Relevant bibliographies by topics / Moving drawing

Academic literature on the topic 'Moving drawing'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Moving drawing"

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Lamarre, Thomas. "From animation to anime : drawing movements and moving drawings." Japan Forum 14, no. 2 (January 2002): 329–67. http://dx.doi.org/10.1080/09555800220136400.

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Rees, Charlotte. "Drawing on drawings: Moving beyond text in health professions education research." Perspectives on Medical Education 7, no. 3 (June 2018): 166–73. http://dx.doi.org/10.1007/s40037-018-0436-7.

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SACCHETT, CAROL. "Drawing in aphasia: moving towards the interactive." International Journal of Human-Computer Studies 57, no. 4 (October 2002): 263–77. http://dx.doi.org/10.1006/ijhc.2002.1018.

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Barker, Garry. "Drawing age." Drawing: Research, Theory, Practice 5, no. 2 (December 1, 2020): 351–61. http://dx.doi.org/10.1386/drtp_00043_1.

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By accepting that an ageing body and its memories are simply a conglomerate of materials moving from one state to another and that drawing materials can be thought of as operating in parallel to this acceptance, drawings are made that can be read as visualizations of the ageing process. The experience of the ‘self-feeling’ of ageing is entangled with Deleuze’s idea of ‘the fold’ in order to develop a personal understanding of how one’s own thought can be taken ‘into’ the thought of another and how a conversation can enter the mind of others as a material entanglement.
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Haley, Rochelle. "Constructions of the moving body: drawing and dancing." Studies in Theatre and Performance 38, no. 3 (August 15, 2018): 289–301. http://dx.doi.org/10.1080/14682761.2018.1506966.

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Grey, Mary. "Moving into the Be-Dazzling Future: Drawing Threads Together." Feminist Theology 9, no. 27 (May 2001): 89–101. http://dx.doi.org/10.1177/096673500100002708.

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Carson, Richard G., Julie Thomas, Jeffery J. Summers, Megan R. Walters, and Andras Semjen. "The Dynamics of Bimanual Circle Drawing." Quarterly Journal of Experimental Psychology Section A 50, no. 3 (August 1997): 664–83. http://dx.doi.org/10.1080/713755721.

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A bimanual circle drawing task was employed to elucidate the dynamics of intralimb and interlimb coordination. Right-handed subjects were required to produce circles with both hands in either a symmetrical (mirror) mode (i.e. one hand moving clockwise, the other counter-clockwise) or in an asymmetrical mode (i.e. both hands moving clockwise or counter-clockwise). The frequency of movement was scaled by an auditory metronome from 1.50 Hz to 3.25 Hz in8 (8-sec) steps. In the asymmetrical mode, distortions ofthe movement trajectories, transient departures from the target pattern of coordination, and phase wandering were evident as movement frequency was increased. These features suggested loss of stability. Deviations from circular trajectories were most prominent for movements of the left hand. Transient departures from the required mode of coordination were also largely precipitated by the left hand. The results are discussed with reference to manual asymmetries and mechanisms of interlimb and intersegmental coordination.
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Tegenbos, Jolien, and Karen Büscher. "Moving Onward?" Transfers 7, no. 2 (June 1, 2017): 41–60. http://dx.doi.org/10.3167/trans.2017.070204.

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This article examines the migration-asylum nexus in the microcosm of Kakuma Refugee Camp in Kenya by focusing on refugees and asylum seekers who move onward from a first refuge, in Central-East Africa. By drawing on qualitative ethnographic field research in Kakuma, the article outlines how such “secondary movements” cause many anxieties, as the distinction between refugees and migrants is blurred by motivations that are not exclusively protection related. Based on a Foucauldian analysis of power and discourse, we argue that this creates a contested social and semantic space wherein all actors struggle to uphold the rigid distinction. Additionally, by combining the strengths of migration studies’ consideration for policy categories and mobility studies’ holistic perspective toward migration, the article aims to further deepen academic interaction between two literature traditions in order to enhance our understanding of how mobility is “shaped” and “lived” by people in wartime situations.
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Yen, Karen. "Moving Atlas (artist portfolio)." Borders in Globalization Review 1, no. 1 (November 25, 2019): 91–103. http://dx.doi.org/10.18357/bigr11201919269.

