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Journal articles on the topic 'Museum diversity'

Author: Grafiati

Published: 7 September 2024

Last updated: 19 July 2025

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1

Parrino, Lucia. "“Words to receive. Words to be received”: reflections on the Intercultural City museum work." Alterstice 5, no. 2 (2016): 45–60. http://dx.doi.org/10.7202/1036690ar.

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Although diversity has always been a fundamental characteristic of human societies, now more than ever it has become central to the political and research agenda. The question of how we can live together while enjoying our differences is a fundamental issue of our time, and the city is viewed as the most promising site to negotiate identities. That being so, what is the role of museums? How can local museums develop interventions that address local cultural diversity issues? In the first part of the article, I introduce the idea of “Intercultural City museum work.” I present a metadesign frame

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Ra, Jiin, and Min Lee. "A Study on the Characteristics of Regional Program in University Museum." Korean Society of Culture and Convergence 45, no. 7 (2023): 643–56. http://dx.doi.org/10.33645/cnc.2023.07.45.07.643.

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The purpose of this study is to analyze the current status and characteristics of university museum programs in order to revitalize regional links between university museums. Four university museums established before 1954 (Yonsei University Museum, Korea University Museum, Ewha Women's University Museum, and Seoul National University Museum) were selected as research subjects. The result proves that all four university museums recognize the importance of regional linkages and have conducted programs that pursue regional linkages for local residents, however, there were limits in diversity of

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Franklin, Renee Brummell. "Romare Bearden Graduate Museum Fellowship Program—Outreach to Inreach—A Generation of Cultivating Tomorrow’s Leaders." Public Historian 40, no. 3 (2018): 193–210. http://dx.doi.org/10.1525/tph.2018.40.3.193.

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This article chronicles the twenty-six-year history of the Saint Louis Art Museum Romare Bearden Graduate Museum Fellowship, which was created to increase the number of professional staff from underrepresented backgrounds working in museums. It provides an overview of early supporters/founders of the program and details the trajectory of a generation of Bearden Fellows, most of whom are now professionally engaged in museums and arts-related careers. This case study also examines the benefits of staff diversity to the inclusive culture sought by museums as they cultivate new audiences and searc

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Iacob, Madalina. "Le musée de niche. Nouvel exploit dans la muséographie." Swedish Journal of Romanian Studies 4, no. 1 (2021): 160–72. http://dx.doi.org/10.35824/sjrs.v4i1.22109.

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In all the complexity of the museum study, there is a slight border that deserves all the attention of the researchers: the one of the niche museums. This work starts from the idea according to which the museum becomes a symbol of cultural practice in the contemporary era. In addition to the successful museums that are being built and built in the city, there is a new tendency to transform some spaces into small museums. These, in full process of heritage building, can highlight a series of features and characteristics of a society. The research of the niche museum starts from Ulf Hannerz, who

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Gleisser, Faye. "Sitting Beside the Sit-In: Art Museum Dining and Gastrocuratorial Politics in the Age of Dei." ASAP/Journal 9, no. 2 (2024): 343–73. https://doi.org/10.1353/asa.2024.a947149.

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ABSTRACT: This essay challenges the persistent idealizing of art museum restaurants as spaces of diversity and togetherness and instead proposes a more expansive framework of gastrocuratorial politics to confront the colonialist and anti-Black somatic aesthetics manifest within the commissions, designs, and management of eateries in white-dominated collecting art museums. To build this argument, I cross-examine the social politics of dining environments differently but relatedly negotiated within the Tate Britain’s Rex Whistler; The Modern at the Museum of Modern Art in New York; In Situ at th

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Sani, Margherita. "MUSEUMS, MIGRATION AND CULTURAL DIVERSITY – RECOMMENDATIONS FOR MUSEUM WORK." Muzealnictwo 58, no. 1 (2017): 84–92. http://dx.doi.org/10.5604/01.3001.0009.9718.

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The role of museums in society has expanded significantly in the last decades: from temples of knowledge to forums for debate and discussion, from repositories of objects to people-centred institutions with social responsibilities and functions. This shift reflects an ongoing trend to democratise museums and make them more accessible to wider audiences and responsive to the public’s changing needs, in particular the interests of local communities, whose composition has changed in recent years to include migrants and people of different ethnic backgrounds. With annual migration flows to the EU

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Melnikova, Ekaterina A. "From “vernacular museums” to the “do-it-yourself past”." Etnograficheskoe obozrenie, no. 1 (February 17, 2024): 60–76. http://dx.doi.org/10.31857/s0869541524010033.

