Journal articles on the topic 'Music audiences'
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Miranda, Pritta, and Reny Yuliati. "Eksistensi Radio Saat Ini : Studi Preferensi & Motivasi Khalayak Dalam Mendengarkan Radio." Jurnal Studi Komunikasi (Indonesian Journal of Communications Studies) 4, no. 3 (November 5, 2020): 735. http://dx.doi.org/10.25139/jsk.v4i3.2477.
Full textLitos, Ioannis, and Eirini Papadaki. "‘If you play some good music, people immediately understand it’: Audience response to busking." International Journal of Community Music 16, no. 2 (July 1, 2023): 135–53. http://dx.doi.org/10.1386/ijcm_00079_1.
Full textWu, Jun, Jiede Wu, Chien-Wen Cheng, Chang-Chieh Shih, and Po-Hsien Lin. "A Study of the Influence of Music on Audiences’ Cognition of Animation." Animation 16, no. 3 (November 2021): 141–56. http://dx.doi.org/10.1177/17468477211052599.
Full textCorsa, Andrew J. "John Cage, Henry David Thoreau, Wild Nature, Humility, and Music." Environmental Ethics 43, no. 3 (2021): 219–34. http://dx.doi.org/10.5840/enviroethics202111828.
Full textArvidsson, Alf. "Guest Editor’s Column." Puls - musik- och dansetnologisk tidskrift 7 (May 1, 2022): 5–8. http://dx.doi.org/10.62779/puls.v7i.19252.
Full textSdraulig, Charlie, and Louis d'Heudières. "ATTENDING TO ATTENDING: PERFORMING AUDIENCE PERSONAE IN CONTEMPORARY MUSIC." Tempo 76, no. 300 (April 2022): 18–32. http://dx.doi.org/10.1017/s0040298221000899.
Full textSposato, Jeffrey S. "Saint Elsewhere: German and English Reactions to Mendelssohn's Paulus." 19th-Century Music 32, no. 1 (2008): 26–51. http://dx.doi.org/10.1525/ncm.2008.32.1.026.
Full textMatthews, Emma-Kate. "Activating Audiences: How spatial music can help us to listen." Organised Sound 24, no. 3 (November 29, 2019): 297–306. http://dx.doi.org/10.1017/s1355771819000360.
Full textSCHEDEL, MARGARET ANNE. "Alternative venues for computer music: SoundGallery_Living Room_ARTSHIP." Organised Sound 9, no. 3 (December 2004): 301–3. http://dx.doi.org/10.1017/s1355771804000500.
Full textCheng, Lee, Chi Hin Leung, and Wing Yan Jasman Pang. "Audience’s Perceived Expectancy and Authenticity of Classical Music Performance by Digital Musical Instrument Mobile Apps." Music Perception: An Interdisciplinary Journal 41, no. 2 (December 1, 2023): 132–47. http://dx.doi.org/10.1525/mp.2023.41.2.132.
Full textEdlom, Jessica. "The Engagement Imperative: Experiences of Communication Practitioners’ Brand Work in the Music Industry." Media and Communication 10, no. 1 (January 20, 2022): 66–76. http://dx.doi.org/10.17645/mac.v10i1.4448.
Full textLeković, Biljana, and Sanela Nikolić. "The Web 2.0 social media as a space for the creation of classical music experiences in the time of the pandemic: The case of the Belgrade Philharmonic Orchestra." New Sound, no. 61-1 (2023): 21–39. http://dx.doi.org/10.5937/newso23061021l.
Full textRademacher, Wiebke. "Beethoven's Leonore in Berlin around 1900: On Contextual Factors of Music Performances as Source Material for Past Emotional Practices." Cultural History 7, no. 2 (October 2018): 167–86. http://dx.doi.org/10.3366/cult.2018.0172.
Full textOsiebe, Garhe. "Electoral Music Reception." Matatu 49, no. 2 (December 20, 2017): 439–66. http://dx.doi.org/10.1163/18757421-04902011.
Full textWiharyanti, Theresia Ratna, Totok Sumaryanto Florentinus, and Udi Utomo. "Aesthetic Response of Audiences’ Behavior of Dangdut Koplo Music Performance." Harmonia: Journal of Arts Research and Education 20, no. 2 (December 27, 2020): 205–12. http://dx.doi.org/10.15294/harmonia.v20i2.28059.
Full textViega, Michael. "Evaluation for Arts-Based Research Performance: Audience Perceptions of Rising from the Ashes." Journal of Music Therapy 59, no. 1 (November 17, 2021): 62–86. http://dx.doi.org/10.1093/jmt/thab018.
