Academic literature on the topic 'Mujeres Creando'
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Journal articles on the topic "Mujeres Creando"
Checchia, Cristiane, Emerson Pereti, and Matheus Eduardo de Lima. "Mujeres Creando." PragMATIZES - Revista Latino-Americana de Estudos em Cultura 12, no. 23 (September 1, 2022): 100–121. http://dx.doi.org/10.22409/pragmatizes.v12i23.53397.
Full textDaly, Tara. "The Intersubjective Ethic of Julieta Paredes’ Poetic." Bolivian Studies Journal/Revista de Estudios Bolivianos 15 (January 15, 2011): 237–63. http://dx.doi.org/10.5195/bsj.2010.1.
Full textAlfaro, Raquel. "Mujeres Creando Comunidad: Feminización de la comunidad." Bolivian Studies Journal/Revista de Estudios Bolivianos 15 (January 15, 2011): 211–36. http://dx.doi.org/10.5195/bsj.2010.7.
Full textCalla, Pamela. "Mujeres indígenas creando teoría y acción política." Desacatos. Revista de Ciencias Sociales, no. 57 (May 16, 2018): 212. http://dx.doi.org/10.29340/57.1962.
Full textGaulês, Murilo Moraes. "Dicotomias do espaço: abordagens anticoloniais nas práticas de Mujeres Creando." Revista Aspas 10, no. 1 (June 30, 2020): 84–97. http://dx.doi.org/10.11606/issn.2238-3999.v10i1p84-97.
Full textRomero Caballero, Belén. "Mujeres Creando. El cuidado como maniobra ecológica de re-existencia." Arte y Políticas de Identidad 21 (December 29, 2019): 74–95. http://dx.doi.org/10.6018/reapi.416731.
Full textGarcía-Pabón, Leonardo. "Sensibilidades Callejeras: El trabajo estético y político de "Mujeres Creando"." Revista de Crítica Literaria Latinoamericana 29, no. 58 (2003): 239. http://dx.doi.org/10.2307/4531291.
Full textSánchez Acevedo, Ana. "Para una práctica plebeya (¿de la performance?): María Galindo y Mujeres Creando." Cuadernos del CILHA, no. 35 (December 20, 2021): 1–31. http://dx.doi.org/10.48162/rev.34.035.
Full textWinter, Juan Duchesne, and Elizabeth Monasterios. "No pudieron con nosotras: El desafío del feminismo autónomo de Mujeres Creando." Revista de Crítica Literaria Latinoamericana 33, no. 66 (2007): 342. http://dx.doi.org/10.2307/25485848.
Full textCavaliere, Anna. "¿Son las mujeres una clase social? : reflexiones sobre la relación entre mujeres, raza y clase." Soft Power 6, no. 1 (January 1, 2019): 250–63. http://dx.doi.org/10.14718/softpower.2019.6.1.12.
Full textDissertations / Theses on the topic "Mujeres Creando"
Muñoz, Rojas Alina. "Construcción de narrativas de identidad de género femenina en mujeres víctimas de violencia sexo-amorosa.El caso de las mujeres de la agrupación "creando sueños" de la comuna de Talcahuano." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/136100.
Full textEn la presente investigación cualitativa y a través de la construcción de narrativas, se da cuenta cómo las mujeres de la agrupación “Creando Sueños” subjetivizan y construyen el género, siendo este un elemento de doble apropiación, donde coexisten elementos que dan continuidad a su configuración tradicional, en conjunto a aquellos que lo agencian y potencian como un eje articulador de cambio, tanto en el autoconcepto como en lo que a relaciones de género refiere. En este sentido, la observación de la proyección del comportamiento particular de cada mujer en la experiencia de otra, permite visibilizar y cuestionar un comportamiento que en si mismas se encuentra naturalizado y que desde su relato “debe romperse”, ya que reflejarían la fuerza del patriarcado y las escasas redes de apoyo con las que cuentan las mujeres producto de la invisibilización social que construye el dispositivo de la violencia sexo – amorosa. Para lograr la transformación de este estado, es relevante la agencia de género construida desde el sentido de comunidad, se instala como un agente trascendental en el establecimiento de nuevos discursos que permitan la generación de nuevos conocimientos y saberes femeninos.
