Dissertations / Theses on the topic 'Multimodal perception of emotion'
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Cox, A. G. "Multimodal emotion perception from facial and vocal signals." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.598105.
Full textREALDON, OLIVIA. "Differenze culturali nella percezione multimodale delle emozioni." Doctoral thesis, Università degli Studi di Milano-Bicocca, 2012. http://hdl.handle.net/10281/37944.
Full textur, Réhman Shafiq. "Expressing emotions through vibration for perception and control." Doctoral thesis, Umeå universitet, Institutionen för tillämpad fysik och elektronik, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-32990.
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Fernández, Carbonell Marcos. "Automated Multimodal Emotion Recognition." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-282534.
Full textAtt kunna läsa och tolka affektiva tillstånd spelar en viktig roll i det mänskliga samhället. Detta är emellertid svårt i vissa situationer, särskilt när information är begränsad till antingen vokala eller visuella signaler. Många forskare har undersökt de så kallade grundläggande känslorna på ett övervakat sätt. Det här examensarbetet innehåller resultaten från en multimodal övervakad och oövervakad studie av ett mer realistiskt antal känslor. För detta ändamål extraheras ljud- och videoegenskaper från GEMEP-data med openSMILE respektive OpenFace. Det övervakade tillvägagångssättet inkluderar jämförelse av flera lösningar och visar att multimodala pipelines kan överträffa unimodala sådana, även med ett större antal affektiva tillstånd. Den oövervakade metoden omfattar en konservativ och en utforskande metod för att hitta meningsfulla mönster i det multimodala datat. Den innehåller också ett innovativt förfarande för att bättre förstå resultatet av klustringstekniker.
Nguyen, Tien Dung. "Multimodal emotion recognition using deep learning techniques." Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/180753/1/Tien%20Dung_Nguyen_Thesis.pdf.
Full textGay, R. "Morality : Emotion, perception and belief." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371649.
Full textLawrie, Louisa. "Adult ageing and emotion perception." Thesis, University of Aberdeen, 2018. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=239235.
Full textAbrilian, Sarkis. "Représentation de comportements emotionnels multimodaux spontanés : perception, annotation et synthèse." Phd thesis, Université Paris Sud - Paris XI, 2007. http://tel.archives-ouvertes.fr/tel-00620827.
Full textAngelica, Lim. "MEI: Multimodal Emotional Intelligence." 京都大学 (Kyoto University), 2014. http://hdl.handle.net/2433/188869.
Full textKosti, Ronak. "Visual scene context in emotion perception." Doctoral thesis, Universitat Oberta de Catalunya, 2019. http://hdl.handle.net/10803/667808.
Full textLos estudios psicológicos muestran que el contexto de la escena, además de la expresión facial y la pose corporal, aporta información importante a nuestra percepción de las emociones de las personas. Sin embargo, el procesamiento del contexto para el reconocimiento automático de emociones no se ha explorado en profundidad, en parte debido a la falta de datos adecuados. En esta tesis presentamos EMOTIC, un conjunto de datos de imágenes de personas en situaciones naturales y diferentes anotadas con su aparente emoción. La base de datos EMOTIC combina dos tipos diferentes de representación de emociones: (1) un conjunto de 26 categorías de emociones y (2) las dimensiones continuas de valencia, excitación y dominación. También presentamos un análisis estadístico y algorítmico detallado del conjunto de datos junto con el análisis de concordancia de los anotadores. Los modelos CNN están entrenados en EMOTIC, combinando características de la persona con características de escena (contexto). Nuestros resultados muestran cómo el contexto de la escena aporta información importante para reconocer automáticamente los estados emocionales, lo cual motiva más investigaciones en esta dirección.
Psychological studies show that the context of a setting, in addition to facial expression and body language, lends important information that conditions our perception of people's emotions. However, context's processing in the case of automatic emotion recognition has not been explored in depth, partly due to the lack of sufficient data. In this thesis we present EMOTIC, a dataset of images of people in various natural scenarios annotated with their apparent emotion. The EMOTIC database combines two different types of emotion representation: (1) a set of 26 emotion categories, and (2) the continuous dimensions of valence, arousal and dominance. We also present a detailed statistical and algorithmic analysis of the dataset along with the annotators' agreement analysis. CNN models are trained using EMOTIC, combining a person's features with those of the setting (context). Our results not only show how the context of a setting contributes important information for automatically recognizing emotional states but also promote further research in this direction.
