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Journal articles on the topic 'Museum reuse'
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Djebbour, Imane, and Ratiba Wided BIARA. "SUSTAINABILITY COMPARATIVE ASSESSMENT OF THE ADAPTIVE REUSE OF HERITAGE BUILDINGS AS MUSEUMS: CASE OF TLEMCEN." Environmental Research, Engineering and Management 75, no. 3 (December 17, 2019): 7–20. http://dx.doi.org/10.5755/j01.erem.75.3.22133.
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The question of adaptive reuse offers a harmony between physical character and functional of historical buildings. It becomes an effective strategy in order to enhance its sustainability and revitalize the overall appearance of the city. The interaction between the decision of reuse and sustainability aims only to find a balance between the project and sustainable development criteria. It mainly relies on the constant evaluation of historical building’s sustainability. In the case of Tlemcen city, the event “Tlemcen capital of the Islamic culture” has been a chance for the reuse of monuments in museums in order to endure over time. This document aims to examine how sustainability changes from a monument to another to identify issues affecting the sustainability of reused monuments. Based on an empirical approach, the document makes a comparative assessment of the six monuments reused as museums in Tlemcen city, which has a qualitative study based mainly on 80 semi-directive interviews with the three samples of the population; heritage specialists, managers and ordinary citizens. The research also began with a document analysis to review the changes brought by historical stratification also an in-situ observation that provides an opportunity to analyze monuments in the field. Finally, the quantitative evaluation was carried out using an evaluation grid containing an evaluation scale and the set of indicators obtained from the interview conducted. The results obtained from this study reveal that sustainability varies from case to another depending on the primary characteristics of the monument that directly affects the sustainability’s score of each criterion that influences the adaptive reuse process. Indeed, the new "museum" function installed does not ensureby itself a unified sustainability of the studied monuments.
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Md Ali, Zuraini, Rodiah Zawawi, Nik Elyna Myeda, and Nabila Mohamad. "Adaptive reuse of historical buildings." International Journal of Building Pathology and Adaptation 37, no. 1 (February 11, 2019): 54–68. http://dx.doi.org/10.1108/ijbpa-04-2018-0029.
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Purpose The purpose of this paper is to focus on the impacts that the adaptive reuse of historical building has on museum service quality by analysing the visitors’ expectations and perceptions through the HISTOQUAL model. It looks deeper into investigating the enhancement of adaptive reuse approach to historical buildings not only to the surrounding environment, but also to the building’s cultural significance. Design/methodology/approach A field survey implementing quantitative approach was conducted by using questionnaires to collect the visitors’ expectations and perceptions on their visits to the selected case study sites. The selected two case study sites are both newly adaptive reuse museums located in the heart of Kuala Lumpur. Through these case studies, the visitors’ expectations and perceptions were analysed and the differences were identified. Findings Positive feedback on the level of service quality provided at both museums indirectly shows the success of adaptive reuse initiative on the historical buildings towards adapting their new functions as a museum. It was also noted that foreign language leaflets and facilities for less able visitors were among the two service criteria that do not exceed the expectations of users. In general, these findings are crucial in identifying the gap within the services provided and appropriate measures that can be undertaken for further improvement. Research limitations/implications Further study can be employed to a larger population of study to cater for a variety of perspectives from both users and managers of the buildings. Practical implications This paper highlights the implications of users’ feedback towards building usability and functions. It provided imperative findings from the users’ point of view pertaining to the services provided. Social implications The paper illustrates the significance of social perceptions on the implications of service delivery. It also reports empirical evidence in highlighting the importance of users’ attributes towards excellent service delivery. Originality/value Up to present, there exists a small number of studies that look into reviewing the new functions of adaptive reuse buildings. This study now contributes to create a larger number of studies in this scope, especially within the context of Malaysia.
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Taher, Hassan, Giuseppina Addo, Pille Pruulmann Vengerfeldt, Maria Engberg, and Åsa Harvard Maare. "Reuse and Appropriation: Remediating Digital Museum Collections and Digital Tools for a Participatory Culture in Transition." Baltic Screen Media Review 10, no. 1 (April 1, 2022): 122–38. http://dx.doi.org/10.2478/bsmr-2022-0009.
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Abstract Museums have always used different media to communicate, widen perspectives and bring new knowledge, but in the era of digital media, their various offerings are increasingly part of the media ecosystem. Our research interventions explored the possibility of reusing existing digitised material in a participatory setting. The aim was to explore the object-centred audience participatory method in digital settings. We held a series of digital and in-person workshops that invited the participants to “imagine” narratives about the provenance of the museum’s objects and journeys to Sweden in a playful and creative exploration. We could observe how the virtual workshop setting supported focused discussions, and allowed zooming, drawing and remixing of digital photographs to facilitate conversation. The workshop participants on-site worked with the museum objects on display to remediate them through photos, drawings, clay modelling, and writing down thoughts and questions about the objects on discussion postcards. The participants’ contributions were included in the virtual collection database (Carlotta), under the same collection as the other museum objects, making the remediation process circular. We argue that object-centred methods enable audience participation in digital media ecosystems both in museums and with other media makers. The audience’s expectations and experiences from using other media bring them to the digital museum platforms with a willingness to explore, remix and integrate.
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Aulia, Rahma, Zairin Zain, and Valentinus Pebriano. "MUSEUM SENI RUPA MODERN DI PONTIANAK." JMARS: Jurnal Mosaik Arsitektur 9, no. 1 (February 21, 2021): 270. http://dx.doi.org/10.26418/jmars.v9i1.45157.
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Museums in general are used to store, maintain, secure and utilize museum collections in the form of cultural heritage objects. Fine arts museums are appreciated through visions with visible media and have a physical form or simply presented as a show. The city of Pontianak does not yet have a place to carry out the function of this fine art museum. The museum collection focuses on modern fine art with long-term loans to the museum. There are some art enthusiasts in Pontianak but there is no place to channel this interest. The design method uses three stages. The first stage, data collection by classifying data as information and facts on a problem. The second stage, the analysis aims to analyze the data that has been obtained. The third stage is systematic and systematic by using images in the form of stages with product results, namely, planning drawings and design reports. The design of the Modern Art Museum in Pontianak uses a green architectural approach, namely building planning that seeks to minimize various harmful influences on human health and the environment. This museum has two floors divided according to functions, namely manager and visitor functions. The facade used is of the 3R type (Reduce, Reuse, Recycle), so the walls use bricks and the windows will use low e-glass material and uPVC frames. The comparison composition of 60:40 for buildings and green land follows the requirements for building a museum.
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Cihangiroglu, Melike Selcan. "Memory- space relation in an adaptive reuse building: Analysis of Cengel Han- Rahmi Koc Museum." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 1 (February 19, 2016): 310–17. http://dx.doi.org/10.18844/gjhss.v2i1.313.
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Karakul, Özlem. "Designing a Village Museum Ecologically: Reuse of Historic School Building." ATHENS JOURNAL OF ARCHITECTURE 5, no. 4 (September 18, 2019): 345–66. http://dx.doi.org/10.30958/aja.5-4-2.
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Hsu, Tien-Yu, and Jen-Yuan Yeh. "A Unified Knowledge-Based Content Management Framework towards Value-Added Application and Service Development and Business Marketing for Museums: The Case Study of the National Museum of Natural Science in Taiwan." International Journal of Humanities and Arts Computing 8, supplement (March 2014): 12–28. http://dx.doi.org/10.3366/ijhac.2014.0096.
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The practices of knowledge management (KM) are complicated and usually difficult of accomplishment. In most situations, KM is introduced on a departmental or even individual level, leading to the Content Silo Trap where content, applications, and services are created in isolation. To address the issue, this paper proposes, for museums, a Unified Knowledge-based Content Management Framework, which consists of the Unified Process of Knowledge Content Development, the Multi-layered Reusable Knowledge Content Structures, and the Unified Knowledge-based Content Management System. The first declares tasks for the museum staff to perform while building and utilizing knowledge. The second abstracts content in consistent structures for reuse. The last comprises subsystems serving functionalities for knowledge-based content management. The proposed framework has been successfully introduced in the National Museum of Natural Science to manage tasks and operations on a daily basis. In addition, a platform based on the framework is implemented to support knowledge-based content management, value-added application and service development, and business marketing. The overall practical experience is a valuable reference for museums, the academia, and the industry.
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Mega Yulita Nancy Ponggo, Astari Wulandari, and Djudjun Rusmiatmoko. "Konservasi Arsitektur Pada Bangunan Museum Wayang Jakarta." SARGA: Journal of Architecture and Urbanism 17, no. 1 (January 30, 2023): 72–80. http://dx.doi.org/10.56444/sarga.v17i1.415.
