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Books on the topic 'Music composition and improvisation'

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Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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1

Christiansen, Hans Henning. Arrangement, improvisation, komposition. Egtved: Edition Egtved, 1989.

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2

Stewart, Dave. Inside the music. San Francisco: Miller Freeman Books, 1999.

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3

Mazzola, G. Musical creativity: Strategies and tools in composition and improvisation. Berlin: Springer, 2011.

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4

Hyperimprovisation: Computer-interractive sound improvisations. Middleton, WI: A-R Editions, 2002.

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5

The musician's handbook: A guide to music fundamentals, hearing and performing music, reading and writing notation, improvising, and composing. Upper Saddle River, N.J: Prentice Hall, 1998.

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6

Exploratory musicism: Ideas for spontaneous composition. Binghamton, N.Y: Global Academic Pub., 2009.

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7

Hester, Karlton E. Exploratory musicism: Ideas for spontaneous composition. Binghamton, N.Y: Global Academic Pub., 2009.

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8

1954-, Gronemeyer Gisela, and Oehlschlägel Reinhard, eds. Nonsequiturs: Writings & lectures on improvisation, composition, and interpretation = Unlogische Folgerungen : Schriften und Vorträge zu Improvisation, Komposition und Interpretation. Köln: MusikTexte, 2007.

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9

Improvisation and composition in Balinese gendér wayang: Music of the moving shadows. Burlington, VT: Ashgate, 2011.

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10

Vella, Richard. Sounds in space, sounds in time: Projects in listening, improvising and composing. London: Boosey & Hawkes Music Publishers, 2003.

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11

Ex ovo: A guide for perplexed composers and improvisers. Saint-Nicolas, Québec: Doberman-Yppan, 2006.

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12

Hester, Karlton E. The melodic and polyrhythmic development of John Coltrane's spontaneous composition in a racist society. Lewiston: E. Mellen Press, 1997.

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13

Kaye, Robert. The classical method: Classical improvisation & compositional theory and harmony. 4th ed. Blomington, IN: AuthorHouse, 2004.

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14

The classical method: Classical improvisation & compositional theory and harmony. Blomingtin, IN: AuthorHouse, 2004.

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15

Kaye, Robert. The classical method: Classical improvisation & compositional theory and harmony. Blomingtin, IN: AuthorHouse, 2004.

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16

Volquartz, Ove. Improvisation und 'Flow'-Erlebnis: Empirische Untersuchung von Möglichkeiten und Grenzen der Flusserfahrung im Musikunterricht einer gymnasialen Oberstufe. Essen: Die Blaue Eule, 1999.

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17

Calì, Leonardo. Creatività musicale e scuola. Bari: Levante, 1993.

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18

Musical creativity: Insights from music education research. Burlington, VT: Ashgate, 2011.

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19

Eppstein, Ury. The beginnings of western music in Meiji era Japan. Lewiston, N.Y: Edwin Mellen, 1995.

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20

Heble, Ajay. Improvisation and Music Education. New York; London: Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315737393.

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21

Shawn, Allen. Improvisation no. 3. New York: Galaxy Music, 1987.

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22

Lenz, Martin. Wege zur musiktherapeutischen Improvisation. Münster: Lit, 1998.

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23

The philosophy of improvisation. Chicago: University of Chicago Press, 2009.

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24

Peters, Gary. The philosophy of improvisation. Chicago, Ill: University of Chicago Press, 2011.

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25

Weir, Michele. Vocal improvisation. [Rottenburg N., Germany]: Advance Music, 2001.

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26

Gustaffson, Mats. Solo improvisation & interpretation: Essays. Stockholm: Almlöf, 1992.

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27

Johns, Michele. Hymn improvisation. Minneapolis: Augsburg Pub. House, 1987.

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28

Sudden music: Improvisation, sound, nature. Athens: University of Georgia Press, 2002.

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29

Colwell, Richard J., and John Kratus. Composition and Improvisation for Music Edu. Pearson Education, Limited, 2014.

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30

Mazzola, Guerino, Florian Thalmann, and Joomi Park. Musical Creativity: Strategies and Tools in Composition and Improvisation. Springer, 2011.

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31

Mazzola, Guerino, Florian Thalmann, and Joomi Park. Musical Creativity: Strategies and Tools in Composition and Improvisation. Springer, 2016.

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32

Inside the Music. Miller Freeman Books, 1999.

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33

A, Sloboda John, ed. Generative processes in music: The psychology of performance, improvisation, and composition. Oxford [England]: Clarendon Press, 2000.