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Using the language of maps, I take on the role of cartographer by tracing emotions, sensations, perceptions and the unchartered realms of my imagination associated with being a person of an ever changing diaspora. Using acrylic paints, paper collage and charcoal on canvas and paper, I rearticulate the practice of mapping by drawing from the landscapes of my memory and imagination. This allows me to temporarily orient myself in this vast world while venturing beyond the boundaries of geography to examine the contradictions between the nature of our imagination and physical boundaries.
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Johnston, Helen, and Anne-Marie McGauran. "Moving towards a more tailored Public Employment Service?" Administration 69, no. 2 (May 1, 2021): 107–25. http://dx.doi.org/10.2478/admin-2021-0016.

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Abstract In this paper the authors draw on a qualitative study of low-work-intensity households in a disadvantaged suburb of Dublin in 2016–17 to identify some of the gaps in Ireland’s reformed ‘one-stop shop’ Public Employment Service. Drawing on the issues recognised as being required in an integrated Public Employment Service, the paper draws attention to gaps in information; training; services that support employment, such as childcare and housing; and links to employers. The authors conclude by drawing lessons on the issues which need to be addressed for a more tailored Public Employment Service.
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Dissertations / Theses on the topic "Moving drawing"

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Williamson, Naomi, and naomiruthwilliamson@mac com. "The Drawn Subject: Meaning and the Moving Drawing." RMIT University. Art, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080617.142838.

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Using the vehicle of hand drawn animation, this is an ongoing reflection of instances that repeat themselves to a point beyond the humorous and back. The Myth of Sisyphus 'The Gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back on its own weight. They had thought with some reason that there was no more dreadful punishment than futile and hopeless labour.' Albert Camus- The Myth of Sisyphus By observing and illustrating assiduous daily gestures and events our absurd hero is revealed: this protagonist, be it object or human consciously and often unconsciously lives within a relentless finite experience. As the same moment is duplicated, the
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McClure, Melissa Ann. "Moving pictures." PDXScholar, 1992. https://pdxscholar.library.pdx.edu/open_access_etds/4420.

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My thesis work includes 10 large drawings that explore the narrative qualities of line movement. I use line in these drawings as a recording device to document both the physical activity of the process and the personal experience that the lines represent. Through this work I attempt to develop a language of visual imagery that is autobiographical in nature. A system of personal symbols and recurring forms make up the structure of this visual vocabulary. Line movement and rhythm provides a sense of the dialog.
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Sheffield, Adam. "Graphic film a new genre of moving image : this exegesis is submitted to Auckland University of Technology for the degree of Master of Art and Design /." Click here to access this resource online, 2007. http://repositoryaut.lconz.ac.nz/theses/1378/.

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Makrinos, George Adam. "Drawing Music, Playing Architecture." Thesis, Virginia Tech, 2005. http://hdl.handle.net/10919/33890.

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Architecture and music share intrinsic meanings generated by a constant stream of metaphors which are forms of poetic transformations. This thesis sought to challenge the present way an architect-musician makes drawings through the exploration of multimedia possibilities at hand. The drawings are composed using Macromedia Flash MX. OPEN HOMEPAGE.EXE To download flash player, click here: Download flash Player
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Ching-Yun, Lee, and 李菁芸. "Discussion of cartoon movie and child's drawing." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/18961416988045440775.