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Bangunan Museum Wayang di Kawasan Kota Tua Jakarta ditetapkan sebagai bangunan cagar budaya karena memiliki nilai penting dalam sejarah perkembangan kota dan bangsa. Maka dari itu, diperlukan upaya konservasi untuk mempertahankan keberadaannya sehingga nilai-nilai tersebut tidak hilang. Penelitian ini bertujuan untuk mengkaji upaya konservasi yang dilakukan terhadap bangunan Museum Wayang serta keseuiannya terhadap prinsip konservasi arsitektur. Penelitian dilakukan dengan menjabarkan upaya konservasi secara deskriptif-kualitatif melalui observasi dan studi pustaka. Secara keseluruhan, Museum Wayang telah menerapkan upaya konservasi yang tepat dengan mempertahankan signifikansi budaya dan tidak melakukan intervensi besar pada kondisi asli bangunan. Bentuk adaptive reuse pada Museum Wayang yang melibatkan kegiatan restorasi atau rehabilitasi menunjukkan komitmen pemerintah daerah dalam mempertahankan bagunan bernilai sejarah ditengah – tengah pesatnya perkembangan lingkungan perkotaan yang dinamis.
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Vardopoulos, Ioannis, Christos Stamopoulos, Georgios Chatzithanasis, Christos Michalakelis, Panagiota Giannouli, and Eleni Pastrapa. "Considering Urban Development Paths and Processes on Account of Adaptive Reuse Projects." Buildings 10, no. 4 (April 10, 2020): 73. http://dx.doi.org/10.3390/buildings10040073.
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This article, as part of the ‘SUMcity’ research program, aims to give a comprehensive account of the regeneration that occurred in Athens by the adaptive reuse of the old FIX Brewery to house the new Hellenic National Museum of Contemporary Art (EMST). Adaptive reuse is an urban sustainability development evolving process, used to manage assets and resources efficiently, resulting in economic development, increased local attraction, and revitalized community engagement. Other than that, modern societies experience the dynamic stream of social media and smart city initiatives, amid a long-discussed and complex cultural heritage preservation backdrop. Notwithstanding the value added to the city, the interaction of sustainable development with adaptive reuse projects, culture, tourism, social media use, and smart city initiatives, along with the impact of this intangible relationship, has yet to be set in a more tangible form. Methodologically, a newly developed conceptual framework is used in order to re-define the (cor)relations among the existent concepts of sustainable development, smart city and cultural heritage. Subsequently, a primary questionnaire-based research is conducted on Instagram users’ geotagging the Hellenic National Museum of Contemporary Art (EMST), analyzing their views in an attempt to demonstrate the arising local potential and sustainability.
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Soehardinata, Prisilla Noviani, and Suwardana Winata. "PENERAPAN PENGALAMAN RUANG (USER EXPERIENCE) SEBAGAI MEDIA BARU DALAM PERANCANGAN LIVING MUSEUM DI PASAR IKAN, JAKARTA UTARA." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 4, no. 2 (January 23, 2023): 1193–202. http://dx.doi.org/10.24912/stupa.v4i2.21814.
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The Pasar Ikan area, as one of the starting points for the development of Jakarta in the Batavia era, is one of the biggest fish markets of its time. As years passed, Pasar Ikan degraded and changed its function into a slum settlement, resulting in a loss in its image as a historical and maritime area. This situation then becomes a trigger to restore the image of the Pasar Ikan area, by considering current conditions and the need in providing education for the community. Museums are one of many ways to educate the public about the history of Pasar Ikan. However, it was found that the number of public visits to museums is still very low, especially among the millennial generation. Hence, a new media, that is relevant to current development, is required to convey information in the museum. The methods used are Translating History into User Experience, Everydayness based on a participatory approach and narrative tactics, and 4 Space Plot Strategies. In conclusion, the user experience in the Living Museum is built through: 1. Translating History into Space Experience which results in Past, Present, and Future zoning; 2. Daily analysis that produces aspects of the five senses of the present and the past; 3. 4 Space Plot Strategies that produce Zoning, Zone Section & Events, 5 Sense Experiences (both architecturally in the form of dioramas and non-architecturally by using actors), and Spatial Configuration. Keywords: adaptive-reuse; everydayness; living museum; user experience
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Barranha, Helena, João Vieira Caldas, and Rita Nobre Neto da Silva. "Translating heritage into museums: two architectural strategies inside Lisbon Castle." Journal of Cultural Heritage Management and Sustainable Development 7, no. 1 (February 6, 2017): 33–47. http://dx.doi.org/10.1108/jchmsd-05-2016-0033.
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Purpose The purpose of this paper is to discuss the role of contemporary architecture in heritage protection, reinterpretation and reuse, an issue that has become increasingly relevant due to the recognition of architectural heritage as a key factor for cultural and economic development. Design/methodology/approach In Portugal, as elsewhere in Europe, cultural heritage management has often been associated with the creation of new museum spaces, namely, within national monuments and archaeological sites. Drawing on restoration theories and international charters, this paper analyses and compares two parallel interventions recently built inside São Jorge Castle, in Lisbon: the Museum Centre (Victor Mestre and Sofia Aleixo, 2007-2008) and the Archaeological Site (João Luís Carrilho da Graça, 2008-2010). This approach offers insight on the complexity of addressing and reconfiguring the profusion of past transformations within a single monument. Findings These two complementary museum spaces are representative of different attitudes towards heritage appropriation, substantiating the thesis that musealizing always entails the creation of narratives, which translate history and heritage into architectural and curatorial discourses. Besides meeting the functional requirements of specific museum programmes, such interventions frequently deal with the challenge of opening up new perspectives on the past. Originality/value Considering the central role of communication in contemporary museums, this paper discusses how heritage musealization can contribute to the translation of historical evidence into updated iconographies, narratives and dialogues. Furthermore, the unique characteristics of this twofold case study can provide an insightful contribution for a broader debate on the reinterpretation of iconic monuments and sites.
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Armarieno, Dessa Andriyali, Rizka Drastiani, and Sri Lilianti Komariah. "Simulasi Desain dengan Konsep Adaptive Reuse pada Bangunan Museum Tekstil di Kota Palembang." Archvisual: Jurnal Arsitektur dan Perencanaan 1, no. 1 (December 24, 2021): 45–56. http://dx.doi.org/10.55300/archvisual.v1i1.700.
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Sejarah sebuah kota menjadi sebuah aspek penting yang perlu dipertahankan keberlangsungannya dikarenakan nilai historis yang menjadi wajah perjalanan suatu kota. Jika dilihat secara lebih rinci, sebuah kota meninggalkan banyak cerita yang dapat menjadi awal peradaban. Kota Palembang dengan segala dinamika perkembangan dan pembangunan kota yang semakin hari bertambah pesat, namun diharapkan dengan tidak merubah dan menghapus jejak-jejak peninggalan kota yang salah satu wujudnya diwakili oleh keberadaan bangunan lama. Di beberapa titik yang ada di Kota Palembang, keberadaan bangunan lama ini sangat memprihatinkan dikarenakan kurangnya penghargaan masyarakat akan bangunan lama serta perawatan yang tidak baik, sehingga membuat nilainya semakin menurun dengan disertai kerusakan yang cukup signifikan. Menurunnya nilai serta kualitas bangunan ini juga memiliki dampak terhadap penurunan kualitas kawasan secara lebih luas. Tujuan penulisan ini adalah menawarkan salah satu cara yang bisa dilakukan terhadap bangunan lama dengan menggunakan konsep adaptive reuse dengan harapan dapat menjaga karakter dan identitas bangunan. Metode kualitatif desktriptif dilakukan dengan melihat aspek sejarah terkait perubahan fungsi dan bentuk melalui observasi dan pengumpulan data untuk kemudian diolah dengan sebuah simulasi desain. Pada tahap ini, adaptive reuse akan coba diterapkan pada bangunan Gedung Museum Tekstil dengan tujuan untuk menghidupkan kembali aktifitas dengan fungsi baru dan tetap mempertahankan karakter bangunan heritage yang dapat meningkatkan nilai ekonomi bangunan dan kawasan.
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HASIRCI, Deniz, İdil BAKIR KÜÇÜKKAYA, Zeynep EDES, M. Haluk TATARİ, Silvia ROLLA, Müge ÇALIŞKANELLİ, and Gülçin KABAÇAM. "Concept and Scale Focus in Interior Design Education: An Adaptive Reuse Museum Project." Mimarlık Bilimleri ve Uygulamaları Dergisi (MBUD) 7, no. 2 (December 30, 2022): 652–73. http://dx.doi.org/10.30785/mbud.1170019.
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This study concentrates on the value of the interior design profession and how a concept and scale approach can enable a holistic professional approach. The emphasis of the paper is on interior design education, particularly the second-year studio where the interior design process is learned. The adaptive reuse project building was in Çeşme, Turkey and designed as a museum for a chosen artist. The method involved understanding the design process as a whole, beginning from a larger scale that includes landscape, leading to the detailing scale. While the first semester emphasized abstract issues, the second semester focused on materialization of ideas into applicable decisions. The project process was divided into four stages within each semester. The resulting projects drawings and models represented advanced levels of knowledge regarding the stages and process of interior design, its components, as well as an understanding of larger and smaller scales inherently connected to the profession.
