Academic literature on the topic 'Music composition and improvisation'
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Journal articles on the topic "Music composition and improvisation"
Revzis, Inessa M. "About the Development of Improvisational Skills in the Pupils of Children’s Music Schools." ICONI, no. 2 (2019): 106–15. http://dx.doi.org/10.33779/2658-4824.2019.2.106-115.
Full textCoss, Roger G. "Creative Thinking in Music: Student-Centered Strategies for Implementing Exploration Into the Music Classroom." General Music Today 33, no. 1 (April 25, 2019): 29–37. http://dx.doi.org/10.1177/1048371319840654.
Full textLarson, S. "COMPOSITION VERSUS IMPROVISATION?" Journal of Music Theory 49, no. 2 (January 1, 2005): 241–75. http://dx.doi.org/10.1215/00222909-008.
Full textKovalenko, Yu B. "Composition and improvisation in the aspect of the music infl uence on the expressive structure of the fi lm." Aspects of Historical Musicology 15, no. 15 (September 15, 2019): 60–79. http://dx.doi.org/10.34064/khnum2-15.03.
Full textAddison, Richard. "A New Look at Musical Improvisation in Education." British Journal of Music Education 5, no. 3 (November 1988): 255–67. http://dx.doi.org/10.1017/s0265051700006665.
Full textStetsiuk, B. O. "Types of musical improvisation: a classification discourse." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 57, no. 57 (March 10, 2020): 178–96. http://dx.doi.org/10.34064/khnum1-57.11.
Full textPrévost, Eddie. "Improvisation: Music for an Occasion." British Journal of Music Education 2, no. 2 (July 1985): 177–86. http://dx.doi.org/10.1017/s0265051700004794.
Full textGuderian, Lois Veenhoven. "Music Improvisation and Composition in the General Music Curriculum." General Music Today 25, no. 3 (July 27, 2011): 6–14. http://dx.doi.org/10.1177/1048371311415404.
Full textParson, Dale. "Quantum Composition and Improvisation." Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment 8, no. 4 (June 30, 2021): 21–25. http://dx.doi.org/10.1609/aiide.v8i4.12552.
Full textȘUTEU, Ligia-Claudia. "The psychology of music creation." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (January 20, 2021): 305–12. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.33.
Full textDissertations / Theses on the topic "Music composition and improvisation"
Strazzullo, Guy, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "An intercultural approach to composition and improvisation." THESIS_CAESS_CAR_Strazzullo_G.xml, 2003. http://handle.uws.edu.au:8081/1959.7/501.
Full textMaster of Arts (Hons.)
Davidson, Neil. "Composition in improvisation : forms and otherwise." Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/2301/.
Full textStrazzullo, Guy. "An intercultural approach to composition and improvisation /." View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20051013.095017/index.html.
Full textSchnittgrund, Tammy Lynn. "Middle school string improvisation and composition a beginning /." CONNECT TO THIS TITLE ONLINE, 2007. http://etd.lib.umt.edu/theses/available/etd-07162007-160203/.
Full textStanyek, Jason. "Diasporic improvisation and the articulation of intercultural music /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2004. http://wwwlib.umi.com/cr/ucsd/fullcit?p3129936.
Full textWalduck, Jacqueline Sarah. "Role-taking in free improvisation and collaborative composition." Thesis, City University London, 1997. http://openaccess.city.ac.uk/7466/.
Full textRogers, Glenn Andrew. "The application of Konokol to guitar improvisation and composition." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2017. https://ro.ecu.edu.au/theses/1956.
Full textGifford, Toby. "Improvisation in interactive music systems." Thesis, Queensland University of Technology, 2011. https://eprints.qut.edu.au/49795/1/Toby_Gifford_Thesis.pdf.
Full textZadel, Mark. "A software system for laptop performance and improvisation /." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98594.