Szczepanik, Małgorzata. "Presencia y evolución de la dramaturgia creada por mujeres en el teatro español posfranquista; (entre 1975 y 1990, aproximadamente)." Doctoral thesis, 2015. https://depotuw.ceon.pl/handle/item/1175.
Full textWorks of Spanish women playwrights in the years 1975 to 1990 in the era called transición democrática is the subject of the following doctoral dissertation. It is the time of significant social- political and cultural transformations, resulting from, among other things, abolition of censorship, amnesty for political prisoners, constitution referendum and democratic election. The central theme of the following dissertation is a unique phenomenon in the context of twentieth-century Spain: women ,who after the civil war (1936-1939) were deprived of their civil rights, once regained their suffrage in 1975, actively got involved, not only into the public life, but also begun freely revealing their creation, something rather unique in terms of theatre. Besides actresses, women playwrights - with small exceptions - were not welcomed in Frankist Spanish theatre. During the post-1975 transformation it was to become apparent that there are many of them and they represent various generations. Supported by women directors, they entered the Spanish stage, becoming a permanent feature of Spanish theatre. Specific, feminine theatrical discourse began to emerge in creations of Spanish female playwrights of the new generation. The first generation of female dramatist in the post-war era consisted mainly of women poets and writers who dealt with dramatic literature rather sporadically. According to Patricia O’Connor, the group included authors born in the first two decades of the 2011’ century, e.g. : Heliodora Sedaño de Bedriñana, Julia Maura, Mercedes Ballesteros, Maria Isabel Suárez de Deza, Carmen Troitiño and Luisa María Lineares. Unfortunately, their works has been practically unknown to the general public. It is worth mentioning that the inability to present their work to the public as well as low self-worth in relation to other creators made them seek cooperation of male playwrights who were able to open doors to the world of theatre. Doubting their own abilities has been reflected in the works of those female playwrights who tried to emulate the works of their male-counterparts. Next generation of women playwrights that includes: Ana Diosdado, Lidia Falcon, Carmen Resino, Lourdes Ortiz, María José Ragué-Arias, Concha Romero i Maribel Lázaro, was undoubtedly more fortunate in terms of presenting their works to the public. Third generation of women dramatists, whose debut coincides with the time of the transformation include: Paloma Pedrero, Marisa Ares, Yolanda García Serrano, Isabel Hidalgo, Pilar Pombo and María Manuela Reina. In the first post-Franco decade, female playwrights that are considered to be the part of the first generation of creators, continua to be active: : Lidia Falcon, Ana Diosdado and Carmen Resino, all of which have their works continuously performed. Undoubtedly the situation has improved due to, among other things, creation of independent theaters that gladly cooperate with young artists. It should be mentioned that women dramatists actively participating in the development of Spanish scene frequently took part in conferences and debates about theatre and artistic projects in general, undoubtedly attracting the interest of the public and the critics. Works of the third-generation female playwrights surely differs from that of their predecessors. Not following the well-known patterns created by their male counterpart, young women dramatists create their own sense of artistic aesthetic. Searching for a new feminine discourse, they experiment with form, combining different artistic techniques. Looking at the leading themes undertaken by the female dramatists, one can notice a high level of sensitivity and thoughtfulness to others. Main characters presented in their works are often vulnerable, weak and rejected by the society individuals. Surely the main character presented in the dramas is a woman with an image entirely different than those presented in literature until now. Without a doubt, women theatre shows a wide range of themes and aesthetics. Authors happily take up universal subjects, ever-present in literature as well as those that come from everyday life, suggesting however a new - feminine approach. The aspect of love - favorite among women dramatist - beside the romantic and tender, appears in the context of difficult man-woman relations. Heroines presented in the dramas often experience lack of love and understanding along with a sense of loneliness. Authors often concentrate on a