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This article examines the idea of “vernacular museums” as it was put forth by Irina Kyzlasova and Elena Chesnokova in an earlier issue of the journal. In response to the authors’ idea, I aim to further develop the line of argumentation, proposing to broaden the scope of analysis for this phenomenon. The article explores the issues surrounding the application of the term “vernacular museum.” These obstacles include the presence of previous iterations of such museums, the inherent contradictions within the categorization of museums’ diversity, and the challenges associated with conceptualizing v

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Bird, Kansas. "Creating the “Modern Museum”: Increasing Diversity in Museum Practice." International Journal of the Inclusive Museum 18, no. 1 (2024): 83–94. http://dx.doi.org/10.18848/1835-2014/cgp/v18i01/83-94.

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Jackson, Jason. "Ethnography and Ethnographers in Museum-Community Partnerships." Practicing Anthropology 22, no. 4 (2000): 29–32. http://dx.doi.org/10.17730/praa.22.4.30l3vn01482324x4.

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During the 1999 American Association of Museums (AAM) meetings, museum workers reflected on ways in which their institutions could become more relevant. Social structures that have supported museums are rapidly changing and in which cultural diversity is increasingly recognized as both a social value and as a pragmatic challenge for public institutions. Although the forms they take are almost as diverse as the American museum community itself, models of direct collaboration between museums and specific local communities (ethnic, religious, occupational, etc.) are becoming a standard part of mu

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Burgess, Chris. "The Development of Labor History in UK Museums and the People's History Museum." International Labor and Working-Class History 76, no. 1 (2009): 26–35. http://dx.doi.org/10.1017/s0147547909990044.

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Labor history in UK museums is constantly in a state of change. A hundred-year-old tradition of displaying and interpreting the history of the common people has seen a shift from the folk life museum to a much more all-encompassing model. The academic trend for and acceptance of working-class history began this process, and museums followed, albeit at a much slower pace. Young curators actively involved in the History Workshop, Oral History, and Women's History movements brought their new philosophies into the museum sphere. This internally driven change in museums has been matched with demand

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Lee, Jeongeun. "ICOM’S New Museum Definitionand Korean Public Museums: A Focus on Museum Activism." Institute of Humanities at Soonchunhyang University 43, no. 2 (2024): 27–53. http://dx.doi.org/10.35222/ihsu.2024.43.2.27.

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This study presents a theoretical discussion on the qualitative growth of Korean public museums, which constitute the majority of museums in the country. Based on the newly revised definition of museums by the International Council of Museums (ICOM) in 2022, this paper examines the social role of museums and explores the direction of Korean public museums based on the emerging discourse of Museum Activism in Europe. The new definition emphasizes the social role of museums, and the concepts of inclusivity, diversity, and sustainability highlighted therein resonate with the principles of activis

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Le, Tan Xue. "Public Services in Malaysian Museums within an Educational and Multicultural Context." Journal of Practical Studies in Education 6, no. 4 (2025): 49–53. https://doi.org/10.46809/jpse.v6i4.119.

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With the advancement of globalization and the concept of cultural diversity, the social role of museums has gradually expanded—from collection and research institutions to cultural platforms that serve the public. As a multi-ethnic, multilingual, and multi-religious country, Malaysia's development of museum public services reflects a unique model of cultural integration. This paper outlines the theoretical foundations of public service and traces the evolution and current practices of Malaysian museums in education, social inclusion, and digital innovation. Two of the case studies which are Na

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Shamaeva, Tatyana, and Maria Lyubinskaya. "Evolution of the contemporary museum image." проект байкал, no. 81 (October 13, 2024): 156–65. http://dx.doi.org/10.51461/issn.2309-3072/81.2403.

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The article considers the trends in the development of the appearance of modern museums. The analysis of literature, design materials, photo-fixations of museum complexes built within the last 20 years allowed to reveal such tendencies as multi-functionality, transition to leisure, entertainment and cultural complexes, diversity and individuality of facades, originality of volumes. It is shown that the present-day museum has been able to adapt to dynamic changes in society, the range of its functions has expanded, its appearance is actively changing. Diverse forms, bold architectural solutions

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Suciu, Silvia. "De la muzeul-templlu la muzeul forum - evoluția muzeului în spațiul public." Anuarul Muzeului Etnograif al Transilvaniei 31 (December 20, 2017): 224–44. http://dx.doi.org/10.47802/amet.2017.31.12.

