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Journal articles on the topic 'Museo archeologico di Peccioli'

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Published: 28 July 2024
Last updated: 31 July 2024

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1

Packer, James, and Luigi Sperti. "I capitelli romani del Museo Archeologico di Verona." American Journal of Archaeology 90, no. 2 (April 1986): 248. http://dx.doi.org/10.2307/505447.

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2

Williams, Hector, Annamaria Larese, Daniele Sgreva, Laurent Chrzanovski, and Denis Zhuravlev. "Le lucerne fittili del museo archeologico di Verona." American Journal of Archaeology 106, no. 3 (July 2002): 496. http://dx.doi.org/10.2307/4126304.

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3

Nicastro, G., and P. Puma. "VIRTUAL HERITAGE FOR THE DISSEMINATION OF THE BARATTI IN 3D PROJECT." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W9 (January 31, 2019): 529–34. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w9-529-2019.

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<p><strong>Abstract.</strong> The paper describes the final step of the Baratti in 3D project, aimed at the dissemination of the important archaeological heritage of the Etruscan city of Populonia (Tuscany, Italy). The chain of “data metrical surveying &amp;ndash; 2D and 3D representation &amp;ndash; communication” has been applied on the “Princes's tombs” of the monumental necropolis of San Cerbone and its finds to provide a detailed description of their context, workmanship, morphological characteristics and materials to realize the virtual recreation. The preservation of the finds from the excavations in two different museums far from the archaeological area (the Museo Archeologico Nazionale di Firenze and the Museo Archeologico del Territorio di Populonia, in Piombino) makes the understanding of the original context very difficult for visitors. Thus the “Baratti in 3D Project” has been conceived in order to document the tombs, their finds and produce the “virtual match” showing in its entirety the environmental and architectural provenance and material ritual context and in order to display in innovative visual approach this archaeological heritage. To complement the interactive platform, as a physical fallout of this project has been realized “A museum in every sense”, a permanent exhibition in the Museo Archeologico del Territorio di Populonia.</p>
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Testa, Pietro. "Un 'Collare' in Faience nel Museo Archeologico di Napoli." Journal of Egyptian Archaeology 72 (1986): 91. http://dx.doi.org/10.2307/3821482.

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5

Spivey, Nigel, and Luigi Donati. "Le tombe da Saturnia nel Museo Archeologico di Firenze." American Journal of Archaeology 95, no. 4 (October 1991): 752. http://dx.doi.org/10.2307/505911.

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6

Testa, Pietro. "Un ‘Collare’ in Faïence Nel Museo Archeologico Di Napoli." Journal of Egyptian Archaeology 72, no. 1 (August 1986): 91–99. http://dx.doi.org/10.1177/030751338607200108.

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Publication of a faience ‘necklace’ composed of twenty-four plaques, inscribed on both sides with a magico-religious text in black hieroglyphs. Internal evidence suggests a Memphite provenance for the object, which can be dated by personal names to the Eighteenth or Nineteenth Dynasty. A cult or funerary purpose is suggested.
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7

Ammerman, Rebecca Miller, Lucia Amalia Scatozza Höricht, and Lucia Amalia Scatozza Horicht. "Le Terrecotte figurate di Cuma del Museo Archeologico Nazionale di Napoli." American Journal of Archaeology 94, no. 3 (July 1990): 511. http://dx.doi.org/10.2307/505825.

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8

Martelli, Marina. "Roberta Gabrielli: Ceramica etrusco-corinzia del Museo Archeologico di Tarquinia." Gnomon 84, no. 3 (2012): 238–45. http://dx.doi.org/10.17104/0017-1417_2012_3_238.

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Noferi, Claudia. "Materiali vulcenti nel Museo Archeologico Nazionale di Firenze : alcune riflessioni." Mélanges de l'École française de Rome. Antiquité, no. 135-1 (January 1, 2023): 107–15. http://dx.doi.org/10.4000/mefra.14146.

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10

Izzo, Filomena. "Technological Innovation and Management Skills: Case Study of the Museo Archeologico di Napoli." International Business Research 10, no. 8 (July 4, 2017): 44. http://dx.doi.org/10.5539/ibr.v10n8p44.

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The aim of this article is to contribute to the debate on how management positions in museums can contribute in successfully implementing technological innovations within a museum. The results of a case study on the - Museo Archeologico Nazionale di Napoli (MANN) – which covers the theme of transferrable skills of a museum director for the successful implementation of technological innovations to improve the service the museum offers to the benefit of the public.
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11

Germanò, Germano. "Il Museo della Magna Grecia. Dal progetto di Piacentini ai primi allestimenti del Museo Archeologico Nazionale di Reggio Calabria." Opus Incertum 9 (December 13, 2023): 122–33. http://dx.doi.org/10.36253/opus-14846.