Full textThis thesis project presents an alternative software interface that aims to bring a sense of active creation to laptop performance. The system prevents the use of prepared control sequences and allows the live assembly of generative musical processes. The software resembles a freehand drawing interface where strokes are interactively assembled to create looping and cascading animated figures. The on-screen animation is mapped to sound, creating corresponding audio patterns. Networks of strokes are assembled and manipulated to perform music. The system's use of freehand input infuses the music with natural human variability, and its graphical interface establishes a visible connection between the user's actions and the resulting audio.
The thesis document explores the above issues in laptop performance, which motivated this research. Typical examples of performance software are presented, illustrating the interface design patterns that contribute to this situation. The thesis software project is presented, describing its goals, design and implementation. The properties of the interface are discussed in light of the project's initial objectives. It is concluded that the system is a solid step toward a novel approach to laptop performance software.
Chen, Daniel. "Computer improvisation of jazz solos /." Online version of thesis, 1992. http://hdl.handle.net/1850/11088.
Full textBooks on the topic "Music composition and improvisation"
Christiansen, Hans Henning. Arrangement, improvisation, komposition. Egtved: Edition Egtved, 1989.
Find full textStewart, Dave. Inside the music. San Francisco: Miller Freeman Books, 1999.
Find full textMazzola, G. Musical creativity: Strategies and tools in composition and improvisation. Berlin: Springer, 2011.
Find full textHyperimprovisation: Computer-interractive sound improvisations. Middleton, WI: A-R Editions, 2002.
Find full textThe musician's handbook: A guide to music fundamentals, hearing and performing music, reading and writing notation, improvising, and composing. Upper Saddle River, N.J: Prentice Hall, 1998.
Find full textExploratory musicism: Ideas for spontaneous composition. Binghamton, N.Y: Global Academic Pub., 2009.
Find full textHester, Karlton E. Exploratory musicism: Ideas for spontaneous composition. Binghamton, N.Y: Global Academic Pub., 2009.
Find full text1954-, Gronemeyer Gisela, and Oehlschlägel Reinhard, eds. Nonsequiturs: Writings & lectures on improvisation, composition, and interpretation = Unlogische Folgerungen : Schriften und Vorträge zu Improvisation, Komposition und Interpretation. Köln: MusikTexte, 2007.
Find full textImprovisation and composition in Balinese gendér wayang: Music of the moving shadows. Burlington, VT: Ashgate, 2011.
Find full textVella, Richard. Sounds in space, sounds in time: Projects in listening, improvising and composing. London: Boosey & Hawkes Music Publishers, 2003.
Find full textBook chapters on the topic "Music composition and improvisation"
Feldman, Evan, and Ari Contzius. "Teaching Improvisation and Composition." In Instrumental Music Education, 59–69. Third edition. | New York: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429028700-5.
Full textSanyal, Ritwik, and Richard Widdess. "Performing the Composition: Rhythmic Variation and Improvisation." In Dhrupad: Tradition and Performance in Indian Music, 239–76. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003347453-8.
Full textLock, Gerhard, and Jaak Sikk. "Accident and Serendipity in Music Composition, Improvisation and Performance Art." In The Art of Serendipity, 191–219. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-84478-3_8.
Full textVuust, Peter, and Morten L. Kringelbach. "Music Improvisation." In The Routledge Companion to Music Cognition, 265–75. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315194738-22.
Full textFeisst, Sabine. "Improvisation and Composition." In The Routledge Handbook of Philosophy and Improvisation in the Arts, 374–91. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003179443-30.
Full textEncarnacao, John, Brendan Smyly, and Monica Brooks. "Free improvisation." In Teaching and Evaluating Music Performance at University, 145–53. [1.] | New York : Routledge, 2020. | Series: ISME global perspectives: Routledge, 2020. http://dx.doi.org/10.4324/9780429328077-10.
Full textClauhs, Matthew, Bryan Powell, and Ann C. Clements. "Songwriting, Improvisation, and Arranging." In Popular Music Pedagogies, 165–73. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429294440-16.
Full textChallis, Ben P. "Assistive Synchronised Music Improvisation." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, 49–56. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-37982-6_7.