difficult social situation of women in Spain. Lack of financial independence in marriage and no possibility of divorce are the topics often discussed in their works. Special interest in the topic of women equality is presented by Lidia Falcon. She raises an important subject of domestic violence that still exists in Spain. The subject of domestic violence also discussed by Maribel Lázaro in Humo de beleño, Maria Jose Ragué -Arias in Clitemnestra and Marisa Ares in Negro seco i Rotos intencionados. New image of present reality is represented by scenes full of violence. Cultural identity of man and woman in the context of social-political changes in Spain are one of the important topics raised in the women theater by Paloma Pedrero as well as Maribel Lázaro and Isabel Hidalgo. Despite large variety in the context of drama structure, short forms dominate in women theater. Female dramatists choose urban space as a favorable setting and limit the time and the number of actors to two or three. Such minimalistic approach also dominates in the stage space. According to the new theatrical trends, Paloma Pedrero and Ana Diosdado use light and timbre in order to substitute elements of stenography. In Mujeres caminaron con el fuego del siglo by Lidia Falcón and in Rotos intencionados by Marisa Ares one can notice audiovisual effects that create additional stage space. Actors’ stage movement plays a significant role in the limited stage space. Careful gesture and mimic guidelines for the actors fill the stage space with elements previously not noticed by the audience in El llanto de dragón by Maria Manuel Reina, Personal e intransferible Carmen Resino or La fosa by Maribel Lázaro Willingness to experiment beyond the scene aspect can also be found on the language level. Language becomes one of the most expressive artistic measures as seen in the works of Paloma Pedrero, Marisa Ares or Maribel Lázaro. Dramatic works of young generation women was undoubtedly presented in the post-Franco era. Theatrical plays by Ana Diosdado at the turn of the seventies and eighties were perhaps the most acclaimed. Plays by Paloma Pedrero presented in Spain, USA, Chile, France and Costa Rica enjoyed success as well. However, Lidia Falcón, Carmen Resino and Maribel Lázaro were less fortunate in presenting their works. Spanish audience though had a chance to become acquainted with the works of Concha Romero, Lourdes Ortiz as well as Yolanda Garcia Serrano, Isabel Flidalgo, Yolanda Pallin, Pilar Pombo, Manuela Maria Reina and Marisa Ares. Angélica Liddell, who presents her work mainly abroad, is perhaps the most controversial artists who debuted in the past two decades. What is more, it is worth mentioning the laureates of many prestigious awards: Antonia Bueno, Elena Cánovas, Laila Ripoll, Eva Hibernia, Diana de Paco Serrano, Beth Escudé, Charo González Casas, Mercé Sarrias, Vanessa Monfort, Blanca Doménech, Marta Buchaca, Diana I. Luque, Lola Brasco, María Velasco and Vanesa Sotelo.
Books on the topic "Mujeres Creando"
Zafra, Remedios. (h)adas: Mujeres que crean, programan, prosumen, teclean. Madrid: Páginas de Espuma, 2013.
Find full textCreada a su imagen: Una pastoral integral para la mujer. Nashville: Abingdon, 2012.
Find full text(Organization), Synergia. Pedagogías de género: Aportes a la reflexión sobre prácticas educativas. Bogotá: Synergia, Fundación para la Cooperación, 2003.
Find full textMujeres creando futuro: Catalogo : la mujer dibuja a la mujer. [Santiago de Chile]: Fundación para la Promoción y Desarrollo de la Mujer (PRODEMU), 1993.
Find full textde, Miguel Pilar, ed. E n qué creen las mujeres?: Creyendo y creando. Bilbao: Editoral Desclée de Brouwer, 2007.
Find full textVerna, Zaida. Creando una Vida Que Amo: Para Mujeres Poderosamente Conscientes. Independently Published, 2019.
Find full textSchreiner, Flávia Hardt, ed. ARTICULANDO A LUTA PELOS DIREITOS HUMANOS ATRAVÉS DA ARTE: O EXEMPLO FEMINISTA DE MUJERES CREANDO. Editora Inovar, 2022. http://dx.doi.org/10.36926/editorainovar-978-65-5388-062-7.
Full textCuando Las Mujeres Adoran/ When Women Worship: Creando Una Atmosfera De Intimidad Con Dios/ Creating an Atmosphere of Intimacy With God. Vida Publishers, 2007.
Find full textArticles on Queer Anarchism: Including: Queercore, John Henry MacKay, Adolf Brand, Black Laundry, Gay Shame, Mujeres Creando, Dumba, Queer Mutiny, Der Eigene, Homotopia, Homocore (Zine), Bash Back! Hephaestus Books, 2011.
Find full textBGMI, Sara. Hecho en 1999 - 22 años Creando un Mito: Regalo de Cumpleaños de 22 años para Mujeres Hombre Mama Papa, Regalo de Cumpleaños para niñas Tía Novia niños, Cuaderno de Cumpleaños 22 años, 15. 24x22. 86 Cm. Independently Published, 2021.