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A nu arăta o operă de artă înseamnă a nu-i permite să fiinţeze. (Boris Groys) Museums and their public haven’t always been as we know them today. In 17th century, curiosity cabinets (mirabilia) have been realized by nobles and aristocrats; the only public of these cabinets was the collector and his fellows, belonging to the same social class. The first museums as public institutions appear in 18th century, continuing to develop during 19th century, but their image and accessibility is very different from nowadays. The situation changes after the World War II, when appear a lot of theoretical s

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Greenwald, Michael T. "Techniques for collecting large vertebrate fossils." Paleontological Society Special Publications 4 (1989): 264–74. http://dx.doi.org/10.1017/s2475262200005232.

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When visiting the dinosaur displays in museums such as the American Museum of Natural History, the Tyrrell Museum of Palaeontology, or the United States National Museum of Natural History, one is overwhelmed by the abundance, diversity, and completeness of dinosaur skeletons. What is not obvious to the average visitor is that the majority of those skeletons are not from an individual animal. They are almost invariably composite skeletons containing bones from at least two individials, and many missing bones have been filled in with sculptured models constructed of plaster or fiberglass. How is

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Madison, Joseph D., Brandon C. LaBumbard, and Douglas C. Woodhams. "Shotgun metagenomics captures more microbial diversity than targeted 16S rRNA gene sequencing for field specimens and preserved museum specimens." PLOS ONE 18, no. 9 (2023): e0291540. http://dx.doi.org/10.1371/journal.pone.0291540.

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The use of museum specimens for research in microbial evolutionary ecology remains an under-utilized investigative dimension with important potential. Despite this potential, there remain barriers in methodology and analysis to the wide-spread adoption of museum specimens for such studies. Here, we hypothesized that there would be significant differences in taxonomic prediction and related diversity among sample type (museum or fresh) and sequencing strategy (medium-depth shotgun metagenomic or 16S rRNA gene). We found dramatically higher predicted diversity from shotgun metagenomics when comp

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Andermann, Jens, and Silke Arnold-de Simine. "Museums and the Educational Turn." Journal of Educational Media, Memory, and Society 4, no. 2 (2012): 1–7. http://dx.doi.org/10.3167/jemms.2012.040201.

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Responding to feminist, postcolonial, and memorialistic critiques, museums have over the past decades radically revised their protocols of collection and display, aiming to register in their own curatorial and pedagogical practice the open and contested nature of the historical and ethnographic narratives on which their object lessons had traditionally conferred the status of hard evidence. In this new emphasis on the “museum encounter” as a performative and intersubjective “event”—sometimes referred to as the “educational turn” in museum curatorship—a new type of “inclusive museum” has emerge

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Kurbatova, M. S., E. Y. Dunaevskiy, and А. V. Dunaievska. "EVOLUTION AND DEVELOPMENT OF MUSEUM BUILDINGS." Regional problems of architecture and urban planning, no. 17 (October 17, 2023): 251–63. http://dx.doi.org/10.31650/2707-403x-2023-17-251-263.

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Museums are not just places where valuable artifacts of historical significance are stored and exhibited. They are true masterpieces of architectural art and places that win the hearts of visitors with their internal organization and aesthetic expression. The article examines the phenomenon of spectacular buildings, focusing on museums that fascinate with their architectural solutions and interior design. The author examines the emergence of the first museums as institutions that store and display artifacts of historical significance. The author reveals how over time museums have become not on

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Saucier, Renee, Stefanie Martin, Moska Rokay, and Tomoko Shida. "Dismantling White Supremacy in GLAMs and GLAM Education [Galleries, Libraries, Archives, Museums]." IJournal: Graduate Student Journal of the Faculty of Information 4, no. 3 (2019): 11–20. http://dx.doi.org/10.33137/ijournal.v4i3.33075.