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碩士
國立臺北教育大學
幼兒教育學系碩士班
94
This research focuses on discussing that how is the cartoon influence on the children’s animal and general representations; as well as the themes,, the forms, and related to the artistic element of child’s drawing. The independent variance of this research is the cartoon intervention and the gender; the dependent variance is the representation of child’s drawings. The goal of this research is studying the relationships between the child and media environment, the symbolic representation of children’s drawings; further to discuss the relationship between the cartoon teaching and image drawing. There are 119 preschool children participates into this research, they are from the Da-an District, the Zhongshan District and the Songshan District. They are randomly assigned to two groups: the control group and the experimental group. All subjects are required one picture of animal and general drawing before the experiment. There is only the experimental group have to watch the five different cartoons tapes during the experimental process. Later, both of two groups are asked to make a picture of animal and general drawing. Having all the child’s drawings, the researcher invite the other two person to analyze the drawings with "The convey of the child’ drawing “ edited by the research. The results of this research are as following:: 1. There is significant difference in the theme of drawing between the cartoon tapes and the child’s animal and general drawing In the process of experiment, both of two groups except to "the theme is primarily animal drawing " and "the artistic element of drawing appears the cartoon role" are significant differences. Mentioning to the general drawing, except to "the theme is primarily animal drawing”, another facts are significant differences. Certainly, two groups are significant differences in the theme representation. 2. There is significant difference that watching cartoon tapes influence on the form of the child’s animal and general drawings. In the process of experiment, both of two groups in "the appearance of the contour line ", and "using a line as the symbol of the image action" are not significant difference; while in "using complex line to represent image", and "the appearance of baseline", "using colorful " , and " using lines or colors to decorates the image" are significant differences. But the general drawings are significant differences except to "the appearance of the contour line ". 3. There is significant difference for watching the cartoon tapes influence on the artistic element of children’s animal and general drawings. There is significant differences in drawing of "the drawing image is more", "the image represents diversity composition ", and “ the overall image is full drawing” 4. The gender not consistently influence on the theme of drawing in both of the child’s animal and general drawings Both of two group children’s drawings of the theme are not effected by the gender. But there is signification difference in the theme performance of the child’s general drawing in "animal is the theme of the drawing" and "the drawing element appears the cartoon role". The girls of experimental group represent obviously more than the boys do. 5. The gender is not consistently influence on the relationships between watching the cartoon tapes and the form in the child’s animal and general drawings. The gender has no significant difference in both of group’s drawing in "the image represents diversity composition ", "appearing the baseline drawing", and "appearing the contour line",. But the gender has significant difference in "drawing a line as the image motion", "colorful ", and "using line or color to decorate the images". 6. The gender has not any influence on the representation of artist element both in the child’s animal and general drawing Only is the gender related to the experimental group’s animal drawings of "the quantity of drawing images are more". But it does not matter with "the image represents diversity composition "and" the overall image is full drawing" in both of animal and general drawings. Finally, I hope this research can provide new thought of art development to the pre-school education institution and mass media. Moreover, they can provide high quality education achievement to children.
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Books on the topic "Moving drawing"

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Eisenman, Peter. Moving arrows, eros and other errors: An architecture of absence. London: Architectural Association, 1986.

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Doodlebug: A novel in doodles. New York: Feiwel and Friends, 2010.

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Norkin, Sam. Sam Norkin, drawings, stories: Theater, opera, ballet, movies. Portsmouth, NH: Heinemann, 1994.

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Tony, White. The animator's workbook: [step-by-step techniques of drawn animation]. New York: Watson-Guptill, 1986.

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The construction of drawings and movies: New models for architectural design and analysis. New York: Routledge, 2012.

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Dirty dancing with wolves and other movie sequels that never made it off the drawing board. Atlanta, Ga: Longstreet Press, 1992.

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Choe, Steve. Sovereign Violence. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789463725507.

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South Korea is home to one of the most vibrant film industries in the world today, producing movies for a strong domestic market that are also drawing the attention of audiences worldwide. This book presents a comprehensive analysis of some of the most well-known and incendiary South Korean films of the millennial decade from nine major directors. Building his analysis on contemporary film theory and philosophy, as well as interviews and other primary sources, Steve Choe makes a case that these often violent films pose urgent ethical dilemmas central to life in the age of neoliberal globalization.
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Gelovani, Tamar, ed. Helessa Or​ Eli Elobda, Meli Melobda, Zgva Popinobda…: Laz maritime movie novel depicted as chronicles of sail felucca Kirbishi’s last travels, or revitalized drawings of a Laz artist, Hasan Helimishi, if you will. Tbilisi, Georgia: Ustari Publishing, 2012.

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Planes, Trains and Moving Machines. Quarto Publishing Group USA, 2015.

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Moving Arrows, Eros and Other Errors. Architectural Association Publications, 1986.