Bodnar, Andor L. "Sensory and Emotion Perception of Music." Thesis, University of Louisiana at Lafayette, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10268431.
Full textThe purpose of this study was to examine whether isolated musical chords and chord progressions are capable of communicating basic emotions (happiness, sadness, and fear) and sensory perceptions of tension and dissonance to eighty-two university students differing in musical expertise. Participants were recruited from ULL’s psychology and music department, and were divided into three different groups based on their formal training in music. Participants listened to forty-six music excerpts and were asked to identify and rate the emotions they felt each stimulus was attempting to convey. Participants were also asked to rate how much tension and dissonance they experienced after each excerpt.
The results demonstrated that major chord progressions played in fast tempo more readily expressed happiness than minor and chromatic chord progressions. Minor chord progressions played in slow tempo were associated with sadness and were rated higher in tension and dissonance than major chord progressions. Chromatic chord progressions, regardless of tempo, expressed fear most reliable, and received higher tension and dissonance ratings than major and minor chord progressions. Furthermore, results showed that isolated major chords were perceived as the least tense, the least dissonant, and the happiest sounding. Isolated minor chords readily conveyed sadness, and were perceived as more tense and dissonant than majors. Additionally, isolated augmented and diminished chords were the most likely to express fear and were rated highest in tension and dissonance. Contrary to previous research findings, participants’ level of musical expertise influenced sensory and emotion perception ratings. Participants with three to four years of formal training outperformed experts and novices. Future research directions and possible applied implications of these finding are also discussed.
Ver, Hulst Pamela. "Visual and auditory factors facilitating multimodal speech perception." Connect to resource, 2006. http://hdl.handle.net/1811/6629.
Full textTitle from first page of PDF file. Document formatted into pages: contains 35 p.; also includes graphics. Includes bibliographical references (p. 24-26). Available online via Ohio State University's Knowledge Bank.
Petit, CeÌline E. F. "Multimodal flavour perception : influence of colour and chemesthesis." Thesis, University of Nottingham, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.438309.
Full textCheng, Linda. "Ethnic and Racial Differences in Emotion Perception." Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/psych_hontheses/6.
Full textLim, Seung-Lark. "The role of emotion on visual perception." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3358931.
Full textTitle from PDF t.p. (viewed on Feb. 10, 2010). Source: Dissertation Abstracts International, Volume: 70-05, Section: B, page: 3196. Adviser: Luiz Pessoa.
Recio, Guillermo. "Perception of dynamic facial expressions of emotion." Doctoral thesis, Humboldt-Universität zu Berlin, Mathematisch-Naturwissenschaftliche Fakultät II, 2013. http://dx.doi.org/10.18452/16697.
Full textBehavioral studies have shown that facial expressions of emotion unfolding over time provide some type of information that benefits the recognition of emotional expressions, in comparison with static images. In line with the dynamic advantage hypothesis, neuroimaging studies have shown increased and wider activation while seeing dynamic expressions. The present dissertation aims to clarify the cognitive mechanism underlying this dynamic advantage and the specificity of this effect for six facial expressions of emotion. Study 1 compared behavioral and brain cortical responses to dynamic and static expressions, looking for psychophysiological correlates of the dynamic advantage. Study 2 dealt with methodological issues regarding the timing of the stimuli and the dynamic neutral conditions. Study 3 tested the hypothesis that increasing the amount of movement in the expressions would increase the allocation of attention, and compared effects of intensity in both emotional and non-emotional movements. Study 4 focused on the question of emotion specificity of brain activation during emotion recognition. Results confirmed a dynamic advantage in the classification of expressions, presumably due to more efficient allocation of attention that improved perceptual processing. The effect increased gradually by augmenting the amount of motion, in both emotional and neutral expressions, indicating a perceptual bias to attend facial movements. The enhancement was somewhat larger for happiness and reduced for surprise, but overall similar for all emotional expressions.