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For the 2019 Information and Museum Studies Conference, a group of five Master’s students offered a workshop titled Dismantling White Supremacy in GLAMs and GLAM Education [Galleries, Libraries, Archives, Museums]. This workshop was based on activities developed by the Archivists Against collective. This workshop was not a one-off event, but rather the first action of the Diversity Working Group, a student-led entity at the Faculty of Information.  Keywords: Archives, Libraries, Museums, Archival Education, White Supremacy, Professional Education, Equity, Race, Diversity

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Kasemsarn, Kittichai, Antika Sawadsri, David Harrison, and Farnaz Nickpour. "Museums for Older Adults and Mobility-Impaired People: Applying Inclusive Design Principles and Digital Storytelling Guidelines—A Review." Heritage 7, no. 4 (2024): 1893–916. http://dx.doi.org/10.3390/heritage7040090.

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The research problems addressed in this article pertain to the limited understanding and insufficient availability of digital storytelling guidelines for elderly and physically impaired individuals in museum presentations. The objective of this review is to explore digital storytelling guidelines along with the latest technology in museums catering to older adults and those with mobility impairments. This literature review included databases such as Scopus, ScienceDirect, and Google Scholar, covering the period from 2000 to 2023. Researchers comprehensively examined and employed content analys

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Charapan, Nadzeya. "Communication Matters: How Do Visitors Interact with Ethnographic Open-Air Museums?" Informacijos mokslai, no. 83 (December 20, 2018): 142–54. http://dx.doi.org/10.15388/im.2018.83.9.

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[full article, abstract in English; abstract in Lithuanian] Though the concept of an ethnographic open-air museum is not a new one, little is known about the interplay between a visitor and an amalgam museum setting. Ethnographic open-air museums are complex spaces with shared qualities of outdoor sites and indoor museums. Grounded in Gibson’s theory of affordances (1979), the article explores how visitors interact within and in relation to the hybrid space of ethnographic open-air museum and how communication shapes their interactions. The analysis is based on a qualitative study of vis

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Echarri, Fernando. "The metamuseum as the future of the museum institution?" Museologica Brunensia, no. 1 (2022): 4–9. http://dx.doi.org/10.5817/mub2022-1-1.

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Throughout its history, the museum has undergone a great evolution in the sense that it has shifted its weight from the column of objects to the column of people. Today, museums face many challenges in an increasingly fast-paced and changing society, where the personal, the social, diversity and inclusion are advancing forcefully. Taking into account the necessary adaptation of the museum to social requirements, this article analyzes the situation of the museum institution with foresight for the future to conceptualize the so-called metamuseum, capable of reflecting with itself in real time an

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Kahn, David M. "Diversity and the Museum of London." Curator: The Museum Journal 37, no. 4 (1994): 240–50. http://dx.doi.org/10.1111/j.2151-6952.1994.tb01022.x.

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Lamar, Cynthia Chavez, and Jennifer A. Shannon. "Embracing the diversity of museum anthropology." Museum Anthropology 36, no. 1 (2013): 1–3. http://dx.doi.org/10.1111/muan.12000.

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Luttermann, Karin. "Museumskommunikation in Klarer Sprache – Theorie, Praxis und Perspektiven." Linguistik Online 124, no. 6 (2023): 63–84. http://dx.doi.org/10.13092/lo.124.10715.

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The International Council of Museums redefined the term museum in August 2022. According to this, museums are at the service of the public and promote diversity and sustainability for, among other things, education, the enjoyment of art and the transmission of knowledge. The aim of this contribution is to use the multi-perspective approach of the Legal-Linguistic Comprehensibility Model to examine what applied linguistics can contribute to comprehensible communication in museums. The focus is on Clear language as a means for knowledge transfer. The theory and methodology of Clear Language is e

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Picot, Nicole. "Museum Libraries in France: Their Wealth and Their Influence." Art Libraries Journal 24, no. 4 (1999): 17–19. http://dx.doi.org/10.1017/s0307472200019751.

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The following words preface Francoise Cachin’s introduction to Marie-Thérèse Cavignac’s Les bibliothèques des musées en Aquitaine: Richness and diversity! Reading this volume demonstrates how wide and varied is the subject matter of the museum libraries in the Aquitaine region, whether it be the library in the Bonnat Museum in Bayonne or in the national museum at the Château de Pau, those in museums specialising in the history of Aquitaine, the Pays Basque or the Périgord, or those in museums dealing with prehistory or contemporary art or seaplanes, the customs service or folk art.This descrip

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Kliuchko, Yuliia. "Modern Sociocultural Practices of Inclusion in Museums." Issues in Cultural Studies, no. 39 (March 28, 2022): 141–50. https://doi.org/10.31866/2410-1311.39.2022.256913.