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34

A, Sloboda John, ed. Generative processes in music: The psychology of performance, improvisation, and composition. Oxford [England]: Clarendon Press, 1988.

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35

Distributed Creativity: Collaboration and Improvisation in Contemporary Music. Oxford University Press, Incorporated, 2017.

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36

Sloboda, John A. Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition. Oxford University Press, USA, 2001.

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37

Vella, Richard. Sounds in Space, Sounds in Time. Boosey & Hawkes Music Publishers Ltd, 2003.

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38

Music Theory for Self-Taught Musicians : Level 2: Harmony, Composition, and Improvisation. Rowman & Littlefield Publishers, Incorporated, 2021.

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39

Rothenberg, David. Interspecies Improvisation. Edited by George E. Lewis and Benjamin Piekut. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.23.

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The concept of “interspecies improvisation” is introduced as a way to communicate by using music from the human species with other musical species, especially those with creative and complex songs such as catbirds, nightingales, and whales. Just as musicians from one culture can jam with people from other cultures with whom they might not be able to speak, spontaneous creativity in music can dare to make the leap between one animal and another. If performer and listener alike take improvisation seriously as a compositional tool, then such music ought to be taken seriously. And because music communicates in emotional ways we can never quite explain, interspecies improvisation may be a promising way to communicate with creatures with whom we cannot speak. Sonograms of two specific duets, one between clarinet and white-crested laughing thrush, another between clarinet and humpback whale, are analyzed in terms of identifying musical order and meaning. In conclusion it is suggested that making music with other species is one way to make nature more valuable and more worthy of our care and attention.
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40

Gray, Nicholas S. Improvisation and Composition in Balinese Gendér Wayang: Music of the Moving Shadows. Taylor & Francis Group, 2016.

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41

Gray, Nicholas S. Improvisation and Composition in Balinese Gendér Wayang: Music of the Moving Shadows. Taylor & Francis Group, 2016.

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42

Feisst, Sabine. Negotiating Freedom and Control in Composition. Edited by Benjamin Piekut and George E. Lewis. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199892921.013.005.

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This chapter discusses the many meanings of improvisation and free improvisation in Western classical music from 1950 to 1980 and examines criteria for improvisation, composition, and performance. It investigates concepts related to improvisation such as indeterminacy, chance, aleatory, open form, minimal music, and experimental music. Discussion focuses on the terminology, ideas, and selected works of Anthony Braxton, André Boucourechliev, Pierre Boulez, John Cage, Cornelius Cardew, Alvin Curran, Franco Evangelisti, Vinko Globokar, Roman Haubenstock-Ramati, Joëlle Léandre, Witold Lutosławski, Pauline Oliveros, Terry Riley, Karlheinz Stockhausen, Richard Teitelbaum, Frances-Marie Uitti, La Monte Young, and Pamela Z. Finally, it considers the role of composers and performers works involving improvisation, the improvisers’ relationship to the audience, and role of listeners in performances of improvised music.
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43

Butler, Mark J. Playing with Something That Runs: Technology, Improvisation, and Composition in DJ and Laptop Performance. Oxford University Press, Incorporated, 2014.

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44

Playing with Something That Runs: Technology, Improvisation, And Composition In Dj And Laptop Performance. Oxford University Press, 2014.

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45

Rowe, Victoria, Francois Pachet, and Angeliki Triantafyllaki. Children's Creative Music-Making with Reflexive Interactive Technology. Taylor & Francis Group, 2016.

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46

Rowe, Victoria, Francois Pachet, and Angeliki Triantafyllaki. Children's Creative Music-Making with Reflexive Interactive Technology: Adventures in Improvising and Composing. Taylor & Francis Group, 2018.

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47

Rowe, Victoria, Francois Pachet, and Angeliki Triantafyllaki. Children's Creative Music-Making with Reflexive Interactive Technology: Adventures in Improvising and Composing. Taylor & Francis Group, 2016.

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48

Rowe, Victoria, Francois Pachet, and Angeliki Triantafyllaki. Children's Creative Music-Making with Reflexive Interactive Technology: Adventures in Improvising and Composing. Taylor & Francis Group, 2016.

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49

Rowe, Victoria, Francois Pachet, and Angeliki Triantafyllaki. Children's Creative Music-Making with Reflexive Interactive Technology: Adventures in Improvising and Composing. Taylor & Francis Group, 2016.

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50

Rowe, Victoria, Francois Pachet, and Angeliki Triantafyllaki. Children's Creative Music-Making with Reflexive Interactive Technology: Adventures in Improvising and Composing. Taylor & Francis Group, 2016.

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