Soladié, Catherine. "Représentation Invariante des Expressions Faciales." Phd thesis, Université Rennes 1, 2013. http://tel.archives-ouvertes.fr/tel-00935973.
Full textLambert, Hayley M. "Emotion Discrimination in Peripheral Vision." TopSCHOLAR®, 2018. https://digitalcommons.wku.edu/theses/2087.
Full textGendron, Maria Therese. "Relativity in the perception of emotion across cultures." Thesis, Boston College, 2013. http://hdl.handle.net/2345/bc-ir:104063.
Full textA central question in the study of human behavior is whether or not certain categories of emotion, such as anger, fear and sadness (termed "discrete emotions"), are universally recognized in the nonverbal behaviors of others (termed the "universality of attribution hypothesis"). In this dissertation, the universality of attribution hypothesis was revisited in order to examine whether individuals from remote cultural contexts perceive the same mental states in nonverbal cues as individuals from a Western cultural context. The studies described in this dissertation removed certain features of prior universality studies that served to obscure the underlying nature of cross-cultural perceptions. In study 1, perception of posed emotional vocalizations by individuals from a US cultural context were compared to those of individuals from the Himba ethnic group, who reside in remote regions of Namibia and have limited contact with individuals outside their community. In contrast to recent data claiming to support the universality hypothesis, we did not find evidence that emotions were universally perceived when participants were asked to freely label the emotion they perceived in vocalizations. In contrast, our findings did support the hypothesis that affective dimensions of valence and arousal are perceived across cultural contexts. In the second study, emotion perceptions based on facial expressions were compared between participants from US and Himba cultural contexts. Consistent with the results of Study 1, Himba individuals did not perceive the Western discrete emotion categories that their US counterparts did. Our data did support the hypothesis that Himba participants were routinely engaging in action perception, rather than mental state inference. Across both cultural contexts, when conceptual knowledge about emotions was made more accessible by presenting emotion words as part of the task, perception was impacted. In US participants, perceptions conformed even more strongly with the previously assumed "universal" model. Himba participants appeared to rely more on mental state categories when exposed to concepts, but a substantial amount of cultural variation was still observed. Finally, in Study 3, perceptions of emotion were examined in a US cultural context after the focus of participants was manipulated, either onto mental states (broadly), emotions or behaviors. Perceptions of emotion did not differ substantially across these three conditions, indicating that within a US cultural context the tendency to infer mental states from facial expressions is somewhat inflexible. Overall, the findings of this dissertation indicate that emotion perception is both culturally and linguistically relative and that attempts to apply the Western cultural model for emotions as a universal one obscures important cultural variation
Thesis (PhD) — Boston College, 2013
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: Psychology
Picó, Pérez Maria. "Multimodal Neuroimaging of Emotion Regulation Strategies in Clinical and Healthy Control Samples." Doctoral thesis, Universitat de Barcelona, 2018. http://hdl.handle.net/10803/664163.
Full textLa regulació emocional és un procés necessari per gestionar de manera apropiada les emocions en el nostre dia a dia. Hi ha diferents estratègies de regulació emocional que comporten diferents conseqüències afectives, cognitives i socials. Encara més important, aquestes pareixen estar afectades als trastorns psiquiàtrics, podent considerar els dèficits de regulació emocional com una característica transdiagnòstica. Diferents estudis i meta-anàlisis de ressonància magnètica funcional (RMf) han mostrat un patró d’activació neural durant la regulació emocional en controls sans, que consisteix en una xarxa prefronto-parietal de regions regulatòries, encarregada de regular a la baixa l’activació del sistema límbic (incloent l’amígdala). En canvi, als trastorns psiquiàtrics, resultats preliminars indiquen que el sistema límbic podria estar hiperactiu i les regions regulatòries prefrontals es trobarien alterades. Es necessiten més estudis per poder determinar si s’observa el mateix patró d’activacions neurals afectades en diferents trastorns psiquiàtrics, o si hi ha un patró específic per cada trastorn, tenint en compte que en la majoria de trastorns predominen els dèficits de regulació emocional d’una manera o altra. Per això, l’objectiu d’aquesta tesi és oferir noves dades respecte als correlats neurals de la regulació emocional en mostres clíniques i controls sans. S’han utilitzat diferents modalitats de neuroimatge per poder oferir una millor descripció d’aquests correlats i la seua relació amb diferents estratègies de regulació emocional. Concretament, l’Estudi 1 de la tesi és el primer en examinar com s’associa la connectivitat funcional intrínseca en una mostra de controls sans amb l’ús habitual d’estratègies de reavaluació cognitiva i de supressió. En l’Estudi 2, a més, això es veu complementat amb la comparació amb pacients amb trastorn obsessiu-compulsiu, i també es compara la connectivitat estructural. A l’Estudi 3 s’estudia per primera vegada la tasca de reavaluació cognitiva en RMf en una mostra de subjectes amb excés de pes, i a l’Estudi 4 es fa un meta-anàlisi d’estudis que utilitzen aquesta tasca en diferents mostres clíniques. D’acord amb els nostres resultats, existeixen dèficits de regulació emocional compartits a través dels diferents trastorns, però també hi ha dèficits específics per als diferents grups de trastorns, el qual posa encara més èmfasi en la necessitat de desenvolupar tractaments personalitzats basats en el coneixement neurobiològic i enfocats a millorar les necessitats individuals.
