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Books on the topic 'Music – Australia – Italian influences'

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Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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1

Convegno internazionale sulla musica italiana nei secoli XVII-XVIII (6th 1995 Loveno, Italy). Relazioni musicali tra Italia e Germania nell'età barocca: Atti del VI Convegno internazionale sulla musica italiana nei secoli XVII-XVIII, Loveno di Menaggio (Como), 11-13 luglio 1995 = Deutsch-italienische Beziehungen in der Musik des Barock : Beiträge zum Sechsten Internationalen Symposium über die Italienische Musik im 17.-18. Jahrhundert. Como: A.M.I.S., 1997.

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2

Berlioz, Musée Hector, ed. Berlioz et l'Italie: Voyage musical. Lyon: Libel, 2012.

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3

La musique religieuse en Alsace au XVIIe siècle: Réception de la musique italienne en pays rhénan. Strasbourg: Presses universitaires de Strasbourg, 2001.

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4

Kyïvsʹka derz︠h︡avna konservatorii︠a︡ imeni P.I. Chaĭkovsʹkoho. Muzychna kulʹtura Italiï ta Frant︠s︡iï: Vid barokko do romantyzmu : problemy styli︠u︡ ta miz︠h︡kulʹturnykh kontaktiv : zbirnyk naukovykh prat︠s︡ʹ. Kyïv: Derz︠h︡. konservatorii︠a︡ im. P.I. Chaĭkovsʹkoho, 1991.

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5

Reinhard, Strohm, ed. The eighteenth-century diaspora of Italian music and musicians. Turnhout, Belgium: Brepols, 2001.

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6

Musri, Fátima Graciela. Músicos inmigrantes: La familia Colecchia en la actividad musical de San Juan, 1880-1910. San Juan, Argentina: EFFHA, 2004.

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7

Musri, Fátima Graciela. Músicos inmigrantes: La familia Colecchia en la actividad musical de San Juan. San Juan: Universidad Nacional de San Juan, 2004.

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8

Cetrangolo, Annibale. Musica italiana nell'America coloniale: Premesse, cantate del veneto Giacomo Facco. Padova: Liviana editrice, 1989.

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9

Raíces italianas en la música del Uruguay =: Radici italiane nella musica dell'Uruguay. Montevideo: Ministerio de Educación y Cultura, Archivo General de la Nación, Centro de Difusión del Libro, 2003.

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10

Dumont, Sara E. German secular polyphonic song in printed editions, 1570-1630: Italian influences on the poetry and music. New York: Garland Pub., 1989.

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11

Los italianos y el tango. Pehuajó, Provincia de Buenos Aires: O.J. Matteucci, 1997.

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12

İstanbul'daki İtalyan izi: Presenze Italiane a Istanbul. [Istanbul]: Lea Kurumsal Yayıncılık Hizmetleri, 2008.

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13

Szweykowska, Anna. Włosi w kapeli królewskiej polskich Wazów. Kraków: Musica Iagellonica, 1997.

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14

Verdi and the Germans: From unification to the Third Reich. Cambridge: Cambridge University Press, 2010.

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15

(Editor), Marie-Claude Canova-Green, and Francesca Chiarelli (Editor), eds. The Influence of Italian Entertainments on Sixteenth-And Seventeenth-Century Music Theatre in France, Savoy and England (Studies in the History and Interpretation of Music, V. 68.). Edwin Mellen Press, 2001.

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16

The Middle Eastern Influence on Late Medieval Italian Music: Origins of the 29987 Istampittas (Studies in the History and Interpretation of Music, V. 76.). Edwin Mellen Press, 2001.

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17

Dumont, Sara E. German Secular Polyphonic Song in Printed Editions, 1570-1630: Italian Influences on the Poetry and Music (Outstanding Dissertations in Music from B). Taylor & Francis, 1990.

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18

Wicks, Robert L., ed. The Oxford Handbook of Schopenhauer. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780190660055.001.0001.

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Abstract:
This collection of thirty-one essays written by contemporary Schopenhauer scholars has six sections: (1) Influences on Schopenhauer, (2) Schopenhauer’s Metaphysics of Will and Empirical Knowledge, (3) Aesthetic Experience, Music, and the Sublime, (4) Human Meaning, Politics, and Morality, (5) Religion and Schopenhauer’s Philosophy, and (6) Schopenhauer’s Influence. Some of the issues addressed concern the extent to which Schopenhauer adopted ideas from his predecessors versus how much was original and visionary in his central claim that reality is a blind, senseless “will,” the effectiveness of his philosophy in the field of scientific explanation and extrasensory phenomena, the role of beauty and sublimity in his outlook, the fundamental role of compassion in his moral theory, the Hindu, Christian, and Buddhistic aspects of his philosophy, the importance of asceticism in his views on how best to live, how pessimism and optimism should be understood, and his impact on psychoanalysis, as well as upon music, the visual arts, and literature. The collection is an internationally constituted work that reflects upon Schopenhauer’s philosophy with authors from a variety of backgrounds, presently working in Australia, Belgium, Brazil, Canada, Ecuador, England, France, Germany, Israel, the Netherlands, New Zealand, Scotland, Spain, and the United States.
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