Journal articles: 'Movie tourism'

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Wijaya, Mahaning Indrawaty, and Novi Ahimsa Rosikha. "MOVIE-INDUCED TOURISM AS A POWERFUL TOURISM BRANDING MEDIA (Study Case on “Laskar Pelangi” The Movie)." Airlangga Journal of Innovation Management 1, no. 2 (October 29, 2020): 153. http://dx.doi.org/10.20473/ajim.v1i2.20392.

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ABSTRACTThe scarcity in natural resources encourage many countries move their focus to manage non-natural resources. Tourism sector is one of potential non-natural resource in Indonesia that needs to be maximized by appropriate media. The fact that number of tourists coming to Bangka Belitung increase until about 1.800% by “Laskar Pelangi” the movie is a good sign that movie can be a tourism branding media to increase desire of audiences to visit the place which is shown. This research examines how “Laskar Pelangi” as a movie-induced tourism can influence audience decision to visit Belitung Island using combination of quantitative and qualitative research. The result shows that Laskar Pelangi is a effective movie-induced tourism since it has both pull and push factors. Understanding this tourism strategy will allow nation to excel economy recovery in the future.Keywords: Movie, Tourism, Economics.

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Riley, Roger, Dwayne Baker, and Carlton S. Van Doren. "Movie induced tourism." Annals of Tourism Research 25, no. 4 (October 1998): 919–35. http://dx.doi.org/10.1016/s0160-7383(98)00045-0.

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Ananda, Ayu, Azizah Salsabila Nugraha, Annisa Rachmah Fujianti, and Eko Susanto. "Movie Induced Tourism in the Young Millennials Tourist Segment." Journal of Tourism Sustainability 1, no. 1 (July 23, 2021): 9–15. http://dx.doi.org/10.35313/jtos.v1i1.1.

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This research is motivated by the considerable potential and market share of millennials as a tourism target market. The promotion strategy of a tourist destination is carried out through innovative media, one of which is through movie media or empirically known as the concept of Movie Induced Tourism. This research was conducted to determine the effect of movies on millennial tourist visits, applying descriptive quantitative research methods. Questionnaires were used as data collection techniques to obtain primary data and through journals and e-book to get secondary data. SEM-PLS has been applied to measure relationships between variables and research models. The results of this study are that movies attributes can have a significant positive effect on personal connections and AIDA Model.

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Justus, Muchiri Murithi, Damiannah M. Kieti, and Rita W. Nthiga. "THE AVAILABILITY OF INTERPRETATION MEDIA AND TOURISTS’ SATISFACTION WITH MOVIE INDUCED TOURISM IN KENYA." International Journal of Tourism & Hospitality Reviews 5, no. 2 (November 17, 2018): 244–52. http://dx.doi.org/10.18510/ijthr.2018.522.

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Purpose: This paper is anchored on the findings of a study that sought to assess the availability of interpretation media in movie induced tourism and its effect on tourists’ satisfaction in Kenya. Methodology: The study adopted explanatory and descriptive research designs. The study targeted 1,318 tourists from Karen Blixen Museum where the movie “Out of Africa” was filmed and Samburu County where the movie “The White Maasai” was filmed. In addition, a total of 658 bloggers airing their views on the filming locations were targeted. Simple random sampling and convenience sampling techniques were used to sample 345tourists and 221 bloggers, respectively. Structured closed-ended questionnaires were employed in collecting data. Main Findings: Findings from regression model showed that interpretation services had a positive and significant effect on tourists satisfaction (β = 0.647, p< 0.000).Based on the study findings and subsequent discussions, this paper concludes that the availability of interpretation media is effective in enhancing tourists’ understanding and appreciation of the destination being visited. Specifically, availability of guards in Karen Blixen Museum and Samburu and other interpretation media enhanced tourist experience and a majority were satisfied. Implications: The findings can be used to improve practice by encouraging tour guides to have a clear knowledge of a destination to be able to guide tourist and facilitate the offering of quality products. It is therefore important to have interpretation services since they contribute to tourist satisfaction. Novelty: The study contributes to the creation of additional knowledge to the field of movie-induced tourism thus enhancing the understanding of the nature and characteristics of movie-induced tourism.

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Abou Zeid, Dina Farouk. "The Impact of Movies on Tourism among Egyptian Youth." Mediterranean Journal of Social Sciences 12, no. 5 (September 5, 2021): 90. http://dx.doi.org/10.36941/mjss-2021-0047.

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The research study aims to examine the impact of movies on tourism among Egyptian youth by studying the different genres of movies and the different types and forms of tourism besides applying infotainment to discover the elements of information and entertainment in movies which encourage the youth to travel. A survey is conducted of a disproportionate stratified sample of 500 Egyptian university students divided equally between private and public universities and between males and females who have passion for traveling, travel at least once a year and are members of travel Facebook groups. The results show that Egyptian and non-Egyptian movies encourage Egyptian university students to travel abroad. The most popular types of movie-induced tourism among the youth are traveling to destinations portrayed in movies, organized tour of portrayed locations, tour of studio sets and movie-themed park. The findings indicate that movie- induced tourism is affected by movies' infotainment. Received: 22 July 2021 / Accepted: 28 September 2021 / Published: 5 September 2021

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Muchiri, Justus. "The Effects of Displacement of Movie Setting on Tourists Satisfaction with Movie Induced Tourism." Ottoman Journal of Tourism and Management Research 3, no. 3 (November 30, 2018): 318–31. http://dx.doi.org/10.26465/ojtmr.2018339513.

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Hoorina, Jessica, and Vishnuvardhana Soeprapto. "THE IMPACT OF INDONESIAN FILM TOWARDS PROMOTING RANU KUMBOLO LAKE IN EAST JAVA, INDONESIA." Emerging Markets : Business and Management Studies Journal 2, no. 2 (March 13, 2018): 30–42. http://dx.doi.org/10.33555/ijembm.v2i2.23.