Israelsson, Alexandra. "Emotion Recognition Ability, Metacognition, and Metaemotion:A Multimodal Online-Assessment of Swedish Adults." Thesis, Stockholms universitet, Psykologiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-157964.
Full textLudlum, Madonna L. "A Multimodal Investigation of Renewal of Human Avoidance, Perceived Threat, and Emotion." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc801907/.
Full textLongmore, Richard. "The understanding and perception of emotion in schizophrenia." Thesis, University of Leicester, 2002. http://hdl.handle.net/2381/31335.
Full textZieber, Nicole R. "INFANTS’ PERCEPTION OF EMOTION FROM DYNAMIC BODY MOVEMENTS." UKnowledge, 2012. http://uknowledge.uky.edu/psychology_etds/5.
Full textJohn, C. "Subliminal perception and the cognitive processing of emotion." Thesis, University of Reading, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.233155.
Full textVickhoff, Björn. "A perspective theory of music perception and emotion /." Göteborg : Göteborgs Universitet, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016671611&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Full textPaterson, Helena M. "The perception and cognition of emotion from motion." Thesis, Connect to e-thesis, 2002. http://theses.gla.ac.uk/1072/.
Full textPh.D. thesis submitted to the Department of Psychology, University of Glasgow, 2002. Includes bibliographical references. Print version also available.
Zuberbühler, Hans-Jörg. "Quality aspects of multimodal communication : user perception and acceptance thresholds /." Zürich, 2003. http://e-collection.ethbib.ethz.ch/show?type=diss&nr=15124.
Full textBrowatzki, Björn Verfasser], and Alexander [Akademischer Betreuer] [Verl. "Multimodal object perception for robotics / Björn Browatzki. Betreuer: Alexander Verl." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2015. http://d-nb.info/1076775705/34.
Full textBrowatzki, Björn [Verfasser], and Alexander [Akademischer Betreuer] Verl. "Multimodal object perception for robotics / Björn Browatzki. Betreuer: Alexander Verl." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2015. http://d-nb.info/1076775705/34.
Full textRichoz, Anne-Raphaëlle. "Vers la compréhension du traitement dynamique du visage humain." Thesis, Université Grenoble Alpes (ComUE), 2018. http://www.theses.fr/2018GREAS002.
