Books on the topic 'Museum and archive studies'

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1

Walker, Barry. Singular multiples: The Peter Blum edition archive, 1980-1994. Houston, TX: The Museum of Fine Arts, 2006.

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2

Faye, Hirsch, and Museum of Fine Arts, Houston., eds. Singular multiples: The Peter Blum edition archive, 1980-1994. Houston: The Museum of Fine Arts, 2006.

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3

Siewert, Senta. Performing Moving Images. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985834.

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Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-screenings, re-enactments, and found footage works, that are using archival material? How does the affective experience of the images, sounds and music resonate today? Performing Moving Images: Access, Archive and Affects proposes a theoretical framework from the perspective of the performative practice of programming, curating, and reconstructing, bringing in insights from original interviews with cultural agents together with an interdisciplinary academic discourse.
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4

Fagus: Industriekultur zwischen Werkbund und Bauhaus ; Bauhaus-Archiv Museum für Gestaltung Berlin. Berlin: Bauhaus-Archiv, Museum für Gestaltung, 1998.

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5

Beuys, Joseph. Joseph Beuys, kleine Zeichnungen: Aus dem Bestand der Stiftung Museum Schloss Moyland, Sammlung van der Grinten, Joseph Beuys Archiv des Landes Nordrhein-Westfalen. Kranenburg [Germany]: Förderverein Museum Schloss Moyland e.V., 1995.

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6

Herzogenrath, Bernd, ed. The Films of Bill Morrison. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789089649966.

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Avant-garde filmmaker Bill Morrison has been making films that combine archival footage and contemporary music for decades, and he has recently begun to receive substantial recognition: he was the subject of a retrospective at the Museum of Modern Art, and his 2002 film Decasia was selected for the National Film Registry by the Library of Congress. This is the first book-length study of Morrison's work, covering the whole of his career. It gathers specialists throughout film studies to explore Morrison's "aesthetics of the archive"-his creative play with archival footage and his focus on the materiality of the medium of film.
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7

Wintle, Pamela. Guide to the collections of the Human Studies Film Archives: 100th anniversary of motion pictures. Washington, D.C: National Museum of Natural History, Smithsonian Institution, 1995.

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8

Fernández, Stella Maris. Planes de estudio de las escuelas de bibliotecología, archivología y museología de Iberoamérica. Buenos Aires: Sociedad de Investigaciones Bibliotecológicas, Progreso de la Bibliotecología en el Tercer Mundo, ALP/IFLA, 1999.

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9

Fernández, Stella Maris. Guía de escuelas de bibliotecología, archivología y museología de la República Argentina. Buenos Aires: Universidad de Buenos Aires, Facultad de Filosofía y Letras, Centro de Investigaciones Bibliotecológicas, 1996.

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10

Zhongguo guo jia bo wu guan guan cang wen wu yan jiu cong shu: Ci qi juan : Shang--Wu dai : Studies of the collections of the National Museum of China. 8th ed. Shanghai: Shanghai gu ji chu ban she, 2014.

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11

Museum, Royal Ontario. Storyline archive. [Toronto: Royal Ontario Museum, 1999.

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12

Canada. Great Lakes Fisheries Research Branch. Biological tissue archive studies. Burlington, Ont: Great Lakes Fisheries Research Branch, Canada Centre for Inland Waters, 1986.

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13

Brady, Eileen. Library/archive/museum security: A bibliography. 5th ed. Moscow, Idaho: Catula Pinguis Press, 1995.

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14

Janet, Picton, Pridden Ivor, Serpico Margaret, and Friends of the Petrie Museum., eds. Unseen Images: Archive photographs in the Petrie Museum. London: Golden House Publications, 2008.

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15

Magdalena, Droste, Moortgat Elisabeth, Scrima Andrea 1960-, and Carpenter Richard, eds. Bauhaus Archive Berlin: Museum of design, the collection. Berlin: Bauhaus Archive Berlin, 1999.

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16

University of Leicester. Dept. of Museum Studies. Museum studies notes. Leicester: University of Leicester, Dept. of Museum Studies, 1986.

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17

Studies, University of Leicester Dept of Museum. Museum studies bibliography. Leicester [England]: Dept. of Museum Studies, University of Leicester, 1991.

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18

History, archive studies, information science: Methodological issues. Olsztyn: Wydawn. Uniwersytetu Warmińsko-Mazurskiego w Olsztynie, 2010.