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The purpose of the article is to clarify the concept of inclusion in the context of the development strategy of museum institutions; to investigate the current sociocultural practices of inclusion in the activities of museums in Ukraine and identify their development trends. The research methodology is based on the general scientific principle of objectivity, structural and functional, analytical methods that are used in the analysis of sociocultural practices of inclusion in the activities of museums. Given the current state of museum business in Ukraine, the main theoretical achievements of

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Park, Kyoung-Shin. "A Study on the Legal Character of Museums and Art Museums under the Promotion Law for Museum and Art Museums of Korea: Focusing on Non-for-Profit Character." Korean Arts Association of Arts Management 65 (February 28, 2023): 211–38. http://dx.doi.org/10.52564/jamp.2023.65.211.

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In August 2022, the International Council of Museums (ICOM) held a general meeting and adopted a new museum definition, which emphasized “diversity”, “sustainability”, and “ethics”, while the expression of “non-profit” was changed to “not-for-profit”. Discussions on non-profit or not-for-profit of museums and art museums are not new, but discussions on whether non-profit or not-for-profit is a prerequisite for museums and galleries under the Promotion Law for Museum and Art Museums of Korea are supposed to intensify in line with ICOM’s revision of definition of museums. In particular, consider

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Nessel-Łukasik, Beata. "AUDIENCE OUTSIDE THE MUSEUM." Muzealnictwo 58 (October 13, 2017): 0. http://dx.doi.org/10.5604/01.3001.0010.5264.

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Polish museums are increasingly conducting research into their audiences. Results of statistical analyses and evaluations of educational activities help museum professionals to learn more about the people visiting their museums. However, it is essential to broaden the scope of research, to differentiate the methods and tools used, and above all to systematise the work and adapt it to the requirements and reality of how institutions with various profiles function. Therefore, the question arises: how can such research be carried out on a national scale? What is the best way to support museums wh

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Stefano, Michelle L. "Renewing Museum Meanings and Action with Intangible Cultural Heritage." Paragrana 33, no. 2 (2024): 197–206. https://doi.org/10.1515/para-2024-0035.

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Abstract On August 24, 2022, the International Council of Museums (ICOM) adopted a new Museum Definition after a multi-year process of membership consultation and debate. During its development, ‘diversity,’ ‘inclusivity,’ and ‘community participation,’ alongside heightened attention to ethics, emerged as key concepts that ought to shape understandings of contemporary museum functions and activity. In this light, I discuss the benefits of prioritizing intangible cultural heritage (ICH) in museum work, reflecting the values that have driven the process of redefinition, and that museum professio

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Bakker, Freek T., Alexandre Antonelli, Julia A. Clarke, et al. "The Global Museum: natural history collections and the future of evolutionary science and public education." PeerJ 8 (January 28, 2020): e8225. http://dx.doi.org/10.7717/peerj.8225.

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Natural history museums are unique spaces for interdisciplinary research and educational innovation. Through extensive exhibits and public programming and by hosting rich communities of amateurs, students, and researchers at all stages of their careers, they can provide a place-based window to focus on integration of science and discovery, as well as a locus for community engagement. At the same time, like a synthesis radio telescope, when joined together through emerging digital resources, the global community of museums (the ‘Global Museum’) is more than the sum of its parts, allowing insigh

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Zubekhina, Tetiana, Olesia Dyshko, Liudmyla Matviichuk, and Yuliia Dashchuk. "Virtualization of Museums as an Element of the Modern Education of Young Tourist Specialists." Sport i Turystyka. Środkowoeuropejskie Czasopismo Naukowe 7, no. 2 (2024): 123–37. http://dx.doi.org/10.16926/sit.2024.02.06.

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The article justifies the expediency of training specialists in the field of tourism by means of museum virtualization. It is emphasized that the development of modern information technologies shapes the theory and practice of electronic education. Various definitions of the term ‘virtual museum’, types of virtual museums, criteria for their classification, reasons for popularity, and the history of their development are partly presented. It is emphasized that virtual museums are characterized by structural and functional diversity and are of great importance for the development of cultural to

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Filippoupoliti, Anastasia, and Stella Sylaiou. "Museum education today: creative synergies and pedagogic innovations in multicultural contexts." Museum and Society 13, no. 2 (2015): 119–22. http://dx.doi.org/10.29311/mas.v13i2.321.