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Dell’Anna, Federico. "What Advantages Do Adaptive Industrial Heritage Reuse Processes Provide? An Econometric Model for Estimating the Impact on the Surrounding Residential Housing Market." Heritage 5, no. 3 (July 6, 2022): 1572–92. http://dx.doi.org/10.3390/heritage5030082.
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When industrial relics, such as obsolete buildings, sites, and infrastructures, enter into a process of adaptive reuse, they become transformation engines capable of shaping the urban fabric. They provide tangible and intangible links to our past and have the potential to play a significant role in today’s cities’ futures. One unresolved issue is the quantification of the externalities of these transformation processes. If undertaken correctly, adaptive reuse can contribute to the development of social and cultural capital, environmental sustainability, urban regeneration, and, most importantly, economic benefits to the surrounding community. In this sense, understanding the value of heritage is particularly important in light of the new European urban environmental policy movement based on the circular economy, which aims to change the way Member States consume and produce materials and energy. After a review of the externalities generated by the adaptive reuse of disused industrial heritage, the paper will concentrate on the estimation of economic benefits given by a transformation process that affected Turin’s Aurora district (Northern Italy) during the last years. The hedonic pricing method (HPM) was used to investigate the effects of the construction of new headquarters and the redevelopment of an old power plant converted into a museum and conference center. This study used econometric models to identify a significant increase in market prices within 800 m of the site and calculated a EUR 16,650,445 capitalized benefit from the transformation on the surrounding residential building stock. The study thus contributed to the awareness that reused heritage not only improves the lives of residents, but it also has a positive impact on the real estate market, in terms of transactions, as well as market values.
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Kyrö, R., and R. Lundgren. "Your vibe attracts your tribe – the adaptive reuse of buildings delivering aesthetic experience and social inclusion." IOP Conference Series: Earth and Environmental Science 1101, no. 6 (November 1, 2022): 062014. http://dx.doi.org/10.1088/1755-1315/1101/6/062014.
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Abstract A significant amount of embodied energy, materials, and economic capital is tied to vacant and underused buildings. Sharing is an effective way to reduce the excess use of space. Beside sharing, much more focus should be placed on maximizing the functional use of existing buildings. Adaptive reuse can be effective not only in mitigating obsolescence, but also in enhancing the vitality of site surroundings. This study aims to explore the potential of sharing and adaptive reuse in delivering circularity, with special focus on the social dimension. We engage in a qualitative, in-depth case study method using interviews, site visits, as well as document and social media reviews as data sources. We study two adaptive reuse projects, where the buildings have been repurposed for collaborative use. The first case is a former museum turned into co-working space, the second is a former industrial site turned into an arts centre. Our findings show that while adaptive reuse is inherently environmentally sustainable, the value delivery is through the social impact of the projects. The social impact can be divided into aesthetic experience, delivered through the preserved historic building, attractive site surroundings and creative content, and social inclusion, delivered through community engagement and accessibility.
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Hussein, Najmaldin. "Adaptive Reuse of the Industrial Building: A case of Energy Museum in Sanatistanbul, Turkey." Journal of Contemporary Urban Affairs 1, no. 1 (January 2, 2017): 24–34. http://dx.doi.org/10.25034/1761.1(1)24-34.
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Rudolf Sitorus and Indah Novi Rahmatika. "Revitalizing the former Tobacco ripening area PTPN II (Designing Deli Tobacco Museum and Hostel)." International Journal of Architecture and Urbanism 6, no. 1 (March 31, 2022): 57–71. http://dx.doi.org/10.32734/ijau.v6i1.8672.
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The PTPN II Medan area, located on Jalan Pertempuran, is an Industrial Reserve Area with the potential to be preserved. The lack of effort to protect and preserve historical areas is one factor causing the lack of public knowledge about historical areas in Medan City. In this design, the former tobacco ripening warehouse is revitalized with the Adaptive Reuse concept. The old warehouse building will be re-functioned as the Deli Tobacco Museum to revive the building's historical value. However, there was a consideration of the need for location and respect; besides the Museum building, there were also other building design functions, one of which was the Hostel. The research method used is qualitative. Qualitative methods, namely, 1) data collection. 2) Design Analysis. 3) Design Concept. Concepts can be created through user needs, environment, analyzes, and studies that have been carried out, problems, and solutions found. Procurement of the Deli Tobacco Museum and Hostel is a solution to increase the community's knowledge and interest to learn about the history that has existed in Medan. The Museum and Dormitory building is designed with a more modern appearance. Still, it maintains the historical values in the area to educate museum visitors about the important part of Medan City that is needed and believed to be able to repair and revive the area and improve the city's economy and tourism industry.
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Harrington, Selma, Branka Dimitrijević, and Ashraf M. Salama. "MODERNIST ARCHITECTURE, CONFLICT, HERITAGE AND RESILIENCE: THE CASE OF THE HISTORICAL MUSEUM OF BOSNIA AND HERZEGOVINA." International Journal of Architectural Research: ArchNet-IJAR 11, no. 3 (November 22, 2017): 178. http://dx.doi.org/10.26687/archnet-ijar.v11i3.1330.
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Bosnia and Herzegovina is one of the successor states of former Yugoslavia, with a history of dramatic conflicts and ruptures. These have left a unique heritage of interchanging prosperity and destruction, in which the built environment and architecture provide a rich evidence of the many complex identity narratives. The public function and architecture of the Historical Museum of Bosnia and Herzegovina, once purposely built to commemorate the national liberation in World War 2, encapsulates the current situation in the country, which is navigating through a complicated period of reconstruction and transformation after the war in 1990s. Once considered as the embodiment of a purist Modernist architecture, now a damaged structure with negligible institutional patronage, the Museum shelters the fractured artefacts of life during the three and a half year siege of Sarajevo. This paper introduces research into symbiotic elements of architecture and public function of the Museum. The impact of conflict on its survival, resilience and continuity of use is explored through its potentially mediatory role, and modelling for similar cases of reuse of 20th century architectural heritage.
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Hettema, Jelle, and Linde Egberts. "Designing with maritime heritage: adaptive re-use of small-scale shipyards in northwest Europe." Journal of Cultural Heritage Management and Sustainable Development 10, no. 2 (October 21, 2019): 130–43. http://dx.doi.org/10.1108/jchmsd-04-2019-0032.
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Purpose The purpose of this paper is to describe the different design approaches architects take towards the adaptive reuse of small-scale shipyards. Thereby giving a proposition for future projects by giving insight in how others preceded and showcasing different possibilities. Design/methodology/approach The research is based on a literary review in combination with a case study, following one main question: What architectural approaches do architects employ in redesigning nineteenth- and twentieth century dockyards in Northern Europe and how do these approaches consider the history of building and context? First, this paper researches the history of adaptive reuse. Additionally, the historical and cultural context of shipyards is researched. Finally, a case study is done linking theory with practice. Selected cases are: Kromhout shipyard in Amsterdam, Verftet Ny-Hellesund in Ny-Hellesund and the Maritime Museum in Helsingør. Findings Four approaches to adaptive re-use were distinguished in the cases: differentiation, continuation, cultivation and optimisation. Each has its own implications for the design and the chosen approach is ultimately related to the important heritage values of each individual shipyard. Heritage professionals proved to have a great say, in the early stages of the adaptation process, in which the adaptive reuse approach was chosen. Research limitations/implications This comparative research enables an in-depth analysis and comparison and thorough qualitative understanding. It however limits the insight in the representativeness of these cases. Originality/value This paper compares the adaptive reuse of small-scale shipyards in an international perspective. It offers insight into the patterns, principles and context of the architectural reuse of this underexposed industrial heritage.
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Cihangiroglu, Melike Selcan. "Memory- space relation in an adaptive reuse building: Analysis of Cengel Han- Rahmi Koc Museum." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 1 (February 19, 2016): 310–17. http://dx.doi.org/10.18844/prosoc.v2i1.313.
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A space is perceived by experiences and usage. The purpose of the study is conveying the memory effects in an adaptive reuse building in order to discuss interior space and memory. Protecting the essence of the used materials or structural features and being respectful to the past experiences in the place will increase emotional experiences of the user and will preserve the building in the matter of significance. In order to explain this approach with a case Cengel Han is studied with both individual and regional effects of the building in the memory were interpreted.Keywords: Memory of spaces, sense of place, essence of the space, memory space relation.
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Wang, Xiao Yu, Xin Ying Lan, and Xin Lu Zheng. "Research on Protection and Reuse of Industrial Heritage and Environment in Shenyang." Advanced Materials Research 616-618 (December 2012): 1425–30. http://dx.doi.org/10.4028/www.scientific.net/amr.616-618.1425.