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Book chapters on the topic "Moving drawing"

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Johnson, Dana T. "Drawing Cube Structures." In Moving Through Dimensions, 24–33. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003236771-7.

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Maber, Elizabeth J. T., Mieke Lopes Cardozo, and Sean Higgins. "Drawing Conclusions: The Role of Education in Moving Towards Sustainable Peace in Myanmar." In Sustainable Peacebuilding and Social Justice in Times of Transition, 251–61. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93812-7_12.

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Swilley, Esther. "Moving Virtual Retail into Reality: Examining Metaverse and Augmented Reality in the Online Shopping Experience." In Looking Forward, Looking Back: Drawing on the Past to Shape the Future of Marketing, 675–77. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-24184-5_163.

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Corbin, Chad. "Dynamic Drawing." In Flash MX Most Wanted Effects & Movies, 168–95. Berkeley, CA: Apress, 2002. http://dx.doi.org/10.1007/978-1-4302-5203-0_6.

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Serra Mingot, Ester. "Securing Old-Age Pensions Across Borders: Sudanese Transnational Families Across the Netherlands, the UK and Sudan." In IMISCOE Research Series, 219–35. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67615-5_13.

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AbstractThis chapter explores the social-protection domain of old-age pensions for Sudanese transnational families. The chapter is based on data collected during 14 months of multi-sited and partly matched-sample ethnographic fieldwork (2015–2017) with 21 Sudanese migrants in the Netherlands, 22 in the UK and 19 of their families in Sudan. Drawing on the life stories of members of different Sudanese families, this contribution addresses the question of what kinds of consideration underlie the decisions of Sudanese migrants when moving to certain places to secure their old-age pension. The chapter shows that the different mobilities in which Sudanese migrants engage have the double aim of both providing for their elderly parents back home now and securing their own pension in the future. The findings question the idea of ‘welfare shopping’ and show that migrants’ decision to move is not based so much on more or less generous welfare states but on the possibilities to arrange their own and their families’ social protection in a manner that is deemed better in the family’s understanding of social protection, which is strongly embedded in practices of generalised reciprocity.
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van Vliet, Jan. "An Ontology of Human Flourishing: Economic Development and Epistemologies of Faith, Hope, and Love." In Historical and Multidisciplinary Perspectives on Hope, 239–61. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-46489-9_13.

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Abstract This chapter demonstrates that the presence of poverty, and its associated pathologies, is of concern to all humankind whose innate desire is to seek the flourishing of fellow humanity. The traditional, often unsuccessful, methods of poverty alleviation have been challenged in creative, bold, and refreshing ways that are superior in both identifying poverty and moving agencies and pathways toward greater success. This involves a technical application of quantitative microeconomics which is paired with expertise and insights on human behavior gleaned from the behavioral sciences. It turns out that human behavior is often better explained by behavioral categories such as hope than by traditional assumptions of rationality. Drawing from the western philosophical and Christian theistic traditions (between which there is considerable overlap), this innate desire to hope is explained as part of that triad of virtues—faith, hope, and love—that comprise the epicenter of the human condition. The Christian-theistic tradition postulates that this condition of hope for a physically and metaphysically-redeemed humanity requires certain lived behaviors in the present, even as we approach, ultimately, the very telos of our existence. Paramount among these behaviors is the pursuit of socio-economic justice. Much use is made of narratives to illustrate the lived reality of those living in desperation but buoyed by hope.
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Gowanlock, Jordan. "Conclusion: Engineering Movies." In Palgrave Animation, 171–80. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74227-0_7.

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AbstractThe conclusion to Animating Unpredictable Effects argues for the importance of understanding engineering and R&D as a part of animation and visual effects production, in opposition to critics who dismiss these as mere tools for hyperrealism. This provides for a better understanding of a diverse range of contemporary digital media production practices that involve extensive technical work, but it also sheds light on film production practices going back a century. Using the example of practical special effects, like puffs of smoke or splashing waves in a studio water tank, which create unpredictable motion under artificial conditions, the conclusion draws a long history of practices that represent the world by making artificial mechanisms rather than capturing or drawing images.
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"Moving Gardens Yangzhou Representations I." In Drawing Boundaries, 121–32. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824862268-007.