Full textLiu, Chen, and Rong Yang. "Consuming popular songs online: Phoenix Legend’s audiences and Douban Music." cultural geographies 24, no. 2 (January 3, 2017): 295–310. http://dx.doi.org/10.1177/1474474016684125.
Full textKholis, Nur, Galuh Ayu Savitri, and Nisrin Husna. "The Use of Social Media (Instagram) for the Radio Industry (Content and Marketing Strategies to Increase Audience Loyalty)." E3S Web of Conferences 426 (2023): 02031. http://dx.doi.org/10.1051/e3sconf/202342602031.
Full textLauer, Joanna. "The Dilemma of Empty Halls." Musical Offerings 14, no. 2 (2023): 53–66. http://dx.doi.org/10.15385/jmo.2023.14.2.1.
Full textVardanyan, Olga. "New communication strategies of modern classical artists." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 138 (December 22, 2023): 50–59. http://dx.doi.org/10.31318/2522-4190.2023.138.294691.
Full textCODDINGTON, AMY. "A “Fresh New Music Mix” for the 1980s: Broadcasting Multiculturalism on Crossover Radio." Journal of the Society for American Music 15, no. 1 (February 2021): 30–59. http://dx.doi.org/10.1017/s1752196320000462.
Full textKo, Sunha, and Jongwoo Jun. "Consumption Motivation and Consumption Behavior of Korean Pop Music Consumers." Korean Society of Culture and Convergence 45, no. 10 (October 31, 2023): 863–71. http://dx.doi.org/10.33645/cnc.2023.10.45.10.863.
Full textSánchez, Rebeca, and Luis Gomez-Agustina. "Acoustic effects of elevated platforms for standing audiences in an indoor music venue." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 265, no. 6 (February 1, 2023): 1963–74. http://dx.doi.org/10.3397/in_2022_0278.
Full textHickson, Jim. "Examining the success of Malian music as world music." African Music : Journal of the International Library of African Music 11, no. 3 (February 28, 2022): 55–70. http://dx.doi.org/10.21504/amj.v12i1.2430.
Full textLandy, Leigh. "Editorial: Bringing New Music to New Audiences." Organised Sound 24, no. 3 (November 29, 2019): 225–27. http://dx.doi.org/10.1017/s1355771819000293.
Full textWang, Cai. "Research on the Advantages and Feasibility of Music Headset Live." Lifelong Education 9, no. 6 (September 28, 2020): 209. http://dx.doi.org/10.18282/le.v9i6.1345.
Full textNardi, Carlo, Hillegonda C. Rietveld, and William Echard. "Introduction: Popular Music Performance." IASPM Journal 4, no. 1 (February 16, 2014): 1–4. http://dx.doi.org/10.5429/694.
Full textGibson, Chris. "Music Festivals: Transformations in Non-Metropolitan Places, and in Creative Work." Media International Australia 123, no. 1 (May 2007): 65–81. http://dx.doi.org/10.1177/1329878x0712300108.
Full textZieba, Marta, and John O’Hagan. "Audiences for Orchestral Music: Challenges New and Old. The Cases of Germany and Poland." Polish Journal of the Arts and Culture New Series, no. 18 (2/2023) (October 2023): 51–72. http://dx.doi.org/10.4467/24506249pj.23.014.19555.
Full textHe, Yulin. "The role of John Williams’ music in Schindler’s List and Saving Private Ryan." SHS Web of Conferences 171 (2023): 03005. http://dx.doi.org/10.1051/shsconf/202317103005.
Full textDanielsen, Anne, and Yngvar Kjus. "The mediated festival: Live music as trigger of streaming and social media engagement." Convergence: The International Journal of Research into New Media Technologies 25, no. 4 (July 25, 2017): 714–34. http://dx.doi.org/10.1177/1354856517721808.
Full textGraham, Stephen. "Kammer Klang, Café Oto, London: 3 November and 1 December 2015." Tempo 70, no. 276 (April 2016): 76–78. http://dx.doi.org/10.1017/s0040298215001059.
Full textUmar Rauf, Rita Mardhatillah binti, Nurulhamimi Abdul Rahman, Faezah Hamdan, and Adee Arifin. "Authenticity in Music." Randwick International of Social Science Journal 4, no. 3 (July 31, 2023): 749–52. http://dx.doi.org/10.47175/rissj.v4i3.773.
Full textTheorell, Töres, and Eva Bojner Horwitz. "Emotional Effects of Live and Recorded Music in Various Audiences and Listening Situations." Medicines 6, no. 1 (January 22, 2019): 16. http://dx.doi.org/10.3390/medicines6010016.