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As a historically famous city, Shenyang boasts of a wealth of industrial heritage which, however, is suffering destructions. Based on the introduction to the general situation and the characteristics of the industrial heritage and environment in Shenyang, this paper proposes the specific measures and approaches to protecting and reusing industrial heritage and environment with a view to intensifying the efforts in protection. The specific measures and approaches includes two fields: Protection and conservation(overall protection and conservation, partial protection and conservation, and components retention); and Reuse and re-creation(an industrial museum to be built in Shenyang, a gallery of industrial culture to be built, factory building with large span to be rebuilt into store, supermarket, gym or theater，some normal factory buildings to be rebuilt into apartment , hotel or office buildings，and the structure with special form can be transformed into amusement facilities in park and city landmarks).
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İslamoğlu, Özge. "Tarihi Yapıların Yeniden Kullanılmasında Yapı-İşlev Uyumu: Rize Müzesi Örneği / The Structure-Function Coherence in the Reuse of Historical Buildings: Rize Museum Sample." Journal of History Culture and Art Research 7, no. 5 (December 31, 2018): 510. http://dx.doi.org/10.7596/taksad.v7i5.1573.
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<p><strong>Abstract</strong></p><p>The reuse of historic buildings for the purpose of protection is an important tool in the preservation of the historic buildings. With this understanding of protection, the building continues its life and, at the same time, economic and cultural continuity is ensured. In this study, Sarı Ev which have been refunctioned today and known as Rize Museum, reflecting architectural texture of Eastern Black Sea and representing the architectural heritage of the city, has been evaluated in the context of reutilization. The aim of the study is to draw attention to the importance of function selection in reuse by showing this structure, which originally used to function as a house, that can be compatible with the new function. The aim of the study is to draw attention to the importance of function selection in reuse by showing this structure, which originally used to function as a house, that can be compatible with the new function. The suitability of the structure considering its spatial and functional requirements for reuse has been assessed. The adaptation of the building to its new function was examined by the observation and spatial analysis method and evaluated qualitatively. The result of the evaluation showed that the original spatial installations of the construction were adaptable to the new function with very little intervention. In this study, a positive example of the proper function selection for the reuse of construction has been presented and emphasized as an important way for preservation in the face of rapidly changing circumstances of present conditions.</p><p><strong>Öz</strong></p><p>Tarihi yapıların koruma amaçlı olarak yeniden kullanımı, yapıların sahip olduğu değerlerin korunmasında önemli bir araçtır. Değerlerin yaşatıldığı bu koruma anlayışı ile yapı yaşamına devam etmekte, aynı zamanda ekonomik ve kültürel açıdan süreklilik sağlanmaktadır. Bu çalışmada, Doğu Karadeniz’in mimari dokusunu yansıtan ve kentin mimari mirasları arasında yer alan <em>Sarı Ev</em> incelenmiş ve Rize müzesi olarak yeniden kullanıma açılması ile ilgili değerlendirmeler yapılmıştır. Çalışmanın amacı özgün işlevi konut olan bu yapının yeni işlev ile uyumunun ortaya koymak ve yeniden kullanımda işlev seçiminin önemine dikkat çekmektir. Bunun için yapının yeniden kullanımındaki mekânsal ve işlevsel gereksinimlerine uygunluğu değerlendirilmiştir. Yapının yeni işleve olan uyumu, yapılan gözlem ve mekânsal analiz yöntemiyle sorgulanmış, niteliksel açıdan bir değerlendirme yapılmıştır. Yapılan değerlendirme sonucu, yapının özgün mekânsal kurgularının değişime uğramadan, çok az müdahale ile yeni işleve uyum sağladığını göstermiştir. Yeniden kullanımda yapıya uygun işlev seçiminin olumlu bir örneğinin ortaya konulduğu çalışmada, bu yöntemin günümüz koşullarında hızla değişen koşullar karşısında korumada izlenebilecek önemli bir yol olduğu vurgulanmaktadır.</p>
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Storchi, Simona. "The ex-Casa del Fascio in Predappio and the question of the “difficult heritage” of Fascism in contemporary Italy." Modern Italy 24, no. 02 (March 19, 2019): 139–57. http://dx.doi.org/10.1017/mit.2019.8.
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This article focuses on the history and reception of the ex-Casa del Fascio in Predappio, from the end of the Second World War to the current plans for its restoration and reuse as a study centre and a museum of Fascism. Taking into account changes in legislative, political, and cultural contexts, the article proposes an approach to the legacy of Fascist architecture in Italy based not just on its ideological charge, but also on cultural and political shifts, changes in legislation, and the complex relationships between the bodies in charge of the preservation and management of public heritage. The recent plans put forward by the town administration to restore the building and turn it into a museum of Fascism have reopened the debate on the heritage of Fascism and the ex-Casa del Fascio has now become one of the most conspicuous emblems of Italy’s uneasy relationship with its Fascist past and of the problems of dealing with the material legacy of the Fascist regime.
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Cadelano, Gianluca, Francesco Cicolin, Giuseppe Emmi, Giulia Mezzasalma, Davide Poletto, Antonio Galgaro, and Adriana Bernardi. "Improving the Energy Efficiency, Limiting Costs and Reducing CO2 Emissions of a Museum Using Geothermal Energy and Energy Management Policies." Energies 12, no. 16 (August 20, 2019): 3192. http://dx.doi.org/10.3390/en12163192.
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Museums are major energy consumers amongst buildings, especially if they are housed in historical constructions. Museums usually present high energy demand for the air-conditioning due to their architectonical and structural characteristics, such as the presence of large exhibition rooms and open spaces. At the same time, temperature and humidity have to be strictly controlled in order to assure proper microclimate conditions for the conservation of the housed collections and adequate thermal comfort for visitors and personnel. Moreover, despite being subjected to architectural protection that limits most structural refurbishment interventions, these buildings must be adequate from an energy point of view to allow their reuse or continuity of use according to current quality standards, while retaining their heritage significance. In this awkward context, ground source heat pump working with high temperature terminals is proposed as a viable refurbishment solution. The use of shallow geothermal systems can improve the energy efficiency of the heating ventilation air-conditioning systems and, at the same time, increases the renewable energy source exploitation without affecting the indoor environmental conditions. However, after the interventions, the expected benefits and the sought-after limitation of energy consumption/cost may not occur for different reasons. In fact, even if the installed solution is working perfectly and properly designed, every effort will be in vain if adequate attention is not paid to the management of the plants during the operational phase. This document is meant to evaluate and compare the magnitude that invasive (i.e., technical interventions) and not invasive (i.e., energy management policies) actions respectively and their combined interaction, have on a museum. Through energy simulations it has been possible to quantify the effects that different interventions and energy management strategies had on an existing museum housed in an historical building, from energy consumption, energy costs and CO2 emission standpoints.
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Kwanda, Timoticin. "Adaptive Reuse and Interventions of Chinese Architectural Heritage in the City of Lasem, Indonesia." International Journal of Environmental Science & Sustainable Development 5, no. 1 (July 1, 2020): 68. http://dx.doi.org/10.21625/essd.v5i1.718.
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In Indonesia, Lasem identities as a China Town are constructed and developed over time, and Chinese architectural heritage is one of the main qualities and identity of the city. Recently, these unique Chinese architectural heritages have been transformed for tourism needs. This paper aims to document the transformation of functions or adaptive reuse, and its impact to forms and meanings of the Chinese architectural heritage of the city, and focuses on whether the interventions occurred was by the principles of architectural conservation. In April 2019, the study surveyed and documented five Chinese historic buildings in Karangturi area in Lasem to understand how the architectural heritage has transformed. The result shows that tourism has a direct influence on changes in the building functions in Lasem, such as the Oei House and Little China that have changed from residences to homestays to accommodate the needs of tourists lodgings. The other two buildings, namely House of Nyah Giok and Nyah Lasem museum have also changed their functions from residences to a batik home industry and a museum related to tourism attractions. Interventions on the four buildings with sensitive uses are following the principle of minimum intervention that preserved the original main buildings and changed only in the wings buildings, and new buildings for lodgings were infilled in vacant land of the site for the Oei House case. For one building, however, tourism has no direct influence on changes in the building functions, it has changed from a residence to an Islamic boarding school for the development of Islamic education that had nothing to do with preserving Chinese culture. Indirectly, the building remains a tourist destination because of its unique Chinese architectural features. Findings shows that for the four Chinese owners, the meaning or significance for the adaptation of the building is preserving historic values of the Chinese architecture, and economic values as well by developing commercial spaces and historic areas for tourist attractions.
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Kupriyanov, P. S. "Детское (и) советское: взрослые и дети в музеях советской повседневности ADULTS AND CHILDREN IN MUSEUMS OF SOVIET EVERYDAY LIFE." Вестник антропологии (Herald of Anthropology), no. 2022 №3 (September 12, 2022): 7–34. http://dx.doi.org/10.33876/2311-0546/2022-3/7-34.
