contributing to the understanding of music history.

APA, Harvard, Vancouver, ISO, and other styles

4

Phillips, Kim M. "The medieval maiden : young womanhood in late medieval England." Thesis, University of York, 1997. http://etheses.whiterose.ac.uk/2439/.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Langum, Virginia Eileen. "Discretion in late medieval England." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609515.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Hulton, Mary H. M. "Urban weavers of medieval England." Thesis, University of Birmingham, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311596.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Nilson, Benjamin John. "Cathedral shrines of medieval England /." Suffolk (U.K.) ; Rochester (N.Y.) : the Boydell press, 1998. http://catalogue.bnf.fr/ark:/12148/cb37089482f.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Helmholz, Richard H. "Marriage litigation in medieval England /." Holmes Beach (Fla.) : Wm. W. Gaunt and sons, 1986. http://catalogue.bnf.fr/ark:/12148/cb37375127t.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Hardingham, Glenn James. "The regimen in late medieval England." Thesis, University of Cambridge, 2005. https://www.repository.cam.ac.uk/handle/1810/284049.

Full text

Abstract:

This thesis examines the nature and uses of the regimen in the fourteenth and fifteenth century in England. The introduction discusses the historiography of the regimen primarily through a delineation of the genre. It argues that the usual focus of the regimen of health and its characterization as a medical text is too narrow, proposing that the text, in both its form and use, was a text on guidance of body and soul that can not be separated from other works of political governance, ethical behaviour and spiritual advice. In order to establish the subject, chapter one presents a distillation of multiple dietaries structured as a daily regimen. The second chapter deals with medical regimens – those books of advice on health usually written by doctors – written, translated or transcribed in late medieval England. It works as a survey and discussion of the contents, composition and audience of texts ranging from calendrical regimens and the classic epistolary dietary, to plague tracts, works resembling political begging letters and the widespread universal regimen. Chapter three investigates the links between the regimen and the institutional regimens practiced in English hospitals, religious houses and noble households, to argue that all texts on rule share similar concerns with health, both of the body and of the spirit (corporate and individual). The final chapter uses John Lydgate’s popular Dietary as a means to discuss the regimen’s central place in the literature of the fifteenth century. Among its roles was that of a handbook for the fifteenth century reader, a guide to ethical behaviour in the social environment not dissimilar to the courtesy books; while a focus on early printed books reveals the regimen’s influence on the vernacular religious text. This is followed by a handlist of regimens written, translated or used in late medieval England.

APA, Harvard, Vancouver, ISO, and other styles

10

Bale, Anthony Paul. "Fictions of Judaism in medieval England." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395238.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Music in medieval England"

1

Rankin, Susan. The music of the medieval liturgical drama in France and England. New York: Garland, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Wathey, Andrew. Music in the royal and noble households in late medieval England: Studies of sources and patronage. New York: Garland Pub., 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Miserere mei: The penitential Psalms in late medieval and early modern England. Notre Dame, Ind: University of Notre Dame Press, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

The remunerated vernacular singer: From medieval England to the post-war revival. Frankfurt am Main: Peter Lang, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Roger, Prior, ed. The Bassanos: Venetian musicians and instrument makers in England, 1531-1665. Aldershot, England: Scolar Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Medieval England. New York: Benchmark Books, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

John, Hatcher, ed. Medieval England. London: Longman, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Medieval England. Kennett Square, Pennsylvania: Purple Toad Publishing, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Simkin, John. Medieval England. Brighton: Spartacus, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Medieval music. Farnham, Surrey, England: Ashgate Pub Ltd, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Music in medieval England"

1

Arabatzis, George, Maarten J. F. M. Hoenen, Vasileios Syros, Harro Höpfl, Lidia Lanza, Antonella Straface, Mikko Yrjönsuuri, et al. "Music, Medieval." In Encyclopedia of Medieval Philosophy, 818–23. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-1-4020-9729-4_345.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

McCarthy, T. J. H. "Music, Medieval." In Encyclopedia of Medieval Philosophy, 1253–60. Dordrecht: Springer Netherlands, 2020. http://dx.doi.org/10.1007/978-94-024-1665-7_345.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Cotter-Lynch, Margaret. "Perpetua in Medieval England." In Saint Perpetua across the Middle Ages, 113–35. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-46740-9_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Resl, Brigitte. "Hospitals in Medieval England." In Europäisches Spitalwesen. Institutionelle Fürsorge in Mittelalter und Früher Neuzeit, 41–52. Wien: Böhlau Verlag, 2008. http://dx.doi.org/10.7767/boehlau.9783205160885.41.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Lefferts, Peter M. "Medieval England, 950–1450." In Antiquity and the Middle Ages, 170–96. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21157-9_7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Schofield, Phillipp R. "Famine in medieval England." In The Routledge Handbook of Medieval Rural Life, 138–52. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003194866-12.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Russell, Alexander. "Conciliarism and Heresy in England." In Medieval Church Studies, 155–66. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.mcs-eb.4.2008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Tibbetts, John C., and Michael Saffle. "Medieval and Early Modern Music." In Performing Music History, 7–43. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92471-7_2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Kelly, Stephen, and Ryan Perry. "Devotional Cosmopolitanism in Fifteenth-Century England." In Medieval Church Studies, 363–80. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.mcs-eb.4.2019.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Lampert-Weissig, Lisa. "“You Had to Have Been There”: The Importance of Place in Teaching Jewish History and Literature." In Jews in Medieval England, 245–60. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63748-8_15.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Music in medieval England"

1

Calvo-Zaragoza, Jorge, Alejandro H. Toselli, Enrique Vidal, and Joan Andreu Sanchez. "Music Symbol Sequence Indexing in Medieval Plainchant Manuscripts." In 2019 International Conference on Document Analysis and Recognition (ICDAR). IEEE, 2019. http://dx.doi.org/10.1109/icdar.2019.00146.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Wick, Christoph, Alexander Hartelt, and Frank Puppe. "Lyrics Recognition and Syllable Assignment of Medieval Music Manuscripts." In 2020 17th International Conference on Frontiers in Handwriting Recognition (ICFHR). IEEE, 2020. http://dx.doi.org/10.1109/icfhr2020.2020.00043.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Eden, Grace, and Marina Jirotka. "Digital Images of Medieval Music Documents: Transforming Research Processes and Knowledge Production in Musicology." In 2012 45th Hawaii International Conference on System Sciences (HICSS). IEEE, 2012. http://dx.doi.org/10.1109/hicss.2012.217.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Kopár, Lilla. "The Rise and Fall of Anglo-Saxon Runic Stone Monuments: Runic Inscriptions and the Development of Sculpture in Early Medieval England." In The Eighth International Symposium on Runes and Runic Inscriptions. Department of Scandinavian Languages, Uppsala University, 2021. http://dx.doi.org/10.33063/diva-438873.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Knoth, Ina. "How to Deal with Music and the Arts in England, c. 1670–1750? Some Introductory Remarks." In Musik und die Künste in der englischen Frühaufklärung (ca. 1670–1750). Universität Hamburg, Institut für Historische Musikwissenschaft, 2020. http://dx.doi.org/10.25366/2020.113.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Grokhovskiy, Pavel. "�TREATISE ON MUSIC� BY SAKYA PANDITA AS A VALUABLE SOURCE FOR UNDERSTANDING MEDIEVAL TIBETAN VOCAL SYSTEM AND SINGING TECHNIQUES." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b41/s14.026.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!