Full textThe human visual system is steadily stimulated by dynamic cues. Faces provide crucial information important for adapted social interactions. From an evolutionary perspective, humans have been more extensively exposed to dynamic faces, as static face images have only appeared recently with the advent of photography and the expansion of digital tools. Yet, most studies investigating face perception have relied on static faces and only a little is known about the mechanisms involved in dynamic face processing.To clarify this issue, this thesis aimed to use dynamic faces to investigate different aspects of face processing in different populations and age groups. In Study 1, we used dynamic faces to investigate whether the ability of infants aged 6, 9, and 12 months in matching audible and visible attributes of gender is influenced by the use of adult-directed (ADS) vs. infant-directed (IDS) speech. Our results revealed that from 6 months of age, infants matched female faces and voices when presented with ADS. This ability emerged at 9 months of age when presented with IDS. Altogether, these findings support the idea that the perception of multisensory gender coherence is influenced by the nature of social interactions.In Study 2, we used a novel 4D technique to reconstruct the dynamic internal representations of the six basic expressions in a pure case of acquired prosopagnosia (i.e., a brain-damaged patient severely impaired in recognizing familiar faces). This was done in order to re-examine the debated issue of whether identity and expression are processed independently. Our results revealed that our patient used all facial features to represent basic expressions, contrasting sharply with her suboptimal use of facial information for identity recognition. These findings support the idea that different sets of representations underlie the processing of identity and expression. We then examined our patient’s ability to recognize static and dynamic expressions using her internal representations as stimuli. Our results revealed that she was selectively impaired in recognizing many of the static expressions; whereas she displayed maximum accuracy in recognizing all the dynamic emotions with the exception of fear. The latter findings support recent evidence suggesting that separate cortical pathways, originating in early visual areas and not in the inferior occipital gyrus, are responsible for the processing of static and dynamic face information.Moving on from our second study, in Study 3, we investigated whether dynamic cues offer processing benefits for the recognition of facial expressions in other populations with immature or fragile face processing systems. To this aim, we conducted a large sample cross-sectional study with more than 400 participants aged between 5 to 96 years, investigating their ability to recognize the six basic expressions presented under different temporal conditions. Consistent with previous studies, our findings revealed the highest recognition performance for happiness, regardless of age and experimental condition, as well as marked confusions among expressions with perceptually similar facial signals (e.g., fear and surprise). By using Bayesian modelling, our results further enabled us to quantify, for each expression and condition individually, the steepness of increase and decrease in recognition performance, as well as the peak efficiency, the point at which observers’ performance reaches its maximum before declining. Finally, our results offered new evidence for a dynamic advantage for facial expression recognition, stronger for some expressions than others and more important at specific points in development.Overall, the results highlighted in this thesis underlie the critical importance of research featuring dynamic stimuli in face perception and expression recognition studies; not only in the field of prosopagnosia, but also in other domains of developmental and clinical neuroscience
Dalili, Michael Nader. "Investigating emotion recognition and evaluating the emotion recognition training task, a novel technique to alter emotion perception in depression." Thesis, University of Bristol, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.702458.
Full textAldebot, Stephanie. "Neurocognition, Emotion Perception and Quality of Life in Schizophrenia." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_theses/228.
Full textObeidi, Amer. "Emotion, Perception and Strategy in Conflict Analysis and Resolution." Thesis, University of Waterloo, 2006. http://hdl.handle.net/10012/2828.
Full textCurrent research in neuroscience suggests that emotions are a necessary component of cognitive processes such as memory, attention, and reasoning. The somatic marker hypothesis, for example, holds that feelings are necessary to reasoning, especially during social interactions (Damasio, 1994, 2003). Somatic markers are memories of past emotions: we use them to predict future outcomes. To incorporate the effect of emotion in conflict, the underlying principle of Damasio?s hypothesis is used in developing the possibility principle, which significantly expands the paradigm of the Graph Model for Conflict Resolution of Fang, Hipel, and Kilgour (1993).
State identification is a crucial step in determining future scenarios for DMs. The possibility principle is integrated into the modeling stage of the Graph Model by refining the method of determining feasible states. The possibility principle enables analysts and DMs to include emotion in a conflict model, without sacrificing the parsimonious design of the Graph Model methodology, by focusing attention on two subsets of the set of feasible states: hidden and potential states. Hidden states are logically valid, feasible states that are invisible because of the presence of negative emotions such as anger and fear; potential states are logically valid, feasible states that are invisible because of missing positive emotions. Dissipating negative emotions will make the hidden states visible, while expressing the appropriate positive emotions will make the potential states visible. The possibility principle has been applied to a number of real world conflicts. In all cases, eliminating logically valid states not envisioned by any DM simplifies a conflict model substantially, expedites the analysis, and makes it an intuitive and a realistic description of the DMs' conceptualizations of the conflict.