Full textSchroeder, Franziska. "Manyness in Music Improvisation." In The Routledge Handbook of Philosophy and Improvisation in the Arts, 228–42. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003179443-19.
Full textHoldhus, Kari. "Pedagogical improvisation." In Expanding the Space for Improvisation Pedagogy in Music, 195–210. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781351199957-13.
Full textConference papers on the topic "Music composition and improvisation"
Adu-Gilmore, Leila. "Critical Sonic Practice: Intersectional approaches to music technology, improvisation, theory and composition." In Rethinking the History of Technology-based Music. University of Huddersfield, 2022. http://dx.doi.org/10.5920/criticalsonicpractice.
Full textTomayko-Peters, Arvid. "Improvisation with the TOOB." In ACM SIGGRAPH 2009: Music & Audio. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1597983.1597987.
Full textCabrera, Daniel Antonio Milán, and Yudi Sukmayadi. "An Introduction to Free Improvisation Music Through YouTube." In 3rd International Conference on Arts and Design Education (ICADE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210203.062.
Full textBačlija Sušić, Blaženka, Katarina Habe, and Jasna Kudek Mirošević. "THE ROLE OF IMPROVISATION IN HIGHER MUSIC EDUCATION." In 12th annual International Conference of Education, Research and Innovation. IATED, 2019. http://dx.doi.org/10.21125/iceri.2019.1120.
Full textKaliakatsos-Papakostas, M. A., A. Floros, and M. N. Vrahatis. "Intelligent Real-Time Music Accompaniment for Constraint-Free Improvisation." In 2012 IEEE 24th International Conference on Tools with Artificial Intelligence (ICTAI 2012). IEEE, 2012. http://dx.doi.org/10.1109/ictai.2012.67.
Full textArmitage, Joanne, and Ng Kia. "Multimodal Music Composition." In Electronic Visualisation and the Arts (EVA 2013). BCS Learning & Development, 2013. http://dx.doi.org/10.14236/ewic/eva2013.7.
Full textWiriyachaiporn, Panida, Kankawee Chanasit, Atiwong Suchato, Proadpran Punyabukkana, and Ekapol Chuangsuwanich. "Algorithmic Music Composition Comparison." In 2018 15th International Joint Conference on Computer Science and Software Engineering (JCSSE). IEEE, 2018. http://dx.doi.org/10.1109/jcsse.2018.8457397.
Full textFu, Tao-yang, Tsu-yu Wu, Chin-te Chen, Kai-chu Wu, and Ying-ping Chen. "Evolutionary interactive music composition." In the 8th annual conference. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1143997.1144301.
Full textKikuchi, Junki, Hidekatsu Yanagi, and Yoshiaki Mima. "Music Composition with Recommendation." In the 29th Annual Symposium. New York, New York, USA: ACM Press, 2016. http://dx.doi.org/10.1145/2984751.2985733.
Full textGrollmisch, Sascha, Christian Dittmar, and Gabriel Gatzsche. "Concept, implementation and evaluation of an improvisation based music video game." In 2009 International IEEE Consumer Electronics Society's Games Innovations Conference (ICE-GIC 2009). IEEE, 2009. http://dx.doi.org/10.1109/icegic.2009.5293599.
Full textReports on the topic "Music composition and improvisation"
Mayas, Magda. Creating with timbre. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.686088.
Full textHaddad, Joanne. Reproduction of 'Good Reverberations? Teacher Influence in Music Composition since 1450'. Social Science Reproduction Platform, May 2022. http://dx.doi.org/10.48152/ssrp-4zww-p927.
Full textMöllenkamp, Andreas. Paradigms of Music Software Development. Staatliches Institut für Musikforschung, December 2014. http://dx.doi.org/10.25366/2022.99.
Full textDuch, Michael. Performing Hanne Darboven's Opus 17a and long duration minimalist music. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.481276.
Full textPedersen, Gjertrud. Symphonies Reframed. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.481294.
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