Find full textBook chapters on the topic "Mujeres Creando"
"Mujeres Creando Comunidad:." In Beyond Human, 110–34. Bucknell University Press, 2019. http://dx.doi.org/10.2307/j.ctv125js79.9.
Full textJUANENA, CORO JIMÉNEZ ARELLANO, and Emilia Debska. "CREANDO ESPACIOS SEGUROS PARA MUJERES EN LOS CAMPOS DE REFUGIADOS." In Mediterráneo, la Humanidad en Movimiento. Tiempos de Desastres, 145–70. Dykinson, 2021. http://dx.doi.org/10.2307/j.ctv1ks0fb0.9.
Full text"4. Mujeres Creando Comunidad: Communitarian Feminisms from the Bolivian Soil." In Beyond Human, 110–34. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9781684480715-007.
Full textCriollo Sánchez, Marcela. "Recluir, reformar y castigar El beaterio La Merced de Cali en el caso de adulterio de Delfina Espinoza, 1846." In Ni calladas ni sumisas. Trasgresión femenina en Colombia, siglos XVII – XX, 297–324. Editorial Uniagustiniana, 2021. http://dx.doi.org/10.28970/9789585498662.08.
Full textMartínez Cervantes, Nancy Fabiola. "La incursión minoritaria de mujeres en organizaciones de productos y servicios tecnológicos, a propósito de un perfil y trayecto recorrido." In Género y organizaciones: visibilizando a las mujeres, 259–80. Universidad Autónoma Metropolitana. Unidad Azcapotzalco. División de Ciencias Sociales y Humanidades., 2021. http://dx.doi.org/10.24275/uama.8714.8879.
Full textLópez Sánchez, Viridiana Giselle, Elvia Espinosa Infante, and Nancy Fabiola Martínez Cervantes. "LIA: emprendimiento de mujeres en una startup." In Gestión y análisis de los fenómenos en las organizaciones, 223–59. Universidad Autónoma Metropolitana. Unidad Azcapotzalco., 2021. http://dx.doi.org/10.24275/uama.8714.8759.
Full textLópez Sánchez, Viridiana Giselle, Elvia Espinosa Infante, and Nancy Fabiola Martínez Cervantes. "LIA: emprendimiento de mujeres en una startup." In Gestión y análisis de los fenómenos en las organizaciones, 223–59. Universidad Autónoma Metropolitana. Unidad Azcapotzalco., 2021. http://dx.doi.org/10.24275/uama.8714.8759.
Full textCarvajal-Builes, Juan Camilo, Lina Yineth Palacio-Aguirre, Ever José López Cantero, and Claudia Marcela Medrano Tovar. "Estilos lingüísticos de mujeres víctimas de violencia intrafamiliar en Colombia." In Investigación en psicología: aplicaciones e intervenciones II, 75–94. Editorial Universidad Católica de Colombia, 2022. http://dx.doi.org/10.14718/9786287554320.2022.3.
Full textVernaza-Arroyo, Girard David, Santos Geovanny Mina Bone, Edith Alejandra Flores Alvarado, Gabriela Jeniffer Rueda Orozco, and Dayana Lilibeth Zambrano Vélez. "La discriminación del trabajo desde una perspectiva ética, caso de estudio en la Provincia de Santo Domingo." In Resultados Científicos de la Investigación Multidisciplinaria desde la Perspectiva Ética, 11–32. Editorial Grupo AEA, 2022. http://dx.doi.org/10.55813/egaea.cl.2022.10.
Full textCorichi García, Alejandra, Tirso Javier Hernández Gracia, Karina Valencia Sandoval, and María Dolores Martínez García. "Análisis del phubbing. ¿qué opinan los estudiantes universitarios en México?" In Tendencias en la investigación universitaria. Una visión desde Latinoamérica. Volumen XV, 25–42. Fondo Editorial Universitario Servando Garcés de la Universidad Politécnica Territorial de Falcón Alonso Gamero / Alianza de Investigadores Internacionales S.A.S., 2021. http://dx.doi.org/10.47212/tendencias2021vol.xv.3.
Full textConference papers on the topic "Mujeres Creando"
"VINCULACIÓN EN PACIENTES CON PATOLOGIA DUAL ENTRE REDAN LA MINA Y CAS EXTRACTA." In 23° Congreso de la Sociedad Española de Patología Dual (SEPD) 2021. SEPD, 2021. http://dx.doi.org/10.17579/sepd2021p099s.
