Books on the topic 'Music audiences'
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Horowitz, Harold. The American jazz music audience. Washington, D.C. (1201 Pennsylvania Ave., NW, Suite 720, Washington 20004): National Jazz Service Organization, 1986.
Find full text1969-, Mann Kenton, ed. Music unlimited!: The performer's guide to new audiences. Chur, Switzerland: Harwood Academic Publishers, 1994.
Find full textFarrell, Isabel. Music unlimited: The performer's guide to new audiences. [Chur, Switzerland]: Harwood Academic Publishers, 1994.
Find full textWa Lehulere, Kemang, 1984- contributor, ed. Luxurama. [South Africa?]: [publisher not identified], 2018.
Find full textcontributor, Dupin-Meynard Félix, Négrier Pauline contributor, Potier Damien contributor, and Gerbaud Philippe illustrator, eds. Les musiques du monde et leur(s) public(s): Six festivals en Provence-Alpes-Côte d'Azur. [Marseille]: Le Mot et le reste, 2014.
Find full textMatthews, Jacob Thomas, and Lucien Perticoz. L'industrie musicale à l'aube du XXIe siècle: Approches critiques. Paris: L'Harmattan, 2012.
Find full textRijal, Shiva. Performing for tourists: Redefining performances, performers, and audiences. New Delhi: D.K. Printworld, 2010.
Find full textGewerkschaft Erziehung und Wissenschaft. Landesverband Hamburg. Musikausschuss., ed. Hundert Jahre Hamburger Schülerkonzerte 1898-1998. Altenmedingen: H. Junker Verlag, 1998.
Find full textSusanna, Agardy, and Australian Broadcasting Tribunal, eds. Young Australians and music. Melbourne: Research Branch, Australian Broadcasting Tribunal, 1985.
Find full textBarendregt, Bart, Peter Keppy, and Henk Schulte Nordholt. Popular Music in Southeast Asia. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462984035.
Full textKeller, Harald, and Reiner Wolf. The beat goes on: Der Sound, der Style : Ausstellungskatalog : Museum Industriekultur Osnabrück 2. Juni - 6. Oktober 2013 : Tuchmacher-Museum Bramsche 7. Juni - 8. September 2013. Oldenburg: Isensee, 2013.
Find full textConforti, Luciana. Il pubblico di un teatro musicale: Identità e comportamenti : il Teatro regio di Torino. Torino: Teatro regio Torino, 1999.
Find full textIssa, Hayat Caroline. Der Klassikstar: Das Starphänomen und der Klassikmarkt. Saarbrücken: VDM, Verlag Dr. Müller, 2007.
Find full textLeman, Craig B. A write of strings: Selections from thirty years of chamber music program notes written for Corvallis audiences. [Corvallis, Or.?]: Chamber Music Corvallis, 2003.
Find full textDanimarca, Accademia di, ed. Classical music and modern classical music in globalization and consumer society: International symposium, Accademia di Danimarca, Rome, 23rd-26th March 2009. Rome: Accademia di Danimarca, 2010.
Find full textKyrer, Alfred. Strukturen einer Festspiellandschaft: Das Besucherprofil der Salzburger Festspiele in den Jahren 1992 und 1993. Regensburg: Transfer, 1995.
Find full textVerhoeff, René. Het publiek van de oude muziek: Een onderzoek naar de samenstelling van het publiek van het Holland Festival Oude Muziek Utrecht in vergelijking met het publiek van reguliere concerten. Rijswijk: Ministerie van Welzijn, Volksgezondheid en Cultuur, Directoraat-Generaal Culturele Zaken, 1992.
Find full textLuecker, Matthias. File sharing versus pay distribution in the online music market: What consumers really prefer. Saarbrücken: Verlag Dr. Müller, 2008.
Find full textBloom, Kenneth. Attending and enjoying concerts. Boston: Prentice Hall, 2009.
Find full textBaker, Tim. Stop re-inventing the wheel: A guide to what we already know about developing audiences for classical music. London: Association of British Orchestras, 2000.