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A phenomenon called film-induced tourism which lately been increasing the amount of visitor towards a destination that appear through a movie. Watching movie is an intangible visual experience, but it could be change into an actual experience by visiting the film locations. It will give tourist an involvement and recreate their own feeling by experiencing themselves into a destination. In this research, evaluate the correlation of film-induced tourism towards the effectiveness of promotional destination tool. By using a novel-based movie from Indonesia, ‘5 Cm’ movie and Ranu Kumbolo Lake, which is located in Mount Semeru in East Java, Indonesia; as the location which will be promoted as the result of watching ‘5 Cm’ movie. The research methods will be using quantitative data and also questionnaires as research techniques. This research shows a strong relationship between film-induced tourism and the effectiveness of promotional destination tool, which shown by Structural Equation Modeling (SEM).

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Suni, Jarno, and Raija Komppula. "SF-Filmvillage as a Movie Tourism Destination—A Case Study of Movie Tourist Push Motivations." Journal of Travel & Tourism Marketing 29, no. 5 (July 2012): 460–71. http://dx.doi.org/10.1080/10548408.2012.691397.

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Metcalf, Brian, Cathrine Linnes, Jerome Agrusa, and Joseph Lema. "Film Tourism In Norway: The Effect Fictional Characters Have On Tourism." International Business & Economics Research Journal (IBER) 17, no. 2 (March 27, 2018): 21–34. http://dx.doi.org/10.19030/iber.v17i2.10144.

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The impact Walt Disney’s animated film Frozen is having on Disney’s bottom line and on tourism within Norway is highlighted. Although Frozen takes place in fictional Arendelle, movie producers incorporated Norwegian inspired scenery, imagery, and culture. Using a bi-lingual survey (English and Norwegian), we analyzed how the movie has increased travel in Norway, who appears to be most influenced to consider Norway as a travel destination, compared attitudes of film audiences in the U.S., Norway, and other countries on a variety of related factors, and provide suggestions concerning marketing connections to the movie Frozen in an attempt to further boost tourism within Norway.

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Michael, Noela, Sreejith Balasubramanian, Ian Michael, and Anestis Fotiadis. "Underlying motivating factors for movie-induced tourism among Emiratis and Indian expatriates in the United Arab Emirates." Tourism and Hospitality Research 20, no. 4 (March 26, 2020): 435–49. http://dx.doi.org/10.1177/1467358420914355.

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This study explores the underlying motivating factors of Emiratis and Indian expatriates to visit destinations featured in movies. The results revealed a five-factor structure for Indians: novelty, fantasy-driven, personal connection, prestige and movie connection, vis-à-vis a three-factor structure for Emiratis: novelty, fantasy-driven and personal connection with the movie location. An analyses of variance analysis (ANOVA) showed significant differences in the individual mean scores of items, with the exception of novelty. Regarding gender, while no significant differences were found between the male and female Indian expatriate populations across all factors and underlying items, differences for some items were observed between male and female Emiratis, with male participants demonstrating higher motivation than female participants. These findings support the notion that the underlying factors influencing movie-induced tourism differ between cultures, while the influence of gender was found to be limited. Overall, the study enhances the understanding of practitioners and policymakers tasked with attracting tourists to movie destinations.

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Saputra, Wawan, and Azis Slamet Wiyono. "THE ELEMENTS OF THE MOVIE “KALAM-KALAM LANGIT” AND ITS EFFECT ON VISIT INTENTION OF HALAL TOURISM DESTINATION: THE MEDIATION OF AFFECTIVE IMAGE AND COGNITIVE IMAGE." Journal of Management and Islamic Finance 1, no. 1 (June 17, 2021): 14–31. http://dx.doi.org/10.22515/jmif.v1i1.3575.

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This study seeks to determine the effect of elements in the movie “Kalam-Kalam Langit” on the visit intention of halal tourism destinations through affective and cognitive image. This study employed a quantitative approach with 100 respondents whose specific criteria of have watched the movie “Kalam-Kalam Langit”. Questionnaires were distributed offline and online using Google Forms. Nonprobability sampling was used for sampling techniques. The data analysis method was multiple regression analysis and multiple testing employing SPSS version 2.3 to determine the relationship of independent and dependent variables through mediating variables. The results show that there is a positive and significant effect of elements in the movie on cognitive and affective images. The results also show that affective and cognitive images have a significant positive effect of the elements in the movie “Kalam-Kalam Langit” on the visit intention of tourist attractions in the movie. However, the results showed that the cognitive image and the affective image did not mediate the effect of the elements in the movie on the visit intention of tourism destinations.

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Kusumawardhana, Indra, and Ekky Imanjaya. "Film Tourism Indonesian Style: The Cases of Laskar Pelangi and Eat Pray Love." Communicare : Journal of Communication Studies 3, no. 2 (March 21, 2018): 9. http://dx.doi.org/10.37535/101003220162.

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Film-induced tourism becomes a new emerging issue in tourism and scholarly research for the last 10 years. London’s “Harry Potter” series and New Zealand’s “Lord of the Rings” are among the best practices of the trend. On the other hand, Indonesia is a country with many beautiful places to visit by both local and international tourists. The number of visitors increases significantly every year. However, there is no contribution from film industry, both from local or international production, related to this increasing numbers of tourists, not before national movie production “Laskar Pelangi, 2008” (Rainbow Troops, 2008) by Riri Riza, and international box office movie production “Eat, Pray Love, 2010”. The study research will discuss about film induced tourism issues in Indonesia, particularly on why and how the two films--so far, until recently, only those two films--became phenomenon in film tourism--and why other films did not.

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Fitriana, Rina, and Duta Fitriana Siregar. "Menggugah Kesadaran Pariwisata Pelajar SMU/SMK di Kabupaten Belitung melalui Kegiatan Tourism Goes to School." Bantenese - Jurnal Pengabdian Masyarakat 2, no. 1 (June 30, 2020): 14–25. http://dx.doi.org/10.30656/ps2pm.v2i1.2133.