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The paper retraces the history of the exhibition designs of the National Archaeological Museum of Reggio Calabria (Italy), investigating the museographic and museological instances that inspired them, with a glimpse of the cultural context in which they flourished. The investigation period spans from the 1930s, when the architect Marcello Piacentini developed the original planning ideas for the building and the interior of the “first museum in Italy built for this purpose”, to the first exhibition presented to the public at the opening in 1958. The paper concludes with an analysis of the expansion of the museum sections in the 1960s with new criteria. Thanks to hitherto unpublished documents, the history of the museum and its protagonists has been reconstructed, revealing a spirit of collaboration between architects and archaeologists which provides an example of good museum practice and laid the basis for the subsequent development of this important institution in Southern Italy.
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12

Mainieri, Stefania. "A New Study on Two Yellow Coffins at the Museo Archeologico Nazionale di Napoli (MANN)." Annali Sezione Orientale 83, no. 1-2 (August 15, 2023): 3–37. http://dx.doi.org/10.1163/24685631-12340139.

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Abstract The article focuses on the results obtained from the investigation of two yellow coffins in the Museo Archeologico Nazionale di Napoli (MANN; inv. nos. 2344, 2348; 2341, 2347), which were sold to the Real Museo Borbonico by the traveller Giuseppe Picchianti in 1827. Although first studied in 1989, a new and in-depth study on painting and typology of these objects was made in 2016 on the occasion of the rearrangement of the per- manent display. Starting with a detailed analysis and a precise description of the coffins, issues surrounding their provenance and chronology have now been updated. Furthermore, it was also necessary to investigate some unclear iconographical and structural details on the coffins, an examination that suggested, on the one hand an ancient reuse of one of the two coffins and, on the other hand, the possible production of both coffins by a possible common draftsman.
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13

Crugnola, Martina. "Perseo e Medusa sugli specchi etruschi. Un frammento inedito del Civico Museo Archeologico di Mil." Aristonothos. Rivista di Studi sul Mediterraneo Antico, no. 18 (July 18, 2022): 191–230. http://dx.doi.org/10.54103/2037-4488/18104.

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Il tema di questo studio è l’analisi di un frammento inedito di uno specchio etrusco del Museo Archeologico di Milano, su cui figura Perse con harpè e kibisis, in una scena verosimilmente successiva all’esecuzione di Metus. Per individuare la scena, l’officina e l’ambiente in cui questo manufatto fu prodotto, è stato stilato un catalogo comprendente altri quattordici specchi su cui compare tale coppia, ciascuno dei quali presenta degli attributi tipici dell’eroe. Discussed are the iconographical aspects of a scene on an unpublished fragment of an Etruscan mirror preserved at the Archaeological Museum of Milan. The scene depicts Perse with harpe and kibisis after the killing of Medusa. To identify the complete subject of the scene, the workshop, and the environment in which this artefact was produced, a catalog has been assembled that includes fourteen more mirrors on which this couple appears, each of which shows the typical attributes of the hero.
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Biella, Maria Cristina. "Fulvia Lo Schiavo, Antonella Romualdi: I complessi archeologici di Trestina e di Fabbrecce nel Museo Archeologico di Firenze." Gnomon 84, no. 02 (2012): 143–48. http://dx.doi.org/10.17104/0017-1417_2012_02_143.

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Bruni, Silvia. "Rapporti tra Stato e Municipio di Roma (1870-1911). L’istituzione di un museo archeologico in Roma capitale." Mélanges de l’École française de Rome. Italie et Méditerranée 113, no. 2 (2001): 775–87. http://dx.doi.org/10.3406/mefr.2001.9830.

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Burnett, A. M. "F. Catalli, Tarquinia. Museo Archeologico Nazionale. Le Monete (Materiali del Museo Archeologico Nazionale di Tarquinia X). Rome: G. Bretschneider, 1987. Pp. 119, 17 pls. ISBN 88-7689-005-X." Journal of Roman Studies 79 (November 1989): 265–66. http://dx.doi.org/10.2307/301274.

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17

Masseti, Marco. "Gazelles (Gazella spp.) depicted in frescoes and sculpture from Herculaneum and Pompeii." Archives of Natural History 49, no. 2 (October 2022): 259–68. http://dx.doi.org/10.3366/anh.2022.0789.