A fundamental principle of the Graph Model methodology is that all DMs' directed graphs must have the same set of feasible states, which are integrated into a standard graph model. The possibility principle may modify the set of feasible states perceived by each DM according to his or her emotion, making it impossible to construct a single standard graph model. When logically valid states are no longer achievable for one or more DMs due to emotions, the apprehension of conflict becomes inconsistent, and resolution may become difficult to predict. Therefore, reconciling emotion and strategy requires that different apprehensions of the underlying decision problem be permitted, which can be accomplished using a perceptual graph model for each DM. A perceptual graph model inherits its primitive ingredients from a standard graph model, but reflects a DM's emotion and perception with no assumption of complete knowledge of other DMs' perceptions.
Each DM's perceptual graph model constitutes a complete standard graph model. Hence, conclusions drawn from a perceptual graph model provide a limited view of equilibria and predicted resolutions. A graph model system, which consists of a list of DMs' perceptual graph models, is defined to reconcile perceptions while facilitating conclusions that reflect each DM's viewpoint. However, since a DM may or may not be aware that other graph models differ from his or her own, different variants of graph model systems are required to describe conflicts. Each variant of graph model system corresponds to a configuration of awareness, which is a set of ordered combinations of DMs' viewpoints.
Perceptual stability analysis is a new procedure that applies to graph model systems. Its objective is to help an outside analyst predict possible resolutions, and gauge the robustness and sustainability of these predictions. Perceptual stability analysis takes a two-phase approach. In Phase 1, the stability of each state in each perceptual graph model is assessed from the point of view of the owner of the model, for each DM in the model, using standard or perceptual solution concepts, depending on the owner's awareness of others' perceptions. (In this research, only perceptual solution concepts for the 2-decision maker case are developed. ) In Phase 2, meta-stability analysis is employed to consolidate the stability assessments of a state in all perceptual graph models and across all variants of awareness. Distinctive modes of equilibria are defined, which reflect incompatibilities in DMs' perceptions and viewpoints but nonetheless provide important insights into possible resolutions of conflict.
The possibility principle and perceptual stability analysis are integrative techniques that can be used as a basis for empathetically studying the interaction of emotion and reasoning in the context of strategic conflict. In general, these new techniques expand current modeling and analysis capabilities, thereby facilitating realistic, descriptive models without exacting too great a cost in modeling complexity. In particular, these two theoretical advances enhance the applicability of the Graph Model for Conflict Resolution to real-world disputes by integrating emotion and perception, common ingredients in almost all conflicts.
To demonstrate that the new developments are practical, two illustrative applications to real-world conflicts are presented: the US-North Korea conflict and the confrontation between Russia and Chechen Rebels. In both cases, the analysis yields new strategic insights and improved advice.
Balkwill, Laura-Lee. "Perception of emotion in music a cross-cultural investigation /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0035/MQ27332.pdf.
Full textSantorelli, Noelle Turini. "Perception of Emotion from Facial Expression and Affective Prosody." Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/psych_theses/17.
Full textYates, Alan J. "The role of attention and awareness in emotion perception." Thesis, University of Essex, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496279.
Full textChristy, Anita Marie. "The Effects of Attributed Gender on Adult Emotion Perception." Thesis, Boston College, 2004. http://hdl.handle.net/2345/446.
Full textAdults' gender stereotypes of emotion have been investigated with a variety of methods, but those methods do not provide a strong test of the stereotype: The participants were presented only with cues to the gender or to the emotion; or when both cues were available, gender was confounded with poser. This study examined the effects of attributed gender on adults' perception of emotion in facial expressions and stories when presented with clear versus ambiguous cues to both emotion and gender. College students (n = 90) were first asked to label the emotion of either a man (Timothy) or a woman (Sophia) with identical prototypical and “mixed” facial expressions and, separately, to Free Label stories about emotions. The same students were then to choose from a list of ten emotion labels the one that best described the protagonist's emotion for the same stimuli. Results showed that, for ambiguous cues to emotion, participants labeled facial expressions according to gender stereotypes. However, for the stimuli with clear cues to both emotion and gender of the poser, a reverse effect of gender stereotypes was observed for anger, fear, shame, and compassion due to an expectancy violation
Thesis (BA) — Boston College, 2004
Submitted to: Boston College. College of Arts and Sciences
Discipline: Psychology
Discipline: College Honors Program
Mollet, Gina Alice. "Neuropsychological Effects of Hostility and Pain on Emotion Perception." Diss., Virginia Tech, 2006. http://hdl.handle.net/10919/26432.