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This article talks about an activity called Tourism Goes to School, a training of tourism consciousness and seven enchantments designed for High School Students. It is held in Students Hall of SMUN 1 Tanjung Pandan, Belitung. The purpose of this activity is to raise tourism consciousness and to socialize seven enchantments to the high school students in order to prepare them in dealing and interacting with the tourists. Along with the number of tourist visits that keeps increasing since few years ago, precisely since the boom of the movie titled Laskar Pelangi, the government of Belitung has developed its tourism sector, including by opening some new tourism objects and renovating existed attractions to fulfill the expectation of tourists. The method used in this community service is socialization, tutorial, discussion, and evaluation. The participant involved in the training was 100 students from grades 10 and 11 who came from several high schools around Tanjung Pandan, Belitung. The result of this training is that the participants understand what tourism consciousness and seven enchantment are, as well as how important the concepts in tourism and how to apply both into everyday life. Keyword: Human Resource in Tourism, Tourism Consciousness and Seven Enchantments, Tourism Goes to School, Belitung

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Peters, Mike, Markus Schuckert, Kaye Chon, and Clarissa Schatzmann. "Empire and Romance: Movie-Induced Tourism and the Case of the Sissi Movies." Tourism Recreation Research 36, no. 2 (January 2011): 169–80. http://dx.doi.org/10.1080/02508281.2011.11081317.

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Jewell, Bronwyn, and Susan McKinnon. "Movie Tourism—A New Form of Cultural Landscape?" Journal of Travel & Tourism Marketing 24, no. 2-3 (June 2008): 153–62. http://dx.doi.org/10.1080/10548400802092650.

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Lopez, Lucrezia, Enrico Nicosia, and Rubén Camilo Lois González. "Sustainable Tourism: A Hidden Theory of the Cinematic Image? A Theoretical and Visual Analysis of the Way of St. James." Sustainability 10, no. 10 (October 11, 2018): 3649. http://dx.doi.org/10.3390/su10103649.

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The attractiveness of a tourist destination is derived from multiple material and immaterial elements. Cinema is both a tourist communication channel and provides a target market for a destination. Many regions offer a great variety of potential locations desirable for their scenic beauty and artistic and monumental heritage. The main aim of this paper is to analyze the concept of sustainable tourism as a pillar of the contemporary cinematic discourse on pilgrimage routes, combining theoretical and empirical methodologies. It begins by analyzing how, given their power, images are narrative instruments that assume a true performative value of geographical reality. The research then focuses on the cinematographic space and visual cinematographic discourse. The case study is sustainable tourism along the Way of St. James (Spain). The material is a corpus of two documentary films. Their moviescapes highlight the presence of a sustainable filmic theorem within a potential cinematic genre—pilgrimage movies. Thus, this study contributes to the investigation of how sustainable pilgrimage tourism practices are used in cinematic production as a possible movie theorem. It presents a conclusive critical evaluation of the role and message of these moviescapes.

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Asero, Vincenzo, and Douglas Mark Ponton. "Film Tourism in South-Eastern Sicily: In the Footsteps of Inspector Montalbano." ATHENS JOURNAL OF TOURISM 8, no. 3 (September 2, 2021): 163–76. http://dx.doi.org/10.30958/ajt.8-3-2.

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This study focuses on film tourism on the island of Sicily, in the context of the popular television series, Montalbano. Since the series began, there have been increases in tourist flows in the towns most directly interested. Although it is impossible to say that the Montalbano series is directly responsible for these phenomena, it has succeeded in bringing visibility to the territories and landscapes of the area. In the tourist sector, there are now abundant possibilities for fans to participate in movie tours. The apparent success of the series and its tourist spin-offs can be problematised, therefore, since it raises questions about authenticity from the perspective of the subjectivity of the tourists. Authenticity, for a tourist on a ‘Montalbano tour’, relates more to the desire to explore a virtual reality than to the traditional attractions of the places. The issue of authenticity has contrasting implications for the areas involved. The location of ‘Vigata’, a fictional creation of author Andrea Camilleri, has become an issue, as towns compete for a share of the rapidly evolving tourist market, engaging in attempts to demonstrate authentic traces of the fictional context. The paper explores these issues from an interdisciplinary, mixed methods perspective that combines insights from the fields of Economics and Linguistics. Data are analysed in terms of the multimodal and discourse-pragmatic dimensions of the interpretation of image-texts. Keywords: Montalbano, film tourism, framing, multimodality, destination branding

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Busby, Graham, and Julia Klug. "Movie-induced tourism: The challenge of measurement and other issues." Journal of Vacation Marketing 7, no. 4 (October 2001): 316–32. http://dx.doi.org/10.1177/135676670100700403.

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Kimber, Simon, JingJing Yang, and Scott Cohen. "Performing love, prosperity and Chinese hipsterism: Young independent travellers in Pai, Thailand." Tourist Studies 19, no. 2 (March 14, 2019): 164–91. http://dx.doi.org/10.1177/1468797619833367.

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Young independent Chinese travellers are increasingly visiting Pai, a small town in northern Thailand, in part influenced by the popularity of the 2009 Thai movie Pai in Love. Using a performance perspective, combined with theory on affordances, which have not yet been applied in the growing body of research on Chinese tourists, this article examines the wide variety of performances in Pai by young independent Chinese travellers, many of which revolve around tourist photography. Drawing upon participant observation and in-depth interviews with Chinese travellers in Pai, the findings reveal that many young Chinese independent traveller performances in Pai revolve around the creation of online self-identities of prosperity and globalisation, love and alternative social identities such as Chinese hipsterism or Xiao Qing Xin. Central to many of these hybrid performances is the digital camera, which affords new, more playful, embodied ways of encountering and interacting with tourist attractions, while simultaneously offering a means of recording and refining performances that are then distributed via the ‘statusphere’. The article’s use of a performance lens provides new insights into Chinese tourism consumption, and highlights the importance of physical, material and social affordances in performing tourism.

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Rahmad, Yogi, Desi Yulastri, and Hendro Saptopramono. "The Making of English Subtitle for Profile Movie of Padang Pariaman Regency by Using The Aegisub Application." Journal Polingua : Scientific Journal of Linguistics, Literature and Education 7, no. 1 (February 13, 2019): 1–7. http://dx.doi.org/10.30630/polingua.v7i1.62.

