Dissertations / Theses on the topic 'Musée de la civilisation (Québec, Canada)'
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Lapointe, Andrée. "L'incidence des politiques culturelles sur le développement des musées nationaux Canada-Québec depuis 1950." Doctoral thesis, Université Laval, 1993. http://hdl.handle.net/20.500.11794/29494.
Full textAlfonso, Romero Rebeca. "Enjeux politiques de la création/rénovation des musées nationaux de société. Étude comparative : le Musée de la civilisation de Québec, le Musée des civilisations de l'Europe et de la Méditerranée (MuCEM) de Marseille et le Tropenmuseum d'Amsterdam." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL154.
Full textNational museum is defined as a pillar in the construction of the national imaginary of the modern State. Among these museums, museums of society take in charge collections (ethnological, historic, folk art) and develop discourses that reflect the legitimate values of society. Since the 1990s, a phenomenon of museum creation/renovation has been developing in the context of Late Globalisation and the administrative/political evolution of the State. Our research analyses three recent processes of creation/renovation of national museums of society: the Museum of civilization in Quebec, Canada; the Museum of European and Mediterranean Civilizations (MuCEM) in Marseille, France; and the Tropenmuseum in Amsterdam, in the Netherlands. We compare these processes on the base of the study of national archives and following four axes (history, political issues, spatial dynamics renovation/creations). We propose three new approaches of the construction of the national imaginary (patrimonial, strategic or symbolic)
Pressé, Suzanne. "Les expositions du Musée du Québec, "Entrez vous réchauffer au musée. . . " : le paradoxe du Musée du Québec produire de l'histoire et la valider pour le compte de l'Etat." Grenoble 2, 1997. http://www.theses.fr/1997GRE29053.
Full textLes exposition du musee du quebec is the result of an inductive study of the musee du quebec (canada), a unique establishment where people take action, prerogatives are distributed and ideologies try as best they can not to be too obtrusive. The musee du quebec exhibitions constitue the corpus of my theses. I have studied 55 exhibitions held between 1991 and 1996, focusing particularly on the star exhibits produced by the museum irself. This theses is the result of the analysis of a variety of primary sources including art exhibitions, curatorial, exhibition and artist files, exhibition catalogues and other documents published by the musee. These public documents as well as writings in the press, reviews and documents published by the governments of quebec and canada, have been the basis of my study of the events, the musee and the state. I have attempted to understand the structures and the dynamics of their mediations
Provencher, St-Pierre Laurence. "La collecte de l'objet contemporain : l'exemple du Musée de la civilisation de Québec." Master's thesis, Université Laval, 2012. http://hdl.handle.net/20.500.11794/23659.
Full textCe mémoire porte sur la collecte des objets contemporains en contexte muséal. En étudiant l'exemple du Musée de la civilisation, cette recherche pose un regard sur les pratiques entourant la collecte du contemporain dans cette institution, de son ouverture en 1988 à aujourd'hui, et fait ressortir les différentes étapes qui permettent à l'objet récent d'acquérir le statut d'objet de musée. Après sa sélection, sa documentation, son acquisition ainsi que sa prise en charge permettant sa conservation à long terme, l'objet contemporain intègre la collection nationale. Bien que son parcours soit similaire à celui traversé par les objets plus anciens, il s'en distingue par les enjeux et les limites inhérentes à sa collecte, l'objectif du Musée étant d'encourager son acquisition afin de constituer des collections qui représenteront demain la société d'aujourd'hui. En faisant ressortir le processus d'intégration des objets à la collection, cette étude met également en lumière le rôle des conservateurs dans le développement des collections muséales.
Provencher, St-Pierre Laurence. "La collecte de l’objet contemporain : L’exemple du Musée de la civilisation de Québec." Thesis, Université Laval, 2012. http://www.theses.ulaval.ca/2012/29389/29389.pdf.
Full textRenier, Marie. "Stratégies muséales à l'égard du patrimoine amérindien : genèse de la collection amérindienne du Musée de la civilisation de Québec." Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27680/27680.pdf.
Full textLainey, Jonathan C. "La "monnaie des sauvages" ou les colliers de porcelaine d'hier à aujourd'hui : la collection de wampums du Musée de la civilisation à Québec." Master's thesis, Université Laval, 2003. http://hdl.handle.net/20.500.11794/17766.
Full textLamontagne, Laurence. "L'homme et l'acclimatement à l'hiver des débuts de la Nouvelle-France à la fin du XIXe siècle : étude des changements culturels." Doctoral thesis, Université Laval, 1985. http://hdl.handle.net/20.500.11794/29141.
Full textFilion, Michel. "Le problème de l'américanisation [de] la radiodiffusion québécoise depuis ses origines jusqu'à la réglementation du contenu canadien (1922-1959)." Doctoral thesis, Université Laval, 1992. http://hdl.handle.net/20.500.11794/29163.
Full textGuyot, Elsa. "Les représentations du Moyen Âge au Québec à travers les discours muséaux (1944-2014) : pour une histoire du goût, du collectionnement et de la mise en exposition de l'art médiéval au Québec." Thèse, Montpellier 3, 2015. http://hdl.handle.net/1866/13601.
Full textCette thèse a pour but d’étudier les diverses représentations du Moyen Âge au Québec à travers un corpus d’expositions parcourant le XXe siècle et le début des années 2000. Nous nous intéressons au rôle joué par l’espace muséal québécois dans la diffusion de discours sur cette période européenne. Chaque exposition est replacée dans son contexte de création afin de mettre en évidence les raisons d’ordres religieux, culturels, politiques et linguistiques qui incitent les musées à privilégier telle ou telle représentation du Moyen Âge.