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В современных музеях советской повседневности 1950–1980 гг. тема детства занимает весьма важное место. Она присутствует как в музейном «сообщении» (и в экспозициях, и в экскурсиях), так и в его восприятии посетителями. Разговор о советском в музее почти никогда не обходится без детского компонента, а иногда практически сводится к нему. В статье рассматриваются формы, контексты и эффекты такого «альянса». Она основана на полевых материалах 2019–2021 гг., полученных в г. Коломне Московской области и в некоторых других российских городах, а также на данных с туристических и музейных сайтов и страниц в соцсетях. Анализируя избранные кейсы, автор отмечает, что для представителей старшего поколения детство служит важной формой или рамкой для ностальгического восприятия советского прошлого, и прослеживает механизмы, обеспечивающие эту функцию. Детское же восприятие рассмотренных экспозиций, особенно в популярном интерактивном формате варьирует между двумя основными моделями — реконструкцией (строящейся на экзотизации советского) и ресайклинга (предполагающего вторичное использование советских практик и ценностей). В статье отмечается недостаток данных, касающихся собственно детского музейного опыта, приводится исследовательский контекст рассматриваемой темы: актуальные направления и дискуссии, продуктивные теоретические концепты. The topic of childhood has an important place in contemporary museums of lateSoviet everyday life (1950–1980s). It can be seen in the message a museum conveys (both in what is shown and what is said) and in its perception by visitors. The topic of the Soviet in a museum nearly always includes the “children”’s component, and sometimes is virtually reduced to it. This paper examines the forms, contexts, and effects of such an “alliance”. The paper is based on the field material obtained in Kolomna, Moscow region, and in some other Russian cities in 2019–2021, and on the data from tourist and museum websites and social network accounts. Analyzing the selected cases, the author observes that the notion of childhood serves as an important frame for the nostalgic perception of the Soviet past for the older generation, and also demonstrates the mechanisms that fulfil this function. Children’s perception of expositions varies between two main models — reconstruction (based on the exoticization of the Soviet) and recycling (involving the reuse of Soviet practices and values). The article points out the lack of data concerning actual children’s museum experience and provides the research context for the topic: current trends, discussions and useful theoretical concepts.
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Vardopoulos, Ioannis. "Industrial building adaptive reuse for museum. Factors affecting visitors’ perceptions of the sustainable urban development potential." Building and Environment 222 (August 2022): 109391. http://dx.doi.org/10.1016/j.buildenv.2022.109391.
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Underwood, Samuel H., Kieren H. Smith, and Lily M. Wang. "Adaptive reuse of unconventional spaces for performance: Music in a museum and opera in a warehouse." Journal of the Acoustical Society of America 145, no. 3 (March 2019): 1806. http://dx.doi.org/10.1121/1.5101614.
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MacLeod, Caroline Arbuckle, and Kathlyn M. Cooney. "The Layered Life of JE26204: the Construction and Reuse of the Coffins of Henuttawy." Journal of Egyptian Archaeology 105, no. 2 (December 2019): 285–96. http://dx.doi.org/10.1177/0307513320911383.
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In the Twenty-first Dynasty, ancient Egypt was facing a number of economic, political, and religious challenges and transformations. To compensate for a lack of imported resources and subsidized incomes, the Egyptian people were robbing and reusing the tombs of their predecessors. Royal coffins and mummies were collected by priests and placed in tomb caches, supposedly for their protection. In this article, the authors show how a detailed material analysis of the coffins in these caches can help reveal the social history of Egypt at this time. The coffins of Queen Henuttawy prove to be a combination of Eighteenth and Twenty-First Dynasty construction and decoration, and may provide insight into the actions of Third Intermediate Period priests. Following these pieces through to their modern excavation and display in the Egyptian Museum, Cairo, it is evident that these objects continue to impact lives, acquiring additional layers of history and social significance.
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Ngaginta, Alvin Rivaldo, and James Erich D. Rilatupa. "REVITALISASI EKS BANDARA KEMAYORAN." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 4, no. 2 (January 23, 2023): 2031–40. http://dx.doi.org/10.24912/stupa.v4i2.21731.
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Urban acupuncture is a method applied to revive a particular area through local internventions; This intervention is believed to act as a catalyst which could bring a previously dead or damaged back to life. Kemayoran International Airport was the first international airport in Indonesia, which operated from 1940 to 1985, when the Soekarno Hatta airport was opened. Now all that is left is an abandoned building, which holds a historical value with the potential of re-development and should be preserved accordingly. Despite being located in quite a crowded area, the condition of the building creates an unappealing atmosphere to its surroundings. Therefore, this project aims to revive the building previously known as Kemayoran airport, to fulfill the potential that it holds, by using the adaptive reuse method which is supported by architectural technologies for realization, in hopes that this would result in the increase of crowd numbers, therefore supporting the economic conditions of nearby areas. The main program included in this building was an aviation museum which tells the history of Kemayoran airport at its glory; Moreover, this building also includes a co-working space and a community center, as a respond to the vision of PPPK which is to make the area into a business district. With this revitalization, it is hoped that the former Kemayoran Airport can function again and have a positive impact on its surroundings. Keywords: Adaptive Reuse; Architectural Technology; Aviation Museum; Kemayoran Airport; Revitalization; Urban Acupuncture Abstrak Urban acupuncture merupakan metode yang diaplikasikan untuk menghidupkan kembali suatu kawasan melalui intervensi lokal; Intervensi ini diharapkan untuk berfungsi sebagai katalistor yang dapat menghidupkan kembali kawasan yang sudah mati atau rusak. Bandar Udara Internasional Kemayoran merupakan bandara internasional pertama di Indonesia, yang resmi beroperasi dari tahun 1940 sampai 1985, pada saat bandara Soekarno-Hatta dibuka. Kini, yang tersisa hanyalah bangunan terbengkalai, sedangkan bangunan tersebut sebenarnya memiliki nilai historis yang seharusnya dipelihara selayaknya dan berpotensi untuk dikembangkan kembali. Walaupun berada di kawasan yang cukup ramai dengan pengunjung, tetapi kondisi bangunan tersebut membuat suasana sekitar menjadi kurang mengenakan. Maka dari itu, proyek ini bertujuan untuk menghidupkan kembali bangunan eks Bandara Internasional Kemayoran sesuai dengan potensi yang dimilikinya, dengan menggunakan metode adaptive reuse yang didukung dengan teknologi arsitektur untuk merealisasikannya, dengan harapan bahwa hasil dari revitalisasi ini akan meningkatkan jumlah pengunjung yang akan membantu perekonomian kawasan sekitar. Program utama yang terdapat dari bangunan ini merupakan museum aviasi yang menceritakan sejarah bandara Kemayoran pada masa kejayaannya; Selain dari itu, pada bangunan ini juga terdapat co-working space dan community center, sebagai respon dari visi PPPK yang akan menjadikan kawasan tersebut sebagai kawasan bisnis. Dengan adanya revitalisasi ini diharapkan Eks Bandara Kemayoran dapat berfungsi kembali dan membawa dampak positif terhadap sekitarnya.
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Baratta, Adolfo F. L., Fabrizio Finucci, and Antonio Magarò. "Regenerating Regeneration: augmented reality and new models of minor architectural heritage reuse." VITRUVIO - International Journal of Architectural Technology and Sustainability 3, no. 2 (December 26, 2018): 2. http://dx.doi.org/10.4995/vitruvio-ijats.2018.10884.
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<p>The paper presents the first results of an interdisciplinary research conducted by the Department of Architecture of Roma Tre University aimed at developing guidelines for enhancement of minor architectural heritage, urban and suburban. The research evaluates the creation of a widespread museum that exploit cultural dissemination technologies in augmented reality. The economic crisis, not yet overcome, leads to rethink urban development and heritage conservation, reorienting design towards techniques and practices of reuse. These strategies represent one of the most effective ways to enhance and protect the minor architectural heritage, often protagonist of degradation and abandonment. It seems necessary that the architectural heritage protection has been articulated through contemporaneity, adapting itself to the age of Information Communication Technology. In addition to the architectural heritage, strictly intended as a monument, Italy has a complex system of goods well explained, in the broadest sense, as "minor architectural heritage ". This approach makes possible to identify the Italian Historical Cities as a new category of widespread heritage to be protected. Consequently, it emerges the need to put aside the discretization in punctual assets, approaching an entire system of architectural goods, characterized by a high degree of complexity. Valuing the latter in a sustainable way also passes through new technologies as augmented reality.</p>
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Yuan, Ao. ""Rebirth" of Old Buildings - Impressing on Protecion & Reuse of the Old Buildings of Zeche Zollverein near Essen in the Ruhr Area, Germany." Applied Mechanics and Materials 409-410 (September 2013): 496–99. http://dx.doi.org/10.4028/www.scientific.net/amm.409-410.496.
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In Zeche Zollverein near Essen in the Ruhr Area, the old plants are rebuilt as culture & recreation places such as museum, restaurant and theater and so on, they get the rebirth. The industrial feel was conserved, and the buildings continue the history with immitting of new blood at the mean time. Symbiosis of old and new building proposed new ideas.
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Hannibal, Joseph T., Michael E. Williams, and Gary L. Jackson. "An inexpensive source of dolomite powder for use with airbrasive units." Journal of Paleontology 62, no. 2 (March 1988): 316. http://dx.doi.org/10.1017/s002233600003002x.