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19

Youngs, Karla. Managing the digitisation of library, archive and museum materials. London: National Preservation Office, 2001.

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20

Susan, Hill. Catalogue of the Townley archive at the British Museum. London: British Museum, 2002.

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21

Coxall, Helen. Studies in museum language. Oxford: Oxford Brookes University, 1995.

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22

Museum, Denver Art, ed. Herbert Bayer Collection and Archive at the Denver Art Museum. Denver, Colo: Denver Art Museum, 1988.

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23

Bolton Libraries, Arts and Archives. Archive and local studies service: Handlist of registers. 3rd ed. [Bolton: Bolton Libraries and Arts, 1995.

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24

Bolton, Libraries Arts and Archives. Archive and local studies service: Handlist of registers. [Bolton: Bolton Libraries and Arts, 1992.

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25

Studies, Indian Association for Women's. The I.A.W.S. archive: Conference documents, publications, newsletters. New Delhi: Indian Association for Women's Studies, 2008.

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26

Darwin, Holmstrom, and Harley-Davidson Museum, eds. The Harley-Davidson Motor Co. archive collection. Minneapolis, MN: Motorbooks, 2008.

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27

Labi, Kwame Amoah. Institute of African Studies Museum. Legon, Ghana: Institute of African Studies, University of Ghana, 1992.

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28

J, Knell Simon, ed. A bibliography of museum studies. Aldershot, Hants., England: Scolar Press, 1994.

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29

Kirshman, Deborah. Museum studies library shelf list. 2nd ed. [San Francisco, Calif.]: Center for Museum Studies, John F. Kennedy University, 1986.

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30

M, Pearce Susan, and University of Leicester. Dept. of Museum Studies., eds. Museum studies in material culture. Leicester [England]: Leicester University Press, 1991.

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31

M, Pearce Susan, and University of Leicester. Dept. of Museum Studies., eds. Museum studies in material culture. London: Leicester University Press, 1989.

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32

Macdonald, Sharon, ed. A Companion to Museum Studies. Malden, MA, USA: Blackwell Publishing Ltd, 2006. http://dx.doi.org/10.1002/9780470996836.

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33

G, Screven C., ed. Visitor studies bibliography and abstracts. 4th ed. Chicago: Screven & Associates, 1999.

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34

Lomas, Elizabeth. Guide to the Archive of Art and Design, Victoria & Albert Museum. London: Fitzroy Dearborn Publishers in association with the Victoria and Albert Museum, 2001.

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35

Encounters in the virtual feminist museum: Time, space and the archive. New York: Routledge, 2007.

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36

Camping and tramping: Through the colonial archive : the museum in Malaya. Singapore: NUS Museum, 2011.

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37

Imperial War Museum. Sound Archive. The Special Operations Executive: Sound archive, oral history recordings. London: Trustees of the Imperial War Museum, 1998.

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38

Sheridan, Dorothy. The Mass-Observation archive: A resource for women's studies. Brighton: University of Sussex Library, Mass-Observation Archive, 1992.

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39

College, Centennial, and Phaedra Livingstone. Student Program Handbook Museum and Cultural Management Postgraduate Program, Fall 2022. eCampusOntario Open Authoring Platform, 2021.

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40

Great Britain. Dept. for Culture, Media and Sport. Centres for social change: Museums, galleries and archives for all : policy guidance on social inclusion for DCMS funded and local authority museums, galleries and archives in England. London, 2000.

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41

Imperial War Museum Film Catalogue I: Volume l - The First World War Archive (Bibliographies and Indexes in Military Studies). Greenwood Press, 1995.

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42

Stevenson, Alice, ed. The Oxford Handbook of Museum Archaeology. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780198847526.001.0001.

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Abstract This Handbook provides a transnational reference point for critical engagements with the legacies of, and futures for, global archaeological collections. It challenges the common misconception that museum archaeology is simply a set of procedures for managing and exhibiting assemblages. Instead, this volume advances museum archaeology as an area of reflexive research and practice, addressing the critical issues of what gets prioritized by and researched in museums, by whom, how, and why. Through 28 newly commissioned chapters, authors problematize and suggest new ways of thinking about historic, contemporary, and future relationships between archaeological fieldwork and museums, as well as the array of institutional and cultural paradigms through which archaeological enquiries are mediated. Case studies embrace not just archaeological finds, but also archival field notes, photographic media, archaeological samples, and replicas. Throughout, museum activities are put into dialogue with other aspects of archaeological practice, with the aim of situating museum work within a more holistic archaeology, one that does not privilege excavation or field survey above other aspects of disciplinary engagement. These concerns are grounded in the realities of museums internationally, including those in Latin America, Africa, Asia, Oceania, North America, and Europe. In so doing, the common heritage sector refrain ‘best practice’ is not be assumed to solely emanate from developed countries or European philosophies, but will instead be considered as emerging from, and being accommodated within, local concerns and diverse museum cultures.
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43

Stead, Lisa. Reframing Vivien Leigh. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190906504.001.0001.