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This report discusses the process of making English subtitle by using the Aegisub application for profile movie of Padang Pariaman Regency produced by local government. The aims of making the English Subtitle for the profile movie is to influence the foreigners to visit Padang Pariaman as the tourism destination and to make this place well known worldwide. The profile movie tells the hidden potential sectors of Padang Pariaman, including tourism spots, farm, plantations, marine resources, hospitality, culture and customs. There are three stages conducted in the process of making the English subtitle. The stages are transcription, translation, and subtitling. The transcript of the profile movie consist of 1200 words with 14 minutes, 36 seconds in duration. The translation process, methods, and procedures are applied. There are several procedures used in the translation stage such as transference, descriptive equivalent, modulation, transposition, and recognized translation Then, the English subtitle is created by using Aegisub application. So the result of this project is a new profile of Padang Pariaman Regency with the English subtitle. Hopefully, this profile movie can be understood by foreigners who have great interest to become potential visitors in the future.

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Irimiás, Anna. "Missing Identity: Relocation of Budapest in Film-induced Tourism." Tourism Review International 16, no. 2 (November 1, 2012): 125–38. http://dx.doi.org/10.3727/154427212x13485031583902.

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The Hungarian capital city has been the protagonist or at least the supporting actress of numerous feature films; however, Budapest cannot be identified with a unique image to promote herself in film-induced tourism. The visual representations of the city's symbolic economy play an important role in the creation of place identity. The purpose of this study is to analyze the identity of Budapest and its cultural landscape depicted in international and Hungarian movie productions. The article highlights the consequences of this specific use of the urban place and how these images can influence Budapest's role in film tourism. In order to explore the potential of Budapest in the film tourism niche market, an analysis of tourists' perception of the capital city and tourists' attitude towards film-induced tourism was undertaken. The results of the visitor survey show that international tourists staying in Budapest would be interested to discover the film locations in the city; however, they were not able to link the titles of films set in Budapest to the real film location. Hosting international film productions clearly has a positive impact on the economy as a whole, but tourism destination marketing cannot benefit from the motion pictures' success when Budapest interprets somewhere else.

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Pérez García, Álvaro, Ignacio Sacaluga Rodríguez, and Alberto Moreno Melgarejo. "The Development of the Competency of “Cultural Awareness and Expressions” Using Movie-Induced Tourism as a Didactic Resource." Education Sciences 11, no. 7 (June 24, 2021): 315. http://dx.doi.org/10.3390/educsci11070315.

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Competence in “Cultural awareness and expressions” requires very stimulating activities for its development, and cinema can be used as an interesting enhancer of educational action. The educational potential of the so-called movie-induced tourism, which has increased in recent years thanks to the impact of major productions such as The Lord of the Rings, Star Wars or Game of Thrones, could bring extra motivation when developing any competency including the aforementioned one. This article aims to suggest some keys on film tourism as a didactic resource and how destinations might capitalize on it through entrepreneurship. In doing so, educational establishments located within film destinations can carry out projects in this sense to work on the competence of “Cultural awareness and expressions”. Thus, an example of didactic programming will be offered based on the creation of new tourist businesses to take advantage of Lord of the Rings saga filming in San Juan de Gaztelugatxe (Vizcaya, Basque Country, Spain).

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Ágnes, Urbánné Treutz, Horváth Ádám, Gyenge Balázs, and Szabó Zoltán. "Movie Induced Tourism and Its Effects on Settlements, a Literature Study." SocioEconomic Challenges 2, no. 3 (2018): 26–36. http://dx.doi.org/10.21272/sec.3(2).26-36.2018.

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Lopes, Rafael de Figueiredo, Wilson de Souza Nogueira, and Maria Luiza Cardinale Baptista. "Imaginary, Movies and Tourism: A Travel trough Cultural Stereotypes Associated with Brazil in the Movie Rio 2." Revista Rosa dos Ventos - Turismo e Hospitalidade 9, no. 3 (July 10, 2017): 377–88. http://dx.doi.org/10.18226/21789061.v9i3p377.

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Purba, Parlindungan, Samerdanta Sinulingga, Riko Andika Rahmat Pohan Pohan, and Achmad Husein Siregar. "Making instagram film to improve sales of wooden and bamboo basic products products sanggar arts nggara simbelin in village Lingga Karo district." ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat 4, no. 2 (December 12, 2019): 723–34. http://dx.doi.org/10.32734/abdimastalenta.v4i2.4220.

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In the context of tourism, supporting facilities such as shops / souvenir businesses has a strategic position in its existence, because it is ‘secondary travel needs’. This secondary travel needs are produced and marketed by a an art studio called Nggara Simbelin art studio located in Lingga village. This art studio is the supporting for tourism existence in the Karo District to date, which has been providing souvenirs based on wood, however this souvenir business has various problems. One of which is marketing,it is weak so that it sometimes results in a build-up of goods of those souvenir in the warehouse. During the 4.0 industrial revolution, information is not only as needs however it has become a primary need for millennials today, and nature and local creativity are highly valued interests for tourists. Therein lies the opportunity, where in this research will be packed as an advertisment in the form of a film teaser to support business marketing souvenir so that it can become a commodity information for millennial tourists who visited tourist sites in the Karo District. The movie teaser is expected to increase sales of souvenir products made from wood from Nggara Simbelin art studio in Lingga Village. This study uses the science of phenomenology, participant observation techniques, with data analysis: (1) data reduction; (2) presentation data; and (3) drawing conclusions / verification. The making of tourism films in this study uses 2 theories, a secondary theory, namely: the theory of film making with 3 working indicators: pre-production, production and postproduction of films, while the primary theory is: film theory as a tourism promotion media with 4 working indicators: color, features, properties and ratios. The results of the application of the seven working indicators of the theory produces a true tourism film as a tourism promotion media. From this research, the next study we will examine how is the impact of this advertisment on the sale of wooden souvenirs for the Nggara Simbelin art gallery.