Full textPh. D.
BOSSI, FRANCESCO. "Investigating face and body perception." Doctoral thesis, Università degli Studi di Milano-Bicocca, 2018. http://hdl.handle.net/10281/199061.
Full textHuman face and body convey the most important non-verbal cues for social interactions. Face and body provide numerous cues essential for recognition of other people’s identity, gender, age, intentions and emotional state. All faces and bodies are symmetrical and share a common 3D structure, but humans are able to easily identify hundreds of different people, just relying on facial and bodily information. Face and body processing have been widely studied and several cognitive and neuroanatomical models of these processes were hypothesized. Despite many critical differences, all these models recognized different stages of processing from early coarse stimulus encoding (occipital visual cortices) to higher-level processes aimed to identify invariant (e.g., identity) and changeable features (e.g., gaze, emotional expressions) (broad fronto-temporo-parietal network). It was demonstrated that these processes involve configural processing. Moreover, emotional expressions seem to influence the encoding of these stimuli. Processing of emotional expressions occurs at very early latencies and seems to involve the activation of a subcortical pathway. The studies presented in this thesis are aimed to investigate the visual perception of faces and bodies, and how it can be modulated or manipulated. EEG was used in some of the studies presented in this thesis to investigate the psychophysiological processes involved in face and body perception. While the first Chapter is aimed to present the theoretical background of the studies reported in the thesis, the second Chapter presents the first study (composed of two experiments), aimed to investigate how the perception of social cues can be modulated by social exclusion. The process investigated is the perception of two different, but interacting, facial cues: emotional expression and gaze direction. In this study, we found that the identification of gaze direction was specifically impaired by social exclusion, while no impairment was found for emotional expression recognition. The results of this study brought important insights concerning the relevance of gaze as a signal of potential re-inclusion, and how the impaired processing of gaze direction may reiterate social exclusion. The third Chapter presents a meta-analytic review on the body inversion effect, a manipulation aimed to demonstrate configural processing of bodies. This meta-analysis was aimed to investigate consistency and size of this effect, fundamental in studying structural encoding of body shapes. In the fourth Chapter, a study on the neural oscillations involved in face and body inversion effects is presented. Neural oscillations in theta and gamma bands were measured by means of the EEG since they are a very influential measure to investigate the psychophysiological activity involved in different processes. The results of this study showed that configural processing of faces and bodies involve different perceptual mechanisms. In the fifth Chapter, a study investigating the influence of inversion and emotional expression on the visual encoding of faces and bodies is presented. The neural correlates of these processes were investigated by means of event-related potentials (ERPs). Both inversion and emotional expressions were shown to influence the processing of these stimuli, during different stages and through different perceptual mechanisms, but results revealed that these two manipulations were not interacting. Therefore, configural information and emotional expressions seem to be processed through independent and non-interacting perceptual processes.
Taylor, Richard James. "Affective perception." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:a5fe8467-c5e5-4cda-9875-ab46d67c4a62.
Full textClark, Rebecca A. "Multimodal flavour perception : the impact of sweetness, bitterness, alcohol content and carbonation level on flavour perception." Thesis, University of Nottingham, 2011. http://eprints.nottingham.ac.uk/13432/.
Full textBuchanan, Joshua. "I Feel Your Pain: Social Connection and the Expression and Perception of Regret." Miami University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=miami1436928483.
Full textAnderson, Corinne D. "Auditory and visual characteristics of individual talkers in multimodal speech perception." Connect to resource, 2007. http://hdl.handle.net/1811/28373.
Full textTitle from first page of PDF file. Document formatted into pages: contains 43 p.; also includes graphics. Includes bibliographical references (p. 29-30). Available online via Ohio State University's Knowledge Bank.