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In the past few years the Cleveland Museum of Natural History has received several inquiries as to our source of dolomite for use with S.S. White® industrial airbrasive units. We have been using inexpensive, “agricultural” dolomite with these units for several years. This source was “discovered” by testing of a wide variety of dolomite sources by Peter Kotulak, a former preparator at the Museum, under the direction of M.E.W. We are currently using OHSO® Pulverized Limestone, a kiln-dried dolomitic limestone recommended for agricultural, and lawn and garden, use. It is produced by the Ohio® Lime Co., of Woodville, Ohio. A 22.7 kg (50 pound) bag costs $2.25, and is available at building supply companies. The dolomite must be sieved and dried to prevent clogging of the unit's line and nozzle. We use a Ro-Tap® Testing Sieve Shaker to sieve the material, with #30 (595 micron), #60 (250 micron), and #100 (150 micron) U.S.A. standard testing sieves. An incandescent desk lamp can be placed over an open container of the sieved dolomite to keep it dry. Used powder may be re-sieved for reuse if desired.
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Amato, Agnese, Maria Andreoli, and Massimo Rovai. "Adaptive Reuse of a Historic Building by Introducing New Functions: A Scenario Evaluation Based on Participatory MCA Applied to a Former Carthusian Monastery in Tuscany, Italy." Sustainability 13, no. 4 (February 21, 2021): 2335. http://dx.doi.org/10.3390/su13042335.
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The lack of financial resources and the constraints about interventions are threatening the survival of built heritage and the multiple benefits it can provide. In time, the role of building conservation has changed from preservation to being part of a sustainable strategy where adaptive reuse may allow to protect built heritage, while promoting it as a resource. This paper presents the results of a multicriteria analysis applied to the case study of Certosa di Pisa in Calci (Tuscany), a former Carthusian Monastery currently run as a publicly owned museum center. Based on information gathered from literature and the involvement of the two main stakeholders, a SWOT analysis was performed to identify three scenarios in which new functions were introduced with the aim to cover restoration and maintenance costs. Scenarios were compared by using a participatory MCA, taking into account not only economic performances but also cultural, territorial integration and restoration co-impacts. Results show that it is possible to reach economic sustainability while conserving heritage values, but several criticalities may hinder the process. Conclusions discuss the suitability of the method in identifying sustainable reuse solutions and highlight the role of governance bodies and the problems related to their public and/or private composition.
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Pütz, Babette, and Kenneth Sheedy. "Bad Hair Day: Some Mementos of New Comedy Refurbished." Antichthon 44 (November 2010): 33–49. http://dx.doi.org/10.1017/s0066477400002069.
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Masks having a bad hair day? Two terracotta masks now in the Museum of Ancient Cultures, Macquarie University (figs 1-5), and the Classics Museum, Victoria University of Wellington (figs 9-12), seem to be in this embarrassing situation. Both of these tonsorially-challenged characters display highly unusual features (indeed the entire forehead of the male mask seems somewhat deformed) but a closer look suggests that in both cases their bad hair is the result of ‘tampering’ with classic mask representations or their moulds. That is to say, existing moulds have been modified and then brought back into use, or examples of each mask-type have been used as the basis for new moulds. Furthermore, the changes can be shown to have occurred at a much later date than that of the original masks or moulds. These changes confuse the identity of the mask, suggesting that those responsible for their later production did not fully understand the original iconography. They are thus of interest as evidence for the later reuse of artefacts relating to theatre, though we suggest in our conclusion that, in spite of their theatrical derivation, their purchaser was not primarily interested in them as souvenirs of Greek drama.
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Ho, Elizabeth. "Heterotopic Heritage in Hong Kong: Tai Kwun and Neo-Victorian Carceral Space." Humanities 11, no. 1 (January 13, 2022): 12. http://dx.doi.org/10.3390/h11010012.
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The prison is specifically identified by Michel Foucault in his essay, ‘Of Other Spaces’ (1967), as an exemplar of “heterotopias of deviation”. Reified in neo-Victorian production as a hegemonic space to be resisted, within which illicit desire, feminist politics, and alternate narratives, for example, flourish under harsh panoptic conditions, the prison nonetheless emerges as a counter-site to both nineteenth-century and contemporary social life. This article investigates the neo-Victorian prison museum that embodies several of Foucault’s heterotopic principles and traits from heterochronia to the dynamics of illusion, compensation/exclusion and inclusion that structure the relationship of heterotopic space to all space. Specifically, I explore the heritage site of the Central Police Station compound in Hong Kong, recently transformed into “Tai Kwun: the Centre for Heritage and the Arts”. Tai Kwun (“Big Station” in Cantonese) combines Victorian and contemporary architecture, carceral space, contemporary art, and postcolonial history to herald the transformation of Hong Kong into an international arts hub. Tai Kwun is an impressive example of neo-Victorian adaptive reuse, but its current status as a former prison, art museum, and heritage space complicates the celebratory aspects of heterotopia as counter-site. Instead, Tai Kwun’s spatial, historical, and financial arrangements emphasize the challenges that tourism, government funding, heritage, and the art industry pose for Foucault’s original definition of heterotopia and our conception of the politics of neo-Victorianism in the present.
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Lorens, Piotr, and Łukasz Bugalski. "Reshaping the Gdańsk Shipyard—The Birthplace of the Solidarity Movement. The Complexity of Adaptive Reuse in the Heritage Context." Sustainability 13, no. 13 (June 26, 2021): 7183. http://dx.doi.org/10.3390/su13137183.
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The Gdańsk Shipyard—the birthplace of the Solidarity movement—is host to a unique example of a multi-layered brownfield redevelopment project, an area that is burdened by a complex history, overlapping heritage, and multiple memories. These circumstances require an integrated yet differentiated approach to the site’s heritage and make the creation of one homogeneous narration of its future impossible. At the same time, the size of the area, as well as its location within Gdańsk city centre, has meant that its future has been the subject of numerous discussions and speculations conducted over the last 20 years—starting from the creation of a large-scale open-air museum and continuing to the localization of the new Central Business District of the city. Consequently, that broad discussion carried out regarding the scope of redevelopment projects has been rooted in the possible introduction of diverse models of adaptive reuse. This variety of possible approaches also includes discussion on the mode of integrating heritage in the redevelopment processes. The goal of this paper—written just before the initiation of the final stage of the conceptual part of the project—is to present the complexity of approaches to issues related to redevelopment and heritage preservation.
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MacGlashan, Stuart K., and Malcolm J. Taylor. "MUSiCAL: An object-oriented hypermedia data model for the reuse of museum information for computer-aided learning and the World-Wide Web." Journal of Network and Computer Applications 23, no. 4 (October 2000): 429–53. http://dx.doi.org/10.1016/s1084-8045(00)90015-8.
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Coldstream, J. N. "Knossos: ‘Geometric’ tombs excavated by D. G. Hogarth, 1900." Annual of the British School at Athens 97 (November 2002): 201–16. http://dx.doi.org/10.1017/s006824540001738x.
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The six ‘Geometric’ tombs excavated by D. G. Hogarth at Knossos in April 1900 are hitherto known only from his brief report in BSA 6 (1899–1900), 82–5, with massed photographs of pottery from two rich tombs. This article offers a full publication of the fifty vases from these tombs, stored in the reserves of the Herakleion Museum. Although excavation records do not survive, all the extant pottery can be assigned with reasonable certainty to individual tombs by collating various sources, including Hogarth's own personal diary. By today's terminology, only tomb 3 contains truly Geometric material, all the others date from the Subminoan and Protogeometric periods. The tombs lie along a well-known ‘Via Appia’ of Minoan times, where Early Greek families, of at least moderate wealth, made much reuse of Minoan chamber tombs. With some evidence of continuity from the latest Minoan burials in this cemetery area, Hogarth's tombs seem to form a small nucleus with origins quite independent of the main North Cemetery under the Medical Faculty site.
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Roos, Anna Marie, and Edwin D. Rose. "Lives and Afterlives of the Lithophylacii Britannici ichnographia (1699), the First Illustrated Field Guide to English Fossils." Nuncius 33, no. 3 (November 26, 2018): 505–36. http://dx.doi.org/10.1163/18253911-03303005.
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Abstract The Lithophylacii Britannicii ichnographia [British figured stones] (1699) by Edward Lhwyd, the second keeper of the Ashmolean Museum, was the first illustrated field guide to English fossils. We analyse this book’s physical creation – the collection of specimens, their engravings and their use and reuse in eighteenth-century editions and collections that were in the transition to binomial taxonomy. With particular concentration on the Lithophylacii’s illustrations of fossils, this paper will first analyse how the specimens were collected. We will then examine the use of these specimens and subsequent editions of Lhwyd’s book, with a focus upon how the relationship between them was drawn on by collectors such as Sir Hans Sloane and Daniel Solander from 1680 to 1760. Finally, we will demonstrate how Ashmolean Keeper William Huddesford repurposed the illustrations for Lhwyd’s book for his eighteenth-century edition of the field guide, incorporating new classificatory schemes. Our analysis will give insight into how a late seventeenth-century book of natural philosophy was used and repurposed by natural historians and collectors before and during the development of Linnaean taxonomy.