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Reframing Vivien Leigh takes a fresh new look at one of the twentieth century’s most iconic stars. Focusing on Vivien Leigh as a distinctly archival subject, the book draws upon original oral history work with curators, archivists, and fan collectives and extensive research within a network of official and unofficial archives around the world to produce alternative stories about her place within film history. The study examines an intriguing variety of historical correspondence, costume, scripts, photography, props, and memorabilia in order to reframe the dominant narratives that have surrounded her life and career. While Leigh’s glamour, collaborations with Laurence Olivier, and mental health form important coordinates for any study of the star, the book foregrounds a range of alternative contexts that emphasize her creative agency, examining her off-screen labor in areas such as theatrical training, adaptation, war work, producing, protesting, and interactions with her fan base. Part I examines a variety of case studies of Leigh’s screen and stage craft as they emerge from the archive, looking at Leigh’s varied collaborations, her investment in faithful adaptations, and her vocal training. It interconnects star studies, feminist film studies, and performance studies to produce a new take on stardom as creative process rather than stardom as image. Part II turns toward unofficial archives and local museum collections, centering the work of the archivist and the amateur collector and their impact on women’s star histories. It explores Leigh’s archival afterlives as they are constructed by a range of agents and institutions beyond the “official” star archive.
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44

(Editor), Robert Klymasz, and John Willis (Editor), eds. Revelations: Bi-Millennial Papers from the Canadian Museum of Civilization (Mercury Series, Canadian Centre for Folk Culture Studies Paper 75). Canadian Museum of Civilization/Musee Canadie, 2002.

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45

Jaeggi, Annemarie. Fagus: Industriekultur zwischen Werkbund und Bauhaus ; Bauhaus-Archiv Museum fur Gestaltung Berlin. Jovis, 1998.

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46

Ainscoe, Raymond, and Peter Murray. Murrays Museum TT Archive. Ilkley Racing Books, 2012.

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47

Jules-Rosette, Bennetta, and J. R. Osborn. African Art Reframed. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043277.001.0001.

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This book approaches the reframing of African art through dialogues with collectors, curators, and artists on three continents. It explores museum exhibitions, storerooms, artists’ studios, and venues for community outreach. Part One (Chapters 1-3) addresses the history of ethnographic and art museums, ranging from curiosity cabinets to modernist edifices and virtual websites. Museums are considered in terms of five transformational nodes, which contrast ways in which museums are organized and reach out to their audiences. Diverse groups of artists interact with museums at each node. Part Two (Chapters 4-5) addresses museum practices and art worlds through dialogues with curators and artists examining museums as ecosystems and communities within communities. Processes of display and memory work used by curators and artists are analyzed with semiotic methods to investigate images, signs, and symbols drawn from curating the curators and exploring artists’ experiences. Part Three (Chapters 6-8) introduces new strategies for displaying, disseminating, and reclaiming African art. Approaches include the innovative technology of unmixing and the reframing of art for museums of the future. The book addresses building exchanges through studies of curatorial networks, south-north connections, genre classifications, archives, collections, databases, and learning strategies. These discussions open up new avenues of connectivity that range from local museums to global art markets and environments. In conclusion, the book proposes new methods for interpreting African art inside and outside of museums and remixing the results.
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48

Fennelly, Lawrence J. Museum, Archive, and Library Security. Elsevier Science & Technology Books, 2014.

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49

Coones, Wendy, and Viola Rühse. Museum and Archive on the Move. Edited by Oliver Grau. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110529630.

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50

1959-, Sadongei Alyce, Arizona State Museum, Arizona State Library, Archives and Public Records., and Institute of Museum and Library Services (U.S.), eds. Tribal archive, library and museum directory. Tucson, AZ: American Indian Program, Arizona State Museum, University of Arizona, 2005.

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