Full textCristancho Botero, Sandra Patricia, and María Alejandra García Jaramillo. "INICIATIVAS DE EQUIDAD PARA LA FORMACIÓN DE MUJERES EN TI." In Mujeres en ingeniería: empoderamiento, liderazgo y compromiso. Asociación Colombiana de Facultades de Ingeniería - ACOFI, 2021. http://dx.doi.org/10.26507/ponencia.1843.
Full textAparicio Pico, Lilia Edith. "PROCESOS LOGÍSTICOS EN LA GESTIÓN HOSPITALARIA." In Mujeres en ingeniería: empoderamiento, liderazgo y compromiso. Asociacion Colombiana de Facultades de Ingeniería - ACOFI, 2021. http://dx.doi.org/10.26507/ponencia.1589.
Full textSan Cornelio Esquerdo, Gemma. "Imágenes post-matern en instagram: el selfie como narrativa personal." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6883.
Full textValderrama Riveros, Óscar, and John Fredy Ramírez Casallas. "EL USO DE PROCESSING EN EL DESARROLLO DE VIDEOJUEGOS PARA FORTALECER LAS COMPETENCIAS EN INGENIEROS DE SISTEMAS." In Mujeres en ingeniería: empoderamiento, liderazgo y compromiso. Asociacion Colombiana de Facultades de Ingeniería - ACOFI, 2021. http://dx.doi.org/10.26507/ponencia.1973.
Full textLeyes Sánchez, María, and Osiel Arbeláez Salazar. "FLEXIBILIDAD E INNOVACIÓN PEDAGÓGICA PARA EL PROGRAMA DE INGENIERÍA MECATRÓNICA DE LA UNIVERSIDAD TECNOLÓGICA DE PEREIRA A TRAVÉS DE LA OBTENCIÓN DE INSIGNIAS DIGITALES." In Mujeres en ingeniería: empoderamiento, liderazgo y compromiso. Asociacion Colombiana de Facultades de Ingeniería - ACOFI, 2021. http://dx.doi.org/10.26507/ponencia.1704.
Full textVillarreal Urueña, Karel Fernanda, Diego Alejandro Higuera Sierra, Juan Carlos Guzmán Rojas, and Óscar Camilo Valderrama Riveros. "IMPLEMENTACIÓN MÓDULO DE RETOS EN LA APLICACIÓN SAAM PARA FOMENTAR LAS DONACIONES SOLIDARIAS A ENTIDADES NO GUBERNAMENTALES." In Mujeres en ingeniería: empoderamiento, liderazgo y compromiso. Asociacion Colombiana de Facultades de Ingeniería - ACOFI, 2021. http://dx.doi.org/10.26507/ponencia.1781.
Full textForero de López, Graciela, Beatriz María Cardozo Arrieta, María Camila Herrera Brunal, Nancy Yadira Lizcano Ortiz, and Vilma Viviana Ojeda Caicedo. "Programa para una educación en ingeniería con perspectiva y enfoque diferencial de género." In Nuevas realidades para la educación en ingeniería: currículo, tecnología, medio ambiente y desarrollo. Asociación Colombiana de Facultades de Ingeniería - ACOFI, 2022. http://dx.doi.org/10.26507/paper.2462.
Full textBueno, Alejandra, and Rubén Castillejo Argote. "Guerrilla kultural: plataformas de difusión cultural descentralizadas, colaborativas e interculturales." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5846.
Full textOrtiz Cuchivague, Karen, and Verónica Catalina Botero Fernández. "Orientaciones pedagógicas para transversalizar la perspectiva de género en los currículos de ingeniería." In Nuevas realidades para la educación en ingeniería: currículo, tecnología, medio ambiente y desarrollo. Asociación Colombiana de Facultades de Ingeniería - ACOFI, 2022. http://dx.doi.org/10.26507/paper.2460.
Full textReports on the topic "Mujeres Creando"
Bustelo, Monserrat, Karen Martinez, and Agustina Suaya. Institutional Framework of the Ministries of Women: Coordinating Efforts to Enhance Impact. Inter-American Development Bank, June 2022. http://dx.doi.org/10.18235/0004314.
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