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Paintings and sculptures depicting gazelles ( Gazella spp.) are frequent in Ancient Roman art. Images of gazelles have been discovered during the archaeological explorations of Herculaneum and Pompeii, devastated by the eruption of Mount Vesuvius in ad 79. Two bronze statues of ungulates from the Villa of the Papyri, Herculaneum, now on display at the Museo Archeologico Nazionale di Napoli (National Archaeological Museum of Naples), have not been correctly identified, consequently causing erroneous speculation about their cultural significance. The aim of this paper is to suggest which gazelle species inspired these artefacts, and to also discuss the wider context of the artistic representations of gazelles from Herculaneum and Pompeii and their surroundings.
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Tarantino, Chiara. "Plinio, Pausania e un modello di Marsia : riflessioni da una kylix del Museo Archeologico Nazionale Tarquiniese." Agoghè, no. 12 (2022): 7–45. http://dx.doi.org/10.12871/97888333951111.

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Giovannini, Annalisa. "Pendenti in vetro di forma circolare. Spunti di ricerca dagli esemplari del Museo Archeologico Nazionale di Aquileia e dei Civici Musei di Storia ed Arte di Trieste." Pallas, no. 83 (October 1, 2010): 117–41. http://dx.doi.org/10.4000/pallas.10794.

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20

Barrile, Vincenzo, Antonino Fotia, Gabriele Candela, and Ernesto Bernardo. "Geomatics Techniques for Cultural Heritage Dissemination in Augmented Reality: Bronzi di Riace Case Study." Heritage 2, no. 3 (July 29, 2019): 2243–54. http://dx.doi.org/10.3390/heritage2030136.

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The Riace Bronzes are two full-size bronzes cast around the 5th century BC, located at the ‘Museo Archeologico Nazionale della Magna Grecia’ in Reggio Calabria; they truly represent significant sculptural masterpieces of Greek art in the world due to their outstanding manufacture. This paper describes the methodology for the achievement of a 3D model of the two sculptures lead by the Geomatics Laboratory of the Department of Civil, Energetic, Environmental and Material Engineering (DICEAM) of the Mediterranean University of Reggio Calabria. 3D modeling is based on the use of imaging techniques such as digital photogrammetry and computer vision. The achieved results demonstrate the effectiveness of the technique used in the cultural heritage field for the creation of a digital production and replication through 3D printing. Moreover, when considering renewed interest in the context of international museological studies, augmented reality (AR) innovation represents a new method for amplifying visitor numbers into museums despite concerns over returns on investment. Thus, in order to further valorize and disseminate archaeological heritage, we are developing an app for tourism purposes. The created app allows the user, in real time, to obtain additional information on the object of investigation, even allowing them to view the 3D model in AR.
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21

D'Arms, J. H. "Memory, Money, and Status at Misenum: Three New Inscriptions from the Collegium of the Augustales." Journal of Roman Studies 90 (November 2000): 126–44. http://dx.doi.org/10.2307/300204.

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More than thirty years — a generation of man — have passed since the chance discovery in 1968 of what has been referred to since as the collegium of the Augustales at Misenum. In addition to statuary and architectural elements of exceptional interest, the excavations, which presented formidable technical problems, have yielded a rich epigraphical dossier pertaining to the local Augustales, and to political, social, economic, religious, and administrative aspects of their organization from the Julio-Claudian and late Flavian periods to the end of the Antonine age. One of these inscriptions has at last received appropriate scholarly attention; it both whets the appetite for more and reveals the inadequacies of the cursory accounts of the dossier published previously. Now that all the material recovered from the site has been transported to the Castello Aragonese di Baia, and is attractively displayed in the new Museo Archeologico dei Campi Flegrei, one dares to hope that the entire complex and its contents will soon receive the comprehensive archaeological and historical treatment that they so richly deserve.
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22

Fentress, Elizabeth. "Protective shelters for archaeological areas and buildings A one-day conference held at the Museo Civico Archeologico di Bologna, October 2000." Conservation and Management of Archaeological Sites 5, no. 1-2 (January 2002): 106–8. http://dx.doi.org/10.1179/cma.2002.5.1-2.106.

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23

De Omena, Luciane Munhoz, and Margarida Maria De Carvalho. "Família, memória e morte nas inscrições sepulcrais de Mediolanum (I-II d.C.)." Heródoto: Revista do Grupo de Estudos e Pesquisas sobre a Antiguidade Clássica e suas Conexões Afro-asiáticas 3, no. 1 (March 24, 2018): 336–54. http://dx.doi.org/10.31669/herodoto.v3i1.354.