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Krishanty, Tabitha Aurell, and Suryono Herlambang. "KONSEP ADAPTASI RE-USE DAN BIOPHILIC PADA REVITALISASI BANGUNAN BERSEJARAH (KASUS HELLENDOORN TUNJUNGAN, SURABAYA)." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 4, no. 2 (January 23, 2023): 1965–78. http://dx.doi.org/10.24912/stupa.v4i2.21721.
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The city of Surabaya is a city known for the history of the struggle of the Surabaya’s people who fought for the Indonesian people against the Dutch colonialists, which Bung Karno pioneered. On November 10, 1945, made Hero's Day to commemorate the struggle of heroes who have fallen on the battlefield. Tunjungan Street was one of the silent witnesses of the Surabaya’s people area who tore the Dutch flag and became a silent witness in the development of the city of Surabaya to become the metropolitan city. The Dutch built Tunjungan Street in the 20th century so this road became a famous area in the city of Surabaya. The area contains a shopping center, offices, restaurants and cafes, and a museum. The Dutch colonial buildings still stand firmly and are well-maintained to keep memories of the past, but, unfortunately, some of these buildings are abandoned because they are not well preserved. The theory of Urban Acupuncture, provides Energy Flows to abandoned buildings that are located between modern buildings that continue to grow. Incorporating the youth of Surabaya as Energy Flows will be able to revive the building by preserving and preserving its history. The design will revitalize Dutch colonial heritage buildings by developing old buildings into new functions that are more useful for the people of Surabaya City and adding new buildings that can support the new functions of old buildings. Using the adaptive reuse method. This method is being used to change the response of planners who assume that old buildings are a barrier to technological progress, development of the times, and the economy. The author will also use the narrative method to preserve and commemorate the existing history. The approach of the narrative method is one method for evaluating stories from a place starting from drafting concepts, designing processes, and as a communication tool for processing narratives into space. Keywords: adaptive reuse; Dutch colonial heritage building; revitalization; urban acupuncture Abstrak Kota Surabaya merupakan kota yang dikenal dengan sejarah perjuangan arek - arek Suroboyo yang memperjuangkan rakyat Indonesia untuk melawan penjajah Belanda. Pada tanggal 10 November 1945 menjadikan Hari Pahlawan guna mengenang perjuangan pahlawan yang telah gugur pada medan perang. Jalan Tunjungan Surabaya menjadi salah satu saksi bisu peristiwa arek - arek Suroboyo merobek bendara Belanda dan menjadi saksi bisu dalam perkembangan Kota Surabaya hingga menjadi kota metropolitan saat ini. Belanda membangun Jalan Tunjungan Surabaya dari abad ke-20 sehingga jalan ini menjadi kawasan yang terkenal di Kota Surabaya. Kawasan tersebut terdapat shopping center, kantor, restauran dan café, dan museum. Bangunan—bangunan kolonial Belanda masih berdiri dengan kokoh dan terawat menyimpan kenangan masa lalu, tetapi sangat disayangkan ada beberapa bangunan tersebut yang terbengkalai dikarenakan tidak dilestarikan dengan baik. Dengan teori Urban Acupuncture memberikan energy flows ke bangunan terbengkalai yang letaknya diantara bangunan - bangunan modern yang terus berkembang. Memasukkan jiwa anak muda Surabaya sebagai energy flows akan dapat menghidupkan kembali bangunan tersebut dengan mempertahankan serta melestarikan sejarah yang dimiliki. Perancangan akan melakukan revitalisasi pada bangunan peninggalan kolonial Belanda dengan mengembangkan bangunan lama menjadi fungsi baru yang lebih bermanfaat untuk masyarakat Kota Surabaya dan menambahkan bangunan baru yang dapat memberikan support pada fungsi baru bangunan lama. Menggunakan metode adaptive reuse. Metode ini dilakukan untuk mengubah tanggapan para perencana yang berasumsi bahwa bangunan tua merupakan penghalang bagi kemajuan teknologi, perkembangan jaman, dan ekonomi. Penulis juga akan menggunakan metode narasi untuk meletarikan dan mengenang sejarah yang ada. Pendekatan dari metode naratif merupakan salah satu metode untuk mengevaluasi cerita dari suatu tempat mulai dari menyusun konsep, proses desain, dan sebagai alat komunikasi untuk pengolahan narasi menjadi ruang.
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Bäckman, Maria. "The Contract-labour Photographs of Gunnar Lundh. A Media History Study of a Photo Archive in Motion." Culture Unbound 12, no. 1 (May 31, 2020): 36–64. http://dx.doi.org/10.3384/cu.2000.1525.2020v12a04.
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The focus of this article is the work of photographer Gunnar Lundh, specifically the works collectively known as the statare photographs, images of rural contract labourers (or statare) that form part of a collection donated to the Nordic Museum in 1961. An overview of how these photographs have circulated in the Swedish public sphere indicates that three areas are particularly suitable for a targeted study of their use and reuse: i) social reportage, aimed at the miserable conditions facing these agricultural labourers in the emerging welfare state; ii) a biographical theme, in which the contract-labour photographs are part of a historical layer that repeatedly connects the author and opinion former Ivar Lo-Johansson with the ‘contract-labour photographer’ Lundh; and iii) how the older images remain a relevant element of a contemporary material cultural-heritage creation. In all of these examples, Lundh’s contract-labour photographs function as visual models through which it becomes possible to represent the contract labourers’ historical reality in books, buildings and interiors. However, they also constitute important components in the creation and perpetuation of what this article highlights as a distinctive set of intra-referential memory.
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Cook, Matt, Zack Lischer-Katz, Nathan Hall, Juliet Hardesty, Jennifer Johnson, Robert McDonald, and Tara Carlisle. "Challenges and Strategies for Educational Virtual Reality." Information Technology and Libraries 38, no. 4 (December 16, 2019): 25–48. http://dx.doi.org/10.6017/ital.v38i4.11075.
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Virtual reality (VR) is a rich visualization and analytic platform that furthers the library’s mission of providing access to all forms of information and supporting pedagogy and scholarship across disciplines. Academic libraries are increasingly adopting VR technology for a variety of research and teaching purposes, which include providing enhanced access to digital collections, offering new research tools, and constructing new immersive learning environments for students. This trend suggests that positive technological innovation is flourishing in libraries, but there remains a lack of clear guidance in the library community on how to introduce these technologies in effective ways and make them sustainable within different types of institutions. In June 2018, the University of Oklahoma hosted the second of three forums on the use of 3D and VR for visualization and analysis in academic libraries, as part of the project Developing Library Strategy for 3D and Virtual Reality Collection Development and Reuse(LIB3DVR), funded by a grant from the Institute of Museum and Library Services. This qualitative study invited experts from a range of disciplines and sectors to identify common challenges in the visualization and analysis of 3D data, and the management of VR programs, for the purpose of developing a national library strategy.
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Huang, Hua, Daizhong Su, and Wenjie Peng. "Novel Mobile Application System for Implementation of an Eco-Incentive Scheme." Sustainability 14, no. 5 (March 5, 2022): 3055. http://dx.doi.org/10.3390/su14053055.
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In order to incentivise consumers to engage in sustainable consumption, a mobile application system is developed to implement an eco-incentive scheme, in which eco-credits are awarded to consumers who recycle and reuse end-of-life products and in which they can use the eco-credits for discounts in shopping, exchange the eco-credits for museum/theatre tickets, or make donations for tree planting. In this paper, the related concept and eco-incentive scheme are introduced first; the infrastructure of the mobile application system is presented; and the process of system development is detailed. The mobile system infrastructure consists of three layers: a database server; communication and integration; and four functional modules including user registration and login, obtaining eco-credits, spending/donating eco-credits, and viewing eco-credit history. Multiple mobile development techniques are utilised to implement the mobile application system. A case study was conducted, demonstrating that the mobile application for eco-incentive can efficiently support consumers in recycling products and managing their reward records. The literature review and user survey revealed that there has not been a mobile application system with the eco-incentive functions of the mobile app presented in this paper, which indicates the novelty of this research.
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Misek, Richard. "Trespassing Hollywood: Property, Space, and the “Appropriation Film”." October 153 (July 2015): 132–48. http://dx.doi.org/10.1162/octo_a_00230.