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"Moving Perspectives. Building Illusions in the Architecture Drawing." In Der entstellte Blick, 42–53. Wilhelm Fink Verlag, 2008. http://dx.doi.org/10.30965/9783846746110_004.

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Harper, Tobias. "Drawing Together? 1945–1979." In From Servants of the Empire to Everyday Heroes, 172–209. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198841180.003.0006.

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This chapter explores how the honours system in Britain adjusted to post-war challenges to the legitimacy of established institutions in British social and cultural life in a slow and difficult process that was in certain ways made possible by the divorce of the imperial and domestic honours systems discussed in Chapter 4. It charts attempts at reform and reorientation of the honours system in the 1960s and 1970s that were only partly successful in moving it away from its focus on direct state service as the most worthy service. Harold Wilson, in particular, sought to modify honours to be more populist and socially broad but was hindered at every turn by civil and royal servants. At the same time, the honours system continued to broaden in that it recognized state service—especially in medicine and education—beyond Whitehall to a much greater extent in the 1950s through to the 1970s. A wider range of professions became accustomed to and invested in being included in honours lists and, therefore, in the hierarchies that honours lists enacted.
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Conference papers on the topic "Moving drawing"

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Santos, João dos. "Moving Drawings. A Digital Mediation for the Linear Drawing Metaphor: the Line as the Trace Left by a Moving Point (Rawson)." In Electronic Visualisation and the Arts (EVA 2014). BCS Learning & Development, 2014. http://dx.doi.org/10.14236/ewic/eva2014.5.

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Grimm, Tyler J., and Laine Mears. "Electrically Assisted Wire Drawing Polarity Effects." In ASME 2021 16th International Manufacturing Science and Engineering Conference. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/msec2021-63404.

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Abstract Electrically assisted manufacturing is the direct application of an electric current or field to a workpiece during a manufacturing operation. In addition to resistive heating, various anomalous effects have been observed experimentally. Since its conception in the 1950s, scientists continue to debate the existence of these so called electroplastic effects (EPEs) due to conflicted results shown throughout literature. A popular theory of electroplasticity is the electron wind, which postulates that there is a transfer of momentum between electrons and dislocations, which assists their motion during deformation. Though refuted both mathematically and experimentally in other types of tests, the electron wind theory, and therefore the existence of electroplasticity, is interestingly supported by the existence of polarity effects in wire drawing. A detailed review of the literature that has shown polarity effects in wire drawing is conducted. While the authors of these publications failed to fully disclose all test parameters, requiring several assumptions to be made, it appears that no mathematical/logical trends could be established. It is hypothesized herein that the velocity of the wire in a wire drawing application can influence the drift velocity of electrons, thereby increasing or decreasing current flow explicitly through the moving section of the wire. In order to test this hypothesis, a fixture was constructed which is capable of passing a current through a moving wire at common wire drawing speeds. Modern sensing equipment was used to measure various electrical parameters during testing. The wire speed effect hypothesis was refuted by experimental testing. While the results of experimental testing thus far indicate the existence of electroplasticity, further testing that includes drawing and force measurements must be conducted in order to fully conclude its existence in the wire drawing application.
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Wei, Zhiyong, Kok-Meng Lee, Zhi Zhou, and Siu-Ping Hong. "Computational Model for Predicting the Location of Glass Solidification in Optic Fiber Drawing." In ASME 2004 Heat Transfer/Fluids Engineering Summer Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/ht-fed2004-56251.

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This paper presents a computational model for predicting the location at which the glass fiber solidifies during a high-speed drawing process. Although modeling of the optic fiber drawing process has been of interest for the past two decades, traditional fiber drawing process uses small diameter preforms and low draw speeds, where the glass usually solidifies and turns into fiber inside the furnace. Much larger preforms drawn at higher speeds have been used in the state-of-the-art fiber drawing systems to improve production efficiency and reduce cost. Insulated post-chambers are often added below the furnace to reduce the glass cooling rate so that the optical loss in the fiber is low. To provide a basis for design optimization of the post-chamber, we have solved the conjugate problem of the glass free surface flow and the air convection to determine the location where the glass solidifies. As radiation is the dominant mode of heat transfer in the glass, the radiative transfer equation (RTE) is solved directly by discrete ordinate method (DOM). The heat flux due to the mixed convection of the air is also numerically calculated along the glass free surface, which involves the boundary layer flow around a continuously moving fiber and the buoyancy driven flow through the open-ended channel. The calculated free shapes are compared against the experimentally measured data to verify the computational model.
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Hsu, Meng-Hui, Zong-You Tsai, Long-Chang Hsieh, and Jen-Yu Liu. "On the Design of Three Links Robot for Drawing Epicycloid and Hypocycloid Curves." In ASME 8th Biennial Conference on Engineering Systems Design and Analysis. ASMEDC, 2006. http://dx.doi.org/10.1115/esda2006-95546.