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Ao levar em consideração os estudos contemporâneos sobre as atitudes diante da morte e dos mortos, analisaremos, dada à relevância documental, temática e histórica, alguns epitáfios femininos presentes na região de Mediolanum, atual cidade de Milão. Sabemos que, embora não tenhamos vestígios de necrópoles, tal como em Isola Sacra, os testemunhos mortuários presentes no Civico Museo Archeologico di Milano apresentam uma vasta gama de estelas em pedras, lastras de monumentos funerários com guirlandas em pedra, altares e urnas funerárias em mármores, evidenciando a riqueza de uma região conhecida, à época de 49 a.C., como municipium ciuium romanorum. Sob esse aspecto, torna-se relevante analisar, por exemplo, uma elegante estela, datada entre os anos finais do século II d. C., como um raro testemunho de uma mulher que, sem dúvida, com uma forte personalidade, comissiona o monumento funerário aos seus familiares. A partir daí, compreendemos que os epitáfios imortalizavam os falecidos bem como estimulavam a pietas de seus familiares. Logo, ao fazer referência à epigrafia sepulcral, realçamos as conexões e as simbologias entre palavras escritas e faladas, pois, assim concebida, a repetição ritual evocava a memória do falecido.
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De Omena, Luciane Munhoz, and Margarida Maria De Carvalho. "Family, memory and death in the tomb inscriptions of Mediolanum (I-II AD)." Heródoto: Revista do Grupo de Estudos e Pesquisas sobre a Antiguidade Clássica e suas Conexões Afro-asiáticas 3, no. 1 (March 24, 2018): 355–73. http://dx.doi.org/10.31669/herodoto.v3i1.355.

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Considering contemporary studies on attitudes towards death and the dead, we will consider, given the documentary, thematic and historical relevance, some epitaphs for females present in the region of Mediolanum, the modern city of Milan. We know that, although we do not have remains of necropolises, as in Isola Sacra, the mortuary evidences present at Civico Museo Archeologico di Milano exhibit a wide range of stone stelae, lastras of funeral monuments with stone garlands, marble funeral altars and urns, highlighting the richness of a region known, at the time of 49 BC, as municipium ciuium romanorum. In this respect, it becomes relevant to analyze, for example, a gorgeous stela, dated between the last years of the second century AD, as a rare testimony of a woman who, undoubtedly, with a strong personality, commissions the funeral monument to her relatives. Thenceforth, we understand that the epitaphs immortalized the deceased as well as stimulated the pietas of their relatives. Thus, in referring to the sepulchral epigraphy, we emphasize the connections and symbology between written and spoken words, for, thus conceived, ritual repetition evoked the memory of the deceased.
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Sparkes, Brian A. "(A.M.) Esposito and (G.) De Tommaso Museo Archeologico Nazionale di Firenze. Antiquarium. Vasi attici. Florence: Edizioni II Ponte, 1993. Pp. 102, ill. L18,000." Journal of Hellenic Studies 117 (November 1997): 263. http://dx.doi.org/10.2307/632615.

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Weber-Lehmann, Cornelia. "Valentina Vincenti: La Tomba Bruschi di Tarquinia. Roma: Giorgio Bretschneider Editore 2009. XI, 190 S. 23 Taf. (Materiali del Museo Archeologico Nazionale di Tarquinia. 17. Archaeologica. 150.)." Gnomon 87, no. 1 (2015): 57–61. http://dx.doi.org/10.17104/0017-1417_2015_1_57.

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McPhee, Ian. "Corpus Vasorum Antiquorum. Italia LXVIII. Gioia del Colle, Museo archeologico nazionale, I. By A. Cancio. Rome: L'Erma di Bretschneider, 1995. Pp 35 + ill. L230,000." Journal of Hellenic Studies 116 (November 1996): 231–32. http://dx.doi.org/10.2307/632018.

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Boglione, Marcella. "[Recensão a] BELLUCCI, Nikola, La storia della collezione egizia del Museo Archeologico Civico di Modena. Collana di studi di egittologia e civiltà copta, 3, Canterano, Aracne, 2018, 125 pp. ISBN: 9788825519105." Humanitas 75 (June 5, 2020): 145–48. http://dx.doi.org/10.14195/2183-1718_75_8.

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D'Auria, Alessia, Fabio Marzaioli, Isabella Passariello, Riccardo Spaccini, Stefano Conti, Giuseppe Melchionna, Maurizio Teobaldelli, and Gaetano Di Pasquale. "Can plant material be considered part of cultural heritage? A lesson from Vitis vinifera L. remains stored in the Museo Archeologico Nazionale di Napoli, (Italy)." Journal of Cultural Heritage 60 (March 2023): 72–77. http://dx.doi.org/10.1016/j.culher.2023.02.001.