This thesis aims to study the various representations of the Middle Ages in Quebec through a corpus of temporary exhibitions held during the twentieth century and the early 2000s. We question the role played by the Quebec museums in the diffusion of discourses about this European period. In order to highlight the religious, cultural, political or linguistic reasons for museums to focus on a specific representation of the Middle Ages, each exhibition is replaced within its original context of creation.
Hulin, Anne-Sophie. "La philanthropie au profit des musées d’art : une étude de droit privé comparé (France/États-Unis/Québec)." Thesis, Paris 2, 2019. http://www.theses.fr/2019PA020070.
Full textWhether resulting from a private or public initiative, art museums have developed through the support of philanthropy (creation, funding the museums’ activities, development of museum collections). In recent years, philanthropy has become an increasingly popular practice in the museum sector, sometimes with the hope of reaching a level comparable to the American philanthropic practice. As a result, the French legislator undertook to support philanthropy by implementing tax incentives. These measures had an important effect as philanthropy for the benefit of art museums developed massively. However, the legal framework for philanthropy remains generally incomplete and its role in encouraging gifts underestimated. This observation has a particular resonance in the context of art museums, where the deficiencies in the legal framework for philanthropy have a significant influence on the conduct of museum activities. This observation is even a matter of urgency in view of the current context in which the legitimacy of tax incentive schemes is being discussed. Consequently, this work focuses on the legal qualification of philanthropic acts for the benefit of art museums in order to determine what complementary legal levers could be put in place to establish an attractive and sustainable legal framework. This approach is enriched by the legal comparison with the United States and Québec, as the former is the reference model for philanthropy for art museums, and the latter allows for a dialogue between civil law and common law traditions. More broadly, this work highlights the challenges related to the development of philanthropy for the benefit of art museums. It also pays particular attention to the power of private will in view of its growing influence on the conduct of activities in the public interest
Azzimani, Souad. "La perception du Canada à travers les magazines Time et Newsweek : 1995-2000." Paris 3, 2008. http://www.theses.fr/2008PA030049.
Full textPerception of Canada in Time and Newsweek magazines (1995-2000) describes the Canadian presence in two main American newsmagazines. Canada appears as a peaceful country, even if, both magazines present violence-related stories involving Canadians. Canada is a multicultural country, and as far as diversity is concerned, the country does not seem peaceful. Quebeckers are divided concerning the question of their belonging to Canada and many other communities feel the effects of rejection (racism…); the Inuit and the French Quebeckers have chosen nationalism to express their different identities. While Canadians of different heritage are concerned by their identity in Canada, the whole country feels the impact of the American presence. And while Canadians focus on the substance of their national identity, Time and Newsweek journalists perceive Canada as a distinct country with its own characteristics based on peace, multiculturalism or even Nature; characteristics representing Canada in the world
Bernardot, Hélène. "Representing ethnography and history, interacting with heritage : analysing museological practices at the Huron-Wendat Museum." Master's thesis, Université Laval, 2020. http://hdl.handle.net/20.500.11794/67005.
Full textThis master thesis is an analysis of the current specific actions on representation and interaction taken in contemporary ethnographic museums. The aim is to highlight museology pathways used to represent local Indigenous culture and to explore how the public is involved with and relates to these specific discourses on heritage. Special attention will be devoted to the study of the shift of museums from authoritative places of education to socially inclusive spaces. The mission of heritage professionals in terms of representation will be analysed, as well as their work on the notions of accessibility and involvement for and with the public. The Huron-Wendat Museum in Wendake, Québec, serves to investigate these museum practices. Drawing from thorough fieldwork and extensive secondary literature, this master thesis will further probe the prevailing notions of identity, continuity and unity of the new museology in a postcolonial context.
Adam, Francine. "Des noms et des lieux : la médiation toponymique au Québec et en Arcadie du Nouveau-Brunswick." Thesis, Paris 4, 2008. http://www.theses.fr/2008PA040049/document.
Full textThe toponymic mediation is one of the systems of relationships, which compose an inhabited land, here Quebec and Acadia of New Brunswick. Three main linguistic stems have influenced the construction of places : the autochthonous one, the French one and the English one. Denomination in relationship with property and socializing, belonging and event, direct experience and honours make the names resound with the earth. The place names offer an inheritance to live with and transmit. Body, heart and mind nourish an affective and sensitive toponymy, which relies on visions and perceptions of the environment. It expresses itself through anthroponymy (possessive and honorary) and through cultural consecration ; it influences the dynamics of changing names. An illustration of that is the debate on identity in the context of municipal mergers in Quebec. The specifically semantic dimension of affective and sensitive toponymy establishes three great thematic categories : imprints of possession and identity, senses and sensations, atmospheres and feelings. Regional profiles appear in Quebec and profiles of counties in Acadia of New Brunswick : it outlines a toponymy of happiness and sorrow. Very contrasted toponymic types stand out from this comparison between Quebec and Acadia of New Brunswick ; they testify to the respective political history of both regions and to the role of institutional authorities
Fillion, Pascal. "Étude de l'univers domestique en milieu bourgeois chez les anglophones et les francophones du Québec : le cas Jourdain-Fiset." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0022/MQ38079.pdf.
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