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Museums as mere repositories for cultural artefacts have long disappeared giving their place to museums as active institutions that prioritize engagement with a diverse range of communities. In today’s multicultural landscape1 that refers, reflects and at the same time adapts to diverse cultures, it is true that there is a growing international growing international recognition of the importance of ethnic diversity2 and a constant demand for museums to update their profileas social and learning settings (Ang 2005). Increasing emphasis has been put by museums, nowadays, on interacting with a va

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María, Jesús Martínez Silvente. "Técnico Auxiliar en Entornos Culturales: una apuesta por la formación inclusiva en Museos y Centros de Arte en España." Papireto I (December 1, 2022): 125–3. https://doi.org/10.57661/papireto/0110.

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The University of Malaga, through its Office for Attention to Diversity, UMA Convive, has been developing since the 2017-18 academic year, the Own Degree aimed at young people with intellectual disabilities Auxiliary Technician in Cultural Environments, a project aimed at promoting their accessibility in Museums and Art Centers, and provide them with the necessary tools for their foray into the professional field. For the development of this pioneering course, the University is sponsored by the ONCE Foundation and the European Social Fund. In carrying out this project, the Educational and Acce

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Van Linden, Christophe, Paula T. Roberts, and D. Lee Warren. "DEI Maturity: Diversity, Equity, and Inclusion at a Not-for-Profit Organization." Journal of Business Ethics Education 19 (2022): 253–74. http://dx.doi.org/10.5840/jbee20221916.

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This teaching case focuses on Diversity, Equity, and Inclusion (DEI) at a museum. At the beginning of 2021, the organization found itself in a crisis when more than 2,000 community members and 85 anonymous employees demanded the resignation of the museum’s President due to the language he defended in a job posting advocating for a job applicant to diversify audiences while “maintaining the traditional white core audience of the museum” (Salaz 2021). Students take on the role of an external consultant to assess DEI maturity at the museum. The case challenges students to propose implementation a

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Wood, W. Warner. "Only the Voice of the Other: Science, Power, and Diversity’s Revolt in the Museum—A Manifesto of Sorts." Museum Anthropology Review 8, no. 1 (2014): 45–54. http://dx.doi.org/10.14434/mar.v8i1.3255.

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While the importance of including diverse perspectives in museum programming has received considerable attention in the cultural realm, the same cannot be said for environmental science topics. In science and natural history museums, exhibitions on issues such as global climate change and loss of biodiversity are frequently narrowly defined in relation to an equally narrow perception of what constitutes environmental science. Because the facts of science in museums are still largely told by science curators, the voices of non-scientists are largely absent on such issues. As museum professional

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Taylor, Evan. "Museums Narrating the Nation: Case Studies from Greece and Bosnia-Herzegovina." University of Western Ontario Journal of Anthropology 25, no. 1 (2023): 72–93. http://dx.doi.org/10.5206/uwoja.v25i1.16030.

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A museum that represents a community’s history and culture has the ability to influence visitors’ perceptions of that community in the present. In this paper, museums in Greece and Bosnia-Herzegovina are examined as case studies to better understand how museums narrate national identity to visitors, both domestic and international. Critical analysis of exhibits reveals that museum narratives often project the image of singular national identities. Meanwhile, they may deny the history of place of other contemporary or historic communities. In Greece, museums project a ‘Greek’ identity based on

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Mairesse, François. "MUSEUM DIVERSITY THROUGH THE LENS OF THE KYOTO DEFINITION." Muzealnictwo 61 (May 29, 2020): 75–79. http://dx.doi.org/10.5604/01.3001.0014.1605.

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The author analyses the logic underlying the ICOM museum definition process and the sense of continuity among the different definitions, since its creation in 1946. The new definition proposed in Kyoto in 2019 (during the ICOM General Conference, 1–7 September) created a risk of breaking within this continuity and the museum community. The definition process is here put in parallel with the notion of mission statement, associated with strategic management, and the value system linked to a resolutely activist vision of the museum, integrating such topics as gender, postcolonialism, sustainable

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Querner, Pascal, Nikola Szucsich, Bill Landsberger, and Peter Brimblecombe. "DNA Metabarcoding Analysis of Arthropod Diversity in Dust from the Natural History Museum, Vienna." Diversity 16, no. 8 (2024): 476. http://dx.doi.org/10.3390/d16080476.