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Nagy, Helen. "Monumenti Musei e Gallerie Pontificie, Museo Gregoriano Etrusco, cataloghi. Vol. 5, Bronzi a figure umana. By Cristina Cagianelli. Bronzi antichi del Museo Archeologico di Padova. By Girolamo Zampieri and Beniamino Lavarone." American Journal of Archaeology 108, no. 2 (April 1, 2004): 308–10. http://dx.doi.org/10.1086/ajs40025255.

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TOSI, ALESSANDRO. "Lavinia Fontana(1552-1614), catalogo della mostra a cura di Vera Fortunati, Bologna, Museo Civico Archeologico, 1 ottobre-4 dicembre 1994, Milano, Electa, 1994, 224 pp., ill." Nuncius 11, no. 1 (1996): 447–48. http://dx.doi.org/10.1163/182539196x01465.

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TOSI, ALESSANDRO. "Lavinia Fontana(1552-1614), catalogo della mostra a cura di Vera Fortunati, Bologna, Museo Civico Archeologico, 1 ottobre-4 dicembre 1994, Milano, Electa, 1994, 224 pp., ill." Nuncius 11, no. 1 (January 1, 1996): 447–48. http://dx.doi.org/10.1163/221058796x01469.

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Ridgway, F. R. Serra. "More Material From Tarquinia - Giampiero Pianu: Ceramiche etrusche sovradipinte. (Archaeologica 21: Materiali Del Museo Archeologico Nazionale di Tarquinia, 3.) Pp. viii + 149; 114 plates. Rome: Giorgio Bretschneider, 1982. Paper, L. 130,000. - Annamaria Comella: Il deposito votivo presso ;'Ara della Regina. (Archaeologica 22: Materiali del Museo Archeologico Nazionale di Tarquinia, 4.) Pp. xii + 242; 126 plates. Rome: Giorgio Bretschneider, 1982. Paper, L. 180,000." Classical Review 35, no. 1 (April 1985): 166–69. http://dx.doi.org/10.1017/s0009840x00107802.

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Estiot, Sylviane. "Médaillons romains. À propos de : P. F. Mittag, Römische Medaillons. Caesar bis Hadrian, Stuttgart 2010 ; S. Bani, M. Benci, A. Vanni, I Medaglioni Romani del Monetiere del Museo Archeologico Nazionale di Firenze, Gubbio s. d. (2011) ; S. Bani, M. Benci, A. Vanni, I Medaglioni Provinciali e i Contorniati Romani nelle raccolte del Monetiere del Museo Archeologico Nazionale di Firenze, Gubbio s. d. (2012)." Revue des Études Anciennes 117, no. 2 (2015): 613–20. http://dx.doi.org/10.3406/rea.2015.5943.

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Crawford, M. H. "L. Sperti, I Capitelli Romani del Museo Archeologico di Verona (Collezioni e musei archeologici del Veneto XXVI). Rome: G. Bretschneider, 1983. Pp. 113, 92 illus. (incl. plates, text figs.)." Journal of Roman Studies 75 (November 1985): 320. http://dx.doi.org/10.2307/300722.

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Malone, Caroline, and Simon Stoddart. "Ripostigli di bronzi della sicilia nel museo archeologico di Siracusa. By Rosa Maria Albanese Procelli (with appendices by Fulvia Lo Schiavo). Palermo: Accademia Nazionale di Scienze, Lettere e Arti. 1993. 344 pp., 50 pls. 67 figs. L. 100.000." Proceedings of the Prehistoric Society 61 (1995): 472–73. http://dx.doi.org/10.1017/s0079497x0000325x.

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Visonà, Paolo. "The coins of Tarquinia - FIORENZO CATALLI , LE MONETE (Materiali del Museo Archeologico Nazionale di Tarquinia 10, “Archaeologica” 69, Giorgio Bretschneider, Roma 1987). Pp. 119, Tav.17. Lit.170.000. ISBN 88-7689-005-X." Journal of Roman Archaeology 2 (1989): 154–55. http://dx.doi.org/10.1017/s1047759400010412.

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Wallace, Rex E. "Cippi inscribed in Etruscan and Latin from the Tarquinia Museum and their social context - JORMA KAIMIO, THE CIPPUS INSCRIPTIONS OF MUSEO NAZIONALE DI TARQUINIA (Materiali del Museo Archeologico Nazionale di Tarquinia XVIII; Archaeologica 154; Giorgio Bretschneider Editore, Roma2010). Pp. xii + 217, many figs. ISSN 0391-9293; ISBN 978-88-7689-242-4. EUR. 230." Journal of Roman Archaeology 24 (2011): 508–11. http://dx.doi.org/10.1017/s1047759400003512.