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In the two decades since the first exhibition of Douglas Gordon's 24 Hour Psycho (1993), “appropriation”—a mainstay of visual art since the mid-twentieth century—has also become a mainstay of experimental filmmaking and artists' film and video. Montages, collages, found-footage documentaries, essay films, and diverse other works made from pre-existing moving images now feature regularly at film festivals, in museum cinematheques, and in art galleries. Yet beyond the protective walls of these cultural institutions, a global copyright war is raging. Over recent years, media owners have become ever more assertive of their intellectual property rights, while activists have become ever bolder in their demands for radical open access. How have film and video artists responded to these differing views about what constitutes our cultural commons? This article explores the question by focusing on two test cases: Thom Andersen's essay film Los Angeles Plays Itself (2003) and Christian Marclay's video collage The Clock (2011). Both involve unlicensed reuse of pre-existing film and television material. However, in their overall conception, methods of production, and distribution and exhibition, Andersen's and Marclay's works provide opposing models for how to engage with media property. The article concludes by suggesting that the two works' differences raise urgent ethical question about how (and where) contemporary artists' film and video is exhibited.
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Sönmez, Elif. "Preface of INda." Journal of Interior Design and Academy 1, no. 2 (December 13, 2021): 1–2. http://dx.doi.org/10.53463/inda.2021vol1iss2pp1-2.
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When starting the second issue,
We are pleased to share with you the second issue of the "Journal of Interior Design and Academy" (INda) which has started to be published on May 19, 2021 within the scope of Octagon Academy. INda as a magazine which started to be published despite all the negativities caused by the pandemic during the Covid-19 epidemic, continued its academic contributions with the "Online Chats with INda Series" after the first issue. Under the moderation of Assoc. Dr. Osman ARAYICI who is one of the field editors of our magazine, 8 different online chats were broadcast live on an international and national scale with experts in their fields during October and November. INda as a magazine with the aim of making versatile contributions to our country, universities, the field of interior architecture and related disciplines and professionals working in this field through the production and sharing of scientific knowledge, would like to thank you for the interest and support it has received in these studies in its first year.
Obviously, there are many feelings to tell about INda, but now in the second issue, 5 articles presented by 9 authors are listed below.
BEKAR and DERECİ examine the subject of refunctioning in traditional civil architecture examples in their article titled “Evaluation of The Appropriateness of Space for The New Function in Traditional Housings: The Case of Mehmet Efendi House”. In particular, Mehmet Efendi Mansion evaluates the old space-new function suitability under two headings as "functional spatial suitability" and "environmentally functional suitability".
ÇELENK and SÜRDEM's article titled “Continuity of Cultural Memory: From Samsun Tekel Tobacco Factory to Bafra Tobacco Museum” examines the re-functionalization process. The formal and semantic analyzes of the two structures are presented by making comparisons.
ERBAY, in the article titled "Balcony as An Architectural Item", makes an inference over the semantic values that “Balcony” covered during the pandemic process that started with the Covid-19 outbreak.
ERBAY and ULUSOY examine the “sense” as a term in interior space in their article titled “Senses in The Interiors: An Example of Entrance Spaces at Hospitals”. In the article, the general design principles have been tried to be reached through the given example, and the design tools that can appeal to the senses in the interior are revealed.
ATMACA and REYHAN discuss the Cultural Road Project within the scope of adaptive reuse in their article titled “Adaptive Reuse in Restored Historic Buildings: A Field Study in Ünye”. While examining the historical development and architectural features of the selected sample structures, the evaluation of restoration and all perspectives of adaptive reuse that completes this evaluation contributes to the literature.
We would like to thank all authors for their contributions to academic production in our field and all our readers for their support. As INda, we welcome all your comments, contributions and suggestions about us.
Enjoy our December 2021 issue…
Happy New Year…
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Greco, C. "KEYNOTE: THE BIOGRAPHY OF OBJECTS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W11 (May 4, 2019): 5–10. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w11-5-2019.
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<p><strong>Abstract.</strong> Today we find ourselves immersed in what is called the digital revolution, which has already profoundly transformed our cognitive approach and working methods. In archaeology, photogrammetry and 3D modelling enable archaeologists to document the whole excavation process and reconstruct contexts even after they have been removed. We can reproduce a coffin with sub-millimetric accuracy by recording all its phases of production and reuse. Non-invasive diagnostic imaging enables us to peer inside a still sealed vessel and virtually unwrap the mummies. Accurate analysis now gives scholars the opportunity to observe the fibres of a papyrus, helping us recompose ancient documents. Then digital communication enables us to create virtual working environments in which scholars from all over the world can confer and compare their data. All this facilitates and accelerates the work of scholars.</p><p>Does this mean that the humanist's role is becoming secondary? Quite the contrary. The data we glean is increasingly detailed and complex and requires an even greater level of interpretation. The scientist and the humanist have to work together even more closely to try and unravel the complexity of the contemporary world. This increasing collaboration goes beyond the dogmatisms of individual knowledge. The definition of a shared semantics and the development of a true multidisciplinary approach are the only method we have to cope with the challenges of the future.</p><p>And in all this, what will the role of the museum be? Are these institutions destined to disappear? The changes will continue. We will think of different organisational and architectural solutions responding to contemporary needs. There will certainly also be new forms of cultural enjoyment. Our task, however, will always be to improve the visual, aesthetic and intellectual experience of every visitor who comes face to face with a piece of the past, and to provide all the information necessary to enrich their understanding. So the future of museums is, as it has always been, research.</p>
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Köpnick, Gloria. "„Deeper Sommertage“ und Bauhausjahre." Rundbrief Fotografie 29, no. 3-4 (December 1, 2022): 8–19. http://dx.doi.org/10.1515/rbf-2022-3003.
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Abstract In der Lyonel-Feininger-Galerie, dem Museum für grafische Künste in Quedlinburg werden aus dem Nachlass von Hermann Klumpp, dem Begründer des Museums, zwei besondere Fotoalben von Lyonel Feininger (1871–1956) aus den frühen 1930er Jahren bewahrt: Eines gibt Zeugnis von einer Reise an die Ostsee und das andere entstand zum Abschied von Lyonel und seiner Frau Julia Feininger (1880–1970) aus Dessau. Die Aufnahmen verdeutlichen Feiningers Leidenschaft für die Fotografie, eine noch immer unterschätzte Facette im Schaffen des Bauhausmeisters und Malers.
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Witt, Michael, Jacob Carlson, D. Scott Brandt, and Melissa H. Cragin. "Constructing Data Curation Profiles." International Journal of Digital Curation 4, no. 3 (December 7, 2009): 93–103. http://dx.doi.org/10.2218/ijdc.v4i3.117.
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This paper presents a brief literature review and then introduces the methods, design, and construction of the Data Curation Profile, an instrument that can be used to provide detailed information on particular data forms that might be curated by an academic library. These data forms are presented in the context of the related sub-disciplinary research area, and they provide the flow of the research process from which these data are generated. The profiles also represent the needs for data curation from the perspective of the data producers, using their own language. As such, they support the exploration of data curation across different research domains in real and practical terms. With the sponsorship of the Institute of Museum and Library Services, investigators from Purdue University and the University of Illinois interviewed 19 faculty subjects to identify needs for discovery, access, preservation, and reuse of their research data. For each subject, a profile was constructed that includes information about his or her general research, data forms and stages, value of data, data ingest, intellectual property, organization and description of data, tools, interoperability, impact and prestige, data management, and preservation. Each profile also presents a specific dataset supplied by the subject to serve as a concrete example. The Data Curation Profiles are being published to a public wiki for questions and discussion, and a blank template will be disseminated with guidelines for others to create and share their own profiles. This study was conducted primarily from the viewpoint of librarians interacting with faculty researchers; however, it is expected that these findings will complement a wide variety of data curation research and practice outside of librarianship and the university environment.
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Heesche, Johanne, Ellen Marie Braae, and Gertrud Jørgensen. "Landscape-Based Transformation of Young Industrial Landscapes." Land 11, no. 6 (June 15, 2022): 908. http://dx.doi.org/10.3390/land11060908.
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Due to deindustrialisation, young industrial landscapes (YILs), stemming roughly from the 1930s to the 1970s and located in the suburbs of Copenhagen, are partly abandoned, partly in use, and partly used for non-industrial purposes. By virtue of their location, size, and unused and underused subareas, YILs can potentially meet major urbanisation aims, such as densification and mixed-use development, yet the redevelopment of YILs often happens from a hypothetical virgin land position, disregarding the existing features of these sites. In this paper, we aim to introduce value-sustaining strategies for a more site-informed transformation of YILs. The specific objective is to investigate and understand the landscape-based transformation of young industrial landscapes by making explicit use of their site features in what we label the landscape. Based on a literature study of the emerging phenomenon, a screening of landscape-based projects and a case study, we present a set of qualifying strategies to guide future landscape-based transformations: porosity, reuse, re-naturing, and open-endedness. The complimentary spatial, multi-scalar, and temporal strategies were demonstrated through the study of the five European cases: Alter Flugplatz Kalbach, Hersted Industripark, IBA Emscher Park, Louvre Lens Museum Park, and Parc aux Angéliques, to exemplify how the strategies could guide the landscape-based transformation of YILs or similar types of large-scale landscapes. Although apparently straight forward, the formulation of the four strategies linking ethics and transformation practices provides a much needed set of values and tools in the current, and also historical, redevelopment of YILs, which are a significant part of our urbanised landscapes, to better address societal challenges.