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This paper introduces a new method for identifying museum pests through the analysis of DNA present in settled dust. Traditionally, the identification of pests in cultural institutions such as museums and depositories has relied on insect trapping (monitoring). They give good results but need time (minimum spring until summer of one year for a complete survey) and face challenges related to the identification of small, rare, or damaged species. Our study presents a non-invasive approach that utilizes metabarcoding analysis of dust samples to identify pests and other arthropods at the species l

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Aponte, Ameris, Yangtsho Gyaltshen, John A. Burns, Aaron A. Heiss, Eunsoo Kim, and Sally D. Warring. "The Bacterial Diversity Lurking in Protist Cell Cultures." American Museum Novitates 2021, no. 3975 (2021): 1–16. https://doi.org/10.1206/3975.1.

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Aponte, Ameris, Gyaltshen, Yangtsho, Burns, John A., Heiss, Aaron A., Kim, Eunsoo, Warring, Sally D. (2021): The Bacterial Diversity Lurking in Protist Cell Cultures. American Museum Novitates 2021 (3975): 1-16, DOI: 10.1206/3975.1, URL: https://bioone.org/journals/american-museum-novitates/volume-2021/issue-3975/3975.1/The-Bacterial-Diversity-Lurking-in-Protist-Cell-Cultures/10.1206/3975.1.full

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Szot-Radziszewska, Elżbieta. "The diversity of modern forms of preservation of rural and small towns’ wooden architecture in Poland." Budownictwo i Architektura 14, no. 3 (2015): 161–71. http://dx.doi.org/10.35784/bud-arch.1625.

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In this paper I discuss the modern forms of preservation of wooden historical monuments, included in the legal framework, such as protection via an entry in the records or monuments’ list, protection in open-air museum, being declared historical monument, protection via creation of a cultural park. I am pointing out the tragic state of the protection and conservation of the resources of this part of heritage. I discuss in wider scope the idea of open-air museum in Poland and the specificity of preservation of wooden monuments in the open-air museums as being the most rational and effective so

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Branen, Karen, and Kristin Congdon. "An Elementary School Museum Celebrates Community Diversity." Art Education 47, no. 4 (1994): 8. http://dx.doi.org/10.2307/3193483.

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Santana da Silva, Bruno, and Cristiana Moreira Lins de Medeiros. "The school audience diversity that visits the Câmara Cascudo Museum." Museologia & Interdisciplinaridade 10, no. 20 (2021): 191–208. http://dx.doi.org/10.26512/museologia.v10i20.32824.

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Museus podem ser ter atuação importante na educação não formal. Eles precisam conhecer seu público escolar para colaborar adequadamente com as instituições de ensino. Este trabalho relata um estudo do público escolar do Museu Câmara Cascudo. Realizou-se uma pesquisa descritiva documental com dados de agendamentos de visitas de instituições de ensino entre abril e dezembro de 2019. Identificou-se um público diverso bem distribuído no tempo, proveniente de várias cidades do estado e de estados vizinhos. Todas as faixas etárias a partir dos 4 anos e todos os níveis de ensino foram significativos.

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Baranova, Svetlana I. "TO SEE THE INVISIBLE. CONCEPT OF EXHIBITION “OPEN STORAGE OF POTTERY AND CONSTRUCTION MATERIALS COLLECTION OF THE STATE RESEARCH INSTITUTE AND MUSEUM OF ARCHITECTURE NAMED AFTER A.V. SHCHUSEV”." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 9 (2021): 67–86. http://dx.doi.org/10.28995/2686-7249-2021-9-67-86.

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The concept of “Open storage of pottery and construction materials collection of the State research institute and Museum of architecture named after A.V. Shchusev” adopted for implementation is considered in the article. A survey of collection items (collection contain more than 4000 items that allow to reflect diversity of construction materials used by master builders of ancient Rus’ and prior to the early 21st century. Having performed analysis of the Russian and foreign experience, the author argues that the selected form of exposition provides the access and maximum contact authentic item

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Morphy, Howard, Jason M. Gibson, and Alison K. Brown. "Special Section." Museum Worlds 10, no. 1 (2022): 218–29. http://dx.doi.org/10.3167/armw.2022.100119.