Full textPalkki, Joshua, Daniel J. Albert, Stuart Chapman Hill, and Ryan D. Shaw. "20 Years of the MENC Biennial Conference." Journal of Research in Music Education 64, no. 1 (January 7, 2016): 14–28. http://dx.doi.org/10.1177/0022429415621896.
Full textBLAKE, DAVID. "“Everybody Makes Up Folksongs”: Pete Seeger's 1950s College Concerts and the Democratic Potential of Folk Music." Journal of the Society for American Music 12, no. 4 (November 2018): 383–424. http://dx.doi.org/10.1017/s1752196318000342.
Full textHUEBNER, STEVEN. "OPERA AUDIENCES IN PARIS 1830–1870." Music and Letters 70, no. 2 (1989): 206–25. http://dx.doi.org/10.1093/ml/70.2.206.
Full textWang, Shuang. "Music, social media and public pedagogy: indie music in the post-Cantopop epoch." Asian Education and Development Studies 7, no. 1 (January 2, 2018): 42–52. http://dx.doi.org/10.1108/aeds-03-2017-0022.
Full textChen, Xuan. "Surveying the music playback experience of museum audiences based on perceived quality and perceived value." Electronic Library 37, no. 5 (October 7, 2019): 878–92. http://dx.doi.org/10.1108/el-03-2019-0061.
Full textBanjo, Omotayo O., and Kesha Morant Williams. "Behind the Music: Exploring Audiences’ Attitudes toward Gospel and Contemporary Christian Music." Journal of Communication and Religion 37, no. 3 (2014): 117–38. http://dx.doi.org/10.5840/jcr201437323.
Full textSiauw, Glenity Marchella, and Lambok Hermanto Sihombing. "CHARACTERISTICS AND STRUCTURES OF STORYTELLING TECHNIQUES IN CRIMINAL, HORROR, AND MYSTERY GENRES OF YOUTUBERS STORYTELLERS." Metacommunication; Journal of Communication Studies 7, no. 2 (October 13, 2022): 38. http://dx.doi.org/10.20527/mc.v7i2.13165.
Full textWARD-GRIFFIN, DANIELLE. "Up Close and Personal: Opera and Television Broadcasting in the 1950s." Journal of the Society for American Music 13, no. 2 (May 2019): 216–31. http://dx.doi.org/10.1017/s1752196319000087.
Full textCrawford, Garry, Victoria Gosling, Gaynor Bagnall, and Ben Light. "An Orchestral Audience: Classical Music and Continued Patterns of Distinction." Cultural Sociology 8, no. 4 (July 23, 2014): 483–500. http://dx.doi.org/10.1177/1749975514541862.
Full textBannister, Matthew. "Why doesn’t anyone write anything about Slade? Reassessing glam." Popular Music History 14, no. 3 (June 23, 2022): 227–46. http://dx.doi.org/10.1558/pomh.20527.
Full textErdbrink, A., J. Michael, R. Kortmann, M. Hamel, K. Van Eijck, and A. Verbraeck. "Listening Space." Journal on Computing and Cultural Heritage 14, no. 4 (December 31, 2021): 1–20. http://dx.doi.org/10.1145/3458677.
Full textAsmoro, Ganang Dwi, and Agam Maha Putra Alhakim. "Transforming Barasuara's “Guna Manusia” into brass band adaptation and sociocultural impact." Interlude: Indonesian Journal of Music Research, Development, and Technology 2, no. 2 (May 30, 2023): 70–79. http://dx.doi.org/10.17509/interlude.v2i2.70436.
Full textGrebosz-Haring, Katarzyna, and Martin Weichbold. "Contemporary art music and its audiences: Age, gender, and social class profile." Musicae Scientiae 24, no. 1 (May 14, 2018): 60–77. http://dx.doi.org/10.1177/1029864918774082.
Full textArifin, Awaludin, Subhani, Mukhlis, Syarifah Khairani, Sheila, and Zahara Yanti. "The Form of Digital Transformation of Music Sector in the City of Lhokseumawe." Proceedings of International Conference on Social Science, Political Science, and Humanities (ICoSPOLHUM) 3 (December 21, 2022): 00027. http://dx.doi.org/10.29103/icospolhum.v3i.58.
Full textMawer, D. "Protest Music in France: Production, Identity and Audiences." French History 25, no. 1 (January 24, 2011): 130–32. http://dx.doi.org/10.1093/fh/crr017.
Full textJacob, Eva. "Educating Audiences for Music: Training Performers to Teach." Arts Education Policy Review 97, no. 5 (June 1996): 15–21. http://dx.doi.org/10.1080/10632913.1996.9935074.
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