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Fregonese, L., N. Giordani, A. Adami, G. Bachinsky, L. Taffurelli, O. Rosignoli, and J. Helder. "PHYSICAL AND VIRTUAL RECONSTRUCTION FOR AN INTEGRATED ARCHAEOLOGICAL MODEL: 3D PRINT AND MAQUETTE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 22, 2019): 481–87. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-481-2019.

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<p><strong>Abstract.</strong> Museums perform various tasks such as collecting, cataloguing and preserving the cultural heritage (CH). In addition, they have an institutional task, which is to disseminate the heritage, discovering the most efficient tools to tell how a monument to the origin could have looked. In this process of knowledge and dissemination, digital technologies play an important role. In fact, they allow building a digital archive in which virtual copies of found objects are available to scholars for more or less in-depth analysis. Digital archives of this type also allow the dissemination of scientific data, constituting, if published, databases accessible everywhere. The role of the digital archive is also to preserve the characteristics of the finds, which are often already deteriorated, without worsening the situation through their continuous manipulation or movement. Of course, the construction of digital copies must be done in the most rigorous way so as to guarantee scholars the truthfulness of the data being analysed, and building procedures as standardized as possible to allow their use even by unskilled personnel. Moreover, museums have the very complex task of communicating the heritage, which envisages two steps: reconstruction and communication. The first phase, reconstruction, is a very complex operation, especially in the archaeological field, where there are few documents and the hypotheses are based on principles of similarity. Since no direct reference is available, the reconstruction takes place through comparison with similar objects from the same period, the same area and with the same function. Communication, then, has the task of disseminating the results and the hypotheses made, with the most appropriate tools. 3D printing allows to build three-dimensional models of reality, and therefore immediately comprehensible, even of complex forms, not always achievable with the traditional tools of modelling tools. This article describes this complex process, and its application to the funerary aediculae monument at the Museo Archeologico di Mantova, on the occasion of the refurbishment of the museum and its exhibits. In this experience, the use of new technologies is being investigated in combination with more traditional methods of representation, the maquette, but not less effective.</p>
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Hanoune, Roger. "M. Cavalieri , Dei, eroi ed offerenti. La collezione di bronzetti etrusco-italici del Museo archeologico nazionale di Parma . Rome, Institut historique belge, 2006, 260 p., ill. (Institut historique belge de Rome). (Études de philologie, d’archéologie et d’histoire anciennes , 54). ISBN 90-74461-62-X." Revue du Nord 368, no. 5 (December 1, 2006): I. http://dx.doi.org/10.3917/rdn.368.0231a.

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Whitehouse, David. "Glass from the port city of Aquileia - LUCIANA MANDRUZZATO e ALESSANDRA MARCANTE (a cura di), VETRI ANTICHI DEL MUSEO ARCHEOLOGICO NAZIONALE DI AQUILEIA. IL VASELLAME DA MENSA (Corpus delle Collezioni del Vetro nel Friuli Venezia Giulia, vol. 2; Comitato Nazionale Italiano dell’AIHV; Pasian di Prato2005). Pp. 173, numerous ills, including colour. ISBN 88- 88018-47-6." Journal of Roman Archaeology 19 (2006): 538–39. http://dx.doi.org/10.1017/s1047759400006772.

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Serra Ridgway, Francesca R. "Etruscan mirrors and archaeological context - ALBA FRASCARELLI, ITALIA 2, PERUGIA-MUSEO ARCHEOLOGICO NAZIONALE I (Corpus Speculorum Etruscorum [henceforth CSE]; “L'Erma” di Bretschneider, Rome 1995). Pp. 179, figs. 126. ISBN 88-7062-912-0. - GABRIELE CATENI, ITALIA 3, VOLTERRA-MUSEO GUARNACCI I (CSE; “L'Erma” di Bretschneider, Rome 1995). Pp. 194, figs. 140. ISBN 88-7062-911-2. - DENISE EMMANUEL-REBUFFAT, FRANCE 1, PARIS-MUSÉE DU LOUVRE III (CSE; “L'Erma” di Bretschneider, Rome 1997). Pp. 190, figs. 112. ISBN 88-7062-946-5. - LARISSA BONFANTE, USA 3, NEW YORK-THE METROPOLITAN MUSEUM OF ART (CSE; “L'Erma” di Bretschneider, Rome 1997). Pp. 186, figs. 100. ISBN 88-7062-997-X. - MARIA STELLA PACETTI, ITALIA 4, ORVIETO–MUSEO “CLAUDIO FAINA” (CSE; “L'Erma” di Bretschneider, Rome 1998). Pp. 167, figs. 110. ISBN 88-8265-028-6. - GABRIELLA BARBIERI (with LORENZO GALEOTTI), ITALIA 5, VITERBO–MUSEO ARCHEOLOGICO NAZIONALE (CSE; “L'Erma” di Bretschneider, Rome 1999). Pp. 209, figs. 156. ISBN 88-8265-050-2." Journal of Roman Archaeology 13 (2000): 407–18. http://dx.doi.org/10.1017/s1047759400019024.