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Jose Paul, Neha Itty. "Critical Analysis of Slum Tourism: A Retrospective on Bangalore." Atna - Journal of Tourism Studies 11, no. 2 (July 1, 2016): 95–113. http://dx.doi.org/10.12727/ajts.16.6.

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Slum tourism is a relatively unknown and controversial niche tourism segment. This form of tourism is mainly found in small pockets around the so-called third world. Slum tourism is famous in the Kibera slum in Nairobi and the Rochina slum in Rio de Janeiro. The largest slum in Asia, the Dharavi slum, became popular notably through the release of the Oscar-winning movie “Slumdog Millionaire” which highlighted the slum in Mumbai and thus brought the much-needed limelight on slum tourism otherwise known as poverty tourism. Slum tourism is the act of visiting low-income settlements also known as Favelas or simply as slums. Slum tourism has received mixed reviews of both a positive and negative character. A negative approach due to the very reason of it being seen as a means of showcasing the poor for the benefit of inquisitive tourists and critics say this form of tourism is voyeuristic and leads to the ill-treatment of slum dwellers. However, slum tourism can also lead to positive outcomes if managed in a sustainable manner it can develop employment opportunities for the slum dwellers. This paper deals with whether or not slum tourism has the potential of being developed in Bangalore, to find out if the much hype about slum tourism in Mumbai has created any demand for this niche market in Bangalore. A quantitative research methodology is used to investigate the matter. A survey and correlation analysis were conducted to delve into slum tours perspective of customers and travel agents of Bangalore. Findings of the study reveal that the potential customers or tourists are keen on taking such tours where as travel agents do not conduct slum tours as the profit margins are low.

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Soligo, Marta, and David R. Dickens. "Rest in Fame: Celebrity Tourism in Hollywood Cemeteries." Tourism Culture & Communication 20, no. 2 (July 3, 2020): 141–50. http://dx.doi.org/10.3727/109830420x15894802540214.

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This research is a critical study of tourism at four cemeteries in the Los Angeles area between 2013 and 2019: Hollywood Forever, Forest Lawn in Glendale, Forest Lawn in Hollywood, and Pierce Brothers Westwood Village Memorial Park Cemetery. We examined these venues through the lens of celebrity tourism, since they are known as "Hollywood memorial parks," hosting the graves of some of the most famous stars in the world. Through participant observation, informal conversations, and content analysis of texts we aimed to understand how the relationship between these venues and the entertainment industry works as a "pull factor" for tourists. Our data collection and analysis led to three main findings. Firstly, we identified the motivations behind the increasing number of tourists who add Los Angeles cemeteries to their must-see list. Although scholars often define cemeteries as dark tourism destinations, our investigation shows that Hollywood memorial parks are more related to celebrity tourism. Secondly, employing the notion of "cult of celebrity," we described how the experience of tourists visiting their favorite celebrity's grave can be seen as a modern pilgrimage centered on a collective experience. Thirdly, we analyzed the cemetery as a commodity in which executives work to promote the site as the perfect location where one can spend the "eternal life." In this sense, we also investigated how memorial parks are often used as venues for cultural events, attracting a large number of tourists. As described in the findings section, initiatives such as movie screenings and guided tours transform cemeteries into much more than just peaceful places where to honor the dead, becoming venues for both commodification and spectacle.

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Ponton, Douglas Mark, and Vincenzo Asero. "The Montalbano effect: re-branding Sicily as a tourist destination?" On the Horizon 23, no. 4 (November 9, 2015): 342–51. http://dx.doi.org/10.1108/oth-05-2015-0014.

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Purpose – The purpose of this study is to focus on movie tourism, specifically on the “Montalbano effect”, which has seen increments in tourist visits to Sicilian sites featuring in the episodes of the popular TV series. It explores the concepts of genre and evaluative language in websites offering Montalbano tours in Sicily in an interdisciplinary perspective, aiming to combine insights from Tourism and Linguistics to analyse the phenomenon. Design/methodology/approach – The language of two corpora, one consisting of sites offering traditional Sicilian tours and another of sites devoted to Montalbano, is analysed in terms of genre and evaluative language. Findings – The study shows an emerging genre and genre hybridity that, it is suggested, are in response to market trends and may represent beginnings of a re-branding of Sicily as a tourist destination, away from past negative stereotypes associating the island with organised crime. Originality/value – The interdisciplinary aspect of the study represents a significant step towards a wider involvement of different disciplines in understanding an important social phenomenon.

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Leotta, Alfio. "‘This isn’t a movie . . . it’s a tourism ad for Australia’: The Dundee campaign and the semiotics of audiovisual tourism promotion." Tourist Studies 20, no. 2 (December 19, 2019): 203–21. http://dx.doi.org/10.1177/1468797619894462.

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This article proposes a theorization of audiovisual media promotion as a distinct media field. Despite their omnipresence, very few scholars have examined the aesthetic, thematic and institutional characteristics of tourism films, commercials and promotional videos. The field of tourism audiovisual promotion poses a significant conceptual challenge as it consists of a vast array of diverse media texts and aesthetic forms. Such vast aesthetic differences, along with the different promotional potential associated with each of these forms, complicate any straightforward definition of this media field. This article will use the analysis of a recent case study – the Dundee campaign launched by Tourism Australia in 2018 – to develop a theorization of audiovisual tourism promotion. In particular, it will argue that the meaning and function of tourism audiovisual promotional texts are determined by a ‘discursive framework’ which, in turn, is informed by converging textual and contextual factors.

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Mitta, Nitin, and G. Anjaneyaswamy. "Film Induced Tourism: A Study in Indian Outbound Tourism." Atna - Journal of Tourism Studies 8, no. 2 (July 1, 2013): 37–54. http://dx.doi.org/10.12727/ajts.10.3.