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An epicycloid or hypocycloid mechanism is capable of drawing an exact epicycloid or hypocycloid curve. Similar mechanism designs can be found abundantly in industrial machines or educational equipment. Currently, the major type of epicycloid or hypocycloid configurations is planetary gear trains, which contain a binary link that has one fixed and one moving pivot, and a singular link adjacent to the moving pivot. The main feature of the configurations is that any point on the singular link may describe an epicycloid or hypocycloid curve when the binary link is rotated. Presently, the major types of configurations of epicycloid (hypocycloid) mechanisms have one degree of freedom. However, at present, as far as the authors are concerned, there appears to be no approach in designing epicycloid (hypocycloid) mechanisms with two degrees of freedom. Thus, the main aim of this paper is to develop a new design method in designing new configurations of epicycloid (hypocycloid) mechanisms. This paper analyses the characteristics of the topological structures of existing planetary gear train type epicycloid (hypocycloid) mechanisms with one degree of freedom. The equation of motion and kinematical model of the mechanism was derived and appropriate design constraints and criteria were implemented. Subsequently, using the design constraints and criteria, this work designs a new and simple epicycloid (hypocycloid) mechanism that is a three-links robot and has two degrees of freedom. We can easily control the angular velocities of the binary and singular links to satisfy the criterion to draw an epicycloid (hypocycloid) curve. Additionally, an epicycloid (hypocycloid) path of a point on the three links robot is simulated by computer drawing to prove the feasibility of proposed theory. Finally, a prototype of three links robot for drawing an epicycloid (hypocycloid) path is done well. We know the methods of design and manufacture of the proposed epicycloid or hypocycloid mechanism in linkage is easily done.
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Jaluria, Yogesh. "Shear and Pressure Driven Flow and Thermal Transport in Microchannels." In ASME 2008 6th International Conference on Nanochannels, Microchannels, and Minichannels. ASMEDC, 2008. http://dx.doi.org/10.1115/icnmm2008-62025.

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In many practical circumstances, the flow in microchannels is driven by moving surfaces that impart shear to the fluid. The shear may generate a pressure differential or the pressure may be imposed to affect the resulting flow and heat transfer. Processes where such flows arise include coating, cooling and thermal treatment of moving wires, fibers, and microscale devices. One particularly important circumstance is the optical fiber coating process, where both the entrance of the moving surface into a reservoir of fluid, as well as the exit, are of interest, since the thermal transport in the relevant microchannels influences the resulting coating very substantially. Similarly, the drawing of microscale fibers and the cooling of fibers after drawing are important in the overall manufacturing process and involve microchannel transport. This paper discusses the basic considerations in such processes, particularly the flow that arises in drawing and coating and the menisci that are observed at the inlet and outlet regions of the two microchannels. Experimental and analytical/numerical work has been carried out on these flows and the results obtained are presented. An important aspect is the pressure rise in the channel for narrowing flow domains, such as those employed in dies, and a comparison with imposed pressures. It is found that, in many practical problems, the shear generates much higher pressures than the typically imposed pressures and, thus, the flow is largely dominated by the shear effects due to the moving surfaces. It is also found that the flow develops very rapidly in forced convective cooling by gases, such as nitrogen and helium, resulting in thermal transport in a largely developed flow region. Comparisons between experimental and numerical results show fairly good agreement, indicating the validity of the model for such complex microchannel flows.
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Kwok, Kinghong, and Wilson K. S. Chiu. "Experimental and Numerical Modeling Studies of Laser Chemical Vapor Deposition on Moving Optical Fibers." In ASME 2004 Heat Transfer/Fluids Engineering Summer Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/ht-fed2004-56189.