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Anthropology, Art, and Ethnographic Collections: A Conversation with Howard MorphyJason M. Gibson (JG): In your book Museums, Infinity and the Culture of Protocols: Ethnographic Collections and Source Communities (Morphy 2020), you begin with an anecdote of visiting the Pitt Rivers Museum as a young child. Did museums play a part in sparking an interest in humanity, and its diversity, or were you fascinated by the Other?Book Review: Museums, Societies and the Creation of Value, Howard Morphy and Robyn McKenzie, eds. (London: Routledge, 2022)What does value mean within and beyond museum context

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Correa, Manuel. "History in Our Hands. Participatory Methodologies in Curatorial Work at the National History Museum of Chile." Encounters in Theory and History of Education 24 (December 20, 2023): 127–52. http://dx.doi.org/10.24908/encounters.v24i0.16976.

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This article, which features a video and a fanzine, consists of an academic description of our participatory methodologies in curating exhibits from our permanent collection at the National History Museum of Chile. This reflection on methodology asks itself about the didactic role of the museums beyond the goal of representing the diversity and complexity of the members of the nation. What abilities and values can communities acquire from the act of curating an exhibition? What type of methodologies permit a horizontal exchange of effects and affects? What are the reaches and limits of these c

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Kofi Preko, Alexander, and Theophilus Francis Gyepi-Garbrah. "Museum experience and satisfaction: moderating role of visiting frequency in national museum of ghana." PASOS. Revista de Turismo y Patrimonio Cultural 19, no. 2 (2021): 239–53. http://dx.doi.org/10.25145/j.pasos.2021.19.016.

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This research aims to investigate how tourist experience elicits satisfaction and contributes to loyalty and willingness to pay more for a museum destination. More specifically, this study also investigates the significant moderating role of visiting frequency on the relationship between satisfaction and willingness to pay more. Museums offer unique collections for tourists’ education and recreation while providing a better understanding of the cross‑cultural diversity of societies. The research was conducted with 285 tourists visiting the National Museum in Ghana, with questions relating to e

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Grimaldi, David A., and Courtney Richenbacher. "Exceptional Species Diversity of Drosophilidae (Diptera) in a Neotropical Forest." American Museum Novitates 2023, no. 3997 (2023): 1–28. https://doi.org/10.1206/3997.1.

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Grimaldi, David A., Richenbacher, Courtney (2023): Exceptional Species Diversity of Drosophilidae (Diptera) in a Neotropical Forest. American Museum Novitates 2023 (3997): 1-28, DOI: 10.1206/3997.1, URL: https://bioone.org/journals/american-museum-novitates/volume-2023/issue-3997/3997.1/Exceptional-Species-Diversity-of-Drosophilidae-Diptera-in-a-Neotropical-Forest/10.1206/3997.1.full

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Neufeld, Michael J. "The Smithsonian’s National Air and Space Museum and “The Romance of Technological Progress”." Journal of Educational Media, Memory, and Society 14, no. 1 (2022): 76–97. http://dx.doi.org/10.3167/jemms.2022.140105.

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The Smithsonian Institution’s National Air and Space Museum (NASM) remains one of the world’s most visited museums precisely because it embodies the “romance of technological progress.” From its origins in the US National Museum of the early twentieth century to the opening of its first dedicated building in 1976 and beyond, visitors have flocked to the NASM to see exhibits on the wonders of aerospace technology. An attempt to depart from that narrative in the 1990s by telling the story of the atomic bombings of Japan was crushed by an organized campaign. In the aftermath, the museum reverted

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ELİNÇ, Ekin. "CLASSIFICATION OF SYSTEMS USED FOR THE EXHIBITION OF STONE WORKS IN MUSEUMS: THE CASE OF THE ISTANBUL ARCHEOLOGY MUSEUM." ZEITSCHRIFT FÜR DIE WELT DER TÜRKEN / JOURNAL OF WORLD OF TURKS / TÜRKLERİN DÜNYASI DERGİSİ 15, no. 1 (2023): 201–22. http://dx.doi.org/10.46291/zfwt/150115.

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The most important function of museums is to preserve the historical artifacts they contain in the name of humanity and to transfer them to future generations. For this reason, the interior design and display arrangement of the works in the understanding of museology remained in the second plan. Especially since the exhibition of stone works is a very sensitive subject, the safety of the works has always been at the forefront. With the increase in the number of museum visitors in recent years, renovation works in museums have also accelerated. Istanbul Archaeological Museum was renovated in 20

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