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Books on the topic 'Music Germany History and criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

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1

Lewis-Hammond, Susan. Editing music in early modern Germany. Aldershot, Hants, England: Ashgate Pub., 2007.

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2

Chorley, Henry Fothergill. Modern German music: Recollections and criticisms. Cambridge: Cambridge University Press, 2009.

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3

Komlós, Katalin. Fortepianos and their music: Germany, Austria, and England, 1760-1800. Oxford: Clarendon Press, 1995.

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4

Wallscheid, Margot, Stephan Schulmeistrat, and J. Bradford Robinson. Musical life in Germany: Structure, facts and figures. Edited by Deutsches Musikinformationszentrum. Bonn: German Music Council, 2011.

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5

Rehding, Alexander. Music and monumentality: Commemoration and wonderment in nineteenth-century Germany. New York: Oxford University Press, 2009.

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6

German music criticism in the late eighteenth century: Aesthetic issues in instrumental music. Cambridge, U.K: Cambridge University Press, 1997.

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7

New music, new allies: American experimental music in West Germany from the zero hour to reunification. Berkeley: University of California Press, 2006.

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8

Chorley, Henry Fothergill. Music and manners in France and Germany: A series of travelling sketches of art and society. Cambridge: Cambridge University Press, 2009.

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9

The new German cinema: Music, history, and the matter of style. Berkeley: University of California Press, 2004.

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10

Musical thought in Britain and Germany during the early eighteenth century. New York: P. Lang, 1987.

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11

Johann Sebastian Bach: His work and influence on the music of Germany, 1685-1750. London: Novello, 1992.

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12

Different drummers: Jazz in the culture of Nazi Germany. New York: Oxford University Press, 1992.

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13

Musik im Unterhaltungskino des Dritten Reichs (2010 : Würzburg, Germany), ed. Musik im Unterhaltungskino des Dritten Reichs. Würzburg: Königshausen & Neumann, 2011.

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14

de, Vries Willem. Sonderstab Musik: Music confiscations by the Einsatzstab Reichsleiter Rosenberg under the Nazi occupation of Western Europe. Amsterdam: Amsterdam University Press, 1996.

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15

Music, masculinity and the claims of history: The Austro-German tradition from Hegel to Freud. Burlington, VT: Ashgate, 2011.

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16

Germany in the loud twentieth century: An introduction. New York: Oxford University Press, 2012.

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17

Saffle, Michael. Liszt in Germany, 1840-1845: A study in sources, documents, and the history of reception. Stuyvesant, NY: Pendragon Press, 1994.

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18

Müller, Reinhold. Spielmann, Trompeter, Hoboist: Aus der Geschichte der deutschen Militärmusiker. Berlin: Militärverlag der Deutschen Demokratischen Republik, 1988.

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19

Imagined Germany: Richard Wagner's national utopia. New York: P. Lang, 1999.

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20

Gentsch, Werner. Hinter den Kulissen der Berliner Philharmonie: Ein Chorsänger erinnert sich. Berlin: Frieling, 1989.

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21

Lotz, Rainer E. Black people: Entertainers of African descent in Europe and Germany. 5th ed. Bonn: Birgit Lotz Verlag, 1997.

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22

1947-, Supper Martin, Weinzierl Stefan 1967-, Deutsche Gesellschaft für Elektroakustische Musik, and Technische Universität Berlin. Fachgebiet Audiokommunikation, eds. SMC 08: 5th Sound and Music Computing Conference : sound in space - space in sound, July 31st - August 3rd, 2008, Berlin, Germany : proceedings. Berlin: Universitätsverlag der TU, Universitätsbibliothek, 2008.

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23

Sound and Music Computing Conference (5th 2008 Berlin, Germany). SMC 08: 5th Sound and Music Computing Conference : sound in space - space in sound, July 31st - August 3rd, 2008, Berlin, Germany : proceedings. Berlin: Universitätsverlag der TU, Universitätsbibliothek, 2008.

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24

Kater, Michael H. The twisted muse: Musicians and their music in the Third Reich. New York: Oxford University Press, 1997.

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25

The music of Hans Pfitzner. Oxford: Clarendon Press, 1992.

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26

Rehding, Alexander. Resounding monumentality: Nineteenth-century German music, commemoration, and wonderment. New York: Oxford University Press, 2009.

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27

Schutte, Uwe. Kraftwerk: Future Music from Germany. Penguin Books, Limited, 2020.

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28

Williams, Alastair. Music in Germany Since 1968. Cambridge University Press, 2017.

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29

Music in Germany Since 1968. Cambridge University Press, 2008.

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30

Editing Music in Early Modern Germany. Ashgate Publishing, 2007.

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31

Schumann's virtuosity: Criticism, composition, and performance in nineteenth-century Germany. 2016.

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32

1929-, Jakoby Richard, ed. Musical life in Germany: Structure, development, figures. Bonn: Inter Nationes, 1997.

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33

Schiller, Melanie. Soundtracking Germany: Popular Music and National Identity. Rowman & Littlefield Publishers, Incorporated, 2018.

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34

Soundtracking Germany: Popular Music and National Identity. Rowman & Littlefield Publishers, Incorporated, 2019.

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35

Soundtracking Germany: Popular Music and National Identity. Rowman & Littlefield International, 2018.

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36

Thompson, Mark Christian. Anti-Music. State University of New York Press, 2019.

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37

Michael, Cooper John, and Prandi Julie D. 1951-, eds. The Mendelssohns: Their music in history. Oxford: Oxford University Press, 2002.

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38

(Editor), John Michael Cooper, and Julie D. Prandi (Editor), eds. The Mendelssohns: Their Music in History. Oxford University Press, USA, 2002.

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39

Women composers in Germany. Bonn: Inter Nationes, 1996.

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40

Stefaniak, Alexander. Schumann's Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany. Indiana University Press, 2016.

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41

Flinn, Caryl. New German Cinema: Music, History, and the Matter of Style. University of California Press, 2004.

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42

Flinn, Caryl. New German Cinema: Music, History, and the Matter of Style. University of California Press, 2003.

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43

Rehding, Alexander. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford University Press, Incorporated, 2017.

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44

Waligorska, Magdalena. Klezmer's Afterlife: An Ethnography of the Jewish Music Revival in Poland and Germany. Oxford University Press, Incorporated, 2013.

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45

1953-, Walker Paul, ed. Church, stage, and studio: Music and its contexts in seventeenth-century Germany. Ann Arbor, Mich: UMI Research Press, 1990.

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46

Jewish Music and Modernity: The Paradox of a European Music History. Oxford University Press, 2005.

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47

One Sound, Two Worlds: The Blues in a Divided Germany, 1945-1990. Berghahn Books, Incorporated, 2019.

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48

Morrow, Mary Sue. German Music Criticism in the Late Eighteenth Century: Aesthetic Issues in Instrumental Music. Cambridge University Press, 2006.

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49

Beal, Amy C. New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. University of California Press, 2006.

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50

Nancy, Van Deusen, ed. Medieval Germany: Associations and delineations. Ottawa, Canada: Institute of Mediaeval Music, 2000.

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