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Turfa, Jean MacIntosh. "Rehabilitating the Tomba Bruschi at Tarquinia: Etruria's élite in the later 4th and early 3rd c. B.C. - VALENTINA VINCENTI, LA TOMBA BRUSCHI DI TARQUINIA (Materiali del Museo Archeologico Nazionale di Tarquinia, vol. XVII; Archaeologica 150; Giorgio Bretschneider Editore, Roma2009). Pp. xi + 190, Tav. 23 including colour. ISSN 0391-9293; ISBN 978-88-7689-235-6. EUR. 190." Journal of Roman Archaeology 23 (2010): 455–58. http://dx.doi.org/10.1017/s1047759400002555.

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Derrick, Thomas J. "I Vetri Del Museo Archeologico di Tripoli. By Sofia Cingolani . Archaeopress Roman Archaeology 7. Archaeopress, Oxford, 2015. ISBN 978-1-78491-094-5, pp. ii + 182, including 3 colour pls, 37 b&w figs, pp. 70 b&w catalogue of photos and illustrations. Price: £33.00; e-pub: £27.60." Libyan Studies 46 (July 30, 2015): 170–71. http://dx.doi.org/10.1017/lis.2015.6.

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Griffith, Alison B. "ARCHITECTURAL TERRACOTTAS - P. Lulof, C. Rescigno (edd.) Deliciae Fictiles IV. Architectural Terracottas in Ancient Italy. Images of Gods, Monsters and Heroes. Proceedings of the International Conference held in Rome (Museo Nazionale Etrusco di Villa Giulia, Royal Netherlands Institute) and Syracuse (Museo Archeologico Regionale ‘Paolo Orsi’), October 21–25, 2009. Pp. xiv + 634, ills, maps, colour pls. Oxford: Oxbow Books, 2011. Cased, £40, US$80. ISBN: 978-1-84217-426-5." Classical Review 63, no. 1 (March 1, 2013): 243–45. http://dx.doi.org/10.1017/s0009840x12003228.

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Ridgway, David. "Etrusco-Italic progress - SINCLAIR BELL and HELEN NAGY (edd.), NEW PERSPECTIVES ON ETRURIA AND EARLY ROME. IN HONOR OF RICHARD DANIEL DE PUMA (University of Wisconsin Press, Madison2009). Pp. xxiv + 305, ills. 122. ISBN 978-0-299-23030-2. $55. - FULVIA LO SCHIAVO and ANTONELLA ROMUALDI (edd.), I COMPLESSI ARCHEOLOGICI DI TRESTINA E DI FABBRECCE NEL MUSEO ARCHEOLOGICO DI FIRENZE (Accademia Nazionale dei Lincei, Monumenti Antichi, serie miscellanea 12; Giorgio Bretschneider, Rome2009). Pp. 206, ills. ISBN 978-88-7689-214-1; ISSN 0391-8084. EUR. 230. - ANTHONY TUCK, THE NECROPOLIS OF POGGIO CIVITATE (MURLO). BURIALS FROM POGGIO AGUZZO (Archaeologica 153; Giorgio Bretschneider, Rome2009). Pp. ix + 146, fig. 16, tav. 33 fuori testo. ISBN 978-88-7689-217-6; ISSN 0391-9293. EUR. 180. - ROBERTA GABRIELLI, CERAMICA ETRUSCO-CORINZIA DEL MUSEO ARCHEOLOGICO DI TARQUINIA (Archaeologica 155; Materiali del Museo Archeologico Nazionale di Tarquinia XIX; Giorgio Bretschneider, Rome2010). Pp. xiii + 567, fig. 26, tav. 30 fuori testo. ISBN 978-88-7689-251-6; ISSN 0391-9293. EUR. 190. - CORINNA RIVA, THE URBANISATION OF ETRURIA. FUNERARY PRACTICES AND SOCIAL CHANGE, 700-600 BC (Cambridge University Press2010). Pp. xii + 247, ills. 59. ISBN 978-0-521-51447-7. $98." Journal of Roman Archaeology 24 (2011): 512–22. http://dx.doi.org/10.1017/s1047759400003524.

