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Books on the topic 'Music hubs'

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Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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1

Feiler, Jesse. Making movies, photos, music & DVDs on your Mac: Using Apple's digital hub. Berkeley, Calif: McGraw-Hill/Osborne, 2002.

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2

Dawson, C. J. Music education at a distance: A hub class trial in the study of music theory using communications technology : report. [Adelaide}: Education Technology Centre, Education Dept., South Australia, 1986.

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3

Les musiciens liégeois au service des Habsbourg d'Autriche au XVIème siècle. Tutzing: Hans Schneider, 2006.

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4

O'r ochor arall. Llanrwst: Gwasg Carreg Gwalch, 2012.

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5

Beah, Ishmael. Ver van huis: Herinneringen van een kindsoldaat. Amsterdam: Sijthoff, 2007.

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6

Jones, Edward Huws. Early Music Fiddler (Huws Jones Fiddle). Boosey & Hawkes Music Publishers Ltd, 2000.

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7

Hub, The Hub The, John Bischoff, and Ludger Brummer. Hub: Pioneers of Network Music. Kehrer Verlag Heidelberg, Klaus Kehrer, 2022.

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8

Hub City Music Makers: One Southern Town's Popular Music Legacy. Holocene Publishing, 1997.

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9

Milne, A. A. Hums of Pooh. Farshore, 2003.

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10

The Hub: Edinburgh's festival centre : Cafe Hub, ticket centre, music and book shop : [leaflet]. Edinburgh: [The Hub], 1990.

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11

Haworth, Christopher. Technology, Creativity, and the Social in Algorithmic Music. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.13.

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This chapter surveys developments in the sociology of art and theories of mediation to examine the contribution of technical devices and institutions to musical creativity. In particular, it considers Actor-Network Theory as a means to analyse the contributions of ‘nonhuman actors’ to the social world of algorithmic music. Two case studies are discussed: the network music pioneers The Hub and the contemporary genre of live coding. The example of The Hub raises the question of technological change and the necessity of considering the external forces that bear on the instrumentarium of algorithmic music as part of its social ecology. The chapter analyses live coding, focusing on the associated actors’ use of the Internet. It then charts the online development of the TOPLAP manifesto to illustrate how the ‘true’ computer music that live coding seeks to articulate is an ongoing social negotiation. The final section uses the Issuecrawler software to analyse networks of association within live coding.
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12

Dag, Andersen, ed. Et hus i Europa: Bilder av en fantastisk historie : elleve essays. Oslo: C. Huitfeldt, 1994.

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13

Herrera, Eduardo. Elite Art Worlds. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190877538.001.0001.

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Between 1962 and 1971, the Centro Latinoamericano de Altos Estudios Musicales (CLAEM) of the Di Tella Institute in Buenos Aires became the central hub of Latin American avant-garde music. With the support of the Rockefeller Foundation and the wealthy Di Tella family, CLAEM offered two-year fellowships to some of the most recognized young composers of the region to undertake graduate studies in a unique privileged setting under the direction of Alberto Ginastera and with permanent and visiting faculty that included Gerardo Gandini, Francisco Kröpfl, Mario Davidovsky, Iannis Xenakis, Luigi Nono, Aaron Copland, Luigi Dallapiccola, Bruno Maderna, Riccardo Malipiero, Olivier Messiaen, Roger Sessions, and Earle Brown. This book combines oral histories, ethnographic research, and archival sources to reveal CLAEM as a meeting point of US and Argentine philanthropy, local experiences in transnational currents of artistic experimentation and innovation, and regional discourses of musical Latin Americanism. The story of CLAEM shows how musical avant-gardes were articulated, embodied, resignified, and institutionalized in Latin America; how composers during the 1960s engaged with discourses of Latin Americanism as professional strategy, identification marker, and musical style; and sheds light into the role of art in the legitimation and construction of elite status and identity. By looking at CLAEM as both an artistic and a philanthropic project, the book illuminates the relationships among foreign policy, corporate interests, and funding for the arts concerning Latin America and the United States in the mid-twentieth century.
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14

Georgijevic, Milan, and Alexander Lechoba. Alexa - Echo Plus Buch 2018: Das Detaillierteste Handbuch Für Alexa Echo Plus - Anleitungen Zu Einrichtung, Smart Home-Hub, Prime Bestellungen, Telefonie, Musik, Einstellung, IFTT, Skills, and Lustiges. Independently Published, 2018.

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15

Raver, Dj Trance. Techno: Kalender Monatsplaner Familienplaner Planer I Techno I Musik I Rave I House I EDM I Dj I Deejay I Glitch I Trippy EDM I Techno Hub. Independently Published, 2019.

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16

Raver, Dj Trance. Tekk King: Kalender Monatsplaner Familienplaner Planer I Techno I Musik I Rave I House I EDM I Dj I Deejay I Glitch I Trippy EDM I Techno Hub. Independently Published, 2019.

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17

Raver, Dj Trance. Rave DAD: Kalender Monatsplaner Familienplaner Planer I Techno I Musik I Rave I House I EDM I Dj I Deejay I Glitch I Trippy EDM I Techno Hub. Independently Published, 2019.

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18

Raver, Dj Trance. Rave Mom: Kalender Monatsplaner Familienplaner Planer I Techno I Musik I Rave I House I EDM I Dj I Deejay I Glitch I Trippy EDM I Techno Hub. Independently Published, 2019.

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19

Raver, Deejay Trance. Tekk Queen: Kalender Monatsplaner Familienplaner Planer I Techno I Musik I Rave I House I EDM I Dj I Deejay I Glitch I Trippy EDM I Techno Hub. Independently Published, 2019.

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20

Raver, Dj Trance. Techno Ihr Ficker: Kalender Monatsplaner Familienplaner Planer I Techno I Musik I Rave I House I EDM I Dj I Deejay I Glitch I Trippy EDM I Techno Hub. Independently Published, 2019.

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21

Raver, Dj Trance. Sex Drugs Techno: Kalender Monatsplaner Familienplaner Planer I Techno I Musik I Rave I House I EDM I Dj I Deejay I Glitch I Trippy EDM I Techno Hub. Independently Published, 2019.

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22

Raver, Deejay Trance. Fuck Work Lets Rave: Kalender Monatsplaner Familienplaner Planer I Techno I Musik I Rave I House I EDM I Dj I Deejay I Glitch I Trippy EDM I Techno Hub. Independently Published, 2019.

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23

Erpill the Caterpillar. Bloomington, USA: AuthorHouse, 2012.

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