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An atmospheric-pressure laser-induced chemical vapor deposition (CVD) reactor has been developed that is capable of continuously depositing carbon protective films on moving optical fibers from several hydrocarbon precursors. The relationship between operating parameters and the carbon deposition temperature was investigated experimentally and the results indicate that they are highly dependent on the laser power density and the fiber’s drawing velocity. A computational heat transfer model was developed to calculate the fiber surface temperature during deposition and to provide a deeper understanding of the fundamental principles that govern laser heating and the carbon CVD processes. The surface temperatures obtained from experiments are compared with the calculated temperature in order to validate the numerical model.
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Szafranski, Wieslaw. "Experimental Research of Railway Turnouts Vibrations." In ASME 2001 Engineering Technology Conference on Energy. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/etce2001-17159.

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Abstract A method and a measuring range of displacements and accelerations, vertical and transversal of moving parts of railway turnouts are presented in this paper. Vertical vibrations have destructive influence for railway-track construction. Transversal vibrations are in exact relation with safety of railway traffic. These vibrations are getting up from excitations of moving track vehicles. The measurements have been made in special moving turnout points. Two presently used turnouts having the same turning radius were investigated. One of them is new generation turnout, but the second one has classical construction. In finally conclusion is drawing the relation between velocity of excitation and the values of vibration parameters. Moreover explain why to use more complicated construction in turnouts of new generation.
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8

Zivkovic, Sasa, and Leslie Lok. "Beyond the Ecology of Concrete Sausages." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.50.

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With the advancement of full scale 3d printing technology, industrialized building construction is rapidly moving towards a highly process-idiosyncratic and expressionist architecture of material sausages. Drawing connections between local vernacular (ancient modern) earth construction techniques and automated additive manufacturing strategies, this paper explores the potential for 3d printed architecture across the Americas, dissecting the technology’s ecological advantages and architectural possibilities in the process.
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Huang, Wei, and Wilson K. S. Chiu. "Heat and Mass Transfer in a CVD Optical Fiber Coating Process." In ASME 2004 Heat Transfer/Fluids Engineering Summer Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/ht-fed2004-56320.

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In this paper, we study the chemical vapor deposition (CVD) process used to hermetically coat optical fibers during draw. Temperature is calculated by coupling radiation and convection heat transfer by the reactor walls and gas flow with a radially-lumped heat transfer model for the moving optical fiber. Multi-component species diffusion is modeled using the Maxwell-Stefan equations. Gas-phase reaction kinetics is modeled using a 2-step chemical kinetics mechanism derived from RRKM theory with detailed kinetics data compiled from literature. Surface reaction kinetics are described using collision theory in which a sticking coefficient is used as an empirical parameter to predict surface reactions. A parameter study is carried out with various optical fiber inlet temperature and drawing speed, and validated with experiment results.
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Huang, Wei, and Wilson K. S. Chiu. "Heat and Mass Transfer in a CVD Optical Fiber Coating Process by Propane Precursor Gas." In ASME 2005 Summer Heat Transfer Conference collocated with the ASME 2005 Pacific Rim Technical Conference and Exhibition on Integration and Packaging of MEMS, NEMS, and Electronic Systems. ASMEDC, 2005. http://dx.doi.org/10.1115/ht2005-72518.

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This study investigates the chemical vapor deposition (CVD) process used to hermetically coat optical fibers during draw using propane as the precursor gas. Temperature is calculated by coupling radiation and convection heat transfer from the reactor walls and gas flow with a radially-lumped conduction heat transfer model for the moving optical fiber. Multi-component species diffusion is modeled by the Dixon-Lewis method, which is based on the molecular theory for ideal gases. Gas-phase reaction kinetics is modeled using a 3-step gas phase chemical kinetics mechanism. Surface reaction kinetics is described using collision theory in which a sticking coefficient is used as an empirical parameter to predict surface reactions. A parameter study is carried out with various optical fiber inlet temperature and drawing speed, and validated with experiment results.
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