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Ridgway, F. R. Serra. "Etruscan Vases - Birgitte Ginge: Ceramiche etrusche a figure nere. (Archaeologica 72: Materiali del Museo Archeologico Nazionale di Tarquinia, 12.) Pp. 117; 105 plates. Rome: Bretschneider, 1987. Paper, L. 250,000. - Nigel Jonathan Spivey: The Micali Painter and his Followers. (Oxford Monographs on Classical Archaeology.) Pp. xv + 103; 19 figures; 40 plates. Oxford: Clarendon Press, 1987. £30." Classical Review 39, no. 2 (October 1989): 341–44. http://dx.doi.org/10.1017/s0009840x00272120.

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Serra Ridgway, Francesca R. "Etruscan bronzes from Tarquinia - MARIA PAOLA BINI, GIANLUCA CARAMELLA, SANDRA BUCCIOLI, I BRONZI ETRUSCHI E ROMANI (Materiali del Museo Archeologico Nazionale di Tarquinia XIII = Archaeologica 114, Giorgio Bretschneider, Roma 1995). 1: pp. xxxiv + 296; 2: pp. 297-624, pls. i-cxvi (line) and cxvii-clxii (half tone) (vol. curato da G. Pianu). ISBN 88-7689-149-8. Lit. 1,250,000." Journal of Roman Archaeology 11 (1998): 404–7. http://dx.doi.org/10.1017/s1047759400017426.

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Serra Ridgway, Francesca R. "The University of Milan's final reports on Tarquinia, and two exhibitions on Tarquinia and her neighbours - CRISTINA CHIARAMONTE TRERÉ (ed.), TARQUINIA. SCAVI SISTEMATICI NELL' ABITATO, CAMPAGNE 1982-1988. I MATERIALI, 1 (Université degli Studi di Milano, Tarchna II; ‘L'Erma’ di Bretschneider, Rome 1999). Pp. xxxiii + 402, 89 pls. ISBN 88-8265-068-5. Euro 299. - MARIA BONGHI JOVINO (ed.), TARQUINIA. SCAVI SISTEMATICI NELL'ABITATO, CAMPAGNE 1982-1988. I MATERIALI, 2 (Università degli Studi di Milano, Tarchna III>; ‘L'Erma’ di Bretschneider, Rome 2001). Pp. xxxviii + 576, 151 pls. ISBN 88-8265-165-7. Euro 403. - MARIA CATALDI (ed.), TARQUINIA, MUSEO ARCHEOLOGICO NAZIONALE. GUIDA BREVE (‘L'Erma’ di Bretschneider- Ingegneria per la Cultura, Rome 2001). Pp. 79, 95 colour figs. in text. ISBN 88-8265-122-3. Euro 26. - ANNA MARIA MORETTI SGUBINI (ed.), TARQUINIA ETRUSCA. UNA NUOVA STORIA (Catalogo della Mostra, Tarquinia, Museo Archeologico Nazionale, 4 ottobre–20 dicembre 2001; ‘L'Erma’ di Bretschneider – Ingegneria per la Cultura, Rome 2001). Pp. x + 140, 198 figs. in text (many colour). ISBN 88-8265-175-4. Euro 104. - ANNA MARIA MORETTI SGUBINI (ed.), VEIO, CERVETERI, VULCI. CITTÀ D'ETRURIA A CONFRONTO (Catalogo della Mostra, Roma, Museo Nazionale Etrusco di Villa Giulia–Villa Poniatowski, 1 ottobre–30 dicembre 2001; ‘L'Erma’ di Bretschneider – Ingegneria per la Cultura, Rome 2001). Pp. xiv + 276, 545 black and white figs., 19 pls. (colour). ISBN 88-8265-174-6. Euro 155." Journal of Roman Archaeology 16 (2003): 463–68. http://dx.doi.org/10.1017/s1047759400013301.

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Maffre, Jean-Jacques. "Vases étrusques et vases attiques au Musée de Tarquinia [Archeologia 13, 16, 32 et 33, Materiali del Museo archeologico nazionale di Tarquinia, I, II, V et VI ; Giampiero Pianu, Ceramiche etrusche a figure rosse ; Lucrezia Campus, Ceramica attica a figure nere : piccoli vasi e vasi plastici ; Carlo Tronchetti, Ceramica attica a figure nere : grandi vasi : anfore, pelikai, crateri ; Elena Pierro, Ceramica « ionica » non figurata e coppe attiche a figure nere]." Bulletin de l'Association Guillaume Budé : Lettres d'humanité 44, no. 4 (1985): 417–21. http://dx.doi.org/10.3406/bude.1985.1697.

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