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It is widely believed that nothing unites India more than Cricket and Bollywood. Indian spending on foreign travel has increased to four fold as compared to that in the year 2000. While entire Europe and USA are still struggling to come out of recession, as per an estimate, Indian travellers are expected to grow to 50 million from 9 million. These statistics have enticed tourism boards across the world to find multiple avenues to have maximum share of this ever growing pie. Indian middle class is riding high on its growing affluence, and is exploring new locales and destinations to satisfy its craving for the distinct holiday experience. Indian outbound market is sending strong growth signals to the Tourism Boards and National Tourism Boards (NTBs) globally, who have been experimenting for novel ways to tap this market within their restricted resources. Recent studies by global researchers have established the positive influence of films, on people‟s travel decisions, especially to the respective locations and destinations featured on the silver screen. With its glossy and larger than life portrayal in the films, some of these destinations have successfully captured the imagination of movie goers and enticed them to visit the places where films are believed to be shot. Unlike the promotional films made for tourism boards, films are considered more authentic as coming from a third party, hence portrayed with a neutral approach. Through this paper, we have tried addressing the concerns in quantifying the impact of film-induced tourism. We have also covered the factors responsible for hindrance or limiting the impact on destination promotion, which was shown in the particular film.

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Di Cesare, Francesco, Anthony A. La Salandra, and Elena Craparotta. "Films and Audiovisual Potentiality in Tourism Destination Promotion: A European Perspective." Tourism Review International 16, no. 2 (November 1, 2012): 101–11. http://dx.doi.org/10.3727/154427212x13485031583867.

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The audiovisual medium represents a tool that is able to influence the perception and the decision-making process of a large potential tourist demand. This can be commonly observed but is also confirmed, year by year, by a wide variety of empirical research studies worldwide. In some of them it emerged that the mere portrayal of a destination in an audiovisual production is not enough to reap the benefits of film-induced tourism. Tourism destinations need to work proactively to orient this phenomenon and to promote their territory and resources, among a whole and articulated destination strategy. In recent years, several tourism organizations worldwide recognized the opportunities associated with film tourism, but the lack of a clear strategy allowing the destination to benefit from such opportunities has often resulted in missing good chances. It is still unclear how much tourism development managers believe in the potential of audiovisual productions as a tool to be included in their destination management and marketing strategy. Furthermore, it is not clear whether such destination managers consider audiovisual and film productions among their tourism promotion tools at all. This article's aim is to shed light on this situation. In order to understand what is, or is not, happening, a significant and heterogeneous panel of 30 European tourism destinations has been surveyed with a quantitative research approach through a questionnaire-based web survey. It emerged that, as indicated by 100% of the respondents, European destination managers are aware of the relationship between film and tourism and mostly keen to work on it. But it is also possible to notice—among the results—that it seems movie-induced tourism is used just through sporadic attempts and therefore not approached in a strategic way. The survey explores both existing attitudes towards the phenomenon, and the commitment to develop it, using film in tourism communication strategies. The results of this article provide a new foundation for further research, as well as operative suggestions for worldwide tourism professionals committed to tourism development.

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Quintal, Vanessa, and Ian Phau. "The role of movie images and its impact on destination choice." Tourism Review 70, no. 2 (June 15, 2015): 97–115. http://dx.doi.org/10.1108/tr-03-2014-0009.

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Purpose – This study aims to examine whether movies are pivotal in developing empathy, nostalgia, perceived risk, place familiarity and place image that can shape viewer attitude towards and intention to visit a place. Design/methodology/approach – Data were collected from two sample frames of patrons at a large cinema chain located in a major shopping centre in Perth, Western Australia. The experimental group watched the romantic comedy, Friends with Benefits. The control group watched the romantic comedy, Desi Boyz which is set in London and India and is not associated with New York. A quota for data collection was set at 230 subjects in each group. The two groups watched their movies concurrently in different theatres at the same cinema chain in the same shopping centre. Subjects in both groups were asked for their responses to New York immediately after viewing the movie. Findings – In an experimental study, subjects who watched a romantic comedy set in New York had significantly higher empathy, place familiarity, attitude towards and intention to visit New York and significantly lower performance/financial risk associated with visiting New York than the control group. However, perceived risk played no significant role in influencing place familiarity in the experimental group, whereas nostalgia played no significant role in influencing place familiarity in the control group. Originality/value – The proposed decision-making framework provides academics with theoretical underpinning for future empirical tourism studies in the research area. The findings also encourage more collaboration between government, movie producers, destination management organisations and marketers to deliver a movie that provides consistent branding in its story, location and product placement strategies.

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Suyanto, M. "Developing a New Tourism Form: Case Study on the Animated Movie Battle of Surabaya." International Journal of Control and Automation 12, no. 8 (August 31, 2019): 21–32. http://dx.doi.org/10.33832/ijca.2019.12.8.03.

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Korstanje, Maximiliano E. "Open roads, closed borders: The contemporary French-language road movie." Annals of Tourism Research 44 (January 2014): 293–94. http://dx.doi.org/10.1016/j.annals.2013.08.005.

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Tillonen, Mia. "Constructing and Contesting the Shrine: Tourist Performances at Seimei Shrine, Kyoto." Religions 12, no. 1 (December 28, 2020): 19. http://dx.doi.org/10.3390/rel12010019.

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Japanese Shinto shrines are popular pilgrimage sites not only for religious reasons, but also because of their connections to popular culture. This study discusses how tourism is involved in the construction of the shrine space by focusing on the material environment of the shrine, visitor performances, and how the shrine is contested by different actors. The subject of the study, Seimei Shrine, is a shrine dedicated to the legendary figure Abe no Seimei (921–1005), who is frequently featured in popular culture. Originally a local shrine, Seimei Shrine became a tourist attraction for fans of the novel series Onmyōji (1986–) and the movie adaptation (2001). Since then, the shrine has branded itself by placing themed statues, which realize the legend of Abe no Seimei in material form, while also attracting religious and touristic practices. On the other hand, visitors also bring new meanings to the shrine and its objects. They understand the shrine through different kinds of interactions with the objects, through performances such as touching and remembering. However, the material objects, their interpretation and performances are also an arena of conflict and contestation, as different actors become involved through tourism. This case study shows how religion and tourism are intertwined in the late-modern consumer society, which affects both the ways in which the shrine presents and reinvents itself, as well as how visitors understand and perform within the shrine.