Polk, Robert B. "A Multimodal Study on How Embodiment Relates to Perception of Complexity." Thesis, Fielding Graduate University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10602706.
Full textThis preamble study asks whether amplifying our embodied knowing may heighten our ability to sense the complex adaptive patterns in our daily lives. Embodied cognitivists argue nothing that qualifies as thinking was not itself first borne of our physical engagement with the natural world. In this stance, all knowledge is seen as corporeal in nature and thus generated from our intersubjective relationships with the world about us. As such, embodied perception is believed to be direct, veridical, and unmediated by the brain alone. This study also reinforces a growing consensus that the dominant locus for perceiving complex adaptive patterns is achieved through nonconscious rather than conscious processes. Consequently, this research marries the literatures of embodied cognition, nonconscious perception, and complexity to generate an original investigation into how manipulating these relationships could improve our abilities to access, sift through, and act more wisely in the patterns that matter the most. While attempts to establish a clear empirical connection amongst these phenomena were less than conclusive, this inaugural study also makes useful contributions in (a) reframing the array of literature around embodiment into a single, monist conception called the Mind, Body, Environment (MBE) Continuum; (b) lessons learned designing macro-level empirical research into nonconscious embodied perception; (c) providing an inaugural dataset upon which to build future inquiry into this domain, and finally (d) augmenting and testing a non-traditional research methodology called distributed ethnography commensurate to the unique nature of this inquiry.
Chang, Dempsey H., and n/a. "A Gestalt-Taxonomy for Designing Multimodal Information Displays." University of Canberra. Arts & Design, 2007. http://erl.canberra.edu.au./public/adt-AUC20081203.123314.
Full textDuval, Céline. "Pain perception in schizophrenia, and relationships between emotion and visual organization : is emotion flattened in patients, and how does it affect cognition?" Thesis, Strasbourg, 2014. http://www.theses.fr/2014STRAJ052/document.
Full textSchizophrenia is a severe mental illness affecting 1% of the population, and comprises positive (hallucinations) and negative symptoms (blunted affect), but also cognitive deficits. Here we describe two distinct studies which address the question of how emotion and cognition interact, in healthy subjects and in schizophrenia. In the first study we created a paradigm that shows how emotional stimuli distract subjects and thus interfere during the organization of visual stimuli. The effect is the same in patients and healthy controls.In our second study we explored pain perception by taking into account different mechanisms, and especially emotion processing. The results show that patients are more sensitive to pain than healthy controls as they present an elevated P50 which indicates an alteration at an early stage of processing. Both studies reveal that patients are more sensitive as previously thought which has to be considered when dealing with patients in hospitals and everyday life
White, Eliah J. "The Influence of Multimodally Specified Effort on Distance Perception." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1219083136.
Full textCARRETERO, MIGUEL RAMOS. "Expression of Emotion in Virtual Crowds:Investigating Emotion Contagion and Perception of Emotional Behaviour in Crowd Simulation." Thesis, KTH, Skolan för datavetenskap och kommunikation (CSC), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-153966.
Full textEmotionellt beteende i simulerade folkmassor är ett ämne med ökande intresse, inom området för artificiell intelligens. Nya studier har tittat på modellen för social interaktion inuti en grupp av virtuella agenter, men fortsatt utredning behövs fortfarande inom aspekter så som simulation av emotionell medvetenhet och emotionell smitta. Också, när det gäller synen på känslor, kvarstår många frågor kring synen på känslomässigt beteende i samband med virtuella folkmassor. Denna studie undersöker de nuvarande "state-of-theart" emotionella egenskaperna i virtuella folksamlingar och presenterar implementationen av en datormodell som kan generera smittsamma känslor i en grupp av virtuella agenter. Också, när det gäller synen på känslor, kvarstår många frågor kring synen på känslomässigt beteende i samband med virtuella folksamlingar. Som en andra del av denna avhandlingen presenteras, i detta projekt, en perceptuell studie där uppfattningen av emotionella beteenden undersöks i samband med virtuella folksamlingar.
Heck, Alison, Alyson Chroust, Hannah White, Rachel Jubran, and Ramesh S. Bhatt. "Development of Body Emotion Perception in Infancy: From Discrimination to Recognition." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/2730.
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