Find full textLars, Dammann, and Kleist Florian, eds. Live-Musik-Publikum in Hamburg: Empirische Studien zu einer urbanen Musik-Szene im digitalen Zeitalter. Berlin: Lit, 2008.
Find full textEncabo, Enrique. Screens, Music and Audiences. Cambridge Scholars Publishing, 2022.
Find full textTolansky, Jon, and Basil Tschaikov. Reflections: Performers/Audiences/Recordings. Taylor & Francis Group, 2016.
Find full textTolansky, Jon, and Basil Tschaikov. Reflections: Performers/Audiences/Recordings. Taylor & Francis Group, 2016.
Find full textTolansky, Jon, and Basil Tschaikov. Reflections: Performers/Audiences/Recordings. Taylor & Francis Group, 2016.
Find full textTolansky, Jon, and Basil Tschaikov. Reflections: Performers/Audiences/Recordings. Taylor & Francis Group, 2016.
Find full textDixon, Travis L. Rap Music and Rap Audiences Revisited. Edited by Patricia Hall. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199733163.013.24.
Full textReflections: Performers/Audiences/Recordings (Musical Performance). Routledge, 1996.
Find full textRay, Mary Beth. Digital Connectivity and Music Culture: Artists and Accomplices. Palgrave Macmillan, 2017.
Find full textRay, Mary Beth. Digital Connectivity and Music Culture: Artists and Accomplices. Springer, 2018.
Find full textFarrell, Isabel, and Kenton Mann. Music Unlimited: The Performer's Guide to New Audiences. Taylor & Francis Group, 2020.
Find full textFarrell, Isabel, and Kenton Mann. Music Unlimited: The Performer's Guide to New Audiences. Taylor & Francis Group, 2020.
Find full textFarrell, Isabel, and Kenton Mann. Music Unlimited: The Performer's Guide to New Audiences. Taylor & Francis Group, 2020.
Find full textFarrell, Isabel, and Kenton Mann. Music Unlimited: The Performer's Guide to New Audiences. Taylor & Francis Group, 2020.
Find full textDisconnections: Popular music audiences in Freetown, Sierra Leone. Bamenda, Cameroon: Langaa Research & Publishing CIG, 2012.
Find full textLebrun, Barbara. Protest Music in France: Production, Identity and Audiences. Taylor & Francis Group, 2016.
Find full textLebrun, Barbara. Protest Music in France: Production, Identity and Audiences. Taylor & Francis Group, 2016.
Find full textLebrun, Barbara. Protest Music in France: Production, Identity and Audiences. Taylor & Francis Group, 2016.
Find full textLebrun, Barbara. Protest Music in France: Production, Identity and Audiences. Taylor & Francis Group, 2016.
Find full textLebrun, Barbara. Protest Music in France: Production, Identity and Audiences. Taylor & Francis Group, 2016.
Find full textProtest music in France: Production, identity and audiences. Farnham, England: Ashgate, 2009.
Find full textLa musica in Italia. Bologna: Il mulino, 1999.
Find full textDuffett, Mark. Fan Identities and Practices in Context: Dedicated to Music. Taylor & Francis Group, 2018.
Find full textDuffett, Mark. Fan Identities and Practices in Context: Dedicated to Music. Taylor & Francis Group, 2017.
Find full textDuffett, Mark. Fan Identities and Practices in Context: Dedicated to Music. Taylor & Francis Group, 2017.
Find full textMusicians and Their Audiences: Performance, Speech and Mediation. Taylor & Francis Group, 2016.
Find full textMusicians and Their Audiences: Performance, Speech and Mediation. Taylor & Francis Group, 2019.
Find full textMusicians and Their Audiences: Performance, Speech and Mediation. Taylor & Francis Group, 2016.
Find full textMusicians and Their Audiences: Performance, Speech and Mediation. Taylor & Francis Group, 2016.
Find full textPitts, Stephanie, and Karen Burland. Coughing and Clapping: Investigating Audience Experience. Taylor & Francis Group, 2016.
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