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Ádám, Horváth, and Gyenge Balázs. "Movie Consumption Related Trends And Countertrends In Consumer Behavior." SocioEconomic Challenges 5, no. 1 (2021): 79–88. http://dx.doi.org/10.21272/sec.5(1).79-88.2021.

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This paper aims to collect and study the various trends related to cultural consumption, more specifically behaviors reflecting in movie related consumption and choice (influencing both the habits of movie consumption and the related decision making). The paper summarizes and explores these trends from all major levels: the long term scaling ‘megatrends’ which appear on a global scale (and have major, interconnecting effects that may be perceived over a longer time period); the lower timescale, albeit more relevant ‘trends’ (which already stars to influence and merge into the everyday life of consumers) and their so-called ‘countertrends’ that might appear after reaching a certain threshold (along with certain previous trends’ reemergence), and the ‘latest trends’ where even yearly changes and shifts could be shaping the near future (even before affecting the majority of societies). The main purpose of the study is to systemize the literary sources and approaches to trends from the viewpoint of cultural consumption, through the format of literature study, with the focus point and relevance of this compilation being the movie- and movie related consumption. The paper is carried out under the logical structure of exploring trends and their realization in movie consumption, examining both the generally accepted megatrends (such as the effects of technological progress or the changing pace of life) and also such unique phenomena as movie related aspects of comfort orientation, experiences deemed evident by the consumers, movie induced tourism (due to the popularity of filming locations), or even trends related to movie genres and their popularity. Additionally, the study also seeks to find out how certain trends may elicit their own countertrends through strengthening to the point where the opposite effects start to emerge as well. The results of the study can be useful for marketers to have a better grasp on the movie industry trends and especially for researchers, as it provides an important opportunity to better understand movie consumption and behavior of audiences, which may follow larger overlapping trends.

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Sarzyńska, Anna. "Jedz, módl się, kochaj… podróżując. Analiza zjawiska turystyki kulinarnej." Kultura Popularna 2, no. 56 (June 29, 2018): 110–22. http://dx.doi.org/10.5604/01.3001.0012.1141.

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In recent years, the dynamic development of tourism has been remarkable. Nowadays, it plays a very important economic, political and social role. This has been noticed by the film industry. Different types of tourism are subject of an increasing number of films. One of the examples is a movie Eat, Pray, Love (2010, directed by Ryan Murphy), in which the topic of culinary tourism is of great importance. The purpose of this paper is to analyze the representations of the food presented in this film, from the perspective of its meaning during the journey. In this peculiar situation, food is a kind of prop, helpful in meeting new people. Cooking and eating together is conducive to the tightening of social ties. Lastly, savoring the regional cuisine can be a multisensory experience, bringing great pleasure and influencing the overall impression of the trip.

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Sudhagar, D. P. "A critical review analysis about the movie Ratatouille and its impact on culinary tourism." International Journal of Qualitative Research in Services 3, no. 1 (2018): 70. http://dx.doi.org/10.1504/ijqrs.2018.091564.

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Sudhagar, D. P. "A critical review analysis about the movie Ratatouille and its impact on culinary tourism." International Journal of Qualitative Research in Services 3, no. 1 (2018): 70. http://dx.doi.org/10.1504/ijqrs.2018.10012621.

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Rakic, Tijana, and Donna Chambers. "Researcher with a movie camera: visual ethnography in the field." Current Issues in Tourism 12, no. 3 (May 2009): 255–70. http://dx.doi.org/10.1080/13683500802401972.

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Simmon, Scott. "Beyond Hollywood." Boom 1, no. 4 (2011): 69–75. http://dx.doi.org/10.1525/boom.2011.1.4.69.

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California’s forgotten movie heritage is on view in the National Film Preservation Foundation’s Treasures 5: The West, 1898-1938 DVD set. Included among the 40 films are such fictional ones as The Sergeant (1910, the first surviving narrative film shot in Yosemite), Salomy Jane (1914, from the San Francisco-based California Motion Picture Corp.) and Over Silent Paths (1910, shot in the San Fernando Valley when it was still a desert). Even more revealing are the nonfiction types, including Romance of Water (1931, from the L.A. Department of Water and Power), Sunshine Gatherers (1921, from Del Monte), and two 1916 travelogues that document the beginning of auto tourism: Seeing Yosemite with David A. Curry and Lake Tahoe, Land of the Sky. These once-forgotten films stand as testimony to the complexity of the West—as a concept, a landscape, a borderland, a tourist destination, a burgeoning economy, and an arena for clashing cultures.

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Anderson, Carolyn. "Cold war consumer diplomacy and movie-induced Roman holidays." Journal of Tourism History 3, no. 1 (April 2011): 1–19. http://dx.doi.org/10.1080/1755182x.2011.575953.

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Pinto, Paulo Tormenta. "Cassiano Branco. Modern Visions of an “Inconvenient” Architect." Modern Lisbon, no. 55 (2016): 30–37. http://dx.doi.org/10.52200/55.a.v6it95op.

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Cassiano Branco (1897-1970) belonged to the pioneer generation of modern Portuguese architects, who worked during the years of the dictatorship. During the 1930s, Cassiano produced an anti-conservative and eloquent architecture, contrasting with the guidelines of the regime. The discomfort about his personality came also from his ideological opposition to the government. Among his peers he has been considered “an exception to the rule”, working, mainly for private investors, on programs for rental housing, movie theaters and tourism facilities, which were built along the boulevards of Lisbon or in the natural and intact regional areas of Portugal.

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Gonçalves Alencar, Débora, Marina Lima dos Santos, and Rodrigo Guissoni. "Creative Economy, Cinema and Tourism: a study about the movie "Os Xeretas” in the city of Castro/ Paraná – Brazil." Revista de Turismo Contemporâneo 9, no. 1 (December 11, 2020): 104–25. http://dx.doi.org/10.21680/2357-8211.2021v9n1id20709.

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Os setores que correspondem às indústrias criativas, como o audiovisual, contribuem para as atividades turísticas. Este artigo apresenta uma relação direta entre esses setores por meio da imagem, da comunicação com o mercado, para estabelecer através da criatividade as relações entre o cinema (como a produção cinematográfica) e o cenário (como o destino turístico), além de fornecer novos recursos para a localidade, servir como exemplo ou modelo a ser seguido por outros destinos-cenário. Este artigo tem uma abordagem qualitativa e descritiva. Para entender o desempenho entre turismo e cinema, cujos elementos atribuem novos aspectos econômicos, sociais e culturais a um local após a produção do filme, esta pesquisa apresenta um estudo de caso do filme "Os Xeretas" (2001) gravado na cidade de Castro, estado de São Paulo. do Paraná - Brasil. Como resultado, houve a identificação de oportunidades para a cidade, como o incentivo ao desenvolvimento local, por meio do envolvimento entre pessoas, produtos e ambientes criativos entendidos como aspectos favoráveis à promoção do turismo. Palavras-chave: Turismo. Cinema. Indústria Criativa. Desenvolvimento Local. Paraná - Brasil.

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Michelmann, Judith. "Re-Organizing Cultural Values: Vers le Sud by Laurent Cantet." CINEJ Cinema Journal 1 (October 6, 2011): 148–58. http://dx.doi.org/10.5195/cinej.2011.19.

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Cantet's movie “Vers le sud/ Heading South“ (2005) explores cultural stereotypes and values without being moralizing in a common sense. His drama deals with female sex tourism, political and social violence, power and money in such a way that people are tempted to judge the protagonists: Their desire for young black men is called “embarrassing“, they are seen as corrupting and as actors in a new kind of imperialism. In fact the images in the film organize characters in a certain kind of dualism which leads easily to these argumentations. But having a look at the cultural values that produce the disgust, we see that they are all open to question.

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González Conde, Alba, Noelia Araújo Vila, and Lorena Rodríguez Campo. "Turismo cinematográfico: la conquista online de nuevos mercados." ROTUR. Revista de Ocio y Turismo 9, no. 1 (July 30, 2015): 17–34. http://dx.doi.org/10.17979/rotur.2015.9.1.1337.

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El turismo cinematográfico o movie-induced tourism es un nuevo tipo de turismo surgido a finales del siglo XX que, en muy poco tiempo se ha convertido en todo un fenómeno a nivel mundial. Las Film Commission junto con las Destination Management Organization (DMO) cuentan con herramientas como las rutas cinematográficas y los movie maps para atraer al máximo número de turistas posibles antes, durante y después de que un rodaje se haya realizado en su territorio. El objetivo principal de esta investigación es conocer el grado de implicación y eficacia comunicacional interactiva que las DMO tienen con respecto a la promoción del turismo cinematográfico. El instrumento empleado para lograr el objetivo propuesto se basa en el estudio de las páginas web de las distintas DMO europeas seleccionadas, mediante la técnica de análisis de contenido, considerando las características de usabilidad, funcionalidad e interactividad. Los resultados indican que la mayoría de los sitios web analizados poseen una eficacia media o baja a la hora de transmitir una comunicación interactiva y un adecuado contenido de la información para el usuario, salvo Reino Unido, seguida de Suecia, Austria, España y Malta.

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Im, Holly Hyunjung, and Kaye Chon. "An Exploratory Study of Movie‐Induced Tourism: A Case of the MovieThe Sound of Musicand Its Locations in Salzburg, Austria." Journal of Travel & Tourism Marketing 24, no. 2-3 (June 2008): 229–38. http://dx.doi.org/10.1080/10548400802092866.

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Losada, Nieves, and Gonçalo Mota. "'Slow down, your movie is too fast': Slow tourism representations in the promotional videos of the Douro region (Northern Portugal)." Journal of Destination Marketing & Management 11 (March 2019): 140–49. http://dx.doi.org/10.1016/j.jdmm.2018.12.007.

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Aunoble, Eric. "Behind and Beyond Lenin and Dzerzhinskiy: Soviet-Polish Cooperation in Historical-Revolutionary Cinema (1960s–1980s)." Connexe : les espaces postcommunistes en question(s) 5 (October 23, 2020): 119–38. http://dx.doi.org/10.5077/journals/connexe.2019.e254.

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Lenin and Dzerzhinskiy were the most promoted “divinities” in Soviet popular culture. The two leaders also had valuable characteristics for propagandising the “friendship of peoples” between the Soviet Union and the People’s Republic of Poland: Lenin had lived two years in the Krakow region whereas Polish revolutionary Dzerzhinskiy became a statesman in Soviet Russia. Between the 1960s and 1980s, Soviets and Poles coproduced three movies featuring Lenin and Dzerzhinskiy as transnational heroes: Lenin in Poland, by Sergey Yutkevich and Evgeniy Gabrilovich (1966), No Identification Marks (1979–1980) and Fiasco of Operation “Terror” (1981–1983) by Anatoliy Bobrovskiy and Yulian Semënov. The paper considers the interactions between Soviet and Polish professionals during the preparation, the shooting, and the release of these movies as examples of the “Statesocialist Mode of Production” and of its “micro-politics” (Szczepanik 2013). In the 1960s, Soviets and Poles officially got along well at the ideological level. Yet a muffled antagonism continued about the representation of their nation. In the late 1970s and early 1980s, revolutionary history about Dzezhinsiy was a mere setting for mainstream movies. Once political issues had been driven to the background, the professional advantage of joint movie productions became more obvious. Co-production offered professionals multiple opportunities: to enjoy tourism abroad, go shopping, improve skills by working with foreign colleagues and cutting-edge technologies. Although the involvement of some might have been motivated by personal interests, both countries ended up benefiting from the joint projects.

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Wong, IpKin Anthony, Yang Carol Song, and Chi Zhang. "Not all films are created the same: understanding the cross-level effect of movie ratings on destination image creation." Journal of Travel & Tourism Marketing 38, no. 4 (April 29, 2021): 356–67. http://dx.doi.org/10.1080/10548408.2021.1921097.

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Journal articles